Products Archive - TCS Cameras and Lenses

0.75-90fps -- LF Open Gate ARRIRAW (4448 x 3096)
0.75-60fps -- LF Open Gate ProRes 4444, 422HQ, 422 (4448 x 3096)
0.75-40fps -- LF Open Gate ProRes 4444 XQ (4448 x 3096)
0.75-90fps -- LF 16:9 UHD ARRIRAW (3840 x 2160)
0.75-60fps -- LF 16:9 UHD ProRes 4444 XQ, 4444, 422HQ, 422 (3840 x 2160)
0.75-150fps -- LF 2.39:1 ARRIRAW (4448 x 1856)
0.75-100fps -- LF 2.39:1 ProRes 4444, 422HQ, 422 (4448 x 1856)
0.75-60fps -- LF 2.39:1 ProRes 4444 XQ (4448 x 1856)
*** Framerates based on SXR Capture Drive media capabilities. Other media types may have lower framerate capabilities.

Record Codecs:

Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

Color Depth:

12-bit or 10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

Log C
Rec 709
Rec 2020

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex SXR Capture Drives

Internal ND Filtration:

Yes, w/ LF FSND set
(available upon request)

Product Highlights
- Exposure Index 160-3200
- 36.70 x 25.54 mm, 44.71 Ø ALEV III sensor (A2X layout)
- 4448×3096 maximum capture resolution
- Up to 150 fps
- New LPL Lens Mount (44 mm FFD, Ø 62 mm) (PL adapter available)
- Lower noise at higher EI than previous cameras
- Only 12mm wider and longer than standard Alexa
- 16-bit linear internal image processing in full ALEXA Wide Gamut / Log C color space
- LF Open Gate Recording Mode (4448×3096) up to 90fps in ARRIRAW
- LF 16:9 Recording Mode (3840×2160 up to 90fps in ARRIRAW)
- LF 2.39:1 Recording Mode (4448×1856) up to 150fps in ARRIRAW
- ARRIRAW and ProRes, Same ARRI Workflow
- Records to SXR Capture Drives and SxS PRO+ cards
- Anamorphic desqueezing : 1.25x, 1.3x, 1.5x, 2x
- Integrated wireless video (compatible with Arri WVR-1 Receiver)
- Integrated WiFi
- Integrated ARRI ECS wireless camera/lens control
Our Kit Includes
- SXR Media Adapter
- ARRI LPL Mount PL Adapter (upon request)
- Turret Plug
- Hawk-Woods RP-CFA1 Battery Adapter
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa SXT W

• 14+ stops dynamic range • 1-120fps • Integrated wireless video (compatible with Arri WVR-1 Receiver) • Transmits uncompressed HD up to 600 m with no delay (< 1ms) • Integrated WiFi • Integrated ARRI ECS wireless camera/lens control • Internal ARRIRAW and ProRes 4K Cine / 4K UHD / 3.2K / 2K / 1080p recording • Open Gate, 6:5, 4:3 and 16:9 sensor modes • Internal ND filtration • Three fully independent HD-SDI outputs • Integrated wireless receiver for camera and lens remote control • New ARRI Color Tool (ACT) and ARRI Look File (ALF-2) allow the creation of unique looks, which are compatible with ALEXA Mini and AMIRA

More Info

Arri Alexa SXT W

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

Open Gate, 6:5, 4:3, or 16:9

Internal Record Media Options:

Supports new high speed SXR Capture Drives (1 TB or 2 TB) via SXR Adapter
Supports current XR Capture Drive 512 GB via XR Adapter
Supports SxS PRO and SxS PRO+ cards via SxS Adapter 2
Supports CFast 2.0 cards via CFast 2.0 Adapter 2

Frame Rate Options:

0.75-50fps -- 16:9 ProRes 4K UHD (3840 x 2160)
0.75-72fps -- 16:9 ProRes 3.2K (3200 x 1800)
0.75 - 120fps -- 16:9 ProRes HD (1920 x 1080)
0.75 - 120fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- 16:9 ARRIRAW 2.8K (2880 x 1612)
0.75 - 120fps -- 16:9 ARRIRAW 3.2K (3168 x 1782)
0.75 - 60fps -- 6:5 ProRes 4K Cine Anamorphic (4096 x 1716)
0.75 - 96fps -- 6:5 ProRes 2K Anamorphic (2048 x 858)
0.75 - 96fps -- 6:5 ARRIRAW 2.6K (2578 x 2160)
0.75 - 60fps -- 4:3 ProRes 2.8K (2880 x 2160)
0.75 - 96fps -- 4:3 ARRIRAW 2.8K (2880 x 2160)
0.75 - 48fps -- Open Gate ProRes 4K Cine (4096 X 2636)
0.75 - 60fps -- Open Gate ProRes 3.4K (3424 X 2202)
0.75 - 90fps -- Open Gate ARRIRAW 3.4K (3424 X 2202)
*** Framerates based on SXR Capture Drive media capabilities. Other media types may have lower framerate capabilities.

Record Codecs:

Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

Color / Gamma Options:

Log C
Rec 709
Rec 2020

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex SXR Capture Drives
(or XR Capture Drives, CFast 2.0, or SxS via adapters)

Internal ND Filtration:

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Integrated wireless video (compatible with Arri WVR-1 Receiver)
- Integrated WiFi
- Integrated ARRI ECS wireless camera/lens control
- Transmits uncompressed HD up to 600 m with no delay (< 1ms)
- Interference-free operation between video, WiFi and ECS radios
- Exposure Index 160-3200
- Built-in Internal Filter Module (IFM-1) filter holder
- In-camera ARRIRAW recording up to 120 fps on SXR or XR Capture Drives via optional adapters
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
- Easy in-camera ProRes 4K recording
- ProRes 4K UHD (3840 x 2160) recording format for 4K UHD TV deliverables
- ProRes 4K Cine (4096 x 2636) recording format for 4C DCI cinema deliverables
- Improved image quality
- Completely overhauled image processing chain
- Advanced pixel correction
- Optional noise reduction
- New color management
- Matches current ALEXA images, but provides the basis for radically different looks
- 3D Look-up Tables, ASC Color Decision List
- Live in-camera grading on set
- Rec 2020 gamma
- Same tools for ALEXA SXT, ALEXA Mini & AMIRA
- Three fully independent HD-SDI outputs
- Powerful new media bay
- Supports new high speed SXR Capture Drives (1 TB or 2 TB) via SXR Adapter
- Supports current XR Capture Drive 512 GB via XR Adapter
- Supports SxS PRO and SxS PRO+ cards (64GB and above) via SxS Adapter 2
- Supports CFast 2.0 cards via CFast 2.0 Adapter 2
Our Kit Includes
- SXR Recorder Module
- Antenna for Plus Module
- SXR Media Adapter
- ProRes Codec Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- PL Turret Plug
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa SXT

Arri Alexa SXT Plus 4:3

• 14+ stops dynamic range • 1-120fps • Internal ARRIRAW and ProRes 4K Cine / 4K UHD / 3.2K / 2K / 1080p recording • Open Gate, 6:5, 4:3 and 16:9 sensor modes • Internal ND filtration • Three fully independent HD-SDI outputs • Integrated wireless receiver for camera and lens remote control • New ARRI Color Tool (ACT) and ARRI Look File (ALF-2) allow the creation of unique looks, which are compatible with ALEXA Mini and AMIRA

More Info

Arri Alexa SXT Plus 4:3

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

Open Gate, 6:5, 4:3, or 16:9

Internal Record Media Options:

Supports new high speed SXR Capture Drives (1 TB or 2 TB) via SXR Adapter
Supports current XR Capture Drive 512 GB via XR Adapter
Supports SxS PRO and SxS PRO+ cards via SxS Adapter 2
Supports CFast 2.0 cards via CFast 2.0 Adapter 2

Frame Rate Options:

0.75-50fps -- 16:9 ProRes 4K UHD (3840 x 2160)
0.75-72fps -- 16:9 ProRes 3.2K (3200 x 1800)
0.75 - 120fps -- 16:9 ProRes HD (1920 x 1080)
0.75 - 120fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- 16:9 ARRIRAW 2.8K (2880 x 1612)
0.75 - 120fps -- 16:9 ARRIRAW 3.2K (3168 x 1782)
0.75 - 60fps -- 6:5 ProRes 4K Cine Anamorphic (4096 x 1716)
0.75 - 96fps -- 6:5 ProRes 2K Anamorphic (2048 x 858)
0.75 - 96fps -- 6:5 ARRIRAW 2.6K (2578 x 2160)
0.75 - 60fps -- 4:3 ProRes 2.8K (2880 x 2160)
0.75 - 96fps -- 4:3 ARRIRAW 2.8K (2880 x 2160)
0.75 - 48fps -- Open Gate ProRes 4K Cine (4096 X 2636)
0.75 - 60fps -- Open Gate ProRes 3.4K (3424 X 2202)
0.75 - 90fps -- Open Gate ARRIRAW 3.4K (3424 X 2202)
*** Framerates based on SXR Capture Drive media capabilities. Other media types may have lower framerate capabilities.

Record Codecs:

Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

Color / Gamma Options:

Log C
Rec 709
Rec 2020

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex SXR Capture Drives
(or XR Capture Drives, CFast 2.0, or SxS via adapters)

Internal ND Filtration:

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Exposure Index 160-3200
- Built-in Internal Filter Module (IFM-1) filter holder
- In-camera ARRIRAW recording up to 120 fps on SXR or XR Capture Drives via optional adapters
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
- Easy in-camera ProRes 4K recording
- ProRes 4K UHD (3840 x 2160) recording format for 4K UHD TV deliverables
- ProRes 4K Cine (4096 x 2636) recording format for 4C DCI cinema deliverables
- Improved image quality
- Completely overhauled image processing chain
- Advanced pixel correction
- Optional noise reduction
- New color management
- Matches current ALEXA images, but provides the basis for radically different looks
- 3D Look-up Tables, ASC Color Decision List
- Live in-camera grading on set
- Rec 2020 gamma
- Same tools for ALEXA SXT, ALEXA Mini & AMIRA
- Three fully independent HD-SDI outputs
- Powerful new media bay
- Supports new high speed SXR Capture Drives (1 TB or 2 TB) via SXR Adapter
- Supports current XR Capture Drive 512 GB via XR Adapter
- Supports SxS PRO and SxS PRO+ cards (64GB and above) via SxS Adapter 2
- Supports CFast 2.0 cards via CFast 2.0 Adapter 2
Our Kit Includes
- SXR Recorder Module
- Antenna for Plus Module
- SXR Media Adapter
- ProRes Codec Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- PL Turret Plug
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa XT

Arri Alexa XT Plus 4:3

• 14+ stops dynamic range • 1-120fps • Internal ARRIRAW & ProRes 3.2K / 2K / 1080p recording • Open Gate and 4:3 sensor modes • ProRes 4444 XQ • Internal ND filtration • Integrated wireless receiver for camera and lens remote control

More Info

Arri Alexa XT Plus 4:3

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

Open Gate, 4:3 or 16:9

Internal Record Media Options:

XR Capture Drives (SxS PRO or SxS PRO+ or Cfast 2.0 with adapter)

Frame Rate Options:

0.75-30fps -- 16:9 ProRes 3.2K (3164 x 1778)
0.75 - 120fps -- 16:9 ProRes HD (1920 x 1080)
0.75 - 60fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- 16:9 DNxHD HD (1920 x 1080)
0.75 - 120fps -- 16:9 ARRIRAW (2880 x 1612)
0.75 - 48fps -- 4:3 ProRes 2K (2048 x 1536)
0.75 - 90fps -- 4:3 ARRIRAW (2880 x 2160)
0.75 - 96fps -- 4:3 ARRIRAW Cropped (2578 x 2160)
0.75 - 75fps -- Open Gate ARRIRAW (3414 x 2198)

Record Codecs:

Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
DNxHD 115/120/145
DNxHD 175x/185x/220x
DNxHD 444
ARRIRAW

Color / Gamma Options:

Log C
REC 709

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex XR Capture Drives

Internal ND Filtration:

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Exposure Index 160-3200
- Built-in Internal Filter Module (IFM-1) filter holder
- in-camera ARRIRAW recording up to 120 fps on 512 GB XR Capture Drives
- ProRes or DNxHD onto SxS PRO cards with SxS Adapter
- ProRes or DNxHD onto CFast 2.0 cards with CFast 2.0 Adapter
- ProRes 4444 up to 120 fps onto XR Capture Drives or CFast 2.0 cards
- DNxHD 444 up to 96 fps onto XR Capture Drives and up to 90 fps onto CFast 2.0 cards
- ProRes 4:3 2K onto all three media types
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
Our Kit Includes
- XR Recorder Module
- Antenna for Plus Module
- XR Media Adapter
- ProRes Codec Option
- DNxHD Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- PL Turret Plug
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa XR Plus 4:3

• 14+ stops dynamic range • 1-120fps • Internal ARRIRAW & ProRes 3.2K / 2K / 1080p recording • 4:3 sensor mode • ProRes 4444 XQ • Integrated wireless receiver for camera and lens remote control

More Info

Arri Alexa XR Plus 4:3

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

4:3 or 16:9

Internal Record Media Options:

XR Capture Drives (SxS PRO or SxS PRO+ or Cfast 2.0 with adapter)

Frame Rate Options:

0.75-30fps -- 16:9 ProRes 3.2K (3164 x 1778)
0.75 - 120fps -- 16:9 ProRes HD (1920 x 1080)
0.75 - 60fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- 16:9 DNxHD HD (1920 x 1080)
0.75 - 120fps -- 16:9 ARRIRAW (2880 x 1612)
0.75 - 48fps -- 4:3 ProRes 2K (2048 x 1536)
0.75 - 90fps -- 4:3 ARRIRAW (2880 x 2160)
0.75 - 96fps -- 4:3 ARRIRAW Cropped (2578 x 2160)

Record Codecs:

Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
DNxHD 115/120/145
DNxHD 175x/185x/220x
DNxHD 444
ARRIRAW

Color / Gamma Options:

Log C
REC 709

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex XR Capture Drives

Internal ND Filtration:

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Exposure Index 160-3200
- in-camera ARRIRAW recording up to 120 fps on 512 GB XR Capture Drives
- ProRes or DNxHD onto SxS PRO cards with SxS Adapter
- ProRes or DNxHD onto CFast 2.0 cards with CFast 2.0 Adapter
- ProRes 4444 up to 120 fps onto XR Capture Drives or CFast 2.0 cards
- DNxHD 444 up to 96 fps onto XR Capture Drives and up to 90 fps onto CFast 2.0 cards
- ProRes 4:3 2K onto all three media types
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
Our Kit Includes
- XR Recorder Module
- Antenna for Plus Module
- ProRes Codec Option
- DNxHD Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- PL Turret Plug
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa XR Plus

• 14+ stops dynamic range • 1-120fps • Internal ARRIRAW & ProRes 3.2K / 2K / 1080p recording • ProRes 4444 XQ • Integrated wireless receiver for camera and lens remote control

More Info

Arri Alexa XR Plus

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

16:9

Internal Record Media Options:

XR Capture Drives (SxS PRO or SxS PRO+ or Cfast 2.0 with adapter)

Frame Rate Options:

0.75-30fps -- 16:9 ProRes 3.2K (3164 x 1778)
0.75 - 120fps -- 16:9 ProRes HD (1920 x 1080)
0.75 - 60fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- 16:9 ARRIRAW (2880 x 1612)

Record Codecs:

Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

Color / Gamma Options:

Log C
REC 709

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex XR Capture Drives

Internal ND Filtration:

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Exposure Index 160-3200
- in-camera ARRIRAW recording up to 120 fps on 512 GB XR Capture Drives
- ProRes onto SxS PRO cards with SxS Adapter
- ProRes onto CFast 2.0 cards with CFast 2.0 Adapter
- ProRes 4444 up to 120 fps onto XR Capture Drives or CFast 2.0 cards
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
Our Kit Includes
- XR Recorder Module
- Antenna for Plus Module
- ProRes Codec Option
- DNxHD Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- PL Turret Plug
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa Mini

• 14+ stops dynamic range • 1-200fps • Internal ARRIRAW 16:9 2.8K and 3.4K Open Gate Recording • Internal ProRes 16:9 UHD / 3.2K / 2K / 1080p recording • 4:3 2.8K ProRes recording for use with anamorphic lenses • Internal ND filtration • Records to CFast 2.0 cards • Built-in lens motor controller

More Info

Arri Alexa Mini

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 356 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

4:3 or 16:9

Internal Record Media Options:

Cfast 2.0 Cards

Frame Rate Options:

0.75-30fps -- 16:9 ProRes 4K UHD (3840 x 2160) 4444XQ
0.75-60fps -- 16:9 ProRes 4K UHD (3840 x 2160) all other ProRes formats
0.75-30fps -- 16:9 ProRes 3.2K (3164 x 1778) 4444XQ
0.75-60fps -- 16:9 ProRes 3.2K (3164 x 1778) all other ProRes formats
0.75-120fps -- 16:9 ProRes HD (1920 x 1080) 4444XQ
0.75-200fps -- 16:9 ProRes HD (1920 x 1080) all other ProRes formats
0.75-120fps -- 16:9 ProRes 2K (2048 x 1552) 4444XQ
0.75-200fps -- 16:9 ProRes 2K (2048 x 1552) all other ProRes formats
0.75-200fps -- S16 Mode ProRes HD (1920 x 1080) 4444XQ
0.75-120fps -- S16 Mode ProRes HD (1920 x 1080) all other ProRes formats
0.75-50fps -- 4:3 ProRes 2.8K (2880 x 1620) all ProRes formats
0.75-120fps -- 6:5 ProRes 2.39:1 2K Anamorphic (2048 x 858) all ProRes formats
0.75-120fps -- 8:9 ProRes HD Anamorphic (1920 x 1080) 4444 only
0.75-48fps -- 16:9 2.8K ARRIRAW (2880 x 1620)
0.75-30fps -- 16:9 3.4K Open Gate ARRIRAW (3424 x 2202)

Record Codecs:

ARRIRAW (MXF-wrapped)
Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT

Color / Gamma Options:

Log C
REC 709

Internal ND Filtration:

Yes, Built-in motorized ND filters, 0.6, 1.2, 2.1

Product Highlights
- ARRIRAW 16:9 2.8K up to 48fps
- ARRIRAW 3.4K Open Gate up to 30fps
- 16:9 UHD ProRes up to 60fps
- 4:3 2.8K ProRes up to 50fps
- 1080p ProRes up to 200fps
- 4:3 sensor (switchable to 16:9 mode)
- Same 35 mm sensor as ALEXA
- Internal ND filters (0.6/1.2/2.1)
- Automatic de-squeeze mode for anamorphic productions
- Records to CFast 2.0 cards
- Built-in lens motor controller
Our Kit Includes
- 4:3 License
- PL Turret Plug
- 2.4 GHz Antenna
- PL LDS mount with L-Bus connector
- Arri MVF-1ML Amira / Alexa Mini Electronic Viewfinder incl. Magnetic Eyecup
- MVB-1 Viewfinder Bracket Viewfinder MVF-1ML
- (2) Arri MVF-1 to Alexa Mini Viewfinder Cable Short, 0.5m / 1.6′
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Alexa-M / Alexa Mini Handle, CCH-2 (K2.73002.0)
- Arri Alexa A-EV Handle Extension Block (HEB-1/ JC HEB-1)
- (2) MAP-1 Adapter Plate
- (2) MAP-2 Adapter Plate
- (2) MSB-1 Side Bracket
- RMB-3 Rod Mounting Bracket
- BPA-4 Bridgeplate Adapter
- CSP-1 Camera Shoulder Pad
- BAP-1 Battery Adapter Plate
- Anton Bauer Gold Mount Battery Plate w/ Custom Alexa Mini Connector
- Wooden Camera D-Box for Alexa Mini (incl. Anton Bauer Gold Mount)
- Wooden Camera A-BOX f/ Arri Alexa Mini Audio incl. 19mm Mounting Rod
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.
- ARRIRAW License available upon request.

Arri Amira

Arri Amira w/ Premium License

• 14+ stops dynamic range • 1-200fps • Internal ProRes 4K / 3.2K / 2K / 1080p recording • ProRes 4444 XQ • Internal ND filtration • Records to CFast 2.0 cards • Single User Ergonomics

More Info

Arri Amira w/ Premium License

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 356 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

16:9

Internal Record Media Options:

Cfast 2.0 Cards

Frame Rate Options:

0.75-30fps -- 16:9 ProRes 4K UHD (3840 x 2160) 4444XQ
0.75-60fps -- 16:9 ProRes 4K UHD (3840 x 2160) all other ProRes formats
0.75-30fps -- 16:9 ProRes 3.2K (3164 x 1778) 4444XQ
0.75-60fps -- 16:9 ProRes 3.2K (3164 x 1778) all other ProRes formats
0.75-120ps -- 16:9 ProRes 2K (2048 x 1552) 4444XQ
0.75-200fps -- 16:9 ProRes 2K (2048 x 1552) all other ProRes formats
0.75-120fps -- 16:9 ProRes HD (1920 x 1080) 4444XQ
0.75-200fps -- 16:9 ProRes HD (1920 x 1080) all other ProRes formats

Record Codecs:

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT

Color / Gamma Options:

Log C
REC 709

Internal ND Filtration:

Yes, Built-in motorized ND filters, 0.6, 1.2, 2.1

Product Highlights
- Records 4K UHD ProRes up to 60fps
- Frame rates of 0.75-200 fps
- 4:3 sensor
- Same 35 mm sensor as ALEXA
- Internal ND filters (0.6/1.2/2.1)
- OLED eyepiece and fold-away LCD monitor
- Multi-channel audio – easy-access controls
Our Kit Includes
- PL Turret Plug
- (2) Arri Amira Antenna (blu-tooth & wi-fi)
- MHB-2 Mic Adapter Bracket For Amira (821100)
- PL LDS Lens Mount
- Arri MVF-1 Amira Electronic Viewfinder incl. Magnetic Eyecup
- Arri MVF-1 Bracket
- Arri VAB-1 Viewfinder Attachment Bracket (With [2] 4″ rods)
- Arri MVF-1 Amira Viewfinder Cable Short, 0.5m / 1.6′ (820204)
- Arri MVF-1 Amira Viewfinder Cable Medium, 1.5m / 3′
- 10′ Cat6A Black Ethernet Cable
- Arri Amira Gold Mount Adapter (821200)
- Arri CCH-1 (Center Camera Handle)
- Arri Alexa A-EV Handle Extension Block (HEB-1 or HEB-5)
- Arri Amira BPA-3 Bridge Plate Adapter (821104)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa XT

Arri Alexa M XR 4:3

• 14+ stops dynamic range • 1-120fps • Internal ARRIRAW & ProRes 3.2K / 2K / 1080p recording to recorder module • 4:3 sensor mode • ProRes 4444 XQ • Internal ND filtration • Separate camera body and light weight head for compact shooting scenarios • Up to 160 ft operating range with hybrid SMPTE cable

More Info

Arri Alexa M XR 4:3

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

4:3 or 16:9

Internal Record Media Options:

XR Capture Drives (SxS PRO or SxS PRO+ or Cfast 2.0 with adapter)

Frame Rate Options:

0.75-30fps -- 16:9 ProRes 3.2K (3164 x 1778)
0.75 - 120fps -- 16:9 ProRes HD (1920 x 1080)
0.75 - 60fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- 16:9 ARRIRAW (2880 x 1612)
0.75 - 48fps -- 4:3 ProRes 2K (2048 x 1536)
0.75 - 90fps -- 4:3 ARRIRAW (2880 x 2160)
0.75 - 96fps -- 4:3 ARRIRAW Cropped (2578 x 2160)

Record Codecs:

Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

Color / Gamma Options:

Log C
REC 709

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex XR Capture Drives

Internal ND Filtration:

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Separate camera body (12.8 lbs w/ XR module) and light weight head (6.4 lbs) for compact shooting scenarios.
- up to 50 m/160 ft operating range with hybrid SMPTE cable.
- up to 1 km/0.6 miles operating range when head is powered separately.
- Controls and media can be kept in easy reach.
- Exposure Index 160-3200
- in-camera ARRIRAW recording up to 120 fps on 512 GB XR Capture Drives
- ProRes onto SxS PRO cards with SxS Adapter
- ProRes onto CFast 2.0 cards with CFast 2.0 Adapter
- ProRes 4444 up to 120 fps onto XR Capture Drives or CFast 2.0 cards
- ProRes 4:3 2K onto all three media types
- Lens Data System
Our Kit Includes
- Arri Alexa-M 4:3 Camera Head With XR Upgrade
- PL Turret Plug
- Arri Alexa-M Camera Body incl. High-Speed License with XR Module
- Codex SXS Adapter XR Recorder Module for Alexa 4:3XR CDX-3790
- ProRes Codec Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- Hybrid Fiber Cables (per user request)
- ALEXA-M Handle, CCH-2 (K2.73002.0)
- ALEXA-M Cage Plate ACP-2 (AMC-1, K2.73003.0)
- ALEXA-M Bridge Plate Adapter AMB-2 (AMC-1, K2.73005.0)
- Side Bracket ASB-1 (AMC-1, K2.72086.0)
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Viewfinder Extenson Bracket VEB-3 (Alexa-M, K2.74000.0)
- Hill Arri Alexa EVF Adapter
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Bridge Plate Adapter (BPA-1)
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- 220w 24vDC Alexa Power Supply (GS220A24-R7B) w/ 6′ AC Power Cord
- Alexa Ethernet External Remote Cable
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa Classic

Arri Alexa Studio

• 14+ stops dynamic range • 1-120fps • Internal ProRes 2K/1080p recording • ARRIRAW via T-Link to external recorder • ProRes 4444 XQ • Optical Viewfinder • Mirror Shutter 11.2-180 degrees • Integrated wireless receiver for camera and lens remote control

More Info

Arri Alexa Studio

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Mirror Shutter, 11.2-180 degrees
Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

4:3 or 16:9

Internal Record Media Options:

SxS PRO or SxS Pro +

Frame Rate Options:

0.75 - 120fps --16:9 ProRes HD (1920 x 1080) ***
0.75 - 60fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- 16:9 DNxHD HD (1920 x 1080) ***
0.75 - 120fps -- external 16:9 ARRIRAW (2880 x 1612) ***
0.75 - 90fps -- external 4:3 ARRIRAW (2880 x 2160)
*** only 60fps when using mechanical shutter

Record Codecs:

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
DNxHD 115/120/145
DNxHD 175x/185x/220x
DNxHD 444
ARRIRAW (via external T-Link)

Color / Gamma Options:

Log C
REC 709

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW externally via T-Link to approved recorders

Internal ND Filtration:

Product Highlights
- Optical Viewfinder
- Mirror Shutter 11.2-180 degrees
- Exposure Index 160-3200
- ProRes or DNxHD onto SxS PRO cards
- External ARRIRAW recording to approved recorders up to 120 fps
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
Our Kit Includes
- Arri Alexa Studio Optical Viewfinder (OVF-1)
- Electronic Viewfinder Adapter for Alexa Studio (EVA-1)
- Wide-Angle Eyepiece for Alexa Studio OVF-1 incl. Magnetic Eyecup
- FE-3 Extension Finder
- ProRes Codec Option
- DNxHD Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- Glow Module Alexa Studio – 4:3 Spherical
- Ground Glass Alexa Studio – 4:3 Spherical
- PL Turret Plug
- Antenna for Plus Module
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Shutter Tool for Arri Alexa Studio
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa Plus

• 14+ stops dynamic range • 1-120fps • Internal ProRes 2K/1080p recording • ARRIRAW via T-Link to external recorder • ProRes 4444 XQ • Integrated wireless receiver for camera and lens remote control

More Info

Arri Alexa Plus

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

16:9

Internal Record Media Options:

SxS PRO or SxS Pro +

Frame Rate Options:

0.75 - 120fps -- 16:9 ProRes HD (1920 x 1080)
0.75 - 60fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- external 16:9 ARRIRAW (2880 x 1612)

Record Codecs:

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW (via external T-Link)

Color / Gamma Options:

Log C
REC 709

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW externally via T-Link to approved recorders

Internal ND Filtration:

Product Highlights
- Exposure Index 160-3200
- ProRes onto SxS PRO cards
- External ARRIRAW recording to approved recorders up to 120 fps
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
Our Kit Includes
- SxS Recording Module
- ProRes Codec Option
- QuickTime File Format Option
- High-Speed License Key
- PL Turret Plug
- Antenna for Plus Module
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB-3)
- Viewfinder Extenson Bracket VEB-3 (Alexa / Amira)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Weapon 8K Monstro VV

Red Weapon 8K Monstro VV Carbon Fiber

• 17+ stops dynamic range • 1-300fps • Interchangeable OLPF System and Standard OLPF installed (shadow/low-light and skintone/highlight options available) • Internal ProRes 4K / 2K / HD to Mini-Mags • Internal REDCODE RAW up to 8K to Mini-Mags • Ideal for gimbal/drone usage • VistaVision size MONSTRO 35.4 Megapixel CMOS • IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues

More Info

Red Weapon 8K Monstro VV Carbon Fiber

Arri PL, Canon EF, Leica M

Format Info:

VistaVision

Shutter Type:

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 1 to 1/8000 sec

Sensor Description:

MONSTRO 35.4 Megapixel CMOS

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

RED MINI-MAG

Frame Rate Options:

1-29.97fps --ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps --ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps -- ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps -- ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-60fps -- 8K FF REDCODE RAW (8192 x 4320)
1-75fps -- 8K 2.4:1 REDCODE RAW (8192 x 3456)
1-60fps -- 7K FF REDCODE RAW (7168 x 3780)
1-75fps -- 7K 2.4:1 REDCODE RAW (7168 x 3024)
1-75fps -- 6K FF REDCODE RAW (6144 x 3240)
1-100fps -- 6K 2.4:1 REDCODE RAW (6144 x 2592)
1-96fps -- 5K FF REDCODE RAW (5120 x 2700)
1-120fps -- 5K 2.4:1 REDCODE RAW (5120 x 2160)
1-120fps -- 4K FF REDCODE RAW (4096 x 2160)
1-150fps -- 4K 2.4:1 REDCODE RAW (4096 x 1728)
1-150fps -- 3K FF REDCODE RAW (3072 x 1620)
1-200fps -- 3K 2.4:1 REDCODE RAW (3072 x 1296)
1-240fps -- 3K FF REDCODE RAW (2048 x 1080)
1-300fps -- 3K 2.4:1 REDCODE RAW (2048 x 864)
(Compression choices of 22:1 to 2:1)
*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

Record Codecs:

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

Color Depth:

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

Chroma Subsampling:

4:4:4

Color / Gamma Options:

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Raw Recording Possible?:

Internal ND Filtration:

Product Highlights
- IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.
- REDCODE RAW formats:
- 8K Full Format (8192 x 4320), 1-60fps
- 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 7K Full Format (7168 x 3780), 1-60fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 6K Full Format (6144 x 3240), 1-75fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 5K Full Format (5120 x 2700), 1-96fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 4K Full Format (4096 x 2160), 1-120fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
- 3K Full Format (3072 x 1620), 1-150fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 2K Full Format (2048 x 1080), 1-240fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)
- ProRes Record Formats:
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- 2K Apple ProRes 4444 XQ up to 120 fps
- 2K Apple ProRes 4444 up to 120 fps
- 2K Apple ProRes 422 HQ up to 120 fps
- 2K Apple ProRes 422 up to 120 fps
- 2K Apple ProRes 422 LT up to 120 fps
- Avid Record Formats:
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
Our Kit Includes
- DSMC Interchangeable OLPF System
- Interchangeable Standard OLPF for Red Weapon (other options available per request)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Element Technica W – Gold Mount Battery Module
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Weapon 8K Helium S35

Red Weapon 8K Helium S35 Carbon Fiber

• 16.5+ stops dynamic range • 1-300fps • Interchangeable OLPF System and Standard OLPF installed (shadow/low-light and skintone/highlight options available) • Internal ProRes 4K / 2K / HD to Mini-Mags • Internal REDCODE RAW up to 8K to Mini-Mags • Ideal for gimbal/drone usage • S35mm size Red HELIUM 35.4 Megapixel CMOS sensor • IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues

More Info

Red Weapon 8K Helium S35 Carbon Fiber

Arri PL, Canon EF, Leica M

Format Info:

Super 35mm

Shutter Type:

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 1 to 1/8000 sec

Sensor Description:

HELIUM 35.4 Megapixel CMOS

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

RED MINI-MAG

Frame Rate Options:

1-29.97fps --ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps --ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps -- ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps -- ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-60fps -- 8K FF REDCODE RAW (8192 x 4320)
1-75fps -- 8K 2.4:1 REDCODE RAW (8192 x 3456)
1-60fps -- 7K FF REDCODE RAW (7168 x 3780)
1-75fps -- 7K 2.4:1 REDCODE RAW (7168 x 3024)
1-75fps -- 6K FF REDCODE RAW (6144 x 3240)
1-100fps -- 6K 2.4:1 REDCODE RAW (6144 x 2592)
1-96fps -- 5K FF REDCODE RAW (5120 x 2700)
1-120fps -- 5K 2.4:1 REDCODE RAW (5120 x 2160)
1-120fps -- 4K FF REDCODE RAW (4096 x 2160)
1-150fps -- 4K 2.4:1 REDCODE RAW (4096 x 1728)
1-150fps -- 3K FF REDCODE RAW (3072 x 1620)
1-200fps -- 3K 2.4:1 REDCODE RAW (3072 x 1296)
1-240fps -- 3K FF REDCODE RAW (2048 x 1080)
1-300fps -- 3K 2.4:1 REDCODE RAW (2048 x 864)
(Compression choices of 22:1 to 2:1)
*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

Record Codecs:

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

Color Depth:

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

Chroma Subsampling:

4:4:4

Color / Gamma Options:

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Raw Recording Possible?:

Internal ND Filtration:

Product Highlights
- IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.
- REDCODE RAW formats:
- 8K Full Format (8192 x 4320), 1-60fps
- 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 7K Full Format (7168 x 3780), 1-60fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 6K Full Format (6144 x 3240), 1-75fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 5K Full Format (5120 x 2700), 1-96fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 4K Full Format (4096 x 2160), 1-120fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
- 3K Full Format (3072 x 1620), 1-150fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 2K Full Format (2048 x 1080), 1-240fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)
- ProRes Record Formats:
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- 2K Apple ProRes 4444 XQ up to 120 fps
- 2K Apple ProRes 4444 up to 120 fps
- 2K Apple ProRes 422 HQ up to 120 fps
- 2K Apple ProRes 422 up to 120 fps
- 2K Apple ProRes 422 LT up to 120 fps
- Avid Record Formats:
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
Our Kit Includes
- DSMC Interchangeable OLPF System
- Interchangeable Standard OLPF for Red Weapon (other options available per request)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Element Technica W – Gold Mount Battery Module
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Weapon 6K Dragon

Red Weapon 6K Dragon Carbon Fiber

More Info

Red Weapon 6K Dragon Carbon Fiber

Arri PL, Canon EF, Leica M

Format Info:

Super 35mm

Shutter Type:

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 1 to 1/8000 sec

Sensor Description:

19 megapixel APS-H DRAGON sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

RED MINI-MAG

Frame Rate Options:

1-29.97fps --ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps --ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps -- ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps -- ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-82fps -- 6K FF REDCODE RAW (6144 x 3160)
1-83fps -- 6K HD REDCODE RAW (5568 x 3132)
1-100fps -- 6K WS REDCODE RAW (6144 x 2592)
1-95fps -- 5K FF REDCODE RAW (5120 x 2700)
1-119fps -- 5K WS REDCODE RAW (5120 x 2160)
1-119fps -- 4K FF REDCODE RAW (4096 x 2160)
1-120fps -- 4K HD REDCODE RAW (3840 x 2160)
1-148fps -- 4K WS REDCODE RAW (4096 x 1728)
1-239fps -- 2K FF REDCODE RAW (2048 x 1080)
1-298fps -- 2K WS REDCODE RAW (2048 x 864)
(Compression choices of 22:1 to 2:1)
*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

Record Codecs:

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

Color Depth:

16-bit REDCODE RAW
12-bit or 10-bit ProRes

Chroma Subsampling:

4:4:4

Color / Gamma Options:

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Raw Recording Possible?:

Internal ND Filtration:

Product Highlights
- 6K RAW (2:1, 2.4:1)
- 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
- 4.5K RAW (2.4:1)
- 4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
- 3K RAW (16:9, 2:1 and Anamorphic 2:1)
- 2K RAW (16:9, 2:1 and Anamorphic 2:1)
- 1080p RGB (16:9), 720p RGB (16:9)
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- HD Apple ProRes 4444 XQ up to 120 fps
- HD Apple ProRes 4444 up to 120 fps
- HD Apple ProRes 422 HQ up to 120 fps
- HD Apple ProRes 422 up to 120 fps
- HD Apple ProRes 422 LT up to 120 fps
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
- Project Framerates: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
Our Kit Includes
- DSMC Interchangeable OLPF System
- Interchangeable Standard OLPF for Red Weapon (other options available per request)
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Element Technica W – Gold Mount Battery Module
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Phantom Flex4K

Phantom Flex 4K

• 12 stops dynamic range • 1-1950fps • Internal ProRes or RAW .Cine recording up to 4K resolution • Phantom CineMag IV recording media • 64GB of internal memory • Both Mac and Windows based software for Cine download and file conversion. • Also supports standard, sync sound frame rates

More Info

Phantom Flex 4K

Body and Lens Mount only

Progressive scan shutter (less than 1ms scan time)

Shutter Info:

Electronic shutter, 5μs to 1/frame rate
Can be set in degrees or microseconds (μs)

Sensor Description:

13.1 megapixel Super 35mm equivalent CMOS sensor

Sensor Ratio(s):

1.78.1 or 1.90:1

Internal Record Media Options:

Internal 64GB RAM
Cinemag IV

Frame Rate Options:

up to 940 fps @ Cine Raw 4K (4096 x 2304) (to internal RAM only)
up to 1000fps @ Cine Raw 4K (4096 x 2160)
up to 1950fps @ Cine Raw 2K (2048x1080)(windowed, Super-16mm mode)

Color / Gamma Options:

Rec709
Log

Raw Recording Possible?:

Yes

RAW Recording?:

Internal to 64Gb RAM or to attached Cinemag IV

Internal ND Filtration:

Product Highlights
- 4K resolution at up to 1,000 fps
- Also supports standard, sync sound frame rates
- Low noise, high dynamic range
- Full-featured on-camera control interface
- Multi-Channel 3G HG-SDI outputs
- CineMag IV support for raw recording
- Now Available: Audio and Apple ProRes recording options
Our Kit Includes
- 64GB Internal RAM
- PL Mount
- PL Turret Plug
- Gold-Mount Battery Plate
- Mini-BOB Breakout Box for Phantom Flex 4K
- Astro DF-3512-A OLED Viewfinder
- Viewfinder Mounting Bracket
- Top Handle
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Cine-style LWS Riser Plate
- Detachable Shoulder Pad
- Trigger Cable
- Pickle Switch (for Loop RAM Recording)
- Phantom Flex4K I/O Squid (Trigger, F-Sync, TC Out, TC In, Ready, Aux)
- (2) Capture Cables
- Cinestation IV (10GE) for Phantom Flex4K
- 24V Power Supply for CInestation IV (10GE) incl. AC Cable
- ATTO Thunderlink NT 1102 (10GBASE-T)
- Ethernet and Thunderbolt Cables for Data Transfer (per user request)
- Lenovo W520 Thinkpad 15.6″ Laptop with 2.50GHz Intel Core i7-2860QM CPU / 8GB RAM / 64-bit Windows
- Batteries, Cinemags and Additional Cinestations / Laptops for download available à la carte

VEO4K-PL

Phantom VEO4K-PL

12-stops dynamic range in 1-ms Rolling Shutter mode or 9-stops dynamic range in Global Shutter mode • 1-1970fps • Internal RAW .Cine recording up to 4K resolution • CFast 2.0 recording media • 72GB of internal memory • Both Mac and Windows based software for Cine download and file conversion. • Also supports standard, sync sound frame rates • Rolling shutter and Global shutter modes (switchable) • Rolling shutter mode for increased dynamic range and limited need for black reference

More Info

Phantom VEO4K-PL

Body and Lens Mount only

Global shutter Mode (standard)
or
Rolling shutter Mode (for increased dynamic range and to eliminate the need for black references)

Shutter Info:

Electronic shutter, 5μs to 1/frame rate
Can be set in degrees or microseconds (μs)

Sensor Description:

9.44 megapixel Super 35mm equivalent CMOS sensor

Sensor Ratio(s):

1.78.1

Internal Record Media Options:

Internal 72GB RAM
Cfast 2.0 Cards

Frame Rate Options:

up to 930 fps @ Cine Raw 4K (4096 x 2304) (to internal RAM only)
up to 1000fps @ Cine Raw 4K (4096 x 2160)
up to 1970fps @ Cine Raw 2K (2048x1080)(windowed, Super-16mm mode)

Color / Gamma Options:

Rec709
Log

Raw Recording Possible?:

Yes

RAW Recording?:

Internal to 72Gb RAM then trimmed/saved to CFast 2.0 or sent directly to laptop via 10Gb Ethernet

Native ISO:

640 in GS mode
320 in RS mode

Dynamic Range:

9-stops in GS mode
12-stops in RS mode

Internal ND Filtration:

Product Highlights
- 4K resolution at up to 1,000 fps
- Can operate in global shutter (standard) or rolling shutter mode for increased dynamic range and to eliminate the need for black references
- 10Gb Ethernet option for optimal workflow
- CFast 2.0 media compatibility
- On-camera controls
Our Kit Includes
- 72GB Internal RAM
- PL Mount
- PL Turret Plug
- Cameo A.B. Gold Mount Battery Plate
- Cameo VEObob Breakout Box
- Astro DF-3515 OLED SDI Viewfinder
- Viewfinder Mounting Bracket
- Cameo Top Cheeseplate
- Cameo Top Handle
- Cameo Rosette Bar
- Cameo 15mm LWS Riser Plate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Trigger Cable
- PCU2+ Control Unit for Phantom VEO
- 2′ 5-pin Controller Cable
- 25′ 5-pin Controller Cable
- Bluetooth Dongle for Remote Control Unit
- Pickle Switch (for Loop RAM Recording)
- (2) Capture Cables
- CFast 2.0 Card Reader
- Lenovo W520 Thinkpad 15.6″ Laptop with 2.50GHz Intel Core i7-2860QM CPU / 8GB RAM / 64-bit Windows
- Batteries, CFast 2.0 Media, as well as additional laptop for download available à la carte

Panasonic Cameras

Panasonic Varicam Pure

• 14+ stops dynamic range • 1-120fps 4K RAW • Integrated V-RAW Pure module for smaller form factor • Dual native ISOs of 800 and 5000 • Internal ND filtration

More Info

Panasonic Varicam Pure

Body, Lens Mount, Record Module only

Progressive scan shutter

Shutter Info:

Electronic shutter, 1 - 358 degrees

Sensor Description:

8.9 megapixel Super 35mm equivalent MOS sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

Codex Capture Drive 2.0

Frame Rate Options:

V-RAW 1-120fps

Record Codecs:

V-RAW
(Offload to various other formats such as ProRes and DNxHD possible via Codex Production Suite software)

Color Depth:

12-bit -- V-RAW (1-60fps)
10-bit -- V-RAW (60-120fps)

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

V-Log

Raw Recording Possible?:

Yes

RAW Recording?:

12bit/10bit V-Log uncompressed V-RAW via V-RAW Pure recorder

Internal ND Filtration:

Yes, Built-in ND6, ND1.2, ND1.8

Product Highlights
- Video captured in 4K by the VariCam 35 camera module AU-V35C1G is recorded as uncompressed V-RAW data to Codex’s Capture Drive 2.0 at up to 120 fps.
- The recorder proper is 157 mm shorter than earlier systems, making it excellent for mobile use and easier to mount on gimbals and cranes than earlier systems.
- Using Codex’s Production Suite, recorded data can be converted to a wide range of file formats including Panasonic V-RAW, Apple ProRes and Avid DNxHR. This ensures wide-ranging support for existing workflows.
Our Kit Includes
- 4K camera module (AU-V35C1)
- V-RAW 2.0 Recording module unit (AU-VCXRAW2)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Panasonic Varicam 35

• 14+ stops dynamic range • 1-120fps 4K • Internal AVC-Intra recording up to 4K • Internal HD ProRes recording • External RAW via Codex V-RAW module up to 4K • Dockable recording module unit (AU-VREC1) for two-piece operation (cranes/jibs) • Dual native ISOs of 800 and 5000 • Internal ND filtration

More Info

Panasonic Varicam 35

Body, Lens Mount, Record Module only

Progressive scan shutter

Shutter Info:

Electronic shutter, 1 - 358 degrees

Sensor Description:

8.9 megapixel Super 35mm equivalent MOS sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

expressP2 card
(for 4K and HFR recording)
microP2 card
(HD or 2K recording)

Frame Rate Options:

23.98, 24, 25, 29.97fps -- 4K AVC-Intra4K444 (4096 × 2160)
23.98, 24, 25, 29.97fps -- UHD AVC-Intra4K444 (3840 × 2160)
1-60fps -- 4K AVC-Intra4K422 (4096 × 2160)
1-60fps -- UHD AVC-Intra4K422 (3840 × 2160)
1-120fps -- 4K AVC-Intra4K-LT (4096 × 2160)
1-120fps -- UHD AVC-Intra4K-LT (3840 × 2160)
23.98, 25, 29.97fps -- 2K AVC-Intra444 (2048x1080)
23.98, 25, 29.97fps -- HD AVC-Intra444 (1920 X 1080)
23.98, 25, 29.97fps -- 2K AVC-Intra200 (2048x1080)
23.98, 25, 29.97fps -- HD AVC-Intra200 (1920 X 1080)
1-120fps -- 2K AVC-Intra100 (2048x1080)
1-120fps -- HD AVC-Intra100 (1920 X 1080)
1-60fps -- HD ProRes 4444 (1920 X 1080)
1-120fps -- HD ProRes 422HQ (1920 X 1080)
1-120fps External 4K V-RAW (4096 × 2160)
1-120fps External UHD V-RAW (3840 × 2160)
(V-RAW is 12-bit up to 30fps, 10-bit beyond 30fps)

Record Codecs:

Main Recorder: AVC-Intra4K444/AVC-Intra4K422/AVC-Intra4K-LT/AVC-Intra2K444/
AVC-Intra2K422/AVC-Intra444/AVC-Intra200/AVC-Intra100/ProRes422HQ/ProRes4444
Sub Recorder: AVC-Intra 2K422, AVC Intra 100, AVC LongG 50,
AVC LongG 25
Compression Format: H.264/AVC High Profile

Color Depth:

12-bit -- internal AVC-Intra 4K444
12-bit -- external V-RAW (up to 60 fps)
10-bit -- internal all other AVC-Intra formats
10-bit -- external V-RAW (above 30 fps)

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

V-Log
V-709

Raw Recording Possible?:

Yes

RAW Recording?:

Yes, with Codex V-RAW Recorder module add-on (additional cost)
Cinema 4K or UHD Uncompressed up to 120 fps
Record to Codex Capture Drive 2.0
12-bit up to 30 fps, 10-bit beyond 30 fps

Internal ND Filtration:

Yes, Built-in ND6, ND1.2, ND1.8

Product Highlights
- AVC-Intra Codecs — Class 100 / Class 200 / Class 4:4:4
- Dual Codec Recording — Simultaneously records in two different formats, codecs and selectable from V-log/V-709/Grading
- Encodes high-resolution proxy files in parallel with 4K and 2K production formats, enabling fast, efficient offline editing, at bit rates from 6 Mbps down to 1.5Mbps.
- Variable speed 4K recording up to 120fps.
- 3G-HD-SDI x4 for 4K QUAD output
- 3G-HD-SDI x2 for RAW output
- HD-SDI out for monitoring (down-converting from 4K)
- Dockable recording module unit (AU-VREC1) (also interchangeable with Panasonic’s new 2/3” camera module unit (AU-V23HS1))
- Camera head can be operated seperately from recorder via external umbilical cable, similar to Alexa-M for crane / jib needs.
- Support for an Academy Color Encoding System (ACES) workflow.
- Newly-developed OLED electronic viewfinder (EVF) with optical zoom functionality.
Our Kit Includes
- 4K camera module (AU-V35C1)
- Recording module unit (AU-VREC1)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Panasonic AJ-HPX3700

• 11+ stops dynamic range • 1-30fps • Internal Full HD 1080p DVCPRO HD or AVC-Intra recording • 2/3" CCD image sensor • Internal ND filtration

More Info

Panasonic AJ-HPX3700

Progressive scan, rolling shutter

Shutter Info:

Electronic Shutter, 7 speeds up to a maximum of 1/2000.

Sensor Description:

2.2 Megapixel 2/3 Type 3CCD

Sensor Ratio(s):

1.78:1

Internal Record Media Options:

P2 Cards

Frame Rate Options:

1-30fps variable
24p, 25p, 30p, 50i, 60i (1920 x 1080)
24p, 25p, 30p, 50i, 60i (1280 x 720)

Record Codecs:

DVCPRO HD
AVC-Intra 100
AVC-Intra 50

Color / Gamma Options:

HD
SD
FILMLIKE1
FILMLIKE2
FILMLIKE3
FILM-REC
VIDEO-REC

Dynamic Range:

11+ stops

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Our Kit Includes
- AJ-HVF21G B/W Viewfinder
- B4 Turret Plug
- Onboard Microphone
- Microphone Jumper Cable
- LWS Triangle Plate
- ENG Quick Release Plate
- 15mm Prime Rods
- Raincover
- Thermodyne Shipping Case
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Blackmagic Design Cameras

Blackmagic Micro Studio Camera 4K

• 13 stops dynamic range • 1-60fps • External 4K recording up to 30fps (HD-SDI recorder required) • Active Micro 4/3 lens mount • 10-Bit 4:2:2 6G-SDI Video I/O • Ultra-Compact Design • SDI Remote Control Protocols • PTZ Serial Output & B4 Data Link • Built-In Talkback • HDMI Monitor Output, 3.5mm Audio In • Built-In Color Corrector • Canon LP-E6 Battery Slot

More Info

Blackmagic Micro Studio Camera 4K

Active Micro 4/3, Micro 4/3

Format Info:

Super 16mm

Shutter Type:

Progressive scan, rolling shutter

Shutter Info:

Electronic Shutter, 1/24 - 1/198

Internal Record Media Options:

None, external recording via 6G-SDI outputs only

Frame Rate Options:

23.98, 24, 25, 29.97, 30 -- External Ultra HD 2160p (3840 x 2160)
23.98, 24, 25, 29.97, 30, 50, 59.97, 60 -- External HD 1080p (1920 x 1080)
50, 59.94 -- External HD 1080i (1920 x 1080)

Color / Gamma Options:

Film
Video

Internal ND Filtration:

Product Highlights
- Active Micro Four Thirds Lens Mount
- Resolutions Up to 3840×2160 at 30 fps
- 10-Bit 4:2:2 6G-SDI Video I/O
- Ultra-Compact Design
- SDI Remote Control Protocols
- PTZ Serial Output & B4 Data Link
- Built-In Talkback
- HDMI Monitor Output, 3.5mm Audio In
- Built-In Color Corrector
- Canon LP-E6 Battery Slot
Our Kit Includes
- Micro 4/3 Turret Plug
- (4) LP-E6 Batteries
- Canon LP-E6 Charger
- AC Supply
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Blackmagic Cinema Camera MFT 2.5K

• 13 stops dynamic range • 1-30fps • Internal 2.5K recording up to 30fps • Internal 1080p ProRes or 2.5K 12-bit CinemaDNG RAW recording • passive Micro 4/3 lens mount w/ PL adapter included standard • Sensor slightly smaller than Micro 4/3 • Touchscreen functionality for menu navigation • Flat "Film" gamma option • Records to widely available 2.5" SSD drives

More Info

Blackmagic Cinema Camera MFT 2.5K

Progressive scan, rolling shutter

Shutter Info:

Electronic Shutter, 1/24 - 1/198

Internal Record Media Options:

2..5" SSD
(6G drives required for RAW recording)

Frame Rate Options:

23.98p, 24p, 25p, 29.97p, 30p -- CinemaDNG RAW (2432 x 1366)
23.98p, 24p, 25p, 29.97p, 30p -- ProRes 1080p (1920 x 1080)
23.98p, 24p, 25p, 29.97p, 30p -- DNxHD 1080p (1920 x 1080)

Record Codecs:

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT
Apple ProRes 422 (Proxy)
DNxHD
CinemaDNG RAW

Color / Gamma Options:

Film
Video

Raw Recording Possible?:

Yes

RAW Recording?:

Yes, Uncompressed CinemaDNG Raw

Internal ND Filtration:

Product Highlights
- Slightly smaller than Micro 4/3 CMOS Sensor
- 5″ rear LCD with 800 x 480 resolution w/ touchscreen functionality for menu navigation
- Audio meters and on-screen histogram
Our Kit Includes
- Arri PL to M43 Mount Adapter
- 15mm LWS Low Support
- PL Turret Plug
- Micro 4/3 Turret Plug
- Top Handle for BMCC Contineo Cage
- Contineo Cage for Blackmagic Cinema Camera
- 15mm LWS Riser Plate for BMCC Contineo Cage
- Sun Shield
- Battery Plate w/ QRC-BMD plate attached
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- Iris Rods (per user’s intended configuration)
- Media available à la carte.

Blackmagic Pocket Cinema Camera MFT

• 13 stops dynamic range • 1-30fps • Internal Full HD 1080p ProRes or 12-bit Lossless CinemaDNG RAW recording • Active Micro 4/3 lens mount w/ PL adapter included standard • Super 16mm size image sensor • Flat "Film" gamma option • Records to widely available SDXC/SDHC cards

More Info

Blackmagic Pocket Cinema Camera MFT

Active Micro 4/3, Arri PL, Micro 4/3

Format Info:

Super 16mm

Shutter Type:

Progressive scan, rolling shutter

Shutter Info:

Electronic Shutter, 1/24 - 1/198

Internal Record Media Options:

SDXC Card

Frame Rate Options:

23.98p, 24p, 25p, 29.97p, 30p -- CinemaDNG RAW (1920 x 1080)
23.98p, 24p, 25p, 29.97p, 30p -- ProRes 1080p (1920 x 1080)
23.98p, 24p, 25p, 29.97p, 30p -- DNxHD 1080p (1920 x 1080)

Record Codecs:

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT
Apple ProRes 422 (Proxy)
DNxHD
Lossless CinemaDNG RAW

Color / Gamma Options:

Film
Video

Raw Recording Possible?:

Yes

RAW Recording?:

Yes, Visually Lossless CinemaDNG RAW

Internal ND Filtration:

Product Highlights
- Super 16mm size CMOS sensor
- 3.5″ 800 x 480 resolution rear LCD
- Newest firmware enables audio meters and on-screen histogram
Our Kit Includes
- PL to M43 Adapter
- PL Turret Plug
- Micro 4/3 Turret Plug
- Anton Bauer Battery Plate
- Wooden Camera 15mm LWS Base
- Wooden Camera Blackmagic Pocket Cage w/ Top Handle
- (4) EN-EL20 Batteries
- Nikon MH-27 Charger
- Power Supply
- LWS Iris Rods (per user’s intended configuration)
- Media available à la carte.

Digital Bolex Cameras

Digital Bolex D16 Cinema Camera

• 12 stops dynamic range • 1-25fps • Internal 2K or Full HD 1080p CinemaDNG RAW recording • Interchangeable lens mounts (C-Mount / Canon EF / Arri PL) • Super 16mm size CCD global shutter image sensor • Flat "Film" gamma option • Records to Dual CF card slots or Internal (Non-Removable) Enterprise Class SSD

More Info

Digital Bolex D16 Cinema Camera

C-Mount, Micro 4/3, Arri PL

Electronic Shutter, 1/25 - 1/500

Sensor Description:

Super16mm size Kodak 1" Truesense CCD

Sensor Ratio(s):

1.78:1

Internal Record Media Options:

Dual CF card slots, Internal 256GB or 500GB Enterprise SSD

Frame Rate Options:

23.98, 24, 25 fps -- Adobe CinemaDNG RAW (2048 x 1152)
23.98, 24, 25 fps -- Adobe CinemaDNG RAW (1920 x 1080)

Raw Recording Possible?:

Yes

RAW Recording?:

12-bit Adobe Cinema DNG (RAW)

Internal ND Filtration:

Product Highlights
- Super16mm Truesense CCD (Color or Monochrome)
- Dual 24-bit 96kHz audio recording capability
- Records 12-bit Adobe Cinema DNG (RAW)
- Ports: HDMI, USB 3.0, Dual Audio XLR, 4-PIN XLR, ⅛ video, headphone
- Dual CF card slots
- Internal (Non-Removable) Enterprise Class SSD
Our Kit Includes
- C-Mount Interchangeable Lens Mount
- C-Mount Turret Plug
- Power Supply
- User Manual
- Pistol Grip
- Additional Accessories and Media available à la carte.

Sony Cameras

Sony VENICE

36.2 x 24.1mm Full Frame Sensor • 6K X-OCN 16-bit RAW up to 24 fps in 3:2 mode (to AXS-R7 recorder) • 4K uncompressed linear 16-bit RAW up to 60fps in Cinema 4K (to AXS-R7 recorder) • Internal XAVC up to 4K (to SxS Pro +) • 4K S35 Window modes for 3-perf (up to 60fps) and 4-perf (up to 24fps) • 2.0x squeeze Anamorphic in Super 35mm mode 4-perf • 8-Step, 8-Stop Internal NDs (.3 - 2.4) • 15+ Stops of Exposure Latitude • native ISO 500 • S-Log3 gamma option

More Info

Sony VENICE

Body, R7 recorder and Lens Mount only

Mount Options:

Arri PL, Sony E

Format Info:

Full Frame, Super 35mm

Shutter Type:

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5.6° to 360°

Sensor Description:

24.8 megapixel Full Frame single-chip CMOS sensor

Sensor Ratio(s):

3:2

Internal Record Media Options:

SxS Pro
(for 4K XAVC recording)
or
AXSM A Series 4.8 Gb/s Memory Card to attached R7 recorder
(for RAW and X-OCN recording)

Frame Rate Options:

6K 3:2 X-OCN ST or LT (6048 x 4032): 23.98p, 24p [w/ R7 recorder]
4K 4:3 X-OCN ST or LT (4096 x 3024): 23.98p, 24p, 25p*, 29.97p [w/ R7 recorder]
4K 17:9 X-OCN ST or LT (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p [w/ R7 recorder]
3.8K 16:9 X-OCN ST or LT (3840 x 2160): 23.98p, 25p, 29.97p, 50p, 59.94p [w/ R7 recorder]
4K 17:9 RAW (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p [w/ R7 recorder]
3.8K RAW 16:9 (3840 x 2160): 23.98p, 25p, 29.97p, 50p, 59.94p [w/ R7 recorder]
XAVC 4K Class480 (4096 x 2160): 23.98p, 24p, 25p, 29.97p [to SxS Pro +]
XAVC 4K Class300 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p [to SxS Pro +]
XAVC QFHD Class480 (3840 x 2160): 23.98p, 25p, 29.97p [to SxS Pro +]
XAVC QFHD Class300 (3840 x 2160): 23.98p, 25p, 29.97p, 50p, 59.94p [to SxS Pro +]
MPEG HD422 (1920 x 1080): 23.98p, 24p, 25p, 29.97p, 50i, 59.94i [to SxS Pro +]

Record Codecs:

6K/4K/3.8K X-OCN ST compressed RAW [w/ R7 recorder]
6K/4K/3.8K X-OCN LT compressed RAW [w/ R7 recorder]
3.8K/4K RAW [w/ R7 recorder]
3.8K/4K XAVC Class 480 [to SxS Pro +]
3.8K/4K XAVC Class 300 [to SxS Pro +]
1080p MPEG HD422 [to SxS Pro +]

Color Depth:

16-bit
10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

S-Gamut3.Cine / Slog3

Raw Recording Possible?:

Yes

RAW Recording?:

6K X-OCN ST 16-bit linear RAW to Sony AXS A series memory cards (using attached R7 recorder)

Internal ND Filtration:

Yes, built-in 8-position optical ND: 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4

Product Highlights
- 36.2 x 24.1mm Full Frame Sensor
- 6K Full Frame 6048 x 4032 maximum resolution in X-OCN 16-bit RAW up to 24 fps in 3:2 mode (to AXS-R7 recorder)
- 4K uncompressed linear 16-bit RAW up to 60fps in Cinema 4K (to AXS-R7 recorder)
- Internal XAVC up to 4K (to SxS Pro +)
- 4K S35 Window modes for 3-perf (up to 60fps) and 4-perf (up to 24fps)
- 2.0x squeeze Anamorphic in Super 35mm mode 4-perf
- 8-Step, 8-Stop Internal NDs (.3 – 2.4)
- 15+ Stops of Exposure Latitude
- native ISO 500
- S-Log3 gamma option
Our Kit Includes
- Anamorphic, Full Frame Licenses
- Sony Full Frame Sensor Assembly
- Sony Mount Option: Arri PL (Venice)
- Turret Plug for Sony Venice PL Mount
- Sony AXS-R7 Onboard Recorder (Sony Venice/F55/F5)
- SD Card for Camera Settings
- Sony DVF-EL200 0.7″ OLED HD EVF for Sony Venice or F55/F5
- Viewfinder Bracket Tube Clamp for Sony Venice
- Viewfinder Bracket Rod for Sony Venice
- Viewfinder Mounting Bracket for Sony Venice (incl. 2x 15mm 4″ rods)
- Sony Venice Viewfinder Cable: 22″ Right 26pLEMOm to 26pLEMOm
- Standard Top Handle for Sony Venice
- Arri LWS Riser Plate (Sony F55/F5) (K2.66246.0)
- BP-8 Baseplate 19mm
- 12″ Camera Dovetail
- (2) Power Adapter Cables: 24v 4pXLRf to 3pXLRm
- 24v Power Supply for Sony Venice
- (2) Camera Power Cables : 24v, 3pXLRm-3pXLRf Straight
- A&J Hard Case
- Additional Accessories, Media and Card Readers available à la carte.

Sony F55 + R7 Recorder

• 14 stops dynamic range • 1-240fps • 16-bit linear 4K RAW up to 120fps using incl. R7 recorder • new X-OCN compressed RAW format for smaller file sizes available • Internal XAVC Class 480 up to 4K • Internal ProRes HD (with optional license) • 16-bit linear 2K RAW up to 240fps • Internal ND filtration • Global shutter • High native ISO of 1250 • S-Log3 gamma option • S-Gamut3Cine color

More Info

Sony F55 + R7 Recorder

Body, R7 recorder and Lens Mount only

Mount Options:

Arri PL, Sony FZ, Nikon G, Leica M, Leica R

Electronic shutter, 4.2° to 359.7°

Sensor Description:

11.6 megapixel S35mm equivalent single-chip, Bayer pattern CMOS sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

SxS Pro +
AXSM A Series 4.8 Gb/s Memory Card (for use w/ R7 recorder up to 120fps)

Frame Rate Options:

RAW RECORD MODES:
Cinema 4K RAW (4096 X 2160) -- 1-120fps
Cinema 4K X-OCN (4096 X 2160) -- 1-120fps
2K RAW (2048x1080) -- 1-240fps
2K X-OCN (2048x1080) -- 1-240fps
SXS PRO+ STANDARD RECORD MODES:
XAVC 4K Class 480 (4096 X 2160) -- 23.98p, 25p, 29.97p
XAVC 4K Class 300 (4096 X 2160) -- 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC UHD Class 480 (3840 X 2160) -- 23.98p, 25p, 29.97p
XAVC UHD Class 300 (3840 X 2160) -- 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC 2K (2048x1080) -- 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC HD (1920 X 1080) -- 23.98p, 25p, 29.97p, 50p, 59.94p
ProRes 444 1080p (1920 X 1080) -- 23.98p, 25p, 29.97p
ProRes 422 HQ 1080p (1920 X 1080) -- 23.98p, 25p, 29.97p, 50p, 59.94p
ProRes 422 1080p (1920 X 1080) -- 23.98p, 25p, 29.97p, 50p, 59.94p
DNxHD 220x 1080p (1920 X 1080) -- 23.98p, 25p, 29.97p, 50p, 59.94p
DNxHD 145 1080p (1920 X 1080) -- 23.98p, 25p, 29.97p, 50p, 59.94p
SXS PRO+ S&Q RECORD MODES:
XAVC 4K Class 300 (4096 X 2160) -- 1-60fps (NTSC)
XAVC UHD Class 300 (3840 X 2160) -- 1-60fps (NTSC)
XAVC 2K (2048x1080) -- 1-180fps (NTSC)
XAVC HD (1920 X 1080) -- 1-60fps (NTSC)

Record Codecs:

Cinema 4K X-OCN compressed RAW 16-bit
Cinema 4K RAW 16-bit
Cinema 2K X-OCN compressed RAW 16-bit
Cinema 2K RAW 16-bit
XAVC HD 422 10-bit 10-bit
XAVC 2K 422 10-bit 10-bit
XAVC QFHD Class480 10-bit
XAVC QFHD Class300 10-bit
XAVC 4K Class480 10-bit
XAVC 4K Class300 10-bit
SR 422 10-bit
SR 444 10-bit
ProRes 444 12-bit
ProRes 422 HQ 10-bit
ProRes 422 10-bit
Avid DNxHD 220x 10-bit
Avid DNxHD 145 8-bit
MPEG2 422 HD 1080p 8-bit

Color Depth:

16-bit
12-bit
10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

S-Log 3
S-Log 2
STD1 DVW
STD2 ×4.5
STD3 ×3.5
STD4 240M
STD5 R709
STD6 ×5.0
HG1 3250G36
HG2 4600G30
HG3 3259G40
HG4 4609G33
HG7 8009G40
HG8 8009G33

Raw Recording Possible?:

Yes

RAW Recording?:

4K or 2K 16-bit linear RAW to Sony AXS memory cards

Internal ND Filtration:

Yes, built-in 0.9 or 1.8

Product Highlights
- 1-240fps
- 16-bit linear 2K RAW up to 240fps
- 16-bit linear 4K RAW up to 120fps
- Internal XAVC up to 4K
- Internal ProRes up to 4K (with optional license)
- Internal ND filtration
- Global shutter
- High native ISO of 1250
- S-Log3 gamma option
Our Kit Includes
- F55 Pro Adapter Module
- AXS-R7 Recording Module
- Audio Adapter for Sony F55 Camera Body
- Sony DVF-EL100 0.7″ OLED HD EVF
- Viewfinder Adapter Bracket for Sony F55 (Arri, K2.66248.0)
- 1′ EVF Cable for Sony DVF-EL100
- 3′ EVF Cable for Sony DVF-EL100
- Arri Viewfinder Plug Protector for Sony F55 (K2.66251.0)
- Arri PL to Sony FZ Mount Adapter for Sony F55/F5
- PL Turret Plug
- LWS Riser Plate for Sony F55 (Arri, K2.66246.0)
- Top Cheeseplate for Sony F55 (Arri, K2.66247.0)
- AMH-1 Top Camera Handle for Sony F55 (Arri, K2.73002.0)
- Shoulder Pad for Sony F55 (Arri, K2.66249.0)
- Anton Bauer QRC-4K-S Battery Plate for Sony F5/F55
- USB WiFi Adapter for Sony F55 Camera Body (IFU-WLM3)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Sony F55

• 14 stops dynamic range • 1-240fps • Internal XAVC up to 4K • Internal ProRes HD (with optional license) • Internal ND filtration • Global shutter • High native ISO of 1250 • S-Log3 gamma option • S-Gamut3Cine color

More Info

Sony F55

Body and Lens Mount only

Mount Options:

Arri PL, Sony FZ, Nikon G, Leica M, Leica R

Electronic shutter, 4.2° to 359.7°

Sensor Description:

11.6 megapixel S35mm equivalent single-chip, Bayer pattern CMOS sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

SxS Pro +

Frame Rate Options:

SXS PRO+ STANDARD RECORD MODES:
XAVC 4K Class 480 (4096 X 2160) -- 23.98p, 25p, 29.97p
XAVC 4K Class 300 (4096 X 2160) -- 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC UHD Class 480 (3840 X 2160) -- 23.98p, 25p, 29.97p
XAVC UHD Class 300 (3840 X 2160) -- 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC 2K (2048x1080) -- 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC HD (1920 X 1080) -- 23.98p, 25p, 29.97p, 50p, 59.94p
ProRes 444 1080p (1920 X 1080) -- 23.98p, 25p, 29.97p
ProRes 422 HQ 1080p (1920 X 1080) -- 23.98p, 25p, 29.97p, 50p, 59.94p
ProRes 422 1080p (1920 X 1080) -- 23.98p, 25p, 29.97p, 50p, 59.94p
DNxHD 220x 1080p (1920 X 1080) -- 23.98p, 25p, 29.97p, 50p, 59.94p
DNxHD 145 1080p (1920 X 1080) -- 23.98p, 25p, 29.97p, 50p, 59.94p
SXS PRO+ S&Q RECORD MODES:
XAVC 4K Class 300 (4096 X 2160) -- 1-60fps (NTSC)
XAVC UHD Class 300 (3840 X 2160) -- 1-60fps (NTSC)
XAVC 2K (2048x1080) -- 1-180fps (NTSC)
XAVC HD (1920 X 1080) -- 1-60fps (NTSC)

Record Codecs:

XAVC HD 422 10-bit 10-bit
XAVC 2K 422 10-bit 10-bit
XAVC QFHD Class480 10-bit
XAVC QFHD Class300 10-bit
XAVC 4K Class480 10-bit
XAVC 4K Class300 10-bit
SR 422 10-bit
SR 444 10-bit
ProRes 444 12-bit
ProRes 422 HQ 10-bit
ProRes 422 10-bit
Avid DNxHD 220x 10-bit
Avid DNxHD 145 8-bit
MPEG2 422 HD 1080p 8-bit

Color Depth:

12-bit
10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

S-Log 3
S-Log 2
STD1 DVW
STD2 ×4.5
STD3 ×3.5
STD4 240M
STD5 R709
STD6 ×5.0
HG1 3250G36
HG2 4600G30
HG3 3259G40
HG4 4609G33
HG7 8009G40
HG8 8009G33

Raw Recording Possible?:

Yes

RAW Recording?:

4K or 2K 16-bit linear RAW to Sony AXS memory cards

Internal ND Filtration:

Yes, built-in 0.9 or 1.8

Product Highlights
- 1-240fps
- Internal XAVC up to 4K
- Internal ProRes up to 4K (with optional license)
- 16-bit linear 2K/4K RAW to optional AXS-R5 recorder
- Internal ND filtration
- Global shutter
- High native ISO of 1250
- S-Log3 gamma option
Our Kit Includes
- F55 Pro Adapter Module
- Audio Adapter for Sony F55 Camera Body
- Sony DVF-EL100 0.7″ OLED HD EVF
- Viewfinder Adapter Bracket for Sony F55 (Arri, K2.66248.0)
- 1′ EVF Cable for Sony DVF-EL100
- 3′ EVF Cable for Sony DVF-EL100
- Arri Viewfinder Plug Protector for Sony F55 (K2.66251.0)
- Arri PL to Sony FZ Mount Adapter for Sony F55/F5
- PL Turret Plug
- LWS Riser Plate for Sony F55 (Arri, K2.66246.0)
- Top Cheeseplate for Sony F55 (Arri, K2.66247.0)
- AMH-1 Top Camera Handle for Sony F55 (Arri, K2.73002.0)
- Shoulder Pad for Sony F55 (Arri, K2.66249.0)
- Anton Bauer QRC-4K-S Battery Plate for Sony F5/F55
- USB WiFi Adapter for Sony F55 Camera Body (IFU-WLM3)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Sony FS7

• 14 stops dynamic range • 1-180fps • Internal XAVC-I or XAVC-L up to 4K • ProRes HD (with optional XDCA-FS7 extension) • 12-bit 2K/4K RAW to optional XDCA-FS7 extension • Internal ND filtration • High native ISO of 2000 • S-Log3 gamma option • S-Gamut3Cine color

More Info

Sony FS7

Body and Lens Mount only

Mount Options:

Sony E-Mount, Arri PL, Canon EF

Format Info:

Super 35mm

Shutter Type:

Progressive shutter, 15ms response time

Shutter Info:

Electronic shutter, 1/3 sec to 1/9,000 sec

Sensor Description:

11.6 Megapixel Super35 type Single-chip Exmor CMOS

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

XQD Card ( 2 slots )

Frame Rate Options:

1-60fps -- XAVC-I Cinema 4K (4096x2160)
1-60fps -- XAVC-I Ultra HD (3840x2160)
1-180fps -- XAVC-I HD (1920 X 1080)
1-60fps -- XAVC-L Ultra HD (3840x2160)
1-120fps -- XAVC-L HD (1920 X 1080)
23.98p/25p/29.97p/50i/59.94i -- MPEG HD422, HD (1920 X 1080)
23.98p/25p/29.97p/50i/59.94i -- MPEG HD422, 720p (1280 X 720)
1-240fps -- external ProRes HD 422HQ (1920 X 1080) (w/ XDCA-FS7 extension)
1-240fps -- external ProRes HD 422 (1920 X 1080) (w/ XDCA-FS7 extension)
1-60fps -- external Cinema 4K 12-bit RAW (4096x2160) (w/ XDCA-FS7 extension)
1-60fps -- external 2K 12-bit RAW (2048x1080) (w/ XDCA-FS7 extension)

Record Codecs:

XAVC-I
XAVC-L
MPEG HD422
ProRes 422 HQ (external w/ XDCA-FS7 extension)
Pro Res 422 (external w/ XDCA-FS7 extension)
12-bit Cinema 4K RAW (external w/ XDCA-FS7 extension)
12-bit 2K RAW (external w/ XDCA-FS7 extension)

Color Depth:

10-bit or 8-bit (Internal)
12-bit (w/ XDCA-FS7 extension)

Chroma Subsampling:

4:2:2 (internal)
4:4:4 (external, RAW)

Color / Gamma Options:

S-Log 3
STD1 DVW
STD2 x 4.5
STD3 x 3.5
STD4 240M
STD5 R709
STD6 x 5.0
HG1 3250G36
HG2 4600G30
HG3 3259G40
HG4 4609G33
HG7 8009G40
HG8 8009G33

Raw Recording Possible?:

Yes

RAW Recording?:

4K or 2K 12-bit RAW to Sony AXS memory cards

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Built-in Neutral Density filters, 1/4, 1/16, 1/64
- Two XQD media slots support simultaneous and relay recording
- RAW output for external 4K/2K RAW recording
Our Kit Includes
- XDCA-FS7 Extension Unit (enables 12-bit RAW output)
- Metabones Canon EF Lens to Sony E-Mount Speed Booster ULTRA
- EF Turret Plug
- USB WiFi Adapter (IFU-WLM3)
- Viewfinder (includes eyepiece, eyecup)
- Monitor (includes rod and clamp)
- Grip Remote Control
- Arri Alexa-M / Alexa Mini / Sony FS7 Handle, CCH-2 (K2.73002.0)
- Handle Extension Block (HEB-3)
- Arri Top Plate for Sony FS7
- Arri Viewfinder Bracket for Sony FS7
- Arri Adapter Plate for Sony FS7
- Arri 15 mm LWS Rod Console for Sony FS7
- Arri Lens Adapter Support LAS-1 for Sony FS7
- USB 3.0 Adapter for Sony G Series XQD Cards
- Sony MPA-AC1 AC Adapter for Sony FS7 Camera Body
- Anton Bauer Gold Mount Battery Plate for Sony FS7 Camera Body (Custom, 1x P-Tap)
- (3) BP-U or equivalent Onboard Batteries
- Charger for BP-U Series Onboard Batteries
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Sony Alpha a7S II Mirrorless Digital Camera

• 1-120fps Full HD 1080p • Native ISO 1600 in S-Log 3 • Full Frame image sensor • Internal XAVC S recording in 4K or Full HD 1080p • External 4K or 1080p 8-bit 4:2:0 recording possible via HDMI • S-Log3 gamma option • S-Gamut3Cine color • APS-C crop mode available for using S35mm lenses in 1080p • 1080p 120fps recording possible with 2.2x crop of sensor • No pixel binning in Full Frame 4K UHD recording

More Info

Sony Alpha a7S II Mirrorless Digital Camera

Sony E-Mount, Arri PL. Canon EF

Format Info:

Full Frame, APS-C

Shutter Type:

Progessive scan, rolling shutter, 24ms delay in Full Frame mode, 16ms delay in APS-C crop mode

Shutter Info:

Mechanical or Electronic shutter, 1/8000 to 1/4 sec in Movie Mode

Sensor Description:

Full Frame, effective 12.2 megapixel CMOS sensor

Sensor Ratio(s):

3:2

Internal Record Media Options:

SDXC Card, UHS-I U3, Class 10 or above

Frame Rate Options:

23.98, 25 or 29.97fps -- XAVC S UHD (3840 x 2160)
23.98, 25, 29.97, 50, 59.94, 100, 120fps -- XAVC S 1080p (1920 x 1080)
23.98, 25, 29.97, 50, 59.94, 100, 120fps -- XAVC S 720p (1280 x 720)

Record Codecs:

XAVC S in MP4 wrapper
AVCHD in M2TS wrapper

Color / Gamma Options:

S-Log3
S-Log2
Cine 1 - Cine 4 profiles
ITU709
ITU709(800%)

RAW Recording?:

No RAW, but external 4:2:0 8-bit output available in 4K UHD or 1080p

Internal ND Filtration:

Product Highlights
- Internal 4K recording
- No pixel binning in Full Frame 4K UHD recording
- APS-C crop mode available for using S35mm lenses in 1080p recording only (NOT AVAILABLE for 4K internal or external)
- 1080p 120fps recording possible with 2.2x crop of sensor
- Viewing assist tool for de-logging gamma on rear LCD
Our Kit Includes
- Metabones Canon EF Lens to Sony E-Mount Smart Adapter (Mark IV)
- Sony E-Mount Turret Plug
- (6) Sony NP-FW50 Lithium-Ion Rechargeable Battery (7.4v, 1020mAh)
- (2) Sony BC-TRW W Series Battery Charger (Black)(for NP-FW50 batteries)
- Gold Mount Battery Plate
- Movcam Cage (4pc.)
- Top Handle for Movcam Cage
- HDMI Protector Bracket
- Movcam LWS Baseplate
- Movcam Lens Support Bracket
- Movcam Riser Block
- Additional Accessories and Media available à la carte.

Sony Alpha a7S Mirrorless Digital Camera

• 1-60fps Full HD 1080p • Native ISO 3200 in S-Log 2 • Full Frame image sensor • Internal XAVC S recording in Full HD 1080p • External 4K or 1080p 8-bit 4:2:0 recording possible via HDMI • S-Log2 gamma option • S-Gamut color • APS-C crop mode available for using S35mm lenses in all modes • Very little pixel binning in Full Frame HD recording

More Info

Sony Alpha a7S Mirrorless Digital Camera

Sony E-Mount, Arri PL. Canon EF

Format Info:

Full Frame, APS-C

Shutter Type:

Progessive scan, rolling shutter, 24ms delay in Full Frame mode, 16ms delay in APS-C crop mode

Shutter Info:

Mechanical or Electronic shutter, 1/8000 to 1/4 sec in Movie Mode

Sensor Description:

Full Frame, effective 12.2 megapixel CMOS sensor

Sensor Ratio(s):

3:2

Internal Record Media Options:

SDXC Card, UHS-I U1, Class 10 or above

Frame Rate Options:

24p, 30p or 60p -- XAVC S 1080p (1920 x 1080)
24p, 30p, 60p or 120p -- XAVC S 720p (1280 x 7200)

Record Codecs:

XAVC S in MP4 wrapper
AVCHD in M2TS wrapper

Color / Gamma Options:

S-Log2
Cine 1 - Cine 4 profiles
ITU709
ITU709(800%)

RAW Recording?:

No RAW, but external 4:2:0 8-bit output available in 4K UHD or 1080p

Internal ND Filtration:

Product Highlights
- 1080p internal
- 4k to external recorder via HDMI output
- APS-C Crop mode available for 4K external recording (Not available on a7SII)
Our Kit Includes
- Metabones Canon EF Lens to Sony E-Mount Smart Adapter (Mark IV)
- Sony E-Mount Turret Plug
- (6) Sony NP-FW50 Lithium-Ion Rechargeable Battery (7.4v, 1020mAh)
- (2) Sony BC-TRW W Series Battery Charger (Black)(for NP-FW50 batteries)
- Gold Mount Battery Plate
- Movcam Cage (4pc.)
- Top Handle for Movcam Cage
- HDMI Protector Bracket
- Movcam LWS Baseplate
- Movcam Lens Support Bracket
- Movcam Riser Block
- Additional Accessories and Media available à la carte.

Sony F35/1

• 12 stops dynamic range • 1-60fps • S-LOG gamma curve • Records to HDCAM SR tape via SRW-1 onboard recorder in 4:4:4 HQ (880 Mbit/s, 2:1 compression) or 4:4:4 SQ (440 Mbit/s, 4:1 compression) • Can also send out 12-bit uncompressed video to any HD-SDI external recorder

More Info

Sony F35/1

Body and Lens Mount only

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 360.0 to 4.3 degrees

Sensor Description:

1-chip Super 35 mm type Progressive CCD

Sensor Ratio(s):

1.78.1

Internal Record Media Options:

None, records to attached SRW-1 Recorder Unit

Frame Rate Options:

1-50fps selectable -- HDCAMSR (1920 X 1080)

Record Codecs:

HDCAM SR 4:4:4 HQ (880 Mbit/s, 2:1 compression)
HDCAM SR 4:4:4 SQ (440 Mbit/s, 4:1 compression

Color / Gamma Options:

Rec709
S-Log

Internal ND Filtration:

Product Highlights
- 1080p
- Integrated Camera System with SRW-1 Recorder
- Versatile gamma settings including unique S-LOG gamma curve
- Records to HDCAM SR tape via SRW-1 onboard recorder in 4:4:4 HQ (880 Mbit/s, 2:1 compression) or 4:4:4 SQ (440 Mbit/s, 4:1 compression).
Our Kit Includes
- PL Turret Plug
- Sony HDVF-C30WR Color Viewfinder
- VF Mount
- LWS Waffle Plate for F23/F35
- Carry Handle for F23/F35 (2 pc.)
- Handle for Metal Port Cover F23/F35
- Metal Port Cover for F23/F35
- Interface Box F23/F35
- Assistants Panel F23/F35
- Assistants Panel Cable for F23/F35
- Mounting Bracket for Assistants Panel F23/F35
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- SRPC-1 Video Processor
- HKSR-102 Picture Cache Board for SRPC-1 (installed)
- HKSR-103 RGB 60p Processor Board for SRPC-1 (installed)
- SRW-1 HDCAM SR Tape Recorder
- Control Panel for SRW-1
- Short Control Panel Cable for SRW-1 (6″)
- Long Control Panel Cable for SRW-1 (68″)
- IDX IA-200A 100w Power Supply w/ AC Cable
- (2) Power Cable: 12v 4pXLRm to 4pXLRf 10′
- Tape Stock available à la carte.

Canon Cameras

Canon C700 GS PL (Arri PL Mount)

Global Shutter • 14 stops dynamic range • 1-120fps 4K RAW to Codex CDX-36150 Recorder • 1-60fps internal 4K ProRes or XF AVC recording in 4K • up to 180fps in ProRes 422 or 240fps XF-AVC in 2K/FHD Crop Mode • Dual CFast 2.0 Card Slots • Proxy Recording to SD Cards • Selectable Gamma and Log Curves

More Info

Canon C700 GS PL (Arri PL Mount)

Modes: Speed, Angle, Clear Scan, Slow, Off
Adjustable with either 1/3 or 1/4 steps selected as speed increment

Sensor Description:

11.54 megapixel Super 35mm Canon CMOS Sensor with DAF Technology

Sensor Ratio(s):

1.9:1

Internal Record Media Options:

Cfast 2.0 Cards

Frame Rate Options:

1 - 30fps -- ProRes 422 HQ 4K/QFHD (to CFast 2.0)
1 - 60fps -- ProRes 422 HQ 2K/FHD (to CFast 2.0)
1 - 60fps -- ProRes 4444 2K/FHD (to CFast 2.0)
1 - 180fps -- ProRes 422 Crop 2K/FHD (to CFast 2.0)
1 - 60fps -- XF-AVC 4K YCC422 Intra 4K/QFHD (to CFast 2.0)
1 - 120fps -- XF-AVC 4K YCC422 Intra 2K/FHD (to CFast 2.0)
1 - 60fps -- XF-AVC 4K YCC422 LGOP 2K/FHD (to CFast 2.0)
1 - 60fps -- XF-AVC 4K RGB444 Intra 2K/FHD (to CFast 2.0)
1 - 240fps -- YCC422 Intra Crop 2K/FHD (to CFast 2.0)
1-120fps -- Uncompressed RAW 4K (to Codex CDX-36150)
1-100fps -- Uncompressed RAW 4.5K (to Codex CDX-36150)
1-120fps -- Uncompressed RAW 4.5K (to Codex CDX-36150)
1-120fps -- Uncompressed RAW Crop 2K (to Codex CDX-36150)
1 - 60fps -- ProRes 422 HQ 4K/QFHD (to Codex CDX-36150)
1 - 120fps -- ProRes 422 HQ 2K/FHD (to Codex CDX-36150)
1 - 60fps -- ProRes 4444 2K/FHD (to Codex CDX-36150)
1 - 60fps -- ProRes 4444 XQ 2K/FHD (to Codex CDX-36150)
1 - 240fps -- ProRes 422 HQ Crop 2K/FHD (to Codex CDX-36150)
1-60fps -- XF-AVC (Proxy) YCC420 LGOP 2K/FHD (internal SD card)

Record Codecs:

ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
XF-AVC YCC422 Intra (10 bit)
XF-AVC YCC422 LGOP (10 bit)
XF-AVC RGB444 Intra (12/10 bit)
RAW (Uncompressed)

Color Depth:

10-bit
12-bit

Chroma Subsampling:

4:2:2
4:4:4

Color / Gamma Options:

Gamma: Canon Log 3, Canon Log 2, Canon Log, Wide DR
Color Space: Cinema Gamut, BT.2020 Gamut, DCI-P3 Gamut, BT.709 Gamut
LUT: BT.709, BT.2020, DCI, ACESproxy, HDR-ST2084

Raw Recording Possible?:

Yes

RAW Recording?:

Externally, via Codex CDX-36150 attachment

Dynamic Range:

14 stops

Internal ND Filtration:

Yes, built-in 5 density settings (2, 4, 6, 8*, 10* stops)
*when expansion is selected

Product Highlights
- Super 35mm Global Shutter CMOS Sensor
- PL Mount
- Up to 14 Stops of Dynamic Range
- 4K up to 60 fps, 2K/HD up to 240 fps
- Proxy Recording to SD Cards
- Selectable Gamma and Log Curves
- XF-AVC and ProRes Recording to CFast 2.0
- Intuitive User Interface
- Raw Recording Option
Our Kit Includes
- PL Turret Plug
- Canon EVF-V70 OLED Viewfinder for C700
- UN-5 Monitor Cable
- UN-10 Monitor Cable
- MVB-1 Viewfinder Bracket
- Arri CCH-2 Top Handle
- Arri Viewfinder Bracket
- Arri Top Plate
- Arri LWS Adapter Plate
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- BP-8 Baseplate 19mm
- 10′ 4p XLR 12v Power Cables
- 6pLemo1Bm-to-4pXLRm Power Cable (for block batteries)
- Wooden Camera D-BOX incl. Anton Bauer Gold Mount (Canon C700)
- USB 3.0 CFast 2.0 Card Reader w/ Corresponding Cable
- Additional Batteries and Media available à la carte.

Canon C300 Mark II (EF Mount)

• 15 stops dynamic range • 1-120fps • Internal XF AVC recording in 4K / 2K / HD • External 4K RAW recording • Dual CFast 2.0 Card Slots • Internal ND up to 10 stops in expansion mode • Flatter Canon Log Gamma 2 • Dual Pixel CMOS AF

More Info

Canon C300 Mark II (EF Mount)

Body, Grip, Monitor and 2x CF cards

Progressive scan, rolling shutter
2x faster readout than C300 Mk. I

Shutter Info:

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

Sensor Description:

9.84 megapixel Super 35mm Canon CMOS sensor w/ Dual Digic DV5 Image Processors

Sensor Ratio(s):

1.9:1

Internal Record Media Options:

Cfast 2.0 Cards

Frame Rate Options:

1 - 30fps -- XF AVC Cinema 4K (4096x2160)
1 - 30fps -- XF AVC UHD (3840x2160)
1 - 30fps -- XF AVC 2K 4:4:4 (2048x1080)
1 - 120fps -- XF AVC 2K 4:2:2 (2048x1152)
1 - 30fps -- XF AVC HD 4:4:4 (1920 X 1080)
1 - 120fps -- XF AVC HD 4:2:2 (1920 X 1080)

Record Codecs:

.MXF (OP-1a) file format
XF AVC codec
(MPEG-4 AVC/H.264)
Choice of Intraframe or LongGOP compression
Infraframe: 410Mbps in 4K
LongGOP 50Mbps in 2K

Color Depth:

10-bit (4K)
12-bit (2K)

Chroma Subsampling:

4:2:2 (in 4K)
4:4:4 (in 2K or HD only)

Color / Gamma Options:

Canon Log 2
Canon Log

Raw Recording Possible?:

Yes

RAW Recording?:

Externally, via HD-SDI outputs

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Can record 4K internally and 4K RAW externally at the same time
- While shooting 4K, can record proxies in 8-bit 4:2:0 at 35mbps or 24mbps in 2K/HD
- Flatter Canon Log Gamma 2 (and Canon Wide DR)
- Baked in Looks Option Allows Matching the Image of Other Cameras Internally
- ISO Up to 102,400
- Dual CFast 2.0 Card Slots
- Dual 3G-SDI & HDMI (Unclear if the HDMI can output 4K)
- Internally ND up to 10 stops in expansion mode
- Internally ND up to 10 stops in expansion mode
- Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally)
- Uses new batteries different from the Original C300
- Color Matrixes to match various other cameras.
Our Kit Includes
- EF Turret Plug
- Side Handle Grip
- 4″ Rotatable LCD Viewfinder incl. Microphone Mount
- (4) Canon BP-A30 Intelligent Li-Ion Battery 7.4V 3100mAh 47Wh
- Canon Battery Charger for EOS C300 Mark II Camcorder Batteries
- Wooden Camera D-Box for Canon C300 Mk. II (incl. Anton Bauer Gold Mount)
- Arri CCH-2 Camera Handle (K2.73002.0)
- Arri Top Plate for C300 Mk. II (K2.0006859)
- Cine Plate C300 Mk II, K2.0006864
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries and Media available à la carte.

Canon C300 Mark II (PL Mount)

More Info

Canon C300 Mark II (PL Mount)

Body, Grip, Monitor and 2x CF cards

Progressive scan, rolling shutter
2x faster readout than C300 Mk. I

Shutter Info:

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

Sensor Description:

9.84 megapixel Super 35mm Canon CMOS sensor w/ Dual Digic DV5 Image Processors

Sensor Ratio(s):

1.9:1

Internal Record Media Options:

Cfast 2.0 Cards

Frame Rate Options:

1 - 30fps -- XF AVC Cinema 4K (4096x2160)
1 - 30fps -- XF AVC UHD (3840x2160)
1 - 30fps -- XF AVC 2K 4:4:4 (2048x1080)
1 - 120fps -- XF AVC 2K 4:2:2 (2048x1152)
1 - 30fps -- XF AVC HD 4:4:4 (1920 X 1080)
1 - 120fps -- XF AVC HD 4:2:2 (1920 X 1080)

Record Codecs:

.MXF (OP-1a) file format
XF AVC codec
(MPEG-4 AVC/H.264)
Choice of Intraframe or LongGOP compression
Infraframe: 410Mbps in 4K
LongGOP 50Mbps in 2K

Color Depth:

10-bit (4K)
12-bit (2K)

Chroma Subsampling:

4:2:2 (in 4K)
4:4:4 (in 2K or HD only)

Color / Gamma Options:

Canon Log 2
Canon Log

Raw Recording Possible?:

Yes

RAW Recording?:

Externally, via HD-SDI outputs

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Can record 4K internally and 4K RAW externally at the same time
- While shooting 4K, can record proxies in 8-bit 4:2:0 at 35mbps or 24mbps in 2K/HD
- Flatter Canon Log Gamma 2 (and Canon Wide DR)
- Baked in Looks Option Allows Matching the Image of Other Cameras Internally
- ISO Up to 102,400
- Dual CFast 2.0 Card Slots
- Dual 3G-SDI & HDMI (Unclear if the HDMI can output 4K)
- Supports BT.2020, Canon Cinema Gamut, and DCI-P3 Color Spaces
- Internally ND up to 10 stops in expansion mode
- Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally)
- Uses new batteries different from the Original C300
- Color Matrixes to match various other cameras.
Our Kit Includes
- PL Turret Plug
- Side Handle Grip
- 4″ Rotatable LCD Viewfinder incl. Microphone Mount
- (4) Canon BP-A30 Intelligent Li-Ion Battery 7.4V 3100mAh 47Wh
- Canon Battery Charger for EOS C300 Mark II Camcorder Batteries
- Wooden Camera D-Box for Canon C300 Mk. II (incl. Anton Bauer Gold Mount)
- Arri CCH-2 Camera Handle (K2.73002.0)
- Arri Top Plate for C300 Mk. II (K2.0006859)
- Cine Plate C300 Mk II, K2.0006864
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries and Media available à la carte.

Canon C300 (EF Mount)

• 12 stops dynamic range • 1-60fps • Internal Canon XF recording in Full HD 1080p • Canon Log Gamma • Dual CF Card Slots • Internal ND filtration

More Info

Canon C300 (EF Mount)

Body, Grip, Monitor and 2x CF cards

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

Sensor Description:

8.85 megapixel Super 35mm Canon CMOS sensor w/ Canon DIGIC DV III Image Processor

Sensor Ratio(s):

1.78.1

Internal Record Media Options:

Compact Flash cards

Frame Rate Options:

24, 23.98p, 29.98p, 59.94i, 50i, 25p -- Canon XF 50Mbps (CBR) 4:2:2 (1920 X 1080 or 1280 x 720)
23.98p, 29.98p, 59.94i, 50i, 25p -- Canon XF 35Mbps (VBR) 4:2:0 (1920 X 1080 or 1280 x 720)
23.98p, 29.98p, 59.94i, 50i, 25p -- Canon XF 25Mbps (VBR) 4:2:0 (1440x1080)

Record Codecs:

.MXF (OP-1a) file format
Canon XF codec (XDCAM based)
MPEG-2 Long GOP compression

Color / Gamma Options:

Rec709
Canon Log

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Full 1080p internal recording
- Canon XF Codec – 4:2:2 50 Mb/s MPEG-2
- Rotating 4″ LCD Monitor
- Dual CF Card Slots
- Timecode I/O, Genlock In & Sync Out
- Canon Log Gamma
Our Kit Includes
- EF Turret Plug
- Side Handle Grip
- 4″ Rotatable LCD Viewfinder incl. Microphone Mount
- LWS Riser Plate for C300/C500
- Cage Option for C300
- (4) Canon BP-955 Intelligent Li-Ion Battery 7.4V 4900mAh 37Wh
- CG-940 or CG-930 Compact Battery Charger
- CA-940 or CA-940N Compact Power Supply
- Anton Bauer QRC-CA940 Battery Plate for Canon C300/C500
- USB CF Card Reader w/ Corresponding Cable
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries and Media available à la carte.

Canon C300 (PL Mount)

• 12 stops dynamic range • 1-60fps • Internal Canon XF recording in Full HD 1080p • Canon Log Gamma • Dual CF Card Slots • Internal ND filtration

More Info

Canon C300 (PL Mount)

Body, Grip, Monitor and 2x CF cards

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

Sensor Description:

8.85 megapixel Super 35mm Canon CMOS sensor w/ Canon DIGIC DV III Image Processor

Sensor Ratio(s):

1.78.1

Internal Record Media Options:

Compact Flash cards

Frame Rate Options:

24, 23.98p, 29.98p, 59.94i, 50i, 25p -- Canon XF 50Mbps (CBR) 4:2:2 (1920 X 1080 or 1280 x 720)
23.98p, 29.98p, 59.94i, 50i, 25p -- Canon XF 35Mbps (VBR) 4:2:0 (1920 X 1080 or 1280 x 720)
23.98p, 29.98p, 59.94i, 50i, 25p -- Canon XF 25Mbps (VBR) 4:2:0 (1440x1080)

Record Codecs:

.MXF (OP-1a) file format
Canon XF codec (XDCAM based)
MPEG-2 Long GOP compression

Color / Gamma Options:

Rec709
Canon Log

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Full 1080p internal recording
- Canon XF Codec – 4:2:2 50 Mb/s MPEG-2
- Rotating 4″ LCD Monitor
- Dual CF Card Slots
- Timecode I/O, Genlock In & Sync Out
- Canon Log Gamma
Our Kit Includes
- PL Turret Plug
- Side Handle Grip
- 4″ Rotatable LCD Viewfinder incl. Microphone Mount
- LWS Riser Plate for C300/C500
- Cage Option for C300
- (4) Canon BP-955 Intelligent Li-Ion Battery 7.4V 4900mAh 37Wh
- CG-940 or CG-930 Compact Battery Charger
- CA-940 or CA-940N Compact Power Supply
- Anton Bauer QRC-CA940 Battery Plate for Canon C300/C500
- USB CF Card Reader w/ Corresponding Cable
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries and Media available à la carte.

Canon 7D-PL

• 9 stops dynamic range • 1-30fps Full HD • Internal H.264 recording • Robust PL mount • APS-C size sensor for S35mm approximate field of view

More Info

Canon 7D-PL

Progessive scan, rolling shutter

Shutter Info:

Electronic shutter, 1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode)

Sensor Description:

APS-C 18 megapixel CMOS sensor

Sensor Ratio(s):

3:2

Internal Record Media Options:

CF Card

Frame Rate Options:

24p, 25p, 30p -- H.264 1080p (1920 X 1080)
50p, 60p -- H.264 720p (1280 x 720)
50p, 60p -- H.264 480p (720 x 480)

Record Codecs:

.MOV files w/ H.264 compression.

Color / Gamma Options:

Built-in Canon profiles
Technicolor
VisionLOG
VisionColor

Internal ND Filtration:

Product Highlights
- Custom FGV PL-mount with integrated LWS support plate and rear 3-pin Fischer connector for recording start/stop.
Our Kit Includes
- PL Turret Plug
- (4) LP-E6 Battery
- LC-E6 Charger
- Gold Mount Battery Plate
- HDMI Protector
- Hybrid LWS Plate
- Iris Rods (per user’s intended configuration)
- Additional Accessories and Media available à la carte.

Canon 7D-PL Infrared

• 9 stops dynamic range • 1-30fps Full HD • Internal H.264 recording • Robust PL mount • APS-C size sensor for S35mm approximate field of view • custom modified with 715nm Infrared pass filter for interesting visual effects • Useful for high-contrast black and white infrared as well as some color infrared applications

More Info

Canon 7D-PL Infrared

Progessive scan, rolling shutter

Shutter Info:

Electronic shutter, 1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode)

Sensor Description:

APS-C 18 megapixel CMOS sensor

Sensor Ratio(s):

3:2

Internal Record Media Options:

CF Card

Frame Rate Options:

24p, 25p, 30p -- H.264 1080p (1920 X 1080)
50p, 60p -- H.264 720p (1280 x 720)
50p, 60p -- H.264 480p (720 x 480)

Record Codecs:

.MOV files w/ H.264 compression.

Color / Gamma Options:

Built-in Canon profiles
Technicolor
VisionLOG
VisionColor

Internal ND Filtration:

Product Highlights
- Custom FGV PL-mount with integrated LWS support plate and rear 3-pin Fischer connector for recording start/stop.
- Custom modified with 715nm Infrared pass filter for interesting visual effects.
- Useful for high-contrast black and white infrared as well as some color infrared applications.
Our Kit Includes
- PL Turret Plug
- (4) LP-E6 Battery
- LC-E6 Charger
- Gold Mount Battery Plate
- HDMI Protector
- Hybrid LWS Plate
- Iris Rods (per user’s intended configuration)
- Additional Accessories and Media available à la carte.

35mm Sync Cameras

Arricam ST

• 1-60fps Forward • 1-32fps Reverse • 3-perf or 4-perf pulldown options

More Info

Arricam ST

4:3 (in 4-perf)
1.78:1 (3-perf)

Pulldown Options:

3-perf or 4-perf movement

Shutter Info:

Mirror reflex shutter adjustable from 0° and 180° while in standby
Rampable between 11.2° and 180° while running

Sensor Ratio(s):

1.37:1 or 1.85:1

Frame Rate Options:

1-60fps Forward Run
1-32fps Reverse Run

Product Highlights
- Crystal accurate to 0.001 frames
- Below 20 db(A) sound level
- Five link movement with dual registration pins and pulldown claws, 3 or 4-perf pulldown, pitch adjustment
- Power Input 24V to 32V DC
Our Kit Includes
- Turret Plug
- Arricam Ground Glass 1.78 S35 4-perf (unless otherwise specified)
- Arricam Glow Module 1.78 S35 4-perf (unless otherwise specified)
- 4-perf Movement for Arricam LT (3-perf available upon request)
- Arricam ST NTSC SD IVS Video Tap
- Accessory Power Box for Arricam
- Studio Mask Frameglow
- Speed Control Box for Arricam
- Speed Control Cable for Arricam
- Mag Port Cover for Arricam ST
- Rear Protection Cover for Arricam
- Tools ST GG Tool
- Arricam ST Camera Handle
- HE-4 Heated Eyecup Arricam / 416
- (2) Eyepiece Heater Cable: 4p Fischer Female to 1p Male
- Arricam ST Regular Eyepiece
- Arri EL-3 Eyepiece Leveler
- Arricam ST Viewfinder
- Arricam ST Finder Block Arm Spherical
- 3pFischer Distro Box
- 19mm Prime Rods
- 19mm Power Bridgeplate for Arricam w/ 3p RS
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- (2) 24v Power Cable – 2p Fischer – 3p XLR (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Case for Arricam ST
- Additional Accessories and Magazines available à la carte.

Arricam LT

• 1-48fps Forward • 1-32fps Reverse • 3-perf or 4-perf pulldown options

More Info

Arricam LT

4:3 (in 4-perf)
1.78:1 (3-perf)

Pulldown Options:

3-perf or 4-perf movement

Shutter Info:

Mirror reflex shutter adjustable from 0° and 180° while in standby
Rampable between 11.2° and 180° while running

Sensor Ratio(s):

1.37:1 or 1.85:1

Frame Rate Options:

1-48fps Forward Run
1-32fps Reverse Run

Product Highlights
- Crystal accurate to 0.001 frames
- Below 24 db(A) sound level
- Five link movement with dual registration pins and pulldown claws, 3 or 4-perf pulldown, pitch adjustment
- Power Input 24V to 32V DC
- 11.46 lbs w/ 1000′ Studio Mag
- 7.26 lbs w/ 400′ Studio Mag
- 5.95 lbs w/ 400′ LT Shoulder Mag
- 5.95 lbs w/ 400′ LT Steadicam Mag
Our Kit Includes
- Turret Plug
- Arricam Ground Glass 1.78 S35 4-perf (unless otherwise specified)
- Arricam Glow Module 1.78 S35 4-perf (unless otherwise specified)
- 4-perf Movement for Arricam LT (3-perf available upon request)
- Arricam LT HD IVS Video Tap
- Accessory Power Box for Arricam
- Lite Mask Frameglow
- Speed Control Box for Arricam
- Speed Control Cable for Arricam
- Mag Port Cover for Arricam LT
- Rear Protection Cover for Arricam
- LT-ST Studio Magazine Adapter
- Tools LT GG Tool
- Arricam LT Camera Handle
- HE-4 Heated Eyecup Arricam / 416
- (2) Eyepiece Heater Cable: 4p Fischer Female to 1p Male
- Arricam LT Regular Eyepiece
- Arricam ST Zoom Extension Finder
- Arri EL-3 Eyepiece Leveler
- Arricam LT Viewfinder
- Arricam LT Finder Block Arm Spherical
- 3pFischer Distro Box
- 19mm Prime Rods
- 19mm Power Bridgeplate for Arricam w/ 3p RS
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- Arricam LT Worklight
- (2) 24v Power Cable – 2p Fischer – 3p XLR (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Case for Arricam LT (Z17-255)
- Additional Accessories and Magazines available à la carte.

Moviecam Compact Mk. II

• 1-50fps Forward • 12-32fps Reverse

More Info

Moviecam Compact Mk. II

4:3 (in 4-perf)
1.78:1 (3-perf)

Pulldown Options:

3-perf or 4-perf movement

Shutter Info:

Mirror Reflex Shutter: 180°, 172.8°, 144°, 120°, 90°, 45°

Sensor Ratio(s):

1.37:1 or 1.85:1

Frame Rate Options:

1-50fps Forward Run
12-32fps Reverse Run

Product Highlights
- Integrated Speed Ramping and Syncobox
- Color Video Assist (SD)
Our Kit Includes
- Turret Plug for Moviecam Compact
- Ground Glass HDTV + TV + TV SAFE S35 (unless otherwise specified)
- Glow HDTV + TV + TV SAFE S35 (unless otherwise specified)
- 3-perf Movement
- Arricam IVS NTSC Video Tap
- 3pFischer Distro Box
- Arri EL-3 Eyepiece Leveler
- Heated Eyepiece
- Standard Eyecup
- (2) Eyepiece Heater Cable: 1p Male to 1p Male
- Frame Readout
- Movielite Glow Module
- Aks. Port Cover
- Rear Load Adapter
- Top Load Adapter
- Mag Port Cover
- Front Handle
- Mag Port Handle
- Top Handle
- Center Grip Attachment for Top Handle
- 19mm Prime Rods
- BP-8 Baseplate 19mm
- 12″ Dovetail Plate
- Padded Shoulder Rest for Moviecam
- 15mm Coupler for Moviecam Handgrip
- Left Handgrip for Moviecam
- Moviecam Power Handgrip (Black)
- 12″ Worklight for Moviecam (Square Pin)
- (2) Moviecam Power Cable: 4pXLRf-3pXLRm (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Combi Tool for Moviecam Compact
- Case for Moviecam Compact MkII (Z17-525)
- Additional Accessories and Magazines available à la carte.

Moviecam Compact Evolution

• 1-50fps Forward • 12-32fps Reverse

More Info

Moviecam Compact Evolution

4:3 (in 4-perf)
1.78:1 (3-perf)

Pulldown Options:

3-perf or 4-perf movement

Shutter Info:

Mirror Reflex Shutter: 180°, 172.8°, 144°, 120°, 90°, 45°

Sensor Ratio(s):

1.37:1 or 1.85:1

Frame Rate Options:

1-50fps Forward Run
12-32fps Reverse Run

Product Highlights
- Color Video Assist (SD)
Our Kit Includes
- Turret Plug
- Ground Glass HDTV + TV + TV SAFE S35 (unless otherwise specified)
- Glow HDTV + TV + TV SAFE S35 (unless otherwise specified)
- 4-perf Movement
- IVS 535B Video Tap
- CCD Optic Module
- P+S Technik Cover Block
- P+S Technik Extension Viewfinder
- P+S Technik Signal Converter
- P+S Technik Sync Cable
- PS Technik IVS to CCD Mounting Interface
- C.E. Crystal Speed Control
- Heated Eyepiece
- Eyecup
- (2) Eyepiece Heater Cable: 1p Male to 1p Male
- Frame Readout
- Movielite Glow Module
- Aks. Port Cover
- Rear Load Adapter
- Top Load Adapter
- Mag Port Cover
- Front Handle
- Mag Port Handle
- Top Handle
- Center Grip Attachment for Top Handle
- 19mm Prime Rods
- BP-8 Baseplate 19mm
- 12″ Dovetail Plate
- Padded Shoulder Rest for Moviecam
- 15mm Coupler for Moviecam Handgrip
- Left Handgrip for Moviecam
- Moviecam Power Handgrip (Black)
- Cinematography Elec. Assisant Light for Moviecam Evolution
- (2) Moviecam Power Cable: 4pXLRf-3pXLRm (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- 3pFischer Distro Box
- Combi Tool for Moviecam Compact
- Case for Moviecam Compact Evolution (Calzone)
- Additional Accessories and Magazines available à la carte.

16mm Sync Cameras

Arriflex 416 Plus

• 1-75fps Forward • Onboard Batteries available for handheld operation • Integrated accessory electronics and radio for wireless remote control

More Info

Arriflex 416 Plus

incl. finder, eyepiece, IVS, magazine and film

Mirror Reflex Shutter; 180° to 11.2° electronically adjustable, 180° to 45° manually adjustable.

Product Highlights
- Integrated accessory electronics and radio for wireless remote control
- below 20 db(A) sound level
- 24V to 32V DC Power Input
- Onboard Batteries available for handheld operation
Our Kit Includes
- Wireless Antenna
- Turret Plug
- Optical Viewfinder
- Ground Glass 416 / SR3 1.78 S16 (unless otherwise specified)
- 416 IVS (NTSC, K2.47664.0)
- 416 Optical Top
- 416 Regular Eyepiece
- Standard Eyecup for Arriflex 16mm Cameras
- LEE-1 Eyepiece Extension for 416/235 (Long)
- Shutter Tool
- Film Track Cleaning Tool
- Arri EL-3 Eyepiece Leveler
- 3pc. Top Handle
- Magazine Port Cover
- SP-2 Shoulder Pad
- BP-10 Bridgeplate
- 19mm Prime Rods
- LWS-5 15mm LWS Bracket
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- LRB-2 Rossette Bracket
- Offset for LRB-2 Rossette Bracket (4mm, 5/32″)
- OBB-2 Onboard Battery for 416
- Battery Charger for 416 OBB-2 Batteries
- 3pFischer Distro Box
- (2) 24v Power Cable – 2p Fischer – 3p XLR (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Case for Arri 416 (Z17-517)
- Additional Accessories and Magazines available à la carte.

16mm MOS Cameras

Bolex H16 RX5

• 12, 16, 18, 24, 32, 48 and 64 f.p.s. + single frame operation • 100' Daylight Spool or 400' Magazine • Modified 13x Viewfinder • Time-lapse & 400' Magazine Motors available

More Info

Bolex H16 RX5

Shutter with variable opening angle (with the camera stopped as well as while filming). Maximum opening 135°. Shutter closes when camera stops.

Sensor Ratio(s):

1.66:1

Frame Rate Options:

12, 16, 18, 24, 32, 48 and 64 f.p.s. + single frame

Product Highlights
- 100′ Daylight Spool or 400′ Magazine available
- Modified 13x Viewfinder
Our Kit Includes
- 13x Viewfinder
- C-Mount Turret Plug
- 400′ Mag Port Cover
- Rewind Crank
- Camera Door
- Daylight Spool
- Filter Holder
- Pistol Grip
- Additional Accessories available à la carte.

Bolex H16 SBM

• 12, 16, 18, 24, 32, 48 and 64 f.p.s. + single frame operation • 100' Daylight Spool or 400' Magazine • 13x Viewfinder • Time-lapse & 400' Magazine Motors available

More Info

Bolex H16 SBM

C-Mount, Bolex Bayonet

Shutter with variable opening angle (with the camera stopped as well as while filming). Maximum opening 135°. Shutter closes when camera stops.

Sensor Ratio(s):

1.66:1

Frame Rate Options:

12, 16, 18, 24, 32, 48 and 64 f.p.s. + single frame

Product Highlights
- 100′ Daylight Spool or 400′ Magazine available
- 13x Viewfinder
Our Kit Includes
- 13x Viewfinder
- Bolex Bayonet Turret Plug
- Bayo to C-Mount Adapter
- C-Mount Turret Plug
- 400′ Mag Port Cover
- Rewind Crank
- Camera Door
- Daylight Spool
- Filter Holder
- Pistol Grip
- Additional Accessories available à la carte.

Leica Thalia

Leica Summilux-C

Leica Summilux-C 16mm T1.4

Weight: 3.68 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

More Info

Leica Summilux-C 16mm T1.4

Screw-In Filter Size:

Leica Summilux-C 18mm T1.4

Weight: 3.68 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

More Info

Leica Summilux-C 18mm T1.4

Screw-In Filter Size:

Leica Summilux-C 21mm T1.4

Weight: 3.48 lbs • T-Stop: T1.4 • Close Focus: 12" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

More Info

Leica Summilux-C 21mm T1.4

Screw-In Filter Size:

Leica Summilux-C 25mm T1.4

Weight: 3.51 lbs • T-Stop: T1.4 • Close Focus: 12" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

More Info

Leica Summilux-C 25mm T1.4

Screw-In Filter Size:

Leica Summilux-C 29mm T1.4

Weight: 3.5 lbs • T-Stop: T1.4 • Close Focus: 18" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

More Info

Leica Summilux-C 29mm T1.4

Screw-In Filter Size:

Leica Summilux-C 35mm T1.4

Weight: 3.58 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

More Info

Leica Summilux-C 35mm T1.4

Screw-In Filter Size:

Leica Summilux-C 40mm T1.4

Weight: 3.56 lbs • T-Stop: T1.4 • Close Focus: 16" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

More Info

Leica Summilux-C 40mm T1.4

Screw-In Filter Size:

Leica Summilux-C 50mm T1.4

Weight: 3.72 lbs • T-Stop: T1.4 • Close Focus: 20" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

More Info

Leica Summilux-C 50mm T1.4

Screw-In Filter Size:

Leica Summilux-C 65mm T1.4

Weight: 3.60 lbs • T-Stop: T1.4 • Close Focus: 18" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

More Info

Leica Summilux-C 65mm T1.4

Screw-In Filter Size:

Leica Summilux-C 75mm T1.4

Weight: 3.61 lbs • T-Stop: T1.4 • Close Focus: 2'3" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

More Info

Leica Summilux-C 75mm T1.4

Screw-In Filter Size:

Leica Summilux-C 100mm T1.4

Weight: 3.52 lbs • T-Stop: T1.4 • Close Focus: 2'11" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

More Info

Leica Summilux-C 100mm T1.4

Screw-In Filter Size:

Leica Summilux-C 135mm T1.4

Weight: 7.4lbs • T-Stop: T1.4 • Close Focus: 4'1" • Outer Diameter: 114mm • Integrated net ring threaded into the rear element

More Info

Leica Summilux-C 135mm T1.4

Screw-In Filter Size:

Leica Summicron-C

Leica Summicron-C 18mm T2

Weight: 2.9 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 95mm

More Info

Leica Summicron-C 18mm T2

Leica Summicron-C 21mm T2

Weight: 2.9 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 95mm

More Info

Leica Summicron-C 21mm T2

Leica Summicron-C 25mm T2

Weight: 3.4 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 95mm

More Info

Leica Summicron-C 25mm T2

Leica Summicron-C 29mm T2

Weight: 3 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 95mm

More Info

Leica Summicron-C 29mm T2

Leica Summicron-C 35mm T2

Weight: 2.9 lbs • T-Stop: T2 • Close Focus: 14" • Outer Diameter: 95mm

More Info

Leica Summicron-C 35mm T2

Leica Summicron-C 40mm T2

Weight: 3 lbs • T-Stop: T2 • Close Focus 18" • Outer Diameter: 95mm

More Info

Leica Summicron-C 40mm T2

Leica Summicron-C 50mm T2

Weight: 3.2 lbs • T-Stop: T2 • Close Focus: 2' • Outer Diameter: 95mm

More Info

Leica Summicron-C 50mm T2

Leica Summicron-C 75mm T2

Weight: 2.7 lbs • T-Stop: T2 • Close Focus: 2'7" • Outer Diameter: 95mm

More Info

Leica Summicron-C 75mm T2

Leica Summicron-C 100mm T2

Weight: 2.7 lbs • T-Stop: T2 • Close Focus: 3'3" • Outer Diameter: 95mm

More Info

Leica Summicron-C 100mm T2

Leica Summicron-C 135mm T2

Weight: 4.1 lbs • T-Stop: T2 • Close Focus: 5' • Outer Diameter: 95mm

More Info

Leica Summicron-C 135mm T2

Zeiss Master Prime

Zeiss Master Prime 12mm Distagon T*XP T1.3

Weight: 6.4 lbs • T-Stop: T1.3 • Close Focus: 16" • Outer Diameter: 156mm

More Info

Zeiss Master Prime 12mm Distagon T*XP T1.3

LDS

Zeiss Master Prime 14mm Distagon T*XP T1.3

Weight: 5.3 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 14mm Distagon T*XP T1.3

LDS

Zeiss Master Prime 16mm Distagon T*XP T1.3

Weight: 4.8 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 16mm Distagon T*XP T1.3

LDS

Zeiss Master Prime 18mm Distagon T*XP T1.3

Weight: 4.8 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 18mm Distagon T*XP T1.3

LDS

Zeiss Master Prime 21mm Distagon T*XP T1.3

Weight: 5.3 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 21mm Distagon T*XP T1.3

LDS

Zeiss Master Prime 25mm Distagon T*XP T1.3

Weight: 5.1 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 25mm Distagon T*XP T1.3

LDS

Zeiss Master Prime 27mm Distagon T*XP T1.3

Weight: 4.8 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 27mm Distagon T*XP T1.3

LDS

Zeiss Master Prime 32mm Distagon T*XP T1.3

Weight: 5.1 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 32mm Distagon T*XP T1.3

LDS

Zeiss Master Prime 35mm Distagon T*XP T1.3

Weight: 4.8 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 35mm Distagon T*XP T1.3

LDS

Zeiss Master Prime 40mm Distagon T*XP T1.3

Weight: 5.1 lbs • T-Stop: T1.3 • Close Focus: 16" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 40mm Distagon T*XP T1.3

LDS

Zeiss Master Prime 50mm Planar T*XP T1.3

Weight: 5.9 lbs • T-Stop: T1.3 • Close Focus: 20" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 50mm Planar T*XP T1.3

LDS

Zeiss Master Prime 65mm Planar T*XP T1.3

Weight: 5.7 lbs • T-Stop: T1.3 • Close Focus: 2'3" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 65mm Planar T*XP T1.3

LDS

Zeiss Master Prime 75mm Sonnar T*XP T1.3

Weight: 6.2 lbs • T-Stop: T1.3 • Close Focus: 2'9" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 75mm Sonnar T*XP T1.3

LDS

Zeiss Master Prime 100mm Sonnar T*XP T1.3

Weight: 6.4 lbs • T-Stop: T1.3 • Close Focus: 3'6" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 100mm Sonnar T*XP T1.3

LDS

Zeiss Master Prime 135mm Sonnar T*XP T1.3

Weight: 6.2 lbs • T-Stop: T1.3 • Close Focus: 3'3" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 135mm Sonnar T*XP T1.3

LDS

Zeiss Master Prime 150mm Sonnar T*XP T1.3

Weight: 8.8 lbs • T-Stop: T1.3 • Close Focus: 4'11" • Outer Diameter: 134mm

More Info

Zeiss Master Prime 150mm Sonnar T*XP T1.3

LDS

Zeiss Ultra Prime

Zeiss Ultra Prime 8R Distagon T* T2.8

Weight: 4.4 lbs • T-Stop: T2.8 • Close Focus: 12" • Outer Diameter: 134mm

More Info

Zeiss Ultra Prime 8R Distagon T* T2.8

Rectilinear

Product Highlights
- Rectilinear

Zeiss Ultra Prime 10mm Distagon T* T2.1

Weight: 6.4 lbs • T-Stop: T2.1 • Close Focus: 14" • Outer Diameter: 156mm

More Info

Zeiss Ultra Prime 10mm Distagon T* T2.1

Zeiss Ultra Prime 14mm Distagon T* T1.9

Weight: 4 lbs • T-Stop: T1.9 • Close Focus: 9" • Outer Diameter: 114mm

More Info

Zeiss Ultra Prime 14mm Distagon T* T1.9

Zeiss Ultra Prime 16mm Distagon T* T1.9

Weight: 2.6 lbs • T-Stop: T1.9 • Close Focus: 10" • Outer Diameter: 95mm

More Info

Zeiss Ultra Prime 16mm Distagon T* T1.9

Zeiss Ultra Prime 20mm Distagon T* T1.9

Weight: 2.6 lbs • T-Stop: T1.9 • Close Focus: 11" • Outer Diameter: 95mm

More Info

Zeiss Ultra Prime 20mm Distagon T* T1.9

Zeiss Ultra Prime 24mm Distagon T* T1.9

Weight: 2.2 lbs • T-Stop: T1.9 • Close Focus: 12" • Outer Diameter: 95mm

More Info

Zeiss Ultra Prime 24mm Distagon T* T1.9

Zeiss Ultra Prime 28mm Distagon T* T1.9

Weight: 2.2 lbs • T-Stop: T1.9 • Close Focus: 11" • Outer Diameter: 95mm

More Info

Zeiss Ultra Prime 28mm Distagon T* T1.9

Zeiss Ultra Prime 32mm Distagon T* T1.9

Weight: 2.4 lbs • T-Stop: T1.9 • Close Focus: 14" • Outer Diameter: 95mm

More Info

Zeiss Ultra Prime 32mm Distagon T* T1.9

Zeiss Ultra Prime 40mm Distagon T* T1.9

Weight: 2.2 lbs • T-Stop: T1.9 • Close Focus: 15" • Outer Diameter: 95mm

More Info

Zeiss Ultra Prime 40mm Distagon T* T1.9

Zeiss Ultra Prime 50mm Planar T* T1.9

Weight: 2.2 lbs • T-Stop: T1.9 • Close Focus: 2' • Outer Diameter: 95mm

More Info

Zeiss Ultra Prime 50mm Planar T* T1.9

Zeiss Ultra Prime 65mm Planar T* T1.9

Weight: 2.4 lbs • T-Stop: T1.9 • Close Focus: 2'3" • Outer Diameter: 95mm

More Info

Zeiss Ultra Prime 65mm Planar T* T1.9

Zeiss Ultra Prime 85mm Planar T* T1.9

Weight: 2.6 lbs • T-Stop: T1.9 • Close Focus: 3' • Outer Diameter: 95mm

More Info

Zeiss Ultra Prime 85mm Planar T* T1.9

Zeiss Ultra Prime 100mm Planar T* T1.9

Weight: 2.6 lbs • T-Stop: T1.9 • Close Focus: 3'3" • Outer Diameter: 95mm

More Info

Zeiss Ultra Prime 100mm Planar T* T1.9

Zeiss Ultra Prime 135mm Planar T* T1.9

Weight: 3.5 lbs • T-Stop: T1.9 • Close Focus: 5' • Outer Diameter: 95mm

More Info

Zeiss Ultra Prime 135mm Planar T* T1.9

Zeiss Ultra Prime 180mm Sonnar T* T1.9

Weight: 5.7 lbs • T-Stop: T1.9 • Close Focus: 8'6" • Outer Diameter: 114mm

More Info

Zeiss Ultra Prime 180mm Sonnar T* T1.9

Zeiss CP.3

Zeiss CP.3 XD 15mm Compact Prime Distagon T* T2.9

Full Frame • Weight: 1.9 lbs • T-Stop: T2.9 • Close Focus: 12" • Outer Diameter: 95mm

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Zeiss CP.3 XD 15mm Compact Prime Distagon T* T2.9

/i eXtended Data

Zeiss CP.3 XD 18mm Compact Prime Distagon T* T2.9

Full Frame • Weight: 1.9 lbs • T-Stop: T2.9 • Close Focus: 12" • Outer Diameter: 95mm

More Info

Zeiss CP.3 XD 18mm Compact Prime Distagon T* T2.9

/i eXtended Data

Zeiss CP.3 XD 21mm Compact Prime Distagon T* T2.9

Full Frame • Weight: 1.6 lbs • T-Stop: T2.9 • Close Focus: 10" • Outer Diameter: 95mm

More Info

Zeiss CP.3 XD 21mm Compact Prime Distagon T* T2.9

/i eXtended Data

Zeiss CP.3 XD 25mm Compact Prime Distagon T* T2.1

Full Frame • Weight: 1.6 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 95mm

More Info

Zeiss CP.3 XD 25mm Compact Prime Distagon T* T2.1

/i eXtended Data

Zeiss CP.3 XD 28mm Compact Prime Distagon T* T2.1

Full Frame • Weight: 1.9 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 95mm

More Info

Zeiss CP.3 XD 28mm Compact Prime Distagon T* T2.1

/i eXtended Data

Zeiss CP.3 XD 35mm Compact Prime Distagon T* T2.1

Full Frame • Weight: 1.7 lbs • T-Stop: T2.1 • Close Focus: 12" • Outer Diameter: 95mm

More Info

Zeiss CP.3 XD 35mm Compact Prime Distagon T* T2.1

/i eXtended Data

Zeiss CP.3 XD 50mm Compact Prime Planar T* T2.1

Full Frame • Weight: 1.7 lbs • T-Stop: T2.1 • Close Focus: 18" • Outer Diameter: 95mm

More Info

Zeiss CP.3 XD 50mm Compact Prime Planar T* T2.1

/i eXtended Data

Zeiss CP.3 XD 85mm Compact Prime Planar T* T2.1

Full Frame • Weight: 1.9 lbs • T-Stop: T2.1 • Close Focus: 3'3" • Outer Diameter: 95mm

More Info

Zeiss CP.3 XD 85mm Compact Prime Planar T* T2.1

/i eXtended Data

Zeiss CP.3 XD 100mm Compact Prime CF Planar T* T2.1

Full Frame • Weight: 2.2 lbs • T-Stop: T2.1 • Close Focus: 2'6" • Outer Diameter: 95mm

More Info

Zeiss CP.3 XD 100mm Compact Prime CF Planar T* T2.1

/i eXtended Data

Zeiss CP.3 XD 135mm Compact Prime Sonnar T* T2.1

Full Frame • Weight: 2.5 lbs • T-Stop: T2.1 • Close Focus: 3'3" • Outer Diameter: 95mm

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Zeiss CP.3 XD 135mm Compact Prime Sonnar T* T2.1

/i eXtended Data

Zeiss CP.2

Zeiss CP.2 Compact Prime 15mm Distagon T* T2.9

Full Frame • Weight: 2 lbs • T-Stop: T2.9 • Close Focus: 12" • Outer Diameter: 114mm

More Info

Zeiss CP.2 Compact Prime 15mm Distagon T* T2.9

Zeiss CP.2 Compact Prime 18mm Distagon T* T3.6

Full Frame • Weight: 2 lbs • T-Stop: T3.6 • Close Focus: 12" • Outer Diameter: 114mm

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Zeiss CP.2 Compact Prime 18mm Distagon T* T3.6

Zeiss CP.2 Compact Prime 21mm Distagon T* T2.9

Full Frame • Weight: 2.2 lbs • T-Stop: T2.9 • Close Focus: 10" • Outer Diameter: 114mm

More Info

Zeiss CP.2 Compact Prime 21mm Distagon T* T2.9

Zeiss CP.2 Compact Prime 25mm Distagon T* T2.1

Full Frame • Weight: 2 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 114mm

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Zeiss CP.2 Compact Prime 25mm Distagon T* T2.1

Zeiss CP.2 Compact Prime 28mm Distagon T* T2.1

Full Frame • Weight: 2.2 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 114mm

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Zeiss CP.2 Compact Prime 28mm Distagon T* T2.1

Zeiss CP.2 Super Speed 35mm Distagon T* T1.5

Full Frame • Weight: 2.4 lbs • T-Stop: T1.5 • Close Focus: 12" • Outer Diameter: 114mm

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Zeiss CP.2 Super Speed 35mm Distagon T* T1.5

Zeiss CP.2 Super Speed 50mm Planar T* T1.5

Full Frame • Weight: 2 lbs • T-Stop: T1.5 • Close Focus: 18" • Outer Diameter: 114mm

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Zeiss CP.2 Super Speed 50mm Planar T* T1.5

Zeiss CP.2 Compact Prime 50mm Macro Planar T* T2.1

Full Frame • Weight: 3 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 134mm

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Zeiss CP.2 Compact Prime 50mm Macro Planar T* T2.1

Zeiss CP.2 Super Speed 85mm Planar T* T1.5

Full Frame • Weight: 2 lbs • T-Stop: T1.5 • Close Focus: 3'3" • Outer Diameter: 114mm

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Zeiss CP.2 Super Speed 85mm Planar T* T1.5

Zeiss CP.2 Compact Prime 100mm CF Planar T* T2.1

Full Frame • Weight: 3.3 lbs • T-Stop: T2.1 • Close Focus: 2'6" • Outer Diameter: 114mm

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Zeiss CP.2 Compact Prime 100mm CF Planar T* T2.1

Zeiss CP.2 Compact Prime 135mm Sonnar T* T2.1

Full Frame • Weight: 3.5 lbs • T-Stop: T2.1 • Close Focus: 3'3" • Outer Diameter: 114mm

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Zeiss CP.2 Compact Prime 135mm Sonnar T* T2.1

Zeiss Super Speeds

Zeiss Super Speed 18mm Distagon T* T1.3

Weight: 2.94 lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 80mm

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Zeiss Super Speed 18mm Distagon T* T1.3

Zeiss Super Speed 25mm Distagon T* T1.3

Weight: 2 lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 80mm

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Zeiss Super Speed 25mm Distagon T* T1.3

Zeiss Super Speed 35mm Distagon T* T1.3

Weight: 1.75 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 80mm

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Zeiss Super Speed 35mm Distagon T* T1.3

Zeiss Super Speed 50mm Planar T* T1.3

Weight: 1.75 lbs • T-Stop: T1.3 • Close Focus: 2'4" • Outer Diameter: 80mm

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Zeiss Super Speed 50mm Planar T* T1.3

Zeiss Super Speed 65mm Planar T* T1.3

Weight: 2.25 lbs • T-Stop: T1.3 • Close Focus: 2'4" • Outer Diameter: 80mm

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Zeiss Super Speed 65mm Planar T* T1.3

Zeiss Super Speed 85mm Planar T* T1.3

Weight: 2 lbs • T-Stop: T1.3 • Close Focus: 3' • Outer Diameter: 80mm

More Info

Zeiss Super Speed 85mm Planar T* T1.3

Zeiss Standard Speeds

Zeiss Standard Speed 10mm Distagon T* T2.1

Weight: 7 lbs • T-Stop: T2.1 • Close Focus: 14" • Outer Diameter: 156mm

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Zeiss Standard Speed 10mm Distagon T* T2.1

Zeiss Standard Speed 14mm Distagon T* T2

Weight: 3.5 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 114mm

More Info

Zeiss Standard Speed 14mm Distagon T* T2

Zeiss Standard Speed 16mm Distagon T* T2.1

Weight: 1.25 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 80mm

More Info

Zeiss Standard Speed 16mm Distagon T* T2.1

Zeiss Standard Speed 20mm Distagon T* T2.1

Weight: 1.49 lbs • T-Stop: T2.1 • Close Focus: 8" • Outer Diameter: 80mm

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Zeiss Standard Speed 20mm Distagon T* T2.1

Zeiss Standard Speed 24mm Distagon T* T2.1

Weight: 1.25 lbs • T-Stop: T2.1 • Close Focus: 14" • Outer Diameter: 80mm

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Zeiss Standard Speed 24mm Distagon T* T2.1

Zeiss Standard Speed 28mm Distagon T* T2.1

Weight: 2.25 lbs • T-Stop: T2.1 • Close Focus: 11" • Outer Diameter: 80mm

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Zeiss Standard Speed 28mm Distagon T* T2.1

Zeiss Standard Speed 32mm Planar T* T2.1

Weight: 1 lbs • T-Stop: T2.1 • Close Focus: 2' • Outer Diameter: 80mm

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Zeiss Standard Speed 32mm Planar T* T2.1

Zeiss Standard Speed 40mm Planar T* T2.1

Weight: 1 lbs • T-Stop: T2.1 • Close Focus: 16" • Outer Diameter: 80mm

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Zeiss Standard Speed 40mm Planar T* T2.1

Zeiss Standard Speed 50mm Planar T* T2.1

Weight: 1.25 lbs • T-Stop: T2.1 • Close Focus: 18" • Outer Diameter: 80mm

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Zeiss Standard Speed 50mm Planar T* T2.1

Zeiss Standard Speed 85mm Planar T* T2.1

Weight: 1.49 lbs • T-Stop: T2.1 • Close Focus: 3' • Outer Diameter: 80mm

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Zeiss Standard Speed 85mm Planar T* T2.1

Zeiss Standard Speed 100mm Planar T* T2.1

Weight: 1.75 lbs • T-Stop: T2.1 • Close Focus: 3'4" • Outer Diameter: 80mm

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Zeiss Standard Speed 100mm Planar T* T2.1

Zeiss Standard Speed 135mm Planar T* T2.1

Weight: 2.25 lbs • T-Stop: T2.1 • Close Focus: 5' • Outer Diameter: 80mm

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Zeiss Standard Speed 135mm Planar T* T2.1

Zeiss Standard Speed 180mm Sonnar T* T3

Weight: 2.94 lbs • T-Stop: T3 • Close Focus: 5' • Outer Diameter: 80mm

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Zeiss Standard Speed 180mm Sonnar T* T3

Cooke S7/i

Cooke S7/i 25mm T2

Weight: 7.28 lbs • T-Stop: T2 • Close Focus: 4" • Outer Diameter: 110mm • Covers VistaVision

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Cooke S7/i 25mm T2

Cooke S7/i 32mm T2

Weight: 7.5 lbs • T-Stop: T2 • Close Focus: 4" • Outer Diameter: 110mm • Covers VistaVision

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Cooke S7/i 32mm T2

Cooke S7/i 40mm T2

Weight: 7.72 lbs • T-Stop: T2 • Close Focus: 8" • Outer Diameter: 110mm • Covers VistaVision

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Cooke S7/i 40mm T2

Cooke S7/i 50mm T2

Weight: 7.5 lbs • T-Stop: T2 • Close Focus: 10" • Outer Diameter: 110mm • Covers VistaVision

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Cooke S7/i 50mm T2

Cooke S7/i 75mm T2

Weight: 6.61 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm • Covers VistaVision

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Cooke S7/i 75mm T2

Cooke S7/i 100mm T2

Weight: 7.28 lbs • T-Stop: T2 • Close Focus: 18" • Outer Diameter: 110mm • Covers VistaVision

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Cooke S7/i 100mm T2

Cooke S7/i 135mm T2

Weight: 8.16 lbs • T-Stop: T2 • Close Focus: 28" • Outer Diameter: 110mm • Covers VistaVision

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Cooke S7/i 135mm T2

Cooke 5/i

Cooke 5/i 18mm T1.4

Weight: 6.67 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 110mm

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Cooke 5/i 18mm T1.4

Cooke 5/i 25mm T1.4

Weight: 6.56 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 110mm

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Cooke 5/i 25mm T1.4

Cooke 5/i 32mm T1.4

Weight: 6.12 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 110mm

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Cooke 5/i 32mm T1.4

Cooke 5/i 40mm T1.4

Weight: 6.07 lbs • T-Stop: T1.4 • Close Focus: 16" • Outer Diameter: 110mm

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Cooke 5/i 40mm T1.4

Cooke 5/i 50mm T1.4

Weight: 7.11 lbs • T-Stop: T1.4 • Close Focus: 20" • Outer Diameter: 110mm

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Cooke 5/i 50mm T1.4

Cooke 5/i 65mm T1.4

Weight: 6.78 lbs • T-Stop: T1.4 • Close Focus: 24" • Outer Diameter: 110mm

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Cooke 5/i 65mm T1.4

Cooke 5/i 75mm T1.4

Weight: 6.58 lbs • T-Stop: T1.4 • Close Focus: 27" • Outer Diameter: 110mm

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Cooke 5/i 75mm T1.4

Cooke 5/i 100mm T1.4

Weight: 6.36 lbs • T-Stop: T1.4 • Close Focus: 30" • Outer Diameter: 110mm

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Cooke 5/i 100mm T1.4

Cooke 5/i 135mm T1.4

Weight: 11.2 lbs • T-Stop: T1.4 • Close Focus: 31" • Outer Diameter: 136mm

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Cooke 5/i 135mm T1.4

Cooke S4/i

Cooke S4/i 12mm T2

Weight: 6.5 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 156mm

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Cooke S4/i 12mm T2

Cooke S4/i 14mm T2

Weight: 4.8 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

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Cooke S4/i 14mm T2

Cooke S4/i 16mm T2

Weight: 5.4 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

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Cooke S4/i 16mm T2

Cooke S4/i 18mm T2

Weight: 3.85 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

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Cooke S4/i 18mm T2

Cooke S4/i 21mm T2

Weight: 4.4 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

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Cooke S4/i 21mm T2

Cooke S4/i 25mm T2

Weight: 3.5 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

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Cooke S4/i 25mm T2

Cooke S4/i 27mm T2

Weight: 3.55 lbs • T-Stop: T2 • Close Focus: 10" • Outer Diameter: 110mm

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Cooke S4/i 27mm T2

Cooke S4/i 32mm T2

Weight: 4 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 110mm

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Cooke S4/i 32mm T2

Cooke S4/i 35mm T2

Weight: 4.2 lbs • T-Stop: T2 • Close Focus: 14" • Outer Diameter: 110mm

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Cooke S4/i 35mm T2

Cooke S4/i 40mm T2

Weight: 4.4 lbs • T-Stop: T2 • Close Focus: 16" • Outer Diameter: 110mm

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Cooke S4/i 40mm T2

Cooke S4/i 50mm T2

Weight: 3.3 lbs • T-Stop: T2 • Close Focus: 20" • Outer Diameter: 110mm

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Cooke S4/i 50mm T2

Cooke S4/i 65mm T2

Weight: 3.55 lbs • T-Stop: T2 • Close Focus: 27" • Outer Diameter: 110mm

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Cooke S4/i 65mm T2

Cooke S4/i 75mm T2

Weight: 3.85 lbs • T-Stop: T2 • Close Focus: 30" • Outer Diameter: 110mm

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Cooke S4/i 75mm T2

Cooke S4/i 100mm T2

Weight: 4.4 lbs • T-Stop: T2 • Close Focus: 36" • Outer Diameter: 110mm

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Cooke S4/i 100mm T2

Cooke S4/i 135mm T2

Weight: 4.95 lbs • T-Stop: T2 • Close Focus: 33" • Outer Diameter: 110mm

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Cooke S4/i 135mm T2

Cooke S4/i 150mm T2

Weight: 7.7 lbs • T-Stop: T2 • Close Focus: 42" • Outer Diameter: 125mm

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Cooke S4/i 150mm T2

Cooke S4/i 180mm T2

Weight: 9.45 lbs • T-Stop: T2 • Close Focus: 51" • Outer Diameter: 136mm

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Cooke S4/i 180mm T2

Cooke S4/i Uncoated

Cooke S4/i Uncoated FE 16mm T2

Weight: 5.4 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

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Cooke S4/i Uncoated FE 16mm T2

Cooke S4/i Uncoated FE 18mm T2

Weight: 3.85 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

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Cooke S4/i Uncoated FE 18mm T2

Cooke S4/i Uncoated FE 21mm T2

Weight: 4.4 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

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Cooke S4/i Uncoated FE 21mm T2

Cooke S4/i Uncoated FE 25mm T2

Weight: 3.5 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

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Cooke S4/i Uncoated FE 25mm T2

Cooke S4/i Uncoated FE 27mm T2

Weight: 3.55 lbs • T-Stop: T2 • Close Focus: 10" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

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Cooke S4/i Uncoated FE 27mm T2

Cooke S4/i Uncoated FE 32mm T2

Weight: 4 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

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Cooke S4/i Uncoated FE 32mm T2

Cooke S4/i Uncoated FE 35mm T2

Weight: 4.2 lbs • T-Stop: T2 • Close Focus: 14" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

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Cooke S4/i Uncoated FE 35mm T2

Cooke S4/i Uncoated FE 40mm T2

Weight: 4.4 lbs • T-Stop: T2 • Close Focus: 16" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

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Cooke S4/i Uncoated FE 40mm T2

Cooke S4/i Uncoated FE 50mm T2

Weight: 3.3 lbs • T-Stop: T2 • Close Focus: 20" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

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Cooke S4/i Uncoated FE 50mm T2

Cooke S4/i Uncoated FE 65mm T2

Weight: 3.55 lbs • T-Stop: T2 • Close Focus: 27" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

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Cooke S4/i Uncoated FE 65mm T2

Cooke S4/i Uncoated FE 75mm T2

Weight: 3.85 lbs • T-Stop: T2 • Close Focus: 30" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

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Cooke S4/i Uncoated FE 75mm T2

Cooke S4/i Uncoated FE 100mm T2

Weight: 4.4 lbs • T-Stop: T2 • Close Focus: 36" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

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Cooke S4/i Uncoated FE 100mm T2

Cooke S4/i Uncoated FE 135mm T2

Weight: 4.95 lbs • T-Stop: T2 • Close Focus: 33" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

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Cooke S4/i Uncoated FE 135mm T2

Cooke mini s4/i

Cooke mini S4/i 18mm T2.8

Weight: 2.86 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 110mm

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Cooke mini S4/i 18mm T2.8

Cooke mini S4/i 21mm T2.8

Weight: 3.44 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 87mm

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Cooke mini S4/i 21mm T2.8

Cooke mini S4/i 25mm T2.8

Weight: 3.08 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 87mm

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Cooke mini S4/i 25mm T2.8

Cooke mini S4/i 32mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 12" • Outer Diameter: 87mm

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Cooke mini S4/i 32mm T2.8

Cooke mini S4/i 40mm T2.8

Weight: 3.74 lbs • T-Stop: T2.8 • Close Focus: 16" • Outer Diameter: 87mm

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Cooke mini S4/i 40mm T2.8

Cooke mini S4/i 50mm T2.8

Weight: 3.3 lbs • T-Stop: T2.8 • Close Focus: 20" • Outer Diameter: 87mm

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Cooke mini S4/i 50mm T2.8

Cooke mini S4/i 65mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 27" • Outer Diameter: 87mm

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Cooke mini S4/i 65mm T2.8

Cooke mini S4/i 75mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 30" • Outer Diameter: 87mm

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Cooke mini S4/i 75mm T2.8

Cooke mini S4/i 100mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 36" • Outer Diameter: 87mm

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Cooke mini S4/i 100mm T2.8

Cooke mini S4/i 135mm T2.8

Weight: 3.96 lbs • T-Stop: T2.8 • Close Focus: 39" • Outer Diameter: 87mm

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Cooke mini S4/i 135mm T2.8

Cooke mini s4/i Uncoated

Cooke mini S4/i Uncoated 18mm T2.8

Weight: 2.86 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 110mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

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Cooke mini S4/i Uncoated 18mm T2.8

Cooke mini S4/i Uncoated 21mm T2.8

Weight: 3.44 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

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Cooke mini S4/i Uncoated 21mm T2.8

Cooke mini S4/i Uncoated 25mm T2.8

Weight: 3.08 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

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Cooke mini S4/i Uncoated 25mm T2.8

Cooke mini S4/i Uncoated 32mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 12" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

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Cooke mini S4/i Uncoated 32mm T2.8

Cooke mini S4/i Uncoated 40mm T2.8

Weight: 3.74 lbs • T-Stop: T2.8 • Close Focus: 16" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

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Cooke mini S4/i Uncoated 40mm T2.8

Cooke mini S4/i Uncoated 50mm T2.8

Weight: 3.3 lbs • T-Stop: T2.8 • Close Focus: 20" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

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Cooke mini S4/i Uncoated 50mm T2.8

Cooke mini S4/i Uncoated 65mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 27" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

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Cooke mini S4/i Uncoated 65mm T2.8

Cooke mini S4/i Uncoated 75mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 30" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

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Cooke mini S4/i Uncoated 75mm T2.8

Cooke mini S4/i Uncoated 100mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 36" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

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Cooke mini S4/i Uncoated 100mm T2.8

Cooke mini S4/i Uncoated 135mm T2.8

Weight: 3.96 lbs • T-Stop: T2.8 • Close Focus: 39" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

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Cooke mini S4/i Uncoated 135mm T2.8

Canon CN-E

Canon CN-E 14mm T3.1

Full Frame • Weight: 2.65 lbs • T-Stop: T3.1 • Close Focus: 7.87" • Outer Diameter: 114mm

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Canon CN-E 14mm T3.1

Screw-In Filter Size:

Canon CN-E 24mm T1.5

Full Frame • Weight: 2.65 lbs • T-Stop: T1.5 • Close Focus: 12" • Outer Diameter: 114mm

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Canon CN-E 24mm T1.5

Screw-In Filter Size:

Canon CN-E 35mm T1.5

Full Frame • Weight: 2.43 lbs • T-Stop: T1.5 • Close Focus: 12" • Outer Diameter: 114mm

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Canon CN-E 35mm T1.5

Screw-In Filter Size:

Canon CN-E 50mm T1.3

Full Frame • Weight: 2.43 lbs • T-Stop: T1.3 • Close Focus: 18" • Outer Diameter: 114mm

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Canon CN-E 50mm T1.3

Screw-In Filter Size:

Canon CN-E 85mm T1.3

Full Frame • Weight: 2.87 lbs • T-Stop: T1.3 • Close Focus: 3.16' • Outer Diameter: 114mm

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Canon CN-E 85mm T1.3

Screw-In Filter Size:

Canon CN-E 135mm T2.2

Full Frame • Weight: 3.09 lbs • T-Stop: T2.2 • Close Focus: 3.28' • Outer Diameter: 114mm

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Canon CN-E 135mm T2.2

Screw-In Filter Size:

Sigma FF High Speed

Sigma 14mm FF T2

Full Frame • Weight: 2.95 lbs • T-Stop: T2 • Close Focus: 11" • Outer Diameter: 95mm

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Sigma 14mm FF T2

Sigma 20mm FF T1.5

Full Frame • Weight: 2.72 lbs • T-Stop: T1.5 • Close Focus: 11" • Outer Diameter: 95mm

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Sigma 20mm FF T1.5

Sigma 24mm FF T1.5

Full Frame • Weight: 2.25 lbs • T-Stop: T1.5 • Close Focus: 10" • Outer Diameter: 95mm

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Sigma 24mm FF T1.5

Sigma 35mm FF T1.5

Full Frame • Weight: 2.3 lbs • T-Stop: T1.5 • Close Focus: 12" • Outer Diameter: 95mm

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Sigma 35mm FF T1.5

Sigma 50mm FF T1.5

Full Frame • Weight: 2.66 lbs • T-Stop: T1.5 • Close Focus: 16" • Outer Diameter: 95mm

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Sigma 50mm FF T1.5

Sigma 85mm FF T1.5

Full Frame • Weight: 2.96 lbs • T-Stop: T1.5 • Close Focus: 2'10" • Outer Diameter: 95mm

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Sigma 85mm FF T1.5

Sigma 135mm FF T2

Full Frame • Weight: 3.14 lbs • T-Stop: T2 • Close Focus: 2'11" • Outer Diameter: 95mm

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Sigma 135mm FF T2

Celere HS

Celere HS 18.5mm T1.5

Super 35mm Coverage • Weight: 2.83 lbs • T-Stop: T1.5 • Close Focus: 9.06" • Outer Diameter: 95mm

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Celere HS 18.5mm T1.5

Screw-In Filter Size:

Celere HS 25mm T1.5

Full Frame • Weight: 2.31 lbs • T-Stop: T1.5 • Close Focus: 9.8" • Outer Diameter: 85mm • Screw-in Filters: 77mm

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Celere HS 25mm T1.5

Screw-In Filter Size:

Celere HS 36mm T1.5

Full Frame • Weight: 2.31 lbs • T-Stop: T1.5 • Close Focus: 13" • Outer Diameter: 85mm • Screw-in Filters: 77mm

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Celere HS 36mm T1.5

Screw-In Filter Size:

Celere HS 50mm T1.5

Full Frame • Weight: 2.31 lbs • T-Stop: T1.5 • Close Focus: 17" • Outer Diameter: 85mm • Screw-in Filters: 77mm

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Celere HS 50mm T1.5

Screw-In Filter Size:

Celere HS 85mm T1.5

Full Frame • Weight: 2.31 lbs • T-Stop: T1.5 • Close Focus: 3'9" • Outer Diameter: 85mm • Screw-in Filters: 77mm

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Celere HS 85mm T1.5

Screw-In Filter Size:

Whitepoint Optics TS70

Whitepoint Optics TS70 40mm T4

Covers 65mm image sensor • Weight: 5.79 lbs • T-Stop: T4 • Close Focus: 13" • Outer Diameter: 114mm

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Whitepoint Optics TS70 40mm T4

Arri PL, Canon EF, Sony E-Mount

Whitepoint Optics TS70 60mm T3.5

Covers 65mm image sensor • Weight: 3.84 lbs • T-Stop: T3.5 • Close Focus: 17" • Outer Diameter: 114mm

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Whitepoint Optics TS70 60mm T3.5

Arri PL, Canon EF, Sony E-Mount

Whitepoint Optics TS70 80mm T2.8

Covers 65mm image sensor • Weight: 3.39 lbs • T-Stop: T2.8 • Close Focus: 2'1" • Outer Diameter: 114mm

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Whitepoint Optics TS70 80mm T2.8

Arri PL, Canon EF, Sony E-Mount

Whitepoint Optics TS70 100mm T3.5

Covers 65mm image sensor • Weight: 3.35 lbs • T-Stop: T3.5 • Close Focus: 2'7" • Outer Diameter: 114mm

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Whitepoint Optics TS70 100mm T3.5

Arri PL, Canon EF, Sony E-Mount

Whitepoint Optics TS70 120mm T4

Covers 65mm image sensor • Weight: 4.08 lbs • T-Stop: T4 • Close Focus: 3'2" • Outer Diameter: 114mm

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Whitepoint Optics TS70 120mm T4

Arri PL, Canon EF, Sony E-Mount

Century Primes

Century-Nikkor 8mm T2.8

Weight: 3.3 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 123mm

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Century-Nikkor 8mm T2.8

Century-Nikkor 200mm T2

Weight: 6.7 lbs • T-Stop: T2 • Close Focus: 9' • Outer Diameter: 127mm

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Century-Nikkor 200mm T2

Century-Nikkor 300mm T2.8

Weight: 12.5 lbs • T-Stop: T2.8 • Close Focus: 13' • Outer Diameter: 177mm

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Century-Nikkor 300mm T2.8

Century-Canon 300mm T2

Weight: 7.9 lbs • T-Stop: T2 • Close Focus: 10' • Outer Diameter: 123mm

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Century-Canon 300mm T2

Century-Canon 400mm T2.8

Weight: 11.5 lbs • T-Stop: T2.8 • Close Focus: 15' • Outer Diameter: 164mm

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Century-Canon 400mm T2.8

Angenieux Optimos

Angenieux Optimo 15-40mm T2.6

Weight: 4.2 lbs • T-Stop: T2.6 • Close Focus: 2' • Outer Diameter: 114mm

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Angenieux Optimo 15-40mm T2.6

Arri PL, Canon EF, Panavision

/i w/ ASU

Multiplier (If Zoom):

Angenieux Optimo 28-76mm T2.6

Weight: 4.2 lbs • T-Stop: T2.6 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Angenieux Optimo 28-76mm T2.6

Arri PL, Canon EF, Panavision

/i w/ ASU

Multiplier (If Zoom):

Angenieux Optimo 17-80mm T2.2

Weight: 12.1 lbs • T-Stop: T2.2 • Close Focus: 21" • Outer Diameter: 136mm

More Info

Angenieux Optimo 17-80mm T2.2

Multiplier (If Zoom):

Angenieux Optimo 19.5-94mm T2.6

Weight: 12.3 lbs • T-Stop: T2.6 • Close Focus: 24.5" • Outer Diameter: 136mm

More Info

Angenieux Optimo 19.5-94mm T2.6

Multiplier (If Zoom):

Angenieux Optimo 45-120mm T2.8

Weight: 4.3 lbs • T-Stop: T2.8 • Close Focus: 3'1" • Outer Diameter: 114mm

More Info

Angenieux Optimo 45-120mm T2.8

Arri PL, Canon EF, Panavision

/i w/ ASU

Multiplier (If Zoom):

Angenieux Optimo 24-290mm T2.8

Weight: 24.2 lbs • T-Stop: T2.8 • Close Focus: 4' • Outer Diameter: 162mm

More Info

Angenieux Optimo 24-290mm T2.8

Multiplier (If Zoom):

Angenieux Optimo 24-290mm w/ Uncoated Front Element T2.8

Weight: 24.2 lbs • T-Stop: T2.8 • Close Focus: 4' • Outer Diameter: 162mm • Uncoated front element for unique flare characteristics

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Angenieux Optimo 24-290mm w/ Uncoated Front Element T2.8

Multiplier (If Zoom):

Angenieux Optimo 28-340mm T3.2

Weight: 24.4 lbs • T-Stop: T3.2 • Close Focus: 4'6" • Outer Diameter: 162mm

More Info

Angenieux Optimo 28-340mm T3.2

Arri PL, Canon EF, Panavision

Multiplier (If Zoom):

Angenieux EZ-1 30-90mm T2 (S35mm)

Weight: 4.7 lbs • T-Stop: T2 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Angenieux EZ-1 30-90mm T2 (S35mm)

Arri PL, Canon EF, Sony E-Mount

Multiplier (If Zoom):

Angenieux EZ-1 45-135mm T3 (VistaVision)

Weight: 4.7 lbs • T-Stop: T3 • Close Focus: 2' • Outer Diameter: 114mm • covers VistaVision format

More Info

Angenieux EZ-1 45-135mm T3 (VistaVision)

Arri PL, Canon EF, Sony E-Mount

Multiplier (If Zoom):

Angenieux Optimo Style 25-250mm T3.5

Weight: 16 lbs • T-Stop: T3.5 • Close Focus: 4' • Outer Diameter: 136mm

More Info

Angenieux Optimo Style 25-250mm T3.5

Arri PL, Canon EF, Panavision

Multiplier (If Zoom):

Angenieux Optimo DP 16-42mm T2.8

Weight: 4.2 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Angenieux Optimo DP 16-42mm T2.8

Multiplier (If Zoom):

Angenieux Optimo DP 30-80mm T2.8

Weight: 4.2 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Angenieux Optimo DP 30-80mm T2.8

Multiplier (If Zoom):

Canon Zooms

Canon Cinema Zoom 15.5-47mm T2.8

Weight: 4.8 lbs • T-Stop: T2.8 • Close Focus: 20" • Outer Diameter: 114mm

More Info

Canon Cinema Zoom 15.5-47mm T2.8

Multiplier (If Zoom):

Canon Cinema Zoom 30-105mm T2.8

Weight: 4.8 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Canon Cinema Zoom 30-105mm T2.8

Multiplier (If Zoom):

Canon Cinema Zoom 30-300mm T2.95 - 3.7

Weight: 12.79 lbs • T-Stop: T2.95 - 3.7 • Close Focus: 5' • Outer Diameter: 136mm

More Info

Canon Cinema Zoom 30-300mm T2.95 - 3.7

Multiplier (If Zoom):

10x

Wide T-Stop:

T2.95

Full Aperature Range:

30-240mm

Tele T-Stop:

T3.7

Reduced Aperature Range:

Canon Cine-Servo Zoom 17-120mm T2.95 - 3.9

Weight: 6.39 lbs • T-Stop: T2.95 - 3.9 • Close Focus: 2.8' • Outer Diameter: 114mm

More Info

Canon Cine-Servo Zoom 17-120mm T2.95 - 3.9

/i, Active Canon EF

Multiplier (If Zoom):

Wide T-Stop:

T2.95

Full Aperature Range:

17-91mm

Tele T-Stop:

T3.9

Reduced Aperature Range:

0.4 mod (Fujinon iris pitch)

Zoom Ring Pitch:

0.5 mod (Canon / Angenieux pitch)

Canon Cine-Servo Zoom 50-1000mm T5-8.9

Weight: 14.55 lbs • T-Stop: T5 - 8.9 • Close Focus: 11'5" • Outer Diameter: 136mm • 75-1500mm focal length with built-in 1.5x extender (T7.5 - T13.35 in this mode)

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Canon Cine-Servo Zoom 50-1000mm T5-8.9

Product Highlights:

Built-in 1.5x extender
75-1500mm focal length when using extender
When using extender, T-stop is T7.5 (75 to 840mm) and T 13.35 at 1500mm

/i, Active Canon EF

Multiplier (If Zoom):

20x

Wide T-Stop:

Full Aperature Range:

50-560mm

Tele T-Stop:

T8.9

Reduced Aperature Range:

0.8 mod (cine pitch) and 0.5 mod (Canon / Angenieux pitch) dual design

Iris Ring Pitch:

0.5 mod (Canon / Angenieux pitch)

Zoom Ring Pitch:

0.5 mod (Canon / Angenieux pitch)

Product Highlights
- Built-in 1.5x extender
- 75-1500mm focal length when using extender
- When using extender, T-stop is T7.5 (75 to 840mm) and T 13.35 at 1500mm

Canon 150-600mm T6.7 (Century)

T-Stop: T6.7

More Info

Canon 150-600mm T6.7 (Century)

Mount Options:

Arri PL, Arri Bayonet

T-Stop (Open):

T6.7

Multiplier (If Zoom):

Arri Zooms

Arri Alura 15.5-45mm T2.8

Weight: 4.9 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 114mm

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Arri Alura 15.5-45mm T2.8

LDS

Multiplier (If Zoom):

Arri Alura 18-80mm T2.6

Weight: 10.4 lbs • T-Stop: T2.6 • Close Focus: 2' • Outer Diameter: 134mm

More Info

Arri Alura 18-80mm T2.6

Multiplier (If Zoom):

Arri Alura 30-80mm T2.8

Weight: 4.9 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Arri Alura 30-80mm T2.8

LDS

Multiplier (If Zoom):

Arri Alura 45-250mm T2.6

Weight: 16.5 lbs • T-Stop: T2.6 • Close Focus: 3'11" • Outer Diameter: 134mm

More Info

Arri Alura 45-250mm T2.6

Multiplier (If Zoom):

Arri Ultra Wide Zoom 9.5mm-18mm T2.9

Weight: 9.9 lbs • T-Stop: T2.9 • Close Focus: 1.8' • Outer Diameter: 156mm • Very low image distortion, even at 9.5 mm • Uniform field illumination, even at close focus

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Arri Ultra Wide Zoom 9.5mm-18mm T2.9

Product Highlights:

Zoom index marker
Virtually no image breathing
Uniform field illumination, even at close focus
Fixed entrance pupil position over the entire zoom range
Exchangeable matte box interfaces (dia. 134 mm and 156 mm)
Rectilinear wide-angle zoom

Arri PL LDS, Canon EF

LDS

Multiplier (If Zoom):

Product Highlights
- Zoom index marker
- Virtually no image breathing
- Uniform field illumination, even at close focus
- Fixed entrance pupil position over the entire zoom range
- Exchangeable matte box interfaces (dia. 134 mm and 156 mm)
- Rectilinear wide-angle zoom