Products Archive - TCS Cameras and Lenses

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Cameras
Lenses
Other

Vintage

Leica R

GL Optics

Spherical Primes

Leica

Thalia T2.6-T2.9
Summilux-C T1.4
Summicron-C T2

Cooke

Cooke S7/i T2
Cooke 5/i T1.4
Cooke S4/i T2
Cooke mini S4/i T2.8

Zeiss

Master Prime T1.4
Ultra Prime T1.9
CP.2 Super Speeds T1.5
CP.2 T2.1
Super Speeds T1.3
Standard Speeds T2.1

Celere

Celere HS T1.5

Canon

Canon CN-E Primes

Telephoto

Nikkor 200mm T2
Century – Nikkor 300mm T2
Century – Canon 300mm T2.8
Canon 400mm T2.8

Specialty

Macro Lenses

Arri Macro T2.1
Master-Macro T2
IB/E Raptor Macro T2.9

Shift / Tilt Lenses

Arri Shift/Tilt
Clairmont Shift/Swing
Lensbaby 3G PL

Periscope Lenses

P+S Technik SKATERScope

Extenders

Schneider Extenders
Angenieux Optimo Extenders

Full-Frame Primes

Cooke

Cooke S7/i T2

Zeiss

CP.2 Super Speeds T1.5
CP.2 T2.1

Celere

Celere HS T1.5

Canon

Canon CN-E Primes
K-35 T1.3 – T1.6 (TLS Rehousing)
K-35 T1.3 – T1.6 (Vintage)
FD 100mm (P+S) T2
FD 135mm (P+S) T2.4

Leica R Primes

Leica R Primes (GL Optics) T2.8 & T2
Leica Summicron (EF Mount)

IB/E Raptor Macro Primes

IB/E Raptor Macro T2.9

65mm Format

Leica

Thalia T2.6-T2.9

Spherical Zooms

Angenieux

Optimo 15-40mm T2.6
Optimo 28-76mm T2.6
Optimo 17-80mm T2.2
Optimo 19.5-94mm T2.6
Optimo 45-120mm T2.8
Optimo 24-290mm T2.8
Optimo 28-340mm T3.2
Optimo EZ-1 30-90mm T2
Optimo DP 30-80mm T2.8
HR 25-250mm T3.5

Arri

Alura 15.5-45mm T2.8
Alura 18-80mm T2.6
Alura 30-80mm T2.8
Alura 45-250mm T2.6
UWZ 9.5-18mm T2.9

Canon

Cinema Zoom 15.5-47mm T2.8
Cinema Zoom 30-105mm T2.8
Cinema Zoom 30-300mm T2.95-3.7
Cine-Servo 17-120mm T2.95-3.9
Cine-Servo 50-1000mm T5-8.9

Fujinon

Cabrio 14-35mm T2.9
Cabrio 19-90mm T2.9
Cabrio 85-300mm T2.9
Cabrio 25-300mm T3.5-3.85

Zeiss

Compact Zoom 15-30mm T2.9
Compact Zoom 28-80mm T2.9
Compact Zoom 70-200mm T2.9

Other Zooms

Duclos Tokina 11-16mm T2.8
Leica 70-180mm T3 (Duclos)
Century 150-600mm T6.7

Full-Frame Zooms

Angenieux

Optimo EZ-1 45-135mm T3

Zeiss

Compact Zoom 15-30mm T2.9
Compact Zoom 28-80mm T2.9
Compact Zoom 70-200mm T2.9

Leica

Leica 70-180mm T3 (Duclos)

Vintage Primes

Cooke Primes

Speed Panchro (TLS) T2.3
Deep Field Panchro 100mm (TLS) T2.8
Anastigmat 105mm (TLS) T3.5
Kinetal 150mm (TLS) T4
Telepanchro 152mm (TLS) T3.2

Bausch & Lomb Primes

Super Baltar (TLS) T2.3
Super Baltar 152mm (P+S) T3

Canon Primes

K-35 T1.3 – T1.6 (TLS Rehousing)
K-35 T1.3 – T1.6 (Vintage)
FD 100mm (P+S) T2
FD 135mm (P+S) T2.4

Kowa Primes

Kowa Cine Prominar T2.3 – 2.6

Leica R Primes

Leica R Primes (GL Optics) T2.8 & T2
Leica Summicron (EF Mount)

Lomography

Lomography Daguerreotype 64mm Achromat Art Lens f2.9

Vintage Zooms

Cooke Zooms

Cinetal 25-250mm T3.7
Varotal 18-100mm T3
Varopanchro 20-60mm T3.1

Canon Zooms

K-35 Macro 25-120mm T.28

Angenieux Zooms

Vintage 25-250mm T3.9

16mm Primes

Cooke

SK4 T2

Zeiss

Ultra16 T1.3
Super Speeds T1.3

Century

6mm S2000 T1.9
4.5mm Aspheron
2x Extender

Bolex

C-Mount Primes

16mm Zooms

Canon

6.6-66mm T2.7
11-165mm T2.5

Angenieux

7-81mm HR T2.4

Anamorphic Primes

Cooke (2x)

Anamorphic /i T2.3

Zeiss (2x)

Master Anamorphic T1.9

Vantage (2x)

Hawk V-Lite T2.2

Servicevision (2x)

Scorpiolens T2.2

Kowa (2x)

Prominar Anamorphic T2.3 – T3.4

Anamorphic Zooms

Angenieux (2x)

Optimo 30-72mm 2S T4
Optimo 56-152mm 2S T4
Optimo 44-440mm 2S T4.5
Optimo 48-580mm T4
HR 50-500mm T5

Cooke (2x)

Anamorphic /i 35-140mm T3.1
Varotal 36-200mm T4.2
Varopanchro 40-120mm T4.4
Cinetal 50-500mm Mk. III T5.2

Non-PL Lenses

Canon EF L Primes

14mm f2.8
24mm f1.4
35mm f1.4
50mm f1.2
85mm f1.2
100mm Macro f2.8

Canon EF L Zooms

16-35mm II USM f2.8
24-70mm II USM f2.8
24-70mm USM f2.8
24-105mm II IS USM f4
70-200mm II IS USM f2.8
100-400mm II IS USM f4.5 – 5.6

Canon EF L Extenders

1.4x III
2x III

Leica Summicron Primes (EF)

Leica Summicron (EF Mount)

Leica M

Leica M Noctilux 50mm f0.95

Sony E-Mount

16mm Pancake f2.8
20mm Pancake f2.8

Micro 4/3

Panasonic LUMIX G 14mm f/2.5 II
Panasonic LUMIX G X 12-35mm f/2.8
Olympus M.ZUIKO 7-14mm f/2.8 PRO

2/3″ Cine-style

Zeiss Digiprime T1.6
Zeiss Digizoom 6-24mm T1.9
Zeiss Digizoom 17-112mm T1.9
Canon 21×7.5 T2.1-2.9
Canon 11×4.7 T2.1-2.7

2/3″ ENG

Canon 11×4.7 T1.9-2.5
Canon 17×7.7 T1.8-2.4

Panasonic AJ-EC3 Paintbox

More Info

Panasonic AJ-EC3 Paintbox

Arri Alexa SXT

Arri Alexa SXT Plus 4:3

• 14+ stops dynamic range • 1-120fps • Internal ARRIRAW and ProRes 4K Cine / 4K UHD / 3.2K / 2K / 1080p recording • Open Gate, 6:5, 4:3 and 16:9 sensor modes • ProRes RAID recording for extra data redundancy in ProRes recordings • Internal ND filtration • Three fully independent HD-SDI outputs • Integrated wireless receiver for camera and lens remote control • New ARRI Color Tool (ACT) and ARRI Look File (ALF-2) allow the creation of unique looks, which are compatible with ALEXA Mini and AMIRA

More Info

Arri Alexa SXT Plus 4:3

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

Open Gate, 6:5, 4:3, or 16:9

Internal Record Media Options:

Supports new high speed SXR Capture Drives (1 TB or 2 TB) via SXR Adapter
Supports current XR Capture Drive 512 GB via XR Adapter
Supports SxS PRO and SxS PRO+ cards via SxS Adapter 2
Supports CFast 2.0 cards via CFast 2.0 Adapter 2

Frame Rate Options:

0.75-50fps -- 16:9 ProRes 4K UHD (3840 x 2160)
0.75-72fps -- 16:9 ProRes 3.2K (3200 x 1800)
0.75 - 120fps -- 16:9 ProRes HD (1920 x 1080)
0.75 - 120fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- 16:9 ARRIRAW 2.8K (2880 x 1612)
0.75 - 120fps -- 16:9 ARRIRAW 3.2K (3168 x 1782)
0.75 - 60fps -- 6:5 ProRes 4K Cine Anamorphic (4096 x 1716)
0.75 - 96fps -- 6:5 ProRes 2K Anamorphic (2048 x 858)
0.75 - 96fps -- 6:5 ARRIRAW 2.6K (2578 x 2160)
0.75 - 60fps -- 4:3 ProRes 2.8K (2880 x 2160)
0.75 - 96fps -- 4:3 ARRIRAW 2.8K (2880 x 2160)
0.75 - 48fps -- Open Gate ProRes 4K Cine (4096 X 2636)
0.75 - 60fps -- Open Gate ProRes 3.4K (3424 X 2202)
0.75 - 90fps -- Open Gate ARRIRAW 3.4K (3424 X 2202)
*** Framerates based on SXR Capture Drive media capabilities. Other media types have lower framerate capabilities.

Record Codecs:

Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

Color / Gamma Options:

Log C
Rec 709
Rec 2020

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex SXR Capture Drives
(or XR Capture Drives, CFast 2.0, or SxS via adapters)

Internal ND Filtration:

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Exposure Index 160-3200
- Built-in Internal Filter Module (IFM-1) filter holder
- In-camera ARRIRAW recording up to 120 fps on SXR or XR Capture Drives via optional adapters
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
- Easy in-camera ProRes 4K recording
- ProRes 4K UHD (3840 x 2160) recording format for 4K UHD TV deliverables
- ProRes 4K Cine (4096 x 2636) recording format for 4C DCI cinema deliverables
- Improved image quality
- Completely overhauled image processing chain
- Advanced pixel correction
- Optional noise reduction
- New color management
- Matches current ALEXA images, but provides the basis for radically different looks
- 3D Look-up Tables, ASC Color Decision List
- Live in-camera grading on set
- Rec 2020 gamma
- Same tools for ALEXA SXT, ALEXA Mini & AMIRA
- Three fully independent HD-SDI outputs
- Powerful new media bay
- Supports new high speed SXR Capture Drives (1 TB or 2 TB) via SXR Adapter
- Supports current XR Capture Drive 512 GB via XR Adapter
- Supports SxS PRO and SxS PRO+ cards (64GB and above) via SxS Adapter 2
- Supports CFast 2.0 cards via CFast 2.0 Adapter 2
Our Kit Includes
- SXR Recorder Module
- Antenna for Plus Module
- SXR Media Adapter
- ProRes Codec Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- PL Turret Plug
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa XT

Arri Alexa XT Plus 4:3

• 14+ stops dynamic range • 1-120fps • Internal ARRIRAW & ProRes 3.2K / 2K / 1080p recording • Open Gate and 4:3 sensor modes • ProRes 4444 XQ • Internal ND filtration • Integrated wireless receiver for camera and lens remote control

More Info

Arri Alexa XT Plus 4:3

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

Open Gate, 4:3 or 16:9

Internal Record Media Options:

XR Capture Drives (SxS PRO or SxS PRO+ or Cfast 2.0 with adapter)

Frame Rate Options:

0.75-30fps -- 16:9 ProRes 3.2K (3164 x 1778)
0.75 - 120fps -- 16:9 ProRes HD (1920 x 1080)
0.75 - 60fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- 16:9 DNxHD HD (1920 x 1080)
0.75 - 120fps -- 16:9 ARRIRAW (2880 x 1612)
0.75 - 48fps -- 4:3 ProRes 2K (2048 x 1536)
0.75 - 90fps -- 4:3 ARRIRAW (2880 x 2160)
0.75 - 96fps -- 4:3 ARRIRAW Cropped (2578 x 2160)
0.75 - 75fps -- Open Gate ARRIRAW (3414 x 2198)

Record Codecs:

Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
DNxHD 115/120/145
DNxHD 175x/185x/220x
DNxHD 444
ARRIRAW

Color / Gamma Options:

Log C
REC 709

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex XR Capture Drives

Internal ND Filtration:

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Exposure Index 160-3200
- Built-in Internal Filter Module (IFM-1) filter holder
- in-camera ARRIRAW recording up to 120 fps on 512 GB XR Capture Drives
- ProRes or DNxHD onto SxS PRO cards with SxS Adapter
- ProRes or DNxHD onto CFast 2.0 cards with CFast 2.0 Adapter
- ProRes 4444 up to 120 fps onto XR Capture Drives or CFast 2.0 cards
- DNxHD 444 up to 96 fps onto XR Capture Drives and up to 90 fps onto CFast 2.0 cards
- ProRes 4:3 2K onto all three media types
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
Our Kit Includes
- XR Recorder Module
- Antenna for Plus Module
- XR Media Adapter
- ProRes Codec Option
- DNxHD Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- PL Turret Plug
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa XR Plus 4:3

• 14+ stops dynamic range • 1-120fps • Internal ARRIRAW & ProRes 3.2K / 2K / 1080p recording • 4:3 sensor mode • ProRes 4444 XQ • Integrated wireless receiver for camera and lens remote control

More Info

Arri Alexa XR Plus 4:3

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

4:3 or 16:9

Internal Record Media Options:

XR Capture Drives (SxS PRO or SxS PRO+ or Cfast 2.0 with adapter)

Frame Rate Options:

0.75-30fps -- 16:9 ProRes 3.2K (3164 x 1778)
0.75 - 120fps -- 16:9 ProRes HD (1920 x 1080)
0.75 - 60fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- 16:9 DNxHD HD (1920 x 1080)
0.75 - 120fps -- 16:9 ARRIRAW (2880 x 1612)
0.75 - 48fps -- 4:3 ProRes 2K (2048 x 1536)
0.75 - 90fps -- 4:3 ARRIRAW (2880 x 2160)
0.75 - 96fps -- 4:3 ARRIRAW Cropped (2578 x 2160)

Record Codecs:

Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
DNxHD 115/120/145
DNxHD 175x/185x/220x
DNxHD 444
ARRIRAW

Color / Gamma Options:

Log C
REC 709

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex XR Capture Drives

Internal ND Filtration:

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Exposure Index 160-3200
- in-camera ARRIRAW recording up to 120 fps on 512 GB XR Capture Drives
- ProRes or DNxHD onto SxS PRO cards with SxS Adapter
- ProRes or DNxHD onto CFast 2.0 cards with CFast 2.0 Adapter
- ProRes 4444 up to 120 fps onto XR Capture Drives or CFast 2.0 cards
- DNxHD 444 up to 96 fps onto XR Capture Drives and up to 90 fps onto CFast 2.0 cards
- ProRes 4:3 2K onto all three media types
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
Our Kit Includes
- XR Recorder Module
- Antenna for Plus Module
- ProRes Codec Option
- DNxHD Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- PL Turret Plug
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa XR Plus

• 14+ stops dynamic range • 1-120fps • Internal ARRIRAW & ProRes 3.2K / 2K / 1080p recording • ProRes 4444 XQ • Integrated wireless receiver for camera and lens remote control

More Info

Arri Alexa XR Plus

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

16:9

Internal Record Media Options:

XR Capture Drives (SxS PRO or SxS PRO+ or Cfast 2.0 with adapter)

Frame Rate Options:

0.75-30fps -- 16:9 ProRes 3.2K (3164 x 1778)
0.75 - 120fps -- 16:9 ProRes HD (1920 x 1080)
0.75 - 60fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- 16:9 ARRIRAW (2880 x 1612)

Record Codecs:

Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

Color / Gamma Options:

Log C
REC 709

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex XR Capture Drives

Internal ND Filtration:

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Exposure Index 160-3200
- in-camera ARRIRAW recording up to 120 fps on 512 GB XR Capture Drives
- ProRes onto SxS PRO cards with SxS Adapter
- ProRes onto CFast 2.0 cards with CFast 2.0 Adapter
- ProRes 4444 up to 120 fps onto XR Capture Drives or CFast 2.0 cards
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
Our Kit Includes
- XR Recorder Module
- Antenna for Plus Module
- ProRes Codec Option
- DNxHD Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- PL Turret Plug
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa Mini

• 14+ stops dynamic range • 1-200fps • Internal ARRIRAW & ProRes 4K / 3.2K / 2.8K / 2K / 1080p recording • ProRes 4444 XQ • 4:3 shooting mode for Anamorphic Recording • Internal ND filtration • Records to CFast 2.0 cards • Can be operated via wireless remote control, as a normal camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body • Built-in lens motor controller

More Info

Arri Alexa Mini

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 356 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

4:3 or 16:9

Internal Record Media Options:

Cfast 2.0 Cards

Frame Rate Options:

0.75-30fps -- 16:9 ProRes 4K UHD (3840 x 2160) 4444XQ
0.75-60fps -- 16:9 ProRes 4K UHD (3840 x 2160) all other ProRes formats
0.75-30fps -- 16:9 ProRes 3.2K (3164 x 1778) 4444XQ
0.75-60fps -- 16:9 ProRes 3.2K (3164 x 1778) all other ProRes formats
0.75-120fps -- 16:9 ProRes HD (1920 x 1080) 4444XQ
0.75-200fps -- 16:9 ProRes HD (1920 x 1080) all other ProRes formats
0.75-120fps -- 16:9 ProRes 2K (2048 x 1552) 4444XQ
0.75-200fps -- 16:9 ProRes 2K (2048 x 1552) all other ProRes formats
0.75-200fps -- S16 Mode ProRes HD (1920 x 1080) 4444XQ
0.75-120fps -- S16 Mode ProRes HD (1920 x 1080) all other ProRes formats
0.75-50fps -- 4:3 ProRes 2.8K (3840 x 2160) 4444 only
0.75-120fps -- 6:5 ProRes 2.39:1 2K Anamorphic (2048 x 858) all ProRes formats
0.75-120fps -- 8:9 ProRes HD Anamorphic (1920 x 1080) 4444 only
0.75-30fps -- 16:9 2.8K ARRIRAW (2880 x 1620)
0.75-30fps -- 16:9 3.4K Open Gate ARRIRAW (3424 x 2202)
0.75-50fps -- 4:3 2.8K ARRIRAW (2880 x 2160)
0.75-120fps -- 6:5 2K Anamorphic ARRIRAW 2.39:1 (2560 x 2145)
0.75-120fps -- 8:9 HD Anamorphic ARRIRAW (1920 x 2160)

Record Codecs:

ARRIRAW (MXF-wrapped)
Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT

Color / Gamma Options:

Log C
REC 709

Internal ND Filtration:

Yes, Built-in motorized ND filters, 0.6, 1.2, 2.1

Product Highlights
- Records 4K UHD ProRes up to 60fps and ARRIRAW 3.4K Open Gate up to 30fps
- Frame rates of 0.75-200 fps
- 4:3 sensor (switchable to 16:9 mode)
- Same 35 mm sensor as ALEXA
- Internal ND filters (0.6/1.2/2.1)
- Can be operated via wireless remote control, as a normal camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body.
- Interchangeable lens mount can be replaced with any of those designed for the ARRI AMIRA, allowing the use of B4 video and EF mount stills lenses.
- Automatic de-squeeze mode for anamorphic productions
- records ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder that can record image streams from up to four ALEXA Minis simultaneously.
- Built-in lens motor controller
- Body design is optimized for use with new-generation brushless gimbals, multicopters and other specialized rigs.
Our Kit Includes
- 4:3 License
- PL Turret Plug
- 2.4 GHz Antenna
- PL LDS mount with L-Bus connector
- Arri MVF-1ML Amira / Alexa Mini Electronic Viewfinder incl. Magnetic Eyecup
- MVB-1 Viewfinder Bracket Viewfinder MVF-1ML
- (2) Arri MVF-1 to Alexa Mini Viewfinder Cable Short, 0.5m / 1.6′
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Alexa-M / Alexa Mini Handle, CCH-2 (K2.73002.0)
- Arri Alexa A-EV Handle Extension Block (HEB-1/ JC HEB-1)
- (2) MAP-1 Adapter Plate
- (2) MAP-2 Adapter Plate
- (2) MSB-1 Side Bracket
- RMB-3 Rod Mounting Bracket
- BPA-4 Bridgeplate Adapter
- CSP-1 Camera Shoulder Pad
- BAP-1 Battery Adapter Plate
- Anton Bauer Gold Mount Battery Plate w/ Custom Alexa Mini Connector
- Wooden Camera D-Box for Alexa Mini (incl. Anton Bauer Gold Mount)
- Wooden Camera A-BOX f/ Arri Alexa Mini Audio incl. 19mm Mounting Rod
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.
- ARRIRAW License available upon request.

Arri Amira

Arri Amira w/ Premium License

• 14+ stops dynamic range • 1-200fps • Internal ProRes 4K / 3.2K / 2K / 1080p recording • ProRes 4444 XQ • Internal ND filtration • Records to CFast 2.0 cards • Single User Ergonomics

More Info

Arri Amira w/ Premium License

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 356 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

16:9

Internal Record Media Options:

Cfast 2.0 Cards

Frame Rate Options:

0.75-30fps -- 16:9 ProRes 4K UHD (3840 x 2160) 4444XQ
0.75-60fps -- 16:9 ProRes 4K UHD (3840 x 2160) all other ProRes formats
0.75-30fps -- 16:9 ProRes 3.2K (3164 x 1778) 4444XQ
0.75-60fps -- 16:9 ProRes 3.2K (3164 x 1778) all other ProRes formats
0.75-120ps -- 16:9 ProRes 2K (2048 x 1552) 4444XQ
0.75-200fps -- 16:9 ProRes 2K (2048 x 1552) all other ProRes formats
0.75-120fps -- 16:9 ProRes HD (1920 x 1080) 4444XQ
0.75-200fps -- 16:9 ProRes HD (1920 x 1080) all other ProRes formats

Record Codecs:

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT

Color / Gamma Options:

Log C
REC 709

Internal ND Filtration:

Yes, Built-in motorized ND filters, 0.6, 1.2, 2.1

Product Highlights
- Records 4K UHD ProRes up to 60fps
- Frame rates of 0.75-200 fps
- 4:3 sensor
- Same 35 mm sensor as ALEXA
- Internal ND filters (0.6/1.2/2.1)
- OLED eyepiece and fold-away LCD monitor
- Multi-channel audio – easy-access controls
Our Kit Includes
- PL Turret Plug
- (2) Arri Amira Antenna (blu-tooth & wi-fi)
- MHB-2 Mic Adapter Bracket For Amira (821100)
- PL LDS Lens Mount
- Arri MVF-1 Amira Electronic Viewfinder incl. Magnetic Eyecup
- Arri MVF-1 Bracket
- Arri VAB-1 Viewfinder Attachment Bracket (With [2] 4″ rods)
- Arri MVF-1 Amira Viewfinder Cable Short, 0.5m / 1.6′ (820204)
- Arri MVF-1 Amira Viewfinder Cable Medium, 1.5m / 3′
- 10′ Cat6A Black Ethernet Cable
- Arri Amira Gold Mount Adapter (821200)
- Arri CCH-1 (Center Camera Handle)
- Arri Alexa A-EV Handle Extension Block (HEB-1 or HEB-5)
- Arri Amira BPA-3 Bridge Plate Adapter (821104)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa XT

Arri Alexa M XR 4:3

• 14+ stops dynamic range • 1-120fps • Internal ARRIRAW & ProRes 3.2K / 2K / 1080p recording to recorder module • 4:3 sensor mode • ProRes 4444 XQ • Internal ND filtration • Separate camera body and light weight head for compact shooting scenarios • Up to 160 ft operating range with hybrid SMPTE cable. • Up to 0.6 miles operating range when head is powered separately.

More Info

Arri Alexa M XR 4:3

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

4:3 or 16:9

Internal Record Media Options:

XR Capture Drives (SxS PRO or SxS PRO+ or Cfast 2.0 with adapter)

Frame Rate Options:

0.75-30fps -- 16:9 ProRes 3.2K (3164 x 1778)
0.75 - 120fps -- 16:9 ProRes HD (1920 x 1080)
0.75 - 60fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- 16:9 ARRIRAW (2880 x 1612)
0.75 - 48fps -- 4:3 ProRes 2K (2048 x 1536)
0.75 - 90fps -- 4:3 ARRIRAW (2880 x 2160)
0.75 - 96fps -- 4:3 ARRIRAW Cropped (2578 x 2160)

Record Codecs:

Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

Color / Gamma Options:

Log C
REC 709

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex XR Capture Drives

Internal ND Filtration:

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Separate camera body (12.8 lbs w/ XR module) and light weight head (6.4 lbs) for compact shooting scenarios.
- up to 50 m/160 ft operating range with hybrid SMPTE cable.
- up to 1 km/0.6 miles operating range when head is powered separately.
- Controls and media can be kept in easy reach.
- Exposure Index 160-3200
- in-camera ARRIRAW recording up to 120 fps on 512 GB XR Capture Drives
- ProRes onto SxS PRO cards with SxS Adapter
- ProRes onto CFast 2.0 cards with CFast 2.0 Adapter
- ProRes 4444 up to 120 fps onto XR Capture Drives or CFast 2.0 cards
- ProRes 4:3 2K onto all three media types
- Lens Data System
Our Kit Includes
- Arri Alexa-M 4:3 Camera Head With XR Upgrade
- PL Turret Plug
- Arri Alexa-M Camera Body incl. High-Speed License with XR Module
- Codex SXS Adapter XR Recorder Module for Alexa 4:3XR CDX-3790
- ProRes Codec Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- Hybrid Fiber Cables (per user request)
- ALEXA-M Handle, CCH-2 (K2.73002.0)
- ALEXA-M Cage Plate ACP-2 (AMC-1, K2.73003.0)
- ALEXA-M Bridge Plate Adapter AMB-2 (AMC-1, K2.73005.0)
- Side Bracket ASB-1 (AMC-1, K2.72086.0)
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Viewfinder Extenson Bracket VEB-3 (Alexa-M, K2.74000.0)
- Hill Arri Alexa EVF Adapter
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Bridge Plate Adapter (BPA-1)
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- 220w 24vDC Alexa Power Supply (GS220A24-R7B) w/ 6′ AC Power Cord
- Alexa Ethernet External Remote Cable
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa Classic

Arri Alexa Studio

• 14+ stops dynamic range • 1-120fps • Internal ProRes 2K/1080p recording • ARRIRAW via T-Link to external recorder • ProRes 4444 XQ • Optical Viewfinder • Mirror Shutter 11.2-180 degrees • Integrated wireless receiver for camera and lens remote control

More Info

Arri Alexa Studio

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Mirror Shutter, 11.2-180 degrees
Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

4:3 or 16:9

Internal Record Media Options:

SxS PRO or SxS Pro +

Frame Rate Options:

0.75 - 120fps --16:9 ProRes HD (1920 x 1080) ***
0.75 - 60fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- 16:9 DNxHD HD (1920 x 1080) ***
0.75 - 120fps -- external 16:9 ARRIRAW (2880 x 1612) ***
0.75 - 90fps -- external 4:3 ARRIRAW (2880 x 2160)
*** only 60fps when using mechanical shutter

Record Codecs:

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
DNxHD 115/120/145
DNxHD 175x/185x/220x
DNxHD 444
ARRIRAW (via external T-Link)

Color / Gamma Options:

Log C
REC 709

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW externally via T-Link to approved recorders

Internal ND Filtration:

Product Highlights
- Optical Viewfinder
- Mirror Shutter 11.2-180 degrees
- Exposure Index 160-3200
- ProRes or DNxHD onto SxS PRO cards
- External ARRIRAW recording to approved recorders up to 120 fps
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
Our Kit Includes
- Arri Alexa Studio Optical Viewfinder (OVF-1)
- Electronic Viewfinder Adapter for Alexa Studio (EVA-1)
- Wide-Angle Eyepiece for Alexa Studio OVF-1 incl. Magnetic Eyecup
- FE-3 Extension Finder
- ProRes Codec Option
- DNxHD Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- Glow Module Alexa Studio – 4:3 Spherical
- Ground Glass Alexa Studio – 4:3 Spherical
- PL Turret Plug
- Antenna for Plus Module
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Shutter Tool for Arri Alexa Studio
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa Plus

• 14+ stops dynamic range • 1-120fps • Internal ProRes 2K/1080p recording • ARRIRAW via T-Link to external recorder • ProRes 4444 XQ • Integrated wireless receiver for camera and lens remote control

More Info

Arri Alexa Plus

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

16:9

Internal Record Media Options:

SxS PRO or SxS Pro +

Frame Rate Options:

0.75 - 120fps -- 16:9 ProRes HD (1920 x 1080)
0.75 - 60fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- external 16:9 ARRIRAW (2880 x 1612)

Record Codecs:

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW (via external T-Link)

Color / Gamma Options:

Log C
REC 709

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW externally via T-Link to approved recorders

Internal ND Filtration:

Product Highlights
- Exposure Index 160-3200
- ProRes onto SxS PRO cards
- External ARRIRAW recording to approved recorders up to 120 fps
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
Our Kit Includes
- SxS Recording Module
- ProRes Codec Option
- QuickTime File Format Option
- High-Speed License Key
- PL Turret Plug
- Antenna for Plus Module
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB-3)
- Viewfinder Extenson Bracket VEB-3 (Alexa / Amira)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa

• 14+ stops dynamic range • 1-120fps • Internal ProRes 2K/1080p recording • ARRIRAW via T-Link to external recorder • ProRes 4444 XQ

More Info

Arri Alexa

Body, Lens Mount, Record Module only

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 - 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

16:9

Internal Record Media Options:

SxS PRO or SxS Pro +

Frame Rate Options:

0.75 - 120fps -- 16:9 ProRes HD (1920 x 1080)
0.75 - 60fps -- 16:9 ProRes 2K (2048 x 1152)
0.75 - 120fps -- external 16:9 ARRIRAW (2880 x 1612)

Record Codecs:

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW (via external T-Link)

Color / Gamma Options:

Log C
REC 709

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW externally via T-Link to approved recorders

Internal ND Filtration:

Product Highlights
- Exposure Index 160-3200
- ProRes or DNxHD onto SxS PRO cards
- External ARRIRAW recording to approved recorders up to 120 fps
Our Kit Includes
- SxS Recording Module
- ProRes Codec Option
- QuickTime File Format Option
- High-Speed License Key
- PL Turret Plug
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB-3)
- Viewfinder Extenson Bracket VEB-3 (Alexa / Amira)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Weapon 8K Helium S35

Red Weapon 8K Helium S35 Woven Carbon Fiber

• 16.5+ stops dynamic range • 1-300fps • Interchangeable OLPF System and Standard OLPF installed (shadow/low-light and skintone/highlight options available) • Internal ProRes 4K / 2K / HD to Mini-Mags • Internal REDCODE RAW up to 8K to Mini-Mags • Ideal for gimbal/drone usage • S35mm size Red HELIUM 35.4 Megapixel CMOS sensor

More Info

Red Weapon 8K Helium S35 Woven Carbon Fiber

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 1 to 1/8000 sec

Sensor Description:

HELIUM 35.4 Megapixel CMOS

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

RED MINI-MAG

Frame Rate Options:

1-29.97fps --ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps --ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps -- ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps -- ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-60fps -- 8K FF REDCODE RAW (8192 x 4320)
1-75fps -- 8K 2.4:1 REDCODE RAW (8192 x 3456)
1-60fps -- 7K FF REDCODE RAW (7168 x 3780)
1-75fps -- 7K 2.4:1 REDCODE RAW (7168 x 3024)
1-75fps -- 6K FF REDCODE RAW (6144 x 3240)
1-100fps -- 6K 2.4:1 REDCODE RAW (6144 x 2592)
1-96fps -- 5K FF REDCODE RAW (5120 x 2700)
1-120fps -- 5K 2.4:1 REDCODE RAW (5120 x 2160)
1-120fps -- 4K FF REDCODE RAW (4096 x 2160)
1-150fps -- 4K 2.4:1 REDCODE RAW (4096 x 1728)
1-150fps -- 3K FF REDCODE RAW (3072 x 1620)
1-200fps -- 3K 2.4:1 REDCODE RAW (3072 x 1296)
1-240fps -- 3K FF REDCODE RAW (2048 x 1080)
1-300fps -- 3K 2.4:1 REDCODE RAW (2048 x 864)
(Compression choices of 22:1 to 2:1)
*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

Record Codecs:

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

Color Depth:

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

Chroma Subsampling:

4:4:4

Color / Gamma Options:

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Raw Recording Possible?:

Internal ND Filtration:

Product Highlights
- REDCODE RAW formats:
- 8K Full Format (8192 x 4320), 1-60fps
- 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 7K Full Format (7168 x 3780), 1-60fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 6K Full Format (6144 x 3240), 1-75fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 5K Full Format (5120 x 2700), 1-96fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 4K Full Format (4096 x 2160), 1-120fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
- 3K Full Format (3072 x 1620), 1-150fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 2K Full Format (2048 x 1080), 1-240fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)
- ProRes Record Formats:
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- 2K Apple ProRes 4444 XQ up to 120 fps
- 2K Apple ProRes 4444 up to 120 fps
- 2K Apple ProRes 422 HQ up to 120 fps
- 2K Apple ProRes 422 up to 120 fps
- 2K Apple ProRes 422 LT up to 120 fps
- Avid Record Formats:
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
Our Kit Includes
- DSMC Interchangeable OLPF System
- Interchangeable Standard OLPF for Red Weapon (other options available per request)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Element Technica W – Gold Mount Battery Module
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Weapon 6K Dragon

Red Weapon 6K Dragon Forged Carbon Fiber

• 16.5+ stops dynamic range • 1-300fps • Interchangeable OLPF System and Standard OLPF installed (shadow/low-light and skintone/highlight options available) • Internal ProRes 4K / 2K / HD or REDCODE RAW up to 6K to Mini-Mags • Ideal for gimbal/drone usage • RED DRAGON sensor

More Info

Red Weapon 6K Dragon Forged Carbon Fiber

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 1 to 1/8000 sec

Sensor Description:

19 megapixel APS-H DRAGON sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

RED MINI-MAG

Frame Rate Options:

1-29.97fps --ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps --ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps -- ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps -- ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-82fps -- 6K FF REDCODE RAW (6144 x 3160)
1-83fps -- 6K HD REDCODE RAW (5568 x 3132)
1-100fps -- 6K WS REDCODE RAW (6144 x 2592)
1-95fps -- 5K FF REDCODE RAW (5120 x 2700)
1-119fps -- 5K WS REDCODE RAW (5120 x 2160)
1-119fps -- 4K FF REDCODE RAW (4096 x 2160)
1-120fps -- 4K HD REDCODE RAW (3840 x 2160)
1-148fps -- 4K WS REDCODE RAW (4096 x 1728)
1-239fps -- 2K FF REDCODE RAW (2048 x 1080)
1-298fps -- 2K WS REDCODE RAW (2048 x 864)
(Compression choices of 22:1 to 2:1)
*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

Record Codecs:

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

Color Depth:

16-bit REDCODE RAW
12-bit or 10-bit ProRes

Chroma Subsampling:

4:4:4

Color / Gamma Options:

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Raw Recording Possible?:

Internal ND Filtration:

Product Highlights
- 6K RAW (2:1, 2.4:1)
- 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
- 4.5K RAW (2.4:1)
- 4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
- 3K RAW (16:9, 2:1 and Anamorphic 2:1)
- 2K RAW (16:9, 2:1 and Anamorphic 2:1)
- 1080p RGB (16:9), 720p RGB (16:9)
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- HD Apple ProRes 4444 XQ up to 120 fps
- HD Apple ProRes 4444 up to 120 fps
- HD Apple ProRes 422 HQ up to 120 fps
- HD Apple ProRes 422 up to 120 fps
- HD Apple ProRes 422 LT up to 120 fps
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
- Project Framerates: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
Our Kit Includes
- DSMC Interchangeable OLPF System
- Interchangeable Standard OLPF for Red Weapon (other options available per request)
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Element Technica W – Gold Mount Battery Module
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Epic Dragon

Red Epic-X Dragon

• 16.5+ stops dynamic range • 1-300fps • Interchangeable OLPF System and Skintone/Highlight OLPF installed (shadow/low-light option available) • Internal REDCODE RAW recording up to 6K to REDMAGS or MINI-MAGS • RED DRAGON sensor

More Info

Red Epic-X Dragon

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 1 to 1/8000 sec

Sensor Description:

19 megapixel APS-H DRAGON sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

REDMAG

Frame Rate Options:

1-82fps -- 6K FF REDCODE RAW (6144 x 3160)
1-83fps -- 6K HD REDCODE RAW (5568 x 3132)
1-100fps -- 6K WS REDCODE RAW (6144 x 2592)
1-95fps -- 5K FF REDCODE RAW (5120 x 2700)
1-119fps -- 5K WS REDCODE RAW (5120 x 2160)
1-119fps -- 4K FF REDCODE RAW (4096 x 2160)
1-120fps -- 4K HD REDCODE RAW (3840 x 2160)
1-148fps -- 4K WS REDCODE RAW (4096 x 1728)
1-239fps -- 2K FF REDCODE RAW (2048 x 1080)
1-298fps -- 2K WS REDCODE RAW (2048 x 864)
(Compression choices of 22:1 to 2:1)
*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

Record Codecs:

REDCODE RAW 3:1 to 18:1

Color / Gamma Options:

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Raw Recording Possible?:

Internal ND Filtration:

Product Highlights
- 6K RAW (2:1, 2.4:1)
- 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
- 4.5K RAW (2.4:1)
- 4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
- 3K RAW (16:9, 2:1 and Anamorphic 2:1)
- 2K RAW (16:9, 2:1 and Anamorphic 2:1)
- 1080p RGB (16:9), 720p RGB (16:9)
- Project Framerates: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
Our Kit Includes
- DSMC Interchangeable OLPF System
- DSMC Skin Tone-Highlight OLPF for Epic Dragon (Default, unless otherwise requested)
- Red Epic Titanium PL Mount
- PL Turret Plug
- DSMC 1.8″ SSD Side Module
- DSMC Side Handle
- RED Touch 5.0″ LCD
- Easy Stick (Wooden Camera)
- Red Bomb EVF (LCOS)
- EVF Mounting Bracket (or arm)
- 7″ EVF/LCD Cable
- 12″ EVF/LCD Cable
- REDmote (770-0002)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage for Red Epic (Top, Bottom, 4x Side Arms, LWS Bracket)
- DSMC Top Mount (19mm Rod Compatible) (790-0090)
- Sliding Top Handle for Epic
- (4) Redvolt Battery 14.8V 37Wh 2500 mAh (740-0020)
- Redvolt Travel Charger (790-0134)
- Anton Bauer Gold Mount Battery Plate Option
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Red Epic-M Dragon

More Info

Red Epic-M Dragon

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 1 to 1/8000 sec

Sensor Description:

19 megapixel APS-H DRAGON sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

REDMAG

Frame Rate Options:

1-82fps -- 6K FF REDCODE RAW (6144 x 3160)
1-83fps -- 6K HD REDCODE RAW (5568 x 3132)
1-100fps -- 6K WS REDCODE RAW (6144 x 2592)
1-95fps -- 5K FF REDCODE RAW (5120 x 2700)
1-119fps -- 5K WS REDCODE RAW (5120 x 2160)
1-119fps -- 4K FF REDCODE RAW (4096 x 2160)
1-120fps -- 4K HD REDCODE RAW (3840 x 2160)
1-148fps -- 4K WS REDCODE RAW (4096 x 1728)
1-239fps -- 2K FF REDCODE RAW (2048 x 1080)
1-298fps -- 2K WS REDCODE RAW (2048 x 864)
(Compression choices of 22:1 to 2:1)
*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

Record Codecs:

REDCODE RAW 3:1 to 18:1

Color / Gamma Options:

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Raw Recording Possible?:

Internal ND Filtration:

Product Highlights
- 6K RAW (2:1, 2.4:1)
- 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
- 4.5K RAW (2.4:1)
- 4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
- 3K RAW (16:9, 2:1 and Anamorphic 2:1)
- 2K RAW (16:9, 2:1 and Anamorphic 2:1)
- 1080p RGB (16:9), 720p RGB (16:9)
- Project Framerates: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
Our Kit Includes
- DSMC Interchangeable OLPF System
- DSMC Skin Tone-Highlight OLPF for Epic Dragon (Default, unless otherwise requested)
- Red Epic Titanium PL Mount
- PL Turret Plug
- DSMC 1.8″ SSD Side Module
- DSMC Side Handle
- RED Touch 5.0″ LCD
- Easy Stick (Wooden Camera)
- Red Bomb EVF (LCOS)
- EVF Mounting Bracket (or arm)
- 7″ EVF/LCD Cable
- 12″ EVF/LCD Cable
- REDmote (770-0002)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage for Red Epic (Top, Bottom, 4x Side Arms, LWS Bracket)
- DSMC Top Mount (19mm Rod Compatible) (790-0090)
- Sliding Top Handle for Epic
- (4) Redvolt Battery 14.8V 37Wh 2500 mAh (740-0020)
- Redvolt Travel Charger (790-0134)
- Anton Bauer Gold Mount Battery Plate Option
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Red Epic-M Carbon-Fiber Dragon

More Info

Red Epic-M Carbon-Fiber Dragon

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 1 to 1/8000 sec

Sensor Description:

19 megapixel APS-H DRAGON sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

REDMAG

Frame Rate Options:

1-82fps -- 6K FF REDCODE RAW (6144 x 3160)
1-83fps -- 6K HD REDCODE RAW (5568 x 3132)
1-100fps -- 6K WS REDCODE RAW (6144 x 2592)
1-95fps -- 5K FF REDCODE RAW (5120 x 2700)
1-119fps -- 5K WS REDCODE RAW (5120 x 2160)
1-119fps -- 4K FF REDCODE RAW (4096 x 2160)
1-120fps -- 4K HD REDCODE RAW (3840 x 2160)
1-148fps -- 4K WS REDCODE RAW (4096 x 1728)
1-239fps -- 2K FF REDCODE RAW (2048 x 1080)
1-298fps -- 2K WS REDCODE RAW (2048 x 864)
(Compression choices of 22:1 to 2:1)
*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

Record Codecs:

REDCODE RAW 3:1 to 18:1

Color / Gamma Options:

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Raw Recording Possible?:

Internal ND Filtration:

Product Highlights
- 6K RAW (2:1, 2.4:1)
- 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
- 4.5K RAW (2.4:1)
- 4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
- 3K RAW (16:9, 2:1 and Anamorphic 2:1)
- 2K RAW (16:9, 2:1 and Anamorphic 2:1)
- 1080p RGB (16:9), 720p RGB (16:9)
- Project Framerates: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
Our Kit Includes
- DSMC Interchangeable OLPF System
- DSMC Skin Tone-Highlight OLPF for Epic Dragon (Default, unless otherwise requested)
- Red Epic Titanium PL Mount
- PL Turret Plug
- DSMC 1.8″ SSD Side Module
- DSMC Side Handle
- RED Touch 5.0″ LCD
- Easy Stick (Wooden Camera)
- Red Bomb EVF (LCOS)
- EVF Mounting Bracket (or arm)
- 7″ EVF/LCD Cable
- 12″ EVF/LCD Cable
- REDmote (770-0002)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage for Red Epic (Top, Bottom, 4x Side Arms, LWS Bracket)
- DSMC Top Mount (19mm Rod Compatible) (790-0090)
- Sliding Top Handle for Epic
- (4) Redvolt Battery 14.8V 37Wh 2500 mAh (740-0020)
- Redvolt Travel Charger (790-0134)
- Anton Bauer Gold Mount Battery Plate Option
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Phantom Flex4K

Phantom Flex 4K

• 12 stops dynamic range • 1-1950fps • Internal ProRes or RAW .Cine recording up to 4K resolution • Phantom CineMag IV recording media • 128GB of internal memory • Both Mac and Windows based software for Cine download and file conversion. • Also supports standard, sync sound frame rates

More Info

Phantom Flex 4K

Body and Lens Mount only

Progressive scan shutter (less than 1ms scan time)

Shutter Info:

Electronic shutter, 5μs to 1/frame rate
Can be set in degrees or microseconds (μs)

Sensor Description:

13.1 megapixel Super 35mm equivalent CMOS sensor

Sensor Ratio(s):

1.78.1 or 1.90:1

Internal Record Media Options:

Cinemag IV

Frame Rate Options:

up to 940 fps @ Cine Raw 4K (4096 x 2304) (to internal RAM only)
up to 1000fps @ Cine Raw 4K (4096 x 2160)
up to 1950fps @ Cine Raw 2K (2048x1080)(windowed, Super-16mm mode)

Color / Gamma Options:

Rec709
Log

Raw Recording Possible?:

Yes

RAW Recording?:

Internal to 64Gb RAM or to attached Cinemag IV

Internal ND Filtration:

Product Highlights
- 4K resolution at up to 1,000 fps
- Also supports standard, sync sound frame rates
- Low noise, high dynamic range
- Full-featured on-camera control interface
- Multi-Channel 3G HG-SDI outputs
- CineMag IV support for raw recording
- Now Available: Audio and Apple ProRes recording options
Our Kit Includes
- 64GB Internal RAM
- PL Mount
- PL Turret Plug
- Gold-Mount Battery Plate
- Mini-BOB Breakout Box for Phantom Flex 4K
- Astro DF-3512-A OLED Viewfinder
- Viewfinder Mounting Bracket
- Top Handle
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Cine-style LWS Riser Plate
- Detachable Shoulder Pad
- Trigger Cable
- Pickle Switch (for Loop RAM Recording)
- Phantom Flex4K I/O Squid (Trigger, F-Sync, TC Out, TC In, Ready, Aux)
- (2) Capture Cables
- Cinestation IV (10GE) for Phantom Flex4K
- 24V Power Supply for CInestation IV (10GE) incl. AC Cable
- ATTO Thunderlink NT 1102 (10GBASE-T)
- Ethernet and Thundebolt Cables for Data Transfer (per user request)
- Lenovo W520 Thinkpad 15.6″ Laptop with 2.50GHz Intel Core i7-2860QM CPU / 8GB RAM / 64-bit Windows
- Batteries, Cinemags and Additional Cinestations / Laptops for download available à la carte

Panasonic Cameras

Panasonic Varicam Pure

• 14+ stops dynamic range • 1-120fps 4K RAW • Integrated V-RAW Pure module for smaller form factor • Dual native ISOs of 800 and 5000 • Internal ND filtration

More Info

Panasonic Varicam Pure

Body, Lens Mount, Record Module only

Progressive scan shutter

Shutter Info:

Electronic shutter, 1 - 358 degrees

Sensor Description:

8.9 megapixel Super 35mm equivalent MOS sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

Codex Capture Drive 2.0

Frame Rate Options:

V-RAW 1-120fps

Record Codecs:

V-RAW
(Offload to various other formats such as ProRes and DNxHD possible via Codex Production Suite software)

Color Depth:

12-bit -- V-RAW (1-60fps)
10-bit -- V-RAW (60-120fps)

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

V-Log

Raw Recording Possible?:

Yes

RAW Recording?:

12bit/10bit V-Log uncompressed V-RAW via V-RAW Pure recorder

Internal ND Filtration:

Yes, Built-in ND6, ND1.2, ND1.8

Product Highlights
- Video captured in 4K by the VariCam 35 camera module AU-V35C1G is recorded as uncompressed V-RAW data to Codex’s Capture Drive 2.0 at up to 120 fps.
- The recorder proper is 157 mm shorter than earlier systems, making it excellent for mobile use and easier to mount on gimbals and cranes than earlier systems.
- Using Codex’s Production Suite, recorded data can be converted to a wide range of file formats including Panasonic V-RAW, Apple ProRes and Avid DNxHR. This ensures wide-ranging support for existing workflows.
Our Kit Includes
- 4K camera module (AU-V35C1)
- V-RAW 2.0 Recording module unit (AU-VCXRAW2)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Panasonic Varicam 35

• 14+ stops dynamic range • 1-120fps 4K • Internal AVC-Intra recording up to 4K • Internal HD ProRes recording • External RAW via Codex V-RAW module up to 4K • Dockable recording module unit (AU-VREC1) for two-piece operation (cranes/jibs) • Dual native ISOs of 800 and 5000 • Internal ND filtration

More Info

Panasonic Varicam 35

Body, Lens Mount, Record Module only

Progressive scan shutter

Shutter Info:

Electronic shutter, 1 - 358 degrees

Sensor Description:

8.9 megapixel Super 35mm equivalent MOS sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

expressP2 card
(for 4K and HFR recording)
microP2 card
(HD or 2K recording)

Frame Rate Options:

23.98, 24, 25, 29.97fps -- 4K AVC-Intra4K444 (4096 × 2160)
23.98, 24, 25, 29.97fps -- UHD AVC-Intra4K444 (3840 × 2160)
1-60fps -- 4K AVC-Intra4K422 (4096 × 2160)
1-60fps -- UHD AVC-Intra4K422 (3840 × 2160)
1-120fps -- 4K AVC-Intra4K-LT (4096 × 2160)
1-120fps -- UHD AVC-Intra4K-LT (3840 × 2160)
23.98, 25, 29.97fps -- 2K AVC-Intra444 (2048x1080)
23.98, 25, 29.97fps -- HD AVC-Intra444 (1920 X 1080)
23.98, 25, 29.97fps -- 2K AVC-Intra200 (2048x1080)
23.98, 25, 29.97fps -- HD AVC-Intra200 (1920 X 1080)
1-120fps -- 2K AVC-Intra100 (2048x1080)
1-120fps -- HD AVC-Intra100 (1920 X 1080)
1-60fps -- HD ProRes 4444 (1920 X 1080)
1-120fps -- HD ProRes 422HQ (1920 X 1080)
1-120fps External 4K V-RAW (4096 × 2160)
1-120fps External UHD V-RAW (3840 × 2160)
(V-RAW is 12-bit up to 30fps, 10-bit beyond 30fps)

Record Codecs:

Main Recorder: AVC-Intra4K444/AVC-Intra4K422/AVC-Intra4K-LT/AVC-Intra2K444/
AVC-Intra2K422/AVC-Intra444/AVC-Intra200/AVC-Intra100/ProRes422HQ/ProRes4444
Sub Recorder: AVC-Intra 2K422, AVC Intra 100, AVC LongG 50,
AVC LongG 25
Compression Format: H.264/AVC High Profile

Color Depth:

12-bit -- internal AVC-Intra 4K444
12-bit -- external V-RAW (up to 60 fps)
10-bit -- internal all other AVC-Intra formats
10-bit -- external V-RAW (above 30 fps)

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

V-Log
V-709

Raw Recording Possible?:

Yes

RAW Recording?:

Yes, with Codex V-RAW Recorder module add-on (additional cost)
Cinema 4K or UHD Uncompressed up to 120 fps
Record to Codex Capture Drive 2.0
12-bit up to 30 fps, 10-bit beyond 30 fps

Internal ND Filtration:

Yes, Built-in ND6, ND1.2, ND1.8

Product Highlights
- AVC-Intra Codecs — Class 100 / Class 200 / Class 4:4:4
- Dual Codec Recording — Simultaneously records in two different formats, codecs and selectable from V-log/V-709/Grading
- Encodes high-resolution proxy files in parallel with 4K and 2K production formats, enabling fast, efficient offline editing, at bit rates from 6 Mbps down to 1.5Mbps.
- Variable speed 4K recording up to 120fps.
- 3G-HD-SDI x4 for 4K QUAD output
- 3G-HD-SDI x2 for RAW output
- HD-SDI out for monitoring (down-converting from 4K)
- Dockable recording module unit (AU-VREC1) (also interchangeable with Panasonic’s new 2/3” camera module unit (AU-V23HS1))
- Camera head can be operated seperately from recorder via external umbilical cable, similar to Alexa-M for crane / jib needs.
- Support for an Academy Color Encoding System (ACES) workflow.
- Newly-developed OLED electronic viewfinder (EVF) with optical zoom functionality.
Our Kit Includes
- 4K camera module (AU-V35C1)
- Recording module unit (AU-VREC1)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Panasonic AJ-HPX3700

• 11+ stops dynamic range • 1-30fps • Internal Full HD 1080p DVCPRO HD or AVC-Intra recording • 2/3" CCD image sensor • Internal ND filtration

More Info

Panasonic AJ-HPX3700

Progressive scan, rolling shutter

Shutter Info:

Electronic Shutter, 7 speeds up to a maximum of 1/2000.

Sensor Description:

2.2 Megapixel 2/3 Type 3CCD

Sensor Ratio(s):

1.78:1

Internal Record Media Options:

P2 Cards

Frame Rate Options:

1-30fps variable
24p, 25p, 30p, 50i, 60i (1920 x 1080)
24p, 25p, 30p, 50i, 60i (1280 x 720)

Record Codecs:

DVCPRO HD
AVC-Intra 100
AVC-Intra 50

Color / Gamma Options:

HD
SD
FILMLIKE1
FILMLIKE2
FILMLIKE3
FILM-REC
VIDEO-REC

Dynamic Range:

11+ stops

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Our Kit Includes
- AJ-HVF21G B/W Viewfinder
- B4 Turret Plug
- Onboard Microphone
- Microphone Jumper Cable
- LWS Triangle Plate
- ENG Quick Release Plate
- 15mm Prime Rods
- Raincover
- Thermodyne Shipping Case
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Blackmagic Design Cameras

Blackmagic Micro Studio Camera 4K

• 13 stops dynamic range • 1-60fps • External 4K recording up to 30fps (HD-SDI recorder required) • Active Micro 4/3 lens mount • 10-Bit 4:2:2 6G-SDI Video I/O • Ultra-Compact Design • SDI Remote Control Protocols • PTZ Serial Output & B4 Data Link • Built-In Talkback • HDMI Monitor Output, 3.5mm Audio In • Built-In Color Corrector • Canon LP-E6 Battery Slot

More Info

Blackmagic Micro Studio Camera 4K

Active Micro 4/3, Micro 4/3

Format Info:

Super 16mm

Shutter Type:

Progressive scan, rolling shutter

Shutter Info:

Electronic Shutter, 1/24 - 1/198

Internal Record Media Options:

None, external recording via 6G-SDI outputs only

Frame Rate Options:

23.98, 24, 25, 29.97, 30 -- External Ultra HD 2160p (3840 x 2160)
23.98, 24, 25, 29.97, 30, 50, 59.97, 60 -- External HD 1080p (1920 x 1080)
50, 59.94 -- External HD 1080i (1920 x 1080)

Color / Gamma Options:

Film
Video

Internal ND Filtration:

Product Highlights
- Active Micro Four Thirds Lens Mount
- Resolutions Up to 3840×2160 at 30 fps
- 10-Bit 4:2:2 6G-SDI Video I/O
- Ultra-Compact Design
- SDI Remote Control Protocols
- PTZ Serial Output & B4 Data Link
- Built-In Talkback
- HDMI Monitor Output, 3.5mm Audio In
- Built-In Color Corrector
- Canon LP-E6 Battery Slot
Our Kit Includes
- Micro 4/3 Turret Plug
- (4) LP-E6 Batteries
- Canon LP-E6 Charger
- AC Supply
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Blackmagic Cinema Camera MFT 2.5K

• 13 stops dynamic range • 1-30fps • Internal 2.5K recording up to 30fps • Internal 1080p ProRes or 2.5K 12-bit CinemaDNG RAW recording • passive Micro 4/3 lens mount w/ PL adapter included standard • Sensor slightly smaller than Micro 4/3 • Touchscreen functionality for menu navigation • Flat "Film" gamma option • Records to widely available 2.5" SSD drives

More Info

Blackmagic Cinema Camera MFT 2.5K

Progressive scan, rolling shutter

Shutter Info:

Electronic Shutter, 1/24 - 1/198

Internal Record Media Options:

2..5" SSD
(6G drives required for RAW recording)

Frame Rate Options:

23.98p, 24p, 25p, 29.97p, 30p -- CinemaDNG RAW (2432 x 1366)
23.98p, 24p, 25p, 29.97p, 30p -- ProRes 1080p (1920 x 1080)
23.98p, 24p, 25p, 29.97p, 30p -- DNxHD 1080p (1920 x 1080)

Record Codecs:

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT
Apple ProRes 422 (Proxy)
DNxHD
CinemaDNG RAW

Color / Gamma Options:

Film
Video

Raw Recording Possible?:

Yes

RAW Recording?:

Yes, Uncompressed CinemaDNG Raw

Internal ND Filtration:

Product Highlights
- Slightly smaller than Micro 4/3 CMOS Sensor
- 5″ rear LCD with 800 x 480 resolution w/ touchscreen functionality for menu navigation
- Audio meters and on-screen histogram
Our Kit Includes
- Arri PL to M43 Mount Adapter
- 15mm LWS Low Support
- PL Turret Plug
- Micro 4/3 Turret Plug
- Top Handle for BMCC Contineo Cage
- Contineo Cage for Blackmagic Cinema Camera
- 15mm LWS Riser Plate for BMCC Contineo Cage
- Sun Shield
- Battery Plate w/ QRC-BMD plate attached
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- Iris Rods (per user’s intended configuration)
- Media available à la carte.

Blackmagic Pocket Cinema Camera MFT

• 13 stops dynamic range • 1-30fps • Internal Full HD 1080p ProRes or 12-bit Lossless CinemaDNG RAW recording • Active Micro 4/3 lens mount w/ PL adapter included standard • Super 16mm size image sensor • Flat "Film" gamma option • Records to widely available SDXC/SDHC cards

More Info

Blackmagic Pocket Cinema Camera MFT

Active Micro 4/3, Arri PL, Micro 4/3

Format Info:

Super 16mm

Shutter Type:

Progressive scan, rolling shutter

Shutter Info:

Electronic Shutter, 1/24 - 1/198

Internal Record Media Options:

SDXC Card

Frame Rate Options:

23.98p, 24p, 25p, 29.97p, 30p -- CinemaDNG RAW (1920 x 1080)
23.98p, 24p, 25p, 29.97p, 30p -- ProRes 1080p (1920 x 1080)
23.98p, 24p, 25p, 29.97p, 30p -- DNxHD 1080p (1920 x 1080)

Record Codecs:

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT
Apple ProRes 422 (Proxy)
DNxHD
Lossless CinemaDNG RAW

Color / Gamma Options:

Film
Video

Raw Recording Possible?:

Yes

RAW Recording?:

Yes, Visually Lossless CinemaDNG RAW

Internal ND Filtration:

Product Highlights
- Super 16mm size CMOS sensor
- 3.5″ 800 x 480 resolution rear LCD
- Newest firmware enables audio meters and on-screen histogram
Our Kit Includes
- PL to M43 Adapter
- PL Turret Plug
- Micro 4/3 Turret Plug
- Anton Bauer Battery Plate
- Wooden Camera 15mm LWS Base
- Wooden Camera Blackmagic Pocket Cage w/ Top Handle
- (4) EN-EL20 Batteries
- Nikon MH-27 Charger
- Power Supply
- LWS Iris Rods (per user’s intended configuration)
- Media available à la carte.

GoPro Cameras

GoPro HD HERO4 Black Edition

• 8 stops dynamic range • 1-120fps Full HD • Internal 4K recording up to 30fps • Ultra Wide Angle Glass Lens + SuperView • Camera Housing Waterproof to 131' • Protune recording for maximum gradeability • Uses internal batteries and records to Micro SDHC/SDXC cards

More Info

GoPro HD HERO4 Black Edition

Progressive scan, rolling shutter

Shutter Info:

Electronic Shutter, 1/8192 - 1/24

Sensor Description:

12.40 Megapixel, Back-illuninated CMOS Sensor 1/2.5" 7.81mm Diag

Sensor Ratio(s):

1.78:1

Internal Record Media Options:

Micro SDXC Card, Class 10 required

Frame Rate Options:

24, 25, 30fps -- 4K (16:9, 3840x2160)(Ultra Wide FOV)
24fps -- 4K SuperView (16:9, 3840x2160)(Ultra Wide FOV)
24, 25, 30, 48, 50, 60fps -- 2.7K (16:9, 2704x1520)(Ultra Wide FOV, Medium FOV)
25, 30fps -- 2.7K SuperView (16:9, 2704x1520)(Ultra Wide FOV)
25, 30fps -- 2.7K 4:3 (2704x2028)(Ultra Wide FOV)
24, 25, 30, 48, 50, 60, 80fps -- 1440p (4:3, 1920x1440)(Ultra Wide FOV)
24, 25, 30, 48, 50, 60, 90, 120fps -- 1080p (16:9, 1920x1080)(Ultra Wide FOV, Narrow FOV)
24, 25, 30, 48, 50, 60 fps -- 1080p (16:9, 1920x1080)(Medium FOV)
24, 25, 30, 48, 50, 60, 80fps -- 1080p SuperView (16:9, 1920x1080)(Ultra Wide FOV)
+ More at lower resolutions
*** Protune recording available in ALL modes

Record Codecs:

H.264 up to 60Mb/s, .mp4 file format

Internal ND Filtration:

Product Highlights
- Capture 12MP Photos at 30 fps
- Ultra Wide Angle Glass Lens + SuperView
- Camera Housing Waterproof to 131′
- 12MP, 7MP or 5MP still images
Our Kit Includes
- WiFi Smart Remote
- Charging Cable
- Standard Housing
- (3) Li-Ion Polymer Rechargeable Battery (1160 mAh)
- Dual Battery Charger
- Tripod Mount
- GoPro HD Hero LCD Touch BacPac
- Additional Accessories and Media available à la carte.

GoPro HD HERO 3+ Black Edition

• 8 stops dynamic range • 1-60fps Full HD • Internal 4K recording up to 15fps • Ultra Wide Angle Glass Lens + SuperView • Camera Housing Waterproof to 131' • Protune recording for maximum gradeability • Uses internal batteries and records to Micro SDHC/SDXC cards

More Info

GoPro HD HERO 3+ Black Edition

Progressive scan, rolling shutter

Shutter Info:

Electronic Shutter, 1/8192 - 1/24

Sensor Description:

12.40 Megapixel, Back-illuninated CMOS Sensor 1/2.5" 7.81mm Diag

Sensor Ratio(s):

1.78:1

Internal Record Media Options:

Micro SDXC Card, Class 10 required

Frame Rate Options:

12fps -- 4K Cinema (17:9, 4096x2160)(Ultra Wide FOV) (Protune possible)
12, 12.5, 15fps -- 4K (16:9, 3840x2160)(Ultra Wide FOV) (Protune possible)
24fps -- 2.7K Cinema (17:9, 2704x1440)(Ultra Wide FOV, Medium FOV) (Protune possible)
24,25,30fps -- 2.7K (16:9, 2704x1524)(Ultra Wide FOV, Medium FOV) (Protune possible)
24, 25, 30, 48fps -- 1440p (4:3, 1920x1440)(Ultra Wide FOV) (Protune possible)
24, 25, 30, 48, 50, 60fps -- 1080p (16:9, 1920x1080)(Ultra Wide FOV, Medium FOV, Narrow FOV) (Protune possible)
24, 25, 30, 48, 50, 60fps -- 1080p SuperView (16:9, 1920x1080)(Ultra Wide FOV) (Protune possible)
+ More at lower resolutions

Internal ND Filtration:

Product Highlights
- New SuperView 1080p or 720p recording modes (for even wider field of view)
- Protune mode for shooting with lowest compression and manual control of White Balance, Colo, ISO Limit, Sharpness and Exposure
- Sharper images (33% more than GoPro Hero 3) and 2x reduction in imaging artifacts
- 30% longer battery life than GoPro Hero 3
- 4x faster Wi-Fi than GoPro Hero 3
- New Auto Low-Light Mode
- 12MP stills
- Timelapse interval options: 0.5, 1, 2, 5, 10, 30, 60 secs
- Built-in WiFi
- Mono audio, AAC compression w/ auto gain control
- Uses 1050mAh rechargeable lithium-ion batteries
Our Kit Includes
- WiFi Remote
- Charging Cable
- GoPro HD Hero 3 Lens Cap
- Standard Housing
- (4) Lithium Ion Battery
- LCD Touch BacPac
- Additional Accessories and Media available à la carte.

Digital Bolex Cameras

Digital Bolex D16 Cinema Camera

• 12 stops dynamic range • 1-25fps • Internal 2K or Full HD 1080p CinemaDNG RAW recording • Interchangeable lens mounts (C-Mount / Canon EF / Arri PL) • Super 16mm size CCD global shutter image sensor • Flat "Film" gamma option • Records to Dual CF card slots or Internal (Non-Removable) Enterprise Class SSD

More Info

Digital Bolex D16 Cinema Camera

C-Mount, Micro 4/3, Arri PL

Electronic Shutter, 1/25 - 1/500

Sensor Description:

Super16mm size Kodak 1" Truesense CCD

Sensor Ratio(s):

1.78:1

Internal Record Media Options:

Dual CF card slots, Internal 256GB or 500GB Enterprise SSD

Frame Rate Options:

23.98, 24, 25 fps -- Adobe CinemaDNG RAW (2048 x 1152)
23.98, 24, 25 fps -- Adobe CinemaDNG RAW (1920 x 1080)

Raw Recording Possible?:

Yes

RAW Recording?:

12-bit Adobe Cinema DNG (RAW)

Internal ND Filtration:

Product Highlights
- Super16mm Truesense CCD (Color or Monochrome)
- Dual 24-bit 96kHz audio recording capability
- Records 12-bit Adobe Cinema DNG (RAW)
- Ports: HDMI, USB 3.0, Dual Audio XLR, 4-PIN XLR, ⅛ video, headphone
- Dual CF card slots
- Internal (Non-Removable) Enterprise Class SSD
Our Kit Includes
- C-Mount Interchangeable Lens Mount
- C-Mount Turret Plug
- Power Supply
- User Manual
- Pistol Grip
- Additional Accessories and Media available à la carte.

Sony Cameras

Sony F55 + R7 Recorder

• 14 stops dynamic range • 1-240fps • 16-bit linear 4K RAW up to 120fps using incl. R7 recorder • Internal XAVC up to 4K • Internal ProRes up to 4K (with optional license) • 16-bit linear 2K RAW up to 240fps • Internal ND filtration • Global shutter • High native ISO of 1250 • S-Log3 gamma option • S-Gamut3Cine color

More Info

Sony F55 + R7 Recorder

Body, R7 recorder and Lens Mount only

Mount Options:

Arri PL, Sony FZ, Nikon G, Leica M, Leica R

Electronic shutter, 4.2° to 359.7°

Sensor Description:

11.6 megapixel S35mm equivalent single-chip, Bayer pattern CMOS sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

SxS Pro +
AXSM A Series 4.8 Gb/s Memory Card (for use w/ R7 recorder up to 120fps)

Frame Rate Options:

1-120fps -- Cinema 4K RAW (4096 X 2160)
1-240fps -- 2K RAW (2048x1080)
1-180fps -- XAVC 2K (2048x1080)
1-180fps -- XAVC HD (1920 X 1080)
1-60fps -- XAVC 4K (4096 X 2160)
1-60fps -- XAVC UHD (3840 X 2160)
1-30fps -- ProRes 444 1080p (1920 X 1080)
1-60fps -- ProRes 422 HQ 1080p (1920 X 1080)
1-60fps -- ProRes 422 1080p (1920 X 1080)

Record Codecs:

Cinema 4K RAW 1-120fps
Cinema 2K RAW 1-240fps
MPEG2 422 8-bit 1920x1080 @23.98, 25, 29.97 PsF, 50 & 59.94 interlaced and 1280x720 @50p/59p
XAVC HD 422 10-bit 1-180fps
XAVC 2K 422 10-bit 1-180fps
XAVC QFHD 422 10-bit 1-60fps
XAVC 4K 422 10-bit 1-60fps
SR 422 10-bit 1-60fps
SR 444 10-bit 1-60fps
ProRes 422 HQ 23.98p, 24p, 25p, 29,97p, 50i, 59.94i, 50p, 59.94p
ProRes 422 23.98p, 24p, 25p, 29,97p, 50i, 59.94i, 50p, 59.94p
ProRes 444 23.98p, 24p, 25p, 29,97p
Avid DNxHD 220x 23.98p. 25p. 29.97p, 50i, 59.94i
Avid DNxHD 145 23.98p. 25p. 29.97p, 50i, 59.94i

Color Depth:

16-bit
12-bit
10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

S-Log 3
S-Log 2
STD1 DVW
STD2 ×4.5
STD3 ×3.5
STD4 240M
STD5 R709
STD6 ×5.0
HG1 3250G36
HG2 4600G30
HG3 3259G40
HG4 4609G33
HG7 8009G40
HG8 8009G33

Raw Recording Possible?:

Yes

RAW Recording?:

4K or 2K 16-bit linear RAW to Sony AXS memory cards

Internal ND Filtration:

Yes, built-in 0.9 or 1.8

Product Highlights
- 1-240fps
- 16-bit linear 2K RAW up to 240fps
- 16-bit linear 4K RAW up to 120fps
- Internal XAVC up to 4K
- Internal ProRes up to 4K (with optional license)
- Internal ND filtration
- Global shutter
- High native ISO of 1250
- S-Log3 gamma option
Our Kit Includes
- F55 Pro Adapter Module
- AXS-R7 Recording Module
- Audio Adapter for Sony F55 Camera Body
- Sony DVF-EL100 0.7″ OLED HD EVF
- Viewfinder Adapter Bracket for Sony F55 (Arri, K2.66248.0)
- 1′ EVF Cable for Sony DVF-EL100
- 3′ EVF Cable for Sony DVF-EL100
- Arri Viewfinder Plug Protector for Sony F55 (K2.66251.0)
- Arri PL to Sony FZ Mount Adapter for Sony F55/F5
- PL Turret Plug
- LWS Riser Plate for Sony F55 (Arri, K2.66246.0)
- Top Cheeseplate for Sony F55 (Arri, K2.66247.0)
- AMH-1 Top Camera Handle for Sony F55 (Arri, K2.73002.0)
- Shoulder Pad for Sony F55 (Arri, K2.66249.0)
- Anton Bauer QRC-4K-S Battery Plate for Sony F5/F55
- USB WiFi Adapter for Sony F55 Camera Body (IFU-WLM3)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Sony F55

• 14 stops dynamic range • 1-240fps • Internal XAVC up to 4K • Internal ProRes up to 4K (with optional license) • 16-bit linear 2K/4K RAW to optional AXS-R5 recorder • Internal ND filtration • Global shutter • High native ISO of 1250 • S-Log3 gamma option • S-Gamut3Cine color

More Info

Sony F55

Body and Lens Mount only

Mount Options:

Arri PL, Sony FZ, Nikon G, Leica M, Leica R

Electronic shutter, 4.2° to 359.7°

Sensor Description:

11.6 megapixel S35mm equivalent single-chip, Bayer pattern CMOS sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

SxS Pro +

Frame Rate Options:

1-60fps -- Cinema 4K RAW (4096 X 2160)
1-240fps -- 2K RAW (2048x1080)
1-180fps -- XAVC 2K (2048x1080)
1-180fps -- XAVC HD (1920 X 1080)
1-60fps -- XAVC 4K (4096 X 2160)
1-60fps -- XAVC UHD (3840 X 2160)
1-30fps -- ProRes 444 1080p (1920 X 1080)
1-60fps -- ProRes 422 HQ 1080p (1920 X 1080)
1-60fps -- ProRes 422 1080p (1920 X 1080)

Record Codecs:

MPEG2 422 8-bit 1920x1080 @23.98, 25, 29.97 PsF, 50 & 59.94 interlaced and 1280x720 @50p/59p
XAVC HD 422 10-bit 1-180fps
XAVC 2K 422 10-bit 1-180fps
XAVC QFHD 422 10-bit 1-60fps
XAVC 4K 422 10-bit 1-60fps
SR 422 10-bit 1-60fps
SR 444 10-bit 1-60fps
ProRes 422 HQ 23.98p, 24p, 25p, 29,97p, 50i, 59.94i, 50p, 59.94p
ProRes 422 23.98p, 24p, 25p, 29,97p, 50i, 59.94i, 50p, 59.94p
ProRes 444 23.98p, 24p, 25p, 29,97p
Avid DNxHD 220x 23.98p. 25p. 29.97p, 50i, 59.94i
Avid DNxHD 145 23.98p. 25p. 29.97p, 50i, 59.94i

Color Depth:

16-bit
12-bit
10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

S-Log 3
S-Log 2
STD1 DVW
STD2 ×4.5
STD3 ×3.5
STD4 240M
STD5 R709
STD6 ×5.0
HG1 3250G36
HG2 4600G30
HG3 3259G40
HG4 4609G33
HG7 8009G40
HG8 8009G33

Raw Recording Possible?:

Yes

RAW Recording?:

4K or 2K 16-bit linear RAW to Sony AXS memory cards

Internal ND Filtration:

Yes, built-in 0.9 or 1.8

Product Highlights
- 1-240fps
- Internal XAVC up to 4K
- Internal ProRes up to 4K (with optional license)
- 16-bit linear 2K/4K RAW to optional AXS-R5 recorder
- Internal ND filtration
- Global shutter
- High native ISO of 1250
- S-Log3 gamma option
Our Kit Includes
- F55 Pro Adapter Module
- Audio Adapter for Sony F55 Camera Body
- Sony DVF-EL100 0.7″ OLED HD EVF
- Viewfinder Adapter Bracket for Sony F55 (Arri, K2.66248.0)
- 1′ EVF Cable for Sony DVF-EL100
- 3′ EVF Cable for Sony DVF-EL100
- Arri Viewfinder Plug Protector for Sony F55 (K2.66251.0)
- Arri PL to Sony FZ Mount Adapter for Sony F55/F5
- PL Turret Plug
- LWS Riser Plate for Sony F55 (Arri, K2.66246.0)
- Top Cheeseplate for Sony F55 (Arri, K2.66247.0)
- AMH-1 Top Camera Handle for Sony F55 (Arri, K2.73002.0)
- Shoulder Pad for Sony F55 (Arri, K2.66249.0)
- Anton Bauer QRC-4K-S Battery Plate for Sony F5/F55
- USB WiFi Adapter for Sony F55 Camera Body (IFU-WLM3)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Sony FS7

• 14 stops dynamic range • 1-180fps • Internal XAVC-I or XAVC-L up to 4K • ProRes HD (with optional XDCA-FS7 extension) • 12-bit 2K/4K RAW to optional XDCA-FS7 extension • Internal ND filtration • High native ISO of 2000 • S-Log3 gamma option • S-Gamut3Cine color

More Info

Sony FS7

Body and Lens Mount only

Mount Options:

Sony E-Mount, Arri PL, Canon EF

Format Info:

Super 35mm

Shutter Type:

Progressive shutter, 15ms response time

Shutter Info:

Electronic shutter, 1/3 sec to 1/9,000 sec

Sensor Description:

11.6 Megapixel Super35 type Single-chip Exmor CMOS

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

XQD Card ( 2 slots )

Frame Rate Options:

1-60fps -- XAVC-I Cinema 4K (4096x2160)
1-60fps -- XAVC-I Ultra HD (3840x2160)
1-180fps -- XAVC-I HD (1920 X 1080)
1-60fps -- XAVC-L Ultra HD (3840x2160)
1-120fps -- XAVC-L HD (1920 X 1080)
23.98p/25p/29.97p/50i/59.94i -- MPEG HD422, HD (1920 X 1080)
23.98p/25p/29.97p/50i/59.94i -- MPEG HD422, 720p (1280 X 720)
1-240fps -- external ProRes HD 422HQ (1920 X 1080) (w/ XDCA-FS7 extension)
1-240fps -- external ProRes HD 422 (1920 X 1080) (w/ XDCA-FS7 extension)
1-60fps -- external Cinema 4K 12-bit RAW (4096x2160) (w/ XDCA-FS7 extension)
1-60fps -- external 2K 12-bit RAW (2048x1080) (w/ XDCA-FS7 extension)

Record Codecs:

XAVC-I
XAVC-L
MPEG HD422
ProRes 422 HQ (external w/ XDCA-FS7 extension)
Pro Res 422 (external w/ XDCA-FS7 extension)
12-bit Cinema 4K RAW (external w/ XDCA-FS7 extension)
12-bit 2K RAW (external w/ XDCA-FS7 extension)

Color Depth:

10-bit or 8-bit (Internal)
12-bit (w/ XDCA-FS7 extension)

Chroma Subsampling:

4:2:2 (internal)
4:4:4 (external, RAW)

Color / Gamma Options:

S-Log 3
STD1 DVW
STD2 x 4.5
STD3 x 3.5
STD4 240M
STD5 R709
STD6 x 5.0
HG1 3250G36
HG2 4600G30
HG3 3259G40
HG4 4609G33
HG7 8009G40
HG8 8009G33

Raw Recording Possible?:

Yes

RAW Recording?:

4K or 2K 12-bit RAW to Sony AXS memory cards

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Built-in Neutral Density filters, 1/4, 1/16, 1/64
- Two XQD media slots support simultaneous and relay recording
- RAW output for external 4K/2K RAW recording
Our Kit Includes
- XDCA-FS7 Extension Unit (enables 12-bit RAW output)
- Metabones Canon EF Lens to Sony E-Mount Speed Booster ULTRA
- EF Turret Plug
- USB WiFi Adapter (IFU-WLM3)
- Viewfinder (includes eyepiece, eyecup)
- Monitor (includes rod and clamp)
- Grip Remote Control
- Arri Alexa-M / Alexa Mini / Sony FS7 Handle, CCH-2 (K2.73002.0)
- Handle Extension Block (HEB-3)
- Arri Top Plate for Sony FS7
- Arri Viewfinder Bracket for Sony FS7
- Arri Adapter Plate for Sony FS7
- Arri 15 mm LWS Rod Console for Sony FS7
- Arri Lens Adapter Support LAS-1 for Sony FS7
- USB 3.0 Adapter for Sony G Series XQD Cards
- Sony MPA-AC1 AC Adapter for Sony FS7 Camera Body
- Anton Bauer Gold Mount Battery Plate for Sony FS7 Camera Body (Custom, 1x P-Tap)
- (3) BP-U or equivalent Onboard Batteries
- Charger for BP-U Series Onboard Batteries
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Sony Alpha a7S II Mirrorless Digital Camera

• 1-120fps Full HD 1080p • Native ISO 1600 in S-Log 3 • Full-Frame image sensor • Internal XAVC S recording in 4K or Full HD 1080p • External 4K or 1080p 8-bit 4:2:0 recording possible via HDMI • S-Log3 gamma option • S-Gamut3Cine color • APS-C crop mode available for using S35mm lenses in 1080p • 1080p 120fps recording possible with 2.2x crop of sensor • No pixel binning in Full Frame 4K UHD recording

More Info

Sony Alpha a7S II Mirrorless Digital Camera

Sony E-Mount, Arri PL. Canon EF

Format Info:

Full Frame, APS-C

Shutter Type:

Progessive scan, rolling shutter, 24ms delay in Full Frame mode, 16ms delay in APS-C crop mode

Shutter Info:

Mechanical or Electronic shutter, 1/8000 to 1/4 sec in Movie Mode

Sensor Description:

Full Frame, effective 12.2 megapixel CMOS sensor

Sensor Ratio(s):

3:2

Internal Record Media Options:

SDXC Card, UHS-I U3, Class 10 or above

Frame Rate Options:

23.98, 25 or 29.97fps -- XAVC S UHD (3840 x 2160)
23.98, 25, 29.97, 50, 59.94, 100, 120fps -- XAVC S 1080p (1920 x 1080)
23.98, 25, 29.97, 50, 59.94, 100, 120fps -- XAVC S 720p (1280 x 720)

Record Codecs:

XAVC S in MP4 wrapper
AVCHD in M2TS wrapper

Color / Gamma Options:

S-Log3
S-Log2
Cine 1 - Cine 4 profiles
ITU709
ITU709(800%)

RAW Recording?:

No RAW, but external 4:2:0 8-bit output available in 4K UHD or 1080p

Internal ND Filtration:

Product Highlights
- Internal 4K recording
- No pixel binning in Full Frame 4K UHD recording
- APS-C crop mode available for using S35mm lenses in 1080p recording only (NOT AVAILABLE for 4K internal or external)
- 1080p 120fps recording possible with 2.2x crop of sensor
- Viewing assist tool for de-logging gamma on rear LCD
Our Kit Includes
- Metabones Canon EF Lens to Sony E-Mount Smart Adapter (Mark IV)
- Sony E-Mount Turret Plug
- (6) Sony NP-FW50 Lithium-Ion Rechargeable Battery (7.4v, 1020mAh)
- (2) Sony BC-TRW W Series Battery Charger (Black)(for NP-FW50 batteries)
- Gold Mount Battery Plate
- Movcam Cage (4pc.)
- Top Handle for Movcam Cage
- HDMI Protector Bracket
- Movcam LWS Baseplate
- Movcam Lens Support Bracket
- Movcam Riser Block
- Additional Accessories and Media available à la carte.

Sony Alpha a7S Mirrorless Digital Camera

• 1-60fps Full HD 1080p • Native ISO 3200 in S-Log 2 • Full-Frame image sensor • Internal XAVC S recording in Full HD 1080p • External 4K or 1080p 8-bit 4:2:0 recording possible via HDMI • S-Log2 gamma option • S-Gamut color • APS-C crop mode available for using S35mm lenses in all modes • Very little pixel binning in Full Frame HD recording

More Info

Sony Alpha a7S Mirrorless Digital Camera

Sony E-Mount, Arri PL. Canon EF

Format Info:

Full Frame, APS-C

Shutter Type:

Progessive scan, rolling shutter, 24ms delay in Full Frame mode, 16ms delay in APS-C crop mode

Shutter Info:

Mechanical or Electronic shutter, 1/8000 to 1/4 sec in Movie Mode

Sensor Description:

Full Frame, effective 12.2 megapixel CMOS sensor

Sensor Ratio(s):

3:2

Internal Record Media Options:

SDXC Card, UHS-I U1, Class 10 or above

Frame Rate Options:

24p, 30p or 60p -- XAVC S 1080p (1920 x 1080)
24p, 30p, 60p or 120p -- XAVC S 720p (1280 x 7200)

Record Codecs:

XAVC S in MP4 wrapper
AVCHD in M2TS wrapper

Color / Gamma Options:

S-Log2
Cine 1 - Cine 4 profiles
ITU709
ITU709(800%)

RAW Recording?:

No RAW, but external 4:2:0 8-bit output available in 4K UHD or 1080p

Internal ND Filtration:

Product Highlights
- 1080p internal
- 4k to external recorder via HDMI output
- APS-C Crop mode available for 4K external recording (Not available on a7SII)
Our Kit Includes
- Metabones Canon EF Lens to Sony E-Mount Smart Adapter (Mark IV)
- Sony E-Mount Turret Plug
- (6) Sony NP-FW50 Lithium-Ion Rechargeable Battery (7.4v, 1020mAh)
- (2) Sony BC-TRW W Series Battery Charger (Black)(for NP-FW50 batteries)
- Gold Mount Battery Plate
- Movcam Cage (4pc.)
- Top Handle for Movcam Cage
- HDMI Protector Bracket
- Movcam LWS Baseplate
- Movcam Lens Support Bracket
- Movcam Riser Block
- Additional Accessories and Media available à la carte.

Sony F35/1

• 12 stops dynamic range • 1-60fps • S-LOG gamma curve • Records to HDCAM SR tape via SRW-1 onboard recorder in 4:4:4 HQ (880 Mbit/s, 2:1 compression) or 4:4:4 SQ (440 Mbit/s, 4:1 compression) • Can also send out 12-bit uncompressed video to any HD-SDI external recorder

More Info

Sony F35/1

Body and Lens Mount only

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 360.0 to 4.3 degrees

Sensor Description:

1-chip Super 35 mm type Progressive CCD

Sensor Ratio(s):

1.78.1

Internal Record Media Options:

None, records to attached SRW-1 Recorder Unit

Frame Rate Options:

1-50fps selectable -- HDCAMSR (1920 X 1080)

Record Codecs:

HDCAM SR 4:4:4 HQ (880 Mbit/s, 2:1 compression)
HDCAM SR 4:4:4 SQ (440 Mbit/s, 4:1 compression

Color / Gamma Options:

Rec709
S-Log

Internal ND Filtration:

Product Highlights
- 1080p
- Integrated Camera System with SRW-1 Recorder
- Versatile gamma settings including unique S-LOG gamma curve
- Records to HDCAM SR tape via SRW-1 onboard recorder in 4:4:4 HQ (880 Mbit/s, 2:1 compression) or 4:4:4 SQ (440 Mbit/s, 4:1 compression).
Our Kit Includes
- PL Turret Plug
- Sony HDVF-C30WR Color Viewfinder
- VF Mount
- LWS Waffle Plate for F23/F35
- Carry Handle for F23/F35 (2 pc.)
- Handle for Metal Port Cover F23/F35
- Metal Port Cover for F23/F35
- Interface Box F23/F35
- Assistants Panel F23/F35
- Assistants Panel Cable for F23/F35
- Mounting Bracket for Assistants Panel F23/F35
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- SRPC-1 Video Processor
- HKSR-102 Picture Cache Board for SRPC-1 (installed)
- HKSR-103 RGB 60p Processor Board for SRPC-1 (installed)
- SRW-1 HDCAM SR Tape Recorder
- Control Panel for SRW-1
- Short Control Panel Cable for SRW-1 (6″)
- Long Control Panel Cable for SRW-1 (68″)
- IDX IA-200A 100w Power Supply w/ AC Cable
- (2) Power Cable: 12v 4pXLRm to 4pXLRf 10′
- Tape Stock available à la carte.

Canon Cameras

Canon C300 Mark II (EF Mount)

• 15 stops dynamic range • 1-120fps • Internal XF AVC recording in 4K / 2K / HD • External 4K RAW recording • Dual CFast 2.0 Card Slots • Internal ND up to 10 stops in expansion mode • Flatter Canon Log Gamma 2 • Dual Pixel CMOS AF

More Info

Canon C300 Mark II (EF Mount)

Body, Grip, Monitor and 2x CF cards

Progressive scan, rolling shutter
2x faster readout than C300 Mk. I

Shutter Info:

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

Sensor Description:

9.84 megapixel Super 35mm Canon CMOS sensor w/ Dual Digic DV5 Image Processors

Sensor Ratio(s):

1.9:1

Internal Record Media Options:

Cfast 2.0 Cards

Frame Rate Options:

1 - 30fps -- XF AVC Cinema 4K (4096x2160)
1 - 30fps -- XF AVC UHD (3840x2160)
1 - 30fps -- XF AVC 2K 4:4:4 (2048x1080)
1 - 120fps -- XF AVC 2K 4:2:2 (2048x1152)
1 - 30fps -- XF AVC HD 4:4:4 (1920 X 1080)
1 - 120fps -- XF AVC HD 4:2:2 (1920 X 1080)

Record Codecs:

.MXF (OP-1a) file format
XF AVC codec
(MPEG-4 AVC/H.264)
Choice of Intraframe or LongGOP compression
Infraframe: 410Mbps in 4K
LongGOP 50Mbps in 2K

Color Depth:

10-bit (4K)
12-bit (2K)

Chroma Subsampling:

4:2:2 (in 4K)
4:4:4 (in 2K or HD only)

Color / Gamma Options:

Canon Log 2
Canon Log

Raw Recording Possible?:

Yes

RAW Recording?:

Externally, via HD-SDI outputs

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Can record 4K internally and 4K RAW externally at the same time
- While shooting 4K, can record proxies in 8-bit 4:2:0 at 35mbps or 24mbps in 2K/HD
- Flatter Canon Log Gamma 2 (and Canon Wide DR)
- Baked in Looks Option Allows Matching the Image of Other Cameras Internally
- ISO Up to 102,400
- Dual CFast 2.0 Card Slots
- Dual 3G-SDI & HDMI (Unclear if the HDMI can output 4K)
- Internally ND up to 10 stops in expansion mode
- Internally ND up to 10 stops in expansion mode
- Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally)
- Uses new batteries different from the Original C300
- Color Matrixes to match various other cameras.
Our Kit Includes
- EF Turret Plug
- Side Handle Grip
- 4″ Rotatable LCD Viewfinder incl. Microphone Mount
- (4) Canon BP-A30 Intelligent Li-Ion Battery 7.4V 3100mAh 47Wh
- Canon Battery Charger for EOS C300 Mark II Camcorder Batteries
- Wooden Camera D-Box for Canon C300 Mk. II (incl. Anton Bauer Gold Mount)
- Arri CCH-2 Camera Handle (K2.73002.0)
- Arri Top Plate for C300 Mk. II (K2.0006859)
- Cine Plate C300 Mk II, K2.0006864
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries and Media available à la carte.

Canon C300 Mark II (PL Mount)

More Info

Canon C300 Mark II (PL Mount)

Body, Grip, Monitor and 2x CF cards

Progressive scan, rolling shutter
2x faster readout than C300 Mk. I

Shutter Info:

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

Sensor Description:

9.84 megapixel Super 35mm Canon CMOS sensor w/ Dual Digic DV5 Image Processors

Sensor Ratio(s):

1.9:1

Internal Record Media Options:

Cfast 2.0 Cards

Frame Rate Options:

1 - 30fps -- XF AVC Cinema 4K (4096x2160)
1 - 30fps -- XF AVC UHD (3840x2160)
1 - 30fps -- XF AVC 2K 4:4:4 (2048x1080)
1 - 120fps -- XF AVC 2K 4:2:2 (2048x1152)
1 - 30fps -- XF AVC HD 4:4:4 (1920 X 1080)
1 - 120fps -- XF AVC HD 4:2:2 (1920 X 1080)

Record Codecs:

.MXF (OP-1a) file format
XF AVC codec
(MPEG-4 AVC/H.264)
Choice of Intraframe or LongGOP compression
Infraframe: 410Mbps in 4K
LongGOP 50Mbps in 2K

Color Depth:

10-bit (4K)
12-bit (2K)

Chroma Subsampling:

4:2:2 (in 4K)
4:4:4 (in 2K or HD only)

Color / Gamma Options:

Canon Log 2
Canon Log

Raw Recording Possible?:

Yes

RAW Recording?:

Externally, via HD-SDI outputs

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Can record 4K internally and 4K RAW externally at the same time
- While shooting 4K, can record proxies in 8-bit 4:2:0 at 35mbps or 24mbps in 2K/HD
- Flatter Canon Log Gamma 2 (and Canon Wide DR)
- Baked in Looks Option Allows Matching the Image of Other Cameras Internally
- ISO Up to 102,400
- Dual CFast 2.0 Card Slots
- Dual 3G-SDI & HDMI (Unclear if the HDMI can output 4K)
- Supports BT.2020, Canon Cinema Gamut, and DCI-P3 Color Spaces
- Internally ND up to 10 stops in expansion mode
- Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally)
- Uses new batteries different from the Original C300
- Color Matrixes to match various other cameras.
Our Kit Includes
- PL Turret Plug
- Side Handle Grip
- 4″ Rotatable LCD Viewfinder incl. Microphone Mount
- (4) Canon BP-A30 Intelligent Li-Ion Battery 7.4V 3100mAh 47Wh
- Canon Battery Charger for EOS C300 Mark II Camcorder Batteries
- Wooden Camera D-Box for Canon C300 Mk. II (incl. Anton Bauer Gold Mount)
- Arri CCH-2 Camera Handle (K2.73002.0)
- Arri Top Plate for C300 Mk. II (K2.0006859)
- Cine Plate C300 Mk II, K2.0006864
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries and Media available à la carte.

Canon C300 (EF Mount)

• 12 stops dynamic range • 1-60fps • Internal Canon XF recording in Full HD 1080p • Canon Log Gamma • Dual CF Card Slots • Internal ND filtration

More Info

Canon C300 (EF Mount)

Body, Grip, Monitor and 2x CF cards

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

Sensor Description:

8.85 megapixel Super 35mm Canon CMOS sensor w/ Canon DIGIC DV III Image Processor

Sensor Ratio(s):

1.78.1

Internal Record Media Options:

Compact Flash cards

Frame Rate Options:

24, 23.98p, 29.98p, 59.94i, 50i, 25p -- Canon XF 50Mbps (CBR) 4:2:2 (1920 X 1080 or 1280 x 720)
23.98p, 29.98p, 59.94i, 50i, 25p -- Canon XF 35Mbps (VBR) 4:2:0 (1920 X 1080 or 1280 x 720)
23.98p, 29.98p, 59.94i, 50i, 25p -- Canon XF 25Mbps (VBR) 4:2:0 (1440x1080)

Record Codecs:

.MXF (OP-1a) file format
Canon XF codec (XDCAM based)
MPEG-2 Long GOP compression

Color / Gamma Options:

Rec709
Canon Log

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Full 1080p internal recording
- Canon XF Codec – 4:2:2 50 Mb/s MPEG-2
- Rotating 4″ LCD Monitor
- Dual CF Card Slots
- Timecode I/O, Genlock In & Sync Out
- Canon Log Gamma
Our Kit Includes
- EF Turret Plug
- Side Handle Grip
- 4″ Rotatable LCD Viewfinder incl. Microphone Mount
- LWS Riser Plate for C300/C500
- Cage Option for C300
- (4) Canon BP-955 Intelligent Li-Ion Battery 7.4V 4900mAh 37Wh
- CG-940 or CG-930 Compact Battery Charger
- CA-940 or CA-940N Compact Power Supply
- Anton Bauer QRC-CA940 Battery Plate for Canon C300/C500
- USB CF Card Reader w/ Corresponding Cable
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries and Media available à la carte.

Canon C300 (PL Mount)

• 12 stops dynamic range • 1-60fps • Internal Canon XF recording in Full HD 1080p • Canon Log Gamma • Dual CF Card Slots • Internal ND filtration

More Info

Canon C300 (PL Mount)

Body, Grip, Monitor and 2x CF cards

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

Sensor Description:

8.85 megapixel Super 35mm Canon CMOS sensor w/ Canon DIGIC DV III Image Processor

Sensor Ratio(s):

1.78.1

Internal Record Media Options:

Compact Flash cards

Frame Rate Options:

24, 23.98p, 29.98p, 59.94i, 50i, 25p -- Canon XF 50Mbps (CBR) 4:2:2 (1920 X 1080 or 1280 x 720)
23.98p, 29.98p, 59.94i, 50i, 25p -- Canon XF 35Mbps (VBR) 4:2:0 (1920 X 1080 or 1280 x 720)
23.98p, 29.98p, 59.94i, 50i, 25p -- Canon XF 25Mbps (VBR) 4:2:0 (1440x1080)

Record Codecs:

.MXF (OP-1a) file format
Canon XF codec (XDCAM based)
MPEG-2 Long GOP compression

Color / Gamma Options:

Rec709
Canon Log

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Full 1080p internal recording
- Canon XF Codec – 4:2:2 50 Mb/s MPEG-2
- Rotating 4″ LCD Monitor
- Dual CF Card Slots
- Timecode I/O, Genlock In & Sync Out
- Canon Log Gamma
Our Kit Includes
- PL Turret Plug
- Side Handle Grip
- 4″ Rotatable LCD Viewfinder incl. Microphone Mount
- LWS Riser Plate for C300/C500
- Cage Option for C300
- (4) Canon BP-955 Intelligent Li-Ion Battery 7.4V 4900mAh 37Wh
- CG-940 or CG-930 Compact Battery Charger
- CA-940 or CA-940N Compact Power Supply
- Anton Bauer QRC-CA940 Battery Plate for Canon C300/C500
- USB CF Card Reader w/ Corresponding Cable
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries and Media available à la carte.

Canon 5D Mk. III

• 1-30fps Full HD • Internal H.264 recording • Full-Frame image sensor • Choice of All-I or IPB compression

More Info

Canon 5D Mk. III

Progessive scan, rolling shutter, 18ms delay

Shutter Info:

Mechanical or Electronic shutter, 1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode)

Sensor Description:

Full Frame, 22.3 megapixel High-sensitivity, high-resolution, large single-plate CMOS sensor

Sensor Ratio(s):

3:2

Internal Record Media Options:

CF Card

Frame Rate Options:

24p,25p, 30p -- H.264 1080p (1920 x 1080)
50p, 60p -- H.264 720p (1280 x 720)

Record Codecs:

.MOV format videos (Image data: H.264/MPEG-4 AVC; Audio: Linear PCM)
Choice of All-I or IPB compression

Color / Gamma Options:

Built-in Canon profiles
Technicolor
VisionLOG
VisionColor

Internal ND Filtration:

Our Kit Includes
- EF Turret Plug
- (4) LP-E6 Battery
- LC-E6 Charger
- A.B. Gold Mount Battery Plate for Canon DSLR (QR-DSLR)
- Arri MBP-3 Universal LWS Baseplate (K2.66181.0)
- Arri Canon 5D Mk. III Adapter Plate for MBP-3 (K2.66200.0)
- (2) 15mm LWS Rods
- Additional Accessories and Media available à la carte (see below)

Canon 7D-PL

• 9 stops dynamic range • 1-30fps Full HD • Internal H.264 recording • Robust PL mount • APS-C size sensor for S35mm approximate field of view

More Info

Canon 7D-PL

Progessive scan, rolling shutter

Shutter Info:

Electronic shutter, 1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode)

Sensor Description:

APS-C 18 megapixel CMOS sensor

Sensor Ratio(s):

3:2

Internal Record Media Options:

CF Card

Frame Rate Options:

24p, 25p, 30p -- H.264 1080p (1920 X 1080)
50p, 60p -- H.264 720p (1280 x 720)
50p, 60p -- H.264 480p (720 x 480)

Record Codecs:

.MOV files w/ H.264 compression.

Color / Gamma Options:

Built-in Canon profiles
Technicolor
VisionLOG
VisionColor

Internal ND Filtration:

Product Highlights
- Custom FGV PL-mount with integrated LWS support plate and rear 3-pin Fischer connector for recording start/stop.
Our Kit Includes
- PL Turret Plug
- (4) LP-E6 Battery
- LC-E6 Charger
- Gold Mount Battery Plate
- HDMI Protector
- Hybrid LWS Plate
- Iris Rods (per user’s intended configuration)
- Additional Accessories and Media available à la carte.

Canon 7D-PL Infrared

• 9 stops dynamic range • 1-30fps Full HD • Internal H.264 recording • Robust PL mount • APS-C size sensor for S35mm approximate field of view • custom modified with 715nm Infrared pass filter for interesting visual effects • Useful for high-contrast black and white infrared as well as some color infrared applications

More Info

Canon 7D-PL Infrared

Progessive scan, rolling shutter

Shutter Info:

Electronic shutter, 1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode)

Sensor Description:

APS-C 18 megapixel CMOS sensor

Sensor Ratio(s):

3:2

Internal Record Media Options:

CF Card

Frame Rate Options:

24p, 25p, 30p -- H.264 1080p (1920 X 1080)
50p, 60p -- H.264 720p (1280 x 720)
50p, 60p -- H.264 480p (720 x 480)

Record Codecs:

.MOV files w/ H.264 compression.

Color / Gamma Options:

Built-in Canon profiles
Technicolor
VisionLOG
VisionColor

Internal ND Filtration:

Product Highlights
- Custom FGV PL-mount with integrated LWS support plate and rear 3-pin Fischer connector for recording start/stop.
- Custom modified with 715nm Infrared pass filter for interesting visual effects.
- Useful for high-contrast black and white infrared as well as some color infrared applications.
Our Kit Includes
- PL Turret Plug
- (4) LP-E6 Battery
- LC-E6 Charger
- Gold Mount Battery Plate
- HDMI Protector
- Hybrid LWS Plate
- Iris Rods (per user’s intended configuration)
- Additional Accessories and Media available à la carte.

35mm Sync Cameras

Arricam ST

• 1-60fps Forward • 1-32fps Reverse • 3-perf or 4-perf pulldown options

More Info

Arricam ST

4:3 (in 4-perf)
1.78:1 (3-perf)

Pulldown Options:

3-perf or 4-perf movement

Shutter Info:

Mirror reflex shutter adjustable from 0° and 180° while in standby
Rampable between 11.2° and 180° while running

Sensor Ratio(s):

1.37:1 or 1.85:1

Frame Rate Options:

1-60fps Forward Run
1-32fps Reverse Run

Product Highlights
- Crystal accurate to 0.001 frames
- Below 20 db(A) sound level
- Five link movement with dual registration pins and pulldown claws, 3 or 4-perf pulldown, pitch adjustment
- Power Input 24V to 32V DC
Our Kit Includes
- Turret Plug
- Arricam Ground Glass 1.78 S35 4-perf (unless otherwise specified)
- Arricam Glow Module 1.78 S35 4-perf (unless otherwise specified)
- 4-perf Movement for Arricam LT (3-perf available upon request)
- Arricam ST NTSC SD IVS Video Tap
- Accessory Power Box for Arricam
- Studio Mask Frameglow
- Speed Control Box for Arricam
- Speed Control Cable for Arricam
- Mag Port Cover for Arricam ST
- Rear Protection Cover for Arricam
- Tools ST GG Tool
- Arricam ST Camera Handle
- HE-4 Heated Eyecup Arricam / 416
- (2) Eyepiece Heater Cable: 4p Fischer Female to 1p Male
- Arricam ST Regular Eyepiece
- Arri EL-3 Eyepiece Leveler
- Arricam ST Viewfinder
- Arricam ST Finder Block Arm Spherical
- 3pFischer Distro Box
- 19mm Prime Rods
- 19mm Power Bridgeplate for Arricam w/ 3p RS
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- (2) 24v Power Cable – 2p Fischer – 3p XLR (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Case for Arricam ST
- Additional Accessories and Magazines available à la carte.

Arricam LT

• 1-48fps Forward • 1-32fps Reverse • 3-perf or 4-perf pulldown options

More Info

Arricam LT

4:3 (in 4-perf)
1.78:1 (3-perf)

Pulldown Options:

3-perf or 4-perf movement

Shutter Info:

Mirror reflex shutter adjustable from 0° and 180° while in standby
Rampable between 11.2° and 180° while running

Sensor Ratio(s):

1.37:1 or 1.85:1

Frame Rate Options:

1-48fps Forward Run
1-32fps Reverse Run

Product Highlights
- Crystal accurate to 0.001 frames
- Below 24 db(A) sound level
- Five link movement with dual registration pins and pulldown claws, 3 or 4-perf pulldown, pitch adjustment
- Power Input 24V to 32V DC
- 11.46 lbs w/ 1000′ Studio Mag
- 7.26 lbs w/ 400′ Studio Mag
- 5.95 lbs w/ 400′ LT Shoulder Mag
- 5.95 lbs w/ 400′ LT Steadicam Mag
Our Kit Includes
- Turret Plug
- Arricam Ground Glass 1.78 S35 4-perf (unless otherwise specified)
- Arricam Glow Module 1.78 S35 4-perf (unless otherwise specified)
- 4-perf Movement for Arricam LT (3-perf available upon request)
- Arricam LT HD IVS Video Tap
- Accessory Power Box for Arricam
- Lite Mask Frameglow
- Speed Control Box for Arricam
- Speed Control Cable for Arricam
- Mag Port Cover for Arricam LT
- Rear Protection Cover for Arricam
- LT-ST Studio Magazine Adapter
- Tools LT GG Tool
- Arricam LT Camera Handle
- HE-4 Heated Eyecup Arricam / 416
- (2) Eyepiece Heater Cable: 4p Fischer Female to 1p Male
- Arricam LT Regular Eyepiece
- Arricam ST Zoom Extension Finder
- Arri EL-3 Eyepiece Leveler
- Arricam LT Viewfinder
- Arricam LT Finder Block Arm Spherical
- 3pFischer Distro Box
- 19mm Prime Rods
- 19mm Power Bridgeplate for Arricam w/ 3p RS
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- Arricam LT Worklight
- (2) 24v Power Cable – 2p Fischer – 3p XLR (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Case for Arricam LT (Z17-255)
- Additional Accessories and Magazines available à la carte.

Moviecam Compact Mk. II

• 1-50fps Forward • 12-32fps Reverse

More Info

Moviecam Compact Mk. II

4:3 (in 4-perf)
1.78:1 (3-perf)

Pulldown Options:

3-perf or 4-perf movement

Shutter Info:

Mirror Reflex Shutter: 180°, 172.8°, 144°, 120°, 90°, 45°

Sensor Ratio(s):

1.37:1 or 1.85:1

Frame Rate Options:

1-50fps Forward Run
12-32fps Reverse Run

Product Highlights
- Integrated Speed Ramping and Syncobox
- Color Video Assist (SD)
Our Kit Includes
- Turret Plug for Moviecam Compact
- Ground Glass HDTV + TV + TV SAFE S35 (unless otherwise specified)
- Glow HDTV + TV + TV SAFE S35 (unless otherwise specified)
- 3-perf Movement
- Arricam IVS NTSC Video Tap
- 3pFischer Distro Box
- Arri EL-3 Eyepiece Leveler
- Heated Eyepiece
- Standard Eyecup
- (2) Eyepiece Heater Cable: 1p Male to 1p Male
- Frame Readout
- Movielite Glow Module
- Aks. Port Cover
- Rear Load Adapter
- Top Load Adapter
- Mag Port Cover
- Front Handle
- Mag Port Handle
- Top Handle
- Center Grip Attachment for Top Handle
- 19mm Prime Rods
- BP-8 Baseplate 19mm
- 12″ Dovetail Plate
- Padded Shoulder Rest for Moviecam
- 15mm Coupler for Moviecam Handgrip
- Left Handgrip for Moviecam
- Moviecam Power Handgrip (Black)
- 12″ Worklight for Moviecam (Square Pin)
- (2) Moviecam Power Cable: 4pXLRf-3pXLRm (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Combi Tool for Moviecam Compact
- Case for Moviecam Compact MkII (Z17-525)
- Additional Accessories and Magazines available à la carte.

Moviecam Compact Evolution

• 1-50fps Forward • 12-32fps Reverse

More Info

Moviecam Compact Evolution

4:3 (in 4-perf)
1.78:1 (3-perf)

Pulldown Options:

3-perf or 4-perf movement

Shutter Info:

Mirror Reflex Shutter: 180°, 172.8°, 144°, 120°, 90°, 45°

Sensor Ratio(s):

1.37:1 or 1.85:1

Frame Rate Options:

1-50fps Forward Run
12-32fps Reverse Run

Product Highlights
- Color Video Assist (SD)
Our Kit Includes
- Turret Plug
- Ground Glass HDTV + TV + TV SAFE S35 (unless otherwise specified)
- Glow HDTV + TV + TV SAFE S35 (unless otherwise specified)
- 4-perf Movement
- IVS 535B Video Tap
- CCD Optic Module
- P+S Technik Cover Block
- P+S Technik Extension Viewfinder
- P+S Technik Signal Converter
- P+S Technik Sync Cable
- PS Technik IVS to CCD Mounting Interface
- C.E. Crystal Speed Control
- Heated Eyepiece
- Eyecup
- (2) Eyepiece Heater Cable: 1p Male to 1p Male
- Frame Readout
- Movielite Glow Module
- Aks. Port Cover
- Rear Load Adapter
- Top Load Adapter
- Mag Port Cover
- Front Handle
- Mag Port Handle
- Top Handle
- Center Grip Attachment for Top Handle
- 19mm Prime Rods
- BP-8 Baseplate 19mm
- 12″ Dovetail Plate
- Padded Shoulder Rest for Moviecam
- 15mm Coupler for Moviecam Handgrip
- Left Handgrip for Moviecam
- Moviecam Power Handgrip (Black)
- Cinematography Elec. Assisant Light for Moviecam Evolution
- (2) Moviecam Power Cable: 4pXLRf-3pXLRm (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- 3pFischer Distro Box
- Combi Tool for Moviecam Compact
- Case for Moviecam Compact Evolution (Calzone)
- Additional Accessories and Magazines available à la carte.

16mm Sync Cameras

Arriflex 416 Plus

• 1-75fps Forward • Onboard Batteries available for handheld operation • Integrated accessory electronics and radio for wireless remote control

More Info

Arriflex 416 Plus

incl. finder, eyepiece, IVS, magazine and film

Mirror Reflex Shutter; 180° to 11.2° electronically adjustable, 180° to 45° manually adjustable.

Product Highlights
- Integrated accessory electronics and radio for wireless remote control
- below 20 db(A) sound level
- 24V to 32V DC Power Input
- Onboard Batteries available for handheld operation
Our Kit Includes
- Wireless Antenna
- Turret Plug
- Optical Viewfinder
- Ground Glass 416 / SR3 1.78 S16 (unless otherwise specified)
- 416 IVS (NTSC, K2.47664.0)
- 416 Optical Top
- 416 Regular Eyepiece
- Standard Eyecup for Arriflex 16mm Cameras
- LEE-1 Eyepiece Extension for 416/235 (Long)
- Shutter Tool
- Film Track Cleaning Tool
- Arri EL-3 Eyepiece Leveler
- 3pc. Top Handle
- Magazine Port Cover
- SP-2 Shoulder Pad
- BP-10 Bridgeplate
- 19mm Prime Rods
- LWS-5 15mm LWS Bracket
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- LRB-2 Rossette Bracket
- Offset for LRB-2 Rossette Bracket (4mm, 5/32″)
- OBB-2 Onboard Battery for 416
- Battery Charger for 416 OBB-2 Batteries
- 3pFischer Distro Box
- (2) 24v Power Cable – 2p Fischer – 3p XLR (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Case for Arri 416 (Z17-517)
- Additional Accessories and Magazines available à la carte.

16mm MOS Cameras

Bolex H16 RX5

• 12, 16, 18, 24, 32, 48 and 64 f.p.s. + single frame operation • 100' Daylight Spool or 400' Magazine • Modified 13x Viewfinder • Time-lapse & 400' Magazine Motors available

More Info

Bolex H16 RX5

Shutter with variable opening angle (with the camera stopped as well as while filming). Maximum opening 135°. Shutter closes when camera stops.

Sensor Ratio(s):

1.66:1

Frame Rate Options:

12, 16, 18, 24, 32, 48 and 64 f.p.s. + single frame

Product Highlights
- 100′ Daylight Spool or 400′ Magazine available
- Modified 13x Viewfinder
Our Kit Includes
- 13x Viewfinder
- C-Mount Turret Plug
- 400′ Mag Port Cover
- Rewind Crank
- Camera Door
- Daylight Spool
- Filter Holder
- Pistol Grip
- Additional Accessories available à la carte.

Bolex H16 SBM

• 12, 16, 18, 24, 32, 48 and 64 f.p.s. + single frame operation • 100' Daylight Spool or 400' Magazine • 13x Viewfinder • Time-lapse & 400' Magazine Motors available

More Info

Bolex H16 SBM

C-Mount, Bolex Bayonet

Shutter with variable opening angle (with the camera stopped as well as while filming). Maximum opening 135°. Shutter closes when camera stops.

Sensor Ratio(s):

1.66:1

Frame Rate Options:

12, 16, 18, 24, 32, 48 and 64 f.p.s. + single frame

Product Highlights
- 100′ Daylight Spool or 400′ Magazine available
- 13x Viewfinder
Our Kit Includes
- 13x Viewfinder
- Bolex Bayonet Turret Plug
- Bayo to C-Mount Adapter
- C-Mount Turret Plug
- 400′ Mag Port Cover
- Rewind Crank
- Camera Door
- Daylight Spool
- Filter Holder
- Pistol Grip
- Additional Accessories available à la carte.

Leica Thalia

Leica Summilux-C

Leica Summilux-C 16mm T1.4

Weight: 3.68 lbs • T-Stop: T1.4 • Close Focus: 1'2" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

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Leica Summilux-C 16mm T1.4

Screw-In Filter Size:

Leica Summilux-C 18mm T1.4

Weight: 3.68 lbs • T-Stop: T1.4 • Close Focus: 1'2" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

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Leica Summilux-C 18mm T1.4

Screw-In Filter Size:

Leica Summilux-C 21mm T1.4

Weight: 3.48 lbs • T-Stop: T1.4 • Close Focus: 1' • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

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Leica Summilux-C 21mm T1.4

Screw-In Filter Size:

Leica Summilux-C 25mm T1.4

Weight: 3.51 lbs • T-Stop: T1.4 • Close Focus: 1' • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

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Leica Summilux-C 25mm T1.4

Screw-In Filter Size:

Leica Summilux-C 29mm T1.4

Weight: 3.5 lbs • T-Stop: T1.4 • Close Focus: 1'6" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

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Leica Summilux-C 29mm T1.4

Screw-In Filter Size:

Leica Summilux-C 35mm T1.4

Weight: 3.58 lbs • T-Stop: T1.4 • Close Focus: 1'2" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

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Leica Summilux-C 35mm T1.4

Screw-In Filter Size:

Leica Summilux-C 40mm T1.4

Weight: 3.56 lbs • T-Stop: T1.4 • Close Focus: 1'4" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

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Leica Summilux-C 40mm T1.4

Screw-In Filter Size:

Leica Summilux-C 50mm T1.4

Weight: 3.72 lbs • T-Stop: T1.4 • Close Focus: 1'8" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

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Leica Summilux-C 50mm T1.4

Screw-In Filter Size:

Leica Summilux-C 65mm T1.4

Weight: 3.60 lbs • T-Stop: T1.4 • Close Focus: 1'6" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

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Leica Summilux-C 65mm T1.4

Screw-In Filter Size:

Leica Summilux-C 75mm T1.4

Weight: 3.61 lbs • T-Stop: T1.4 • Close Focus: 2'3" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

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Leica Summilux-C 75mm T1.4

Screw-In Filter Size:

Leica Summilux-C 100mm T1.4

Weight: 3.52 lbs • T-Stop: T1.4 • Close Focus: 2'11" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

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Leica Summilux-C 100mm T1.4

Screw-In Filter Size:

Leica Summilux-C 135mm T1.4

Weight: 7.4lbs • T-Stop: T1.4 • Close Focus: 4'1" • Outer Diameter: 116mm • Integrated net ring threaded into the rear element

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Leica Summilux-C 135mm T1.4

Screw-In Filter Size:

Leica Summicron-C

Leica Summicron-C 18mm T2

Weight: 2.9 lbs • T-Stop: T2 • Close Focus: 1' • Outer Diameter: 95mm

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Leica Summicron-C 18mm T2

Leica Summicron-C 21mm T2

Weight: 2.9 lbs • T-Stop: T2 • Close Focus: 1' • Outer Diameter: 95mm

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Leica Summicron-C 21mm T2

Leica Summicron-C 25mm T2

Weight: 3.4 lbs • T-Stop: T2 • Close Focus: 1' • Outer Diameter: 95mm

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Leica Summicron-C 25mm T2

Leica Summicron-C 29mm T2

Weight: 3 lbs • T-Stop: T2 • Close Focus: 1' • Outer Diameter: 95mm

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Leica Summicron-C 29mm T2

Leica Summicron-C 35mm T2

Weight: 2.9 lbs • T-Stop: T2 • Close Focus: 1'2" • Outer Diameter: 95mm

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Leica Summicron-C 35mm T2

Leica Summicron-C 40mm T2

Weight: 3 lbs • T-Stop: T2 • Close Focus 1'6" • Outer Diameter: 95mm

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Leica Summicron-C 40mm T2

Leica Summicron-C 50mm T2

Weight: 3.2 lbs • T-Stop: T2 • Close Focus: 2' • Outer Diameter: 95mm

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Leica Summicron-C 50mm T2

Leica Summicron-C 75mm T2

Weight: 2.7 lbs • T-Stop: T2 • Close Focus: 2'7" • Outer Diameter: 95mm

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Leica Summicron-C 75mm T2

Leica Summicron-C 100mm T2

Weight: 2.7 lbs • T-Stop: T2 • Close Focus: 3'3" • Outer Diameter: 95mm

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Leica Summicron-C 100mm T2

Leica Summicron-C 135mm T2

Weight: 4.1 lbs • T-Stop: T2 • Close Focus: 5' • Outer Diameter: 95mm

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Leica Summicron-C 135mm T2

Zeiss Master Prime

Zeiss Master Prime 12mm Distagon T*XP T1.4

Weight: 6.4 lbs • T-Stop: T1.4 • Close Focus: 16" • Outer Diameter: 156mm

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Zeiss Master Prime 12mm Distagon T*XP T1.4

LDS

Zeiss Master Prime 14mm Distagon T*XP T1.4

Weight: 5.3 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 114mm

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Zeiss Master Prime 14mm Distagon T*XP T1.4

LDS

Zeiss Master Prime 16mm Distagon T*XP T1.4

Weight: 4.8 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 114mm

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Zeiss Master Prime 16mm Distagon T*XP T1.4

LDS

Zeiss Master Prime 18mm Distagon T*XP T1.4

Weight: 4.8 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 114mm

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Zeiss Master Prime 18mm Distagon T*XP T1.4

LDS

Zeiss Master Prime 21mm Distagon T*XP T1.4

Weight: 5.3 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 114mm

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Zeiss Master Prime 21mm Distagon T*XP T1.4

LDS

Zeiss Master Prime 25mm Distagon T*XP T1.4

Weight: 5.1 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 114mm

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Zeiss Master Prime 25mm Distagon T*XP T1.4

LDS

Zeiss Master Prime 27mm Distagon T*XP T1.4

Weight: 4.8 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 27mm Distagon T*XP T1.4

LDS

Zeiss Master Prime 32mm Distagon T*XP T1.4

Weight: 5.1 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 114mm

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Zeiss Master Prime 32mm Distagon T*XP T1.4

LDS

Zeiss Master Prime 35mm Distagon T*XP T1.4

Weight: 4.8 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 114mm

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Zeiss Master Prime 35mm Distagon T*XP T1.4

LDS

Zeiss Master Prime 40mm Distagon T*XP T1.4

Weight: 5.1 lbs • T-Stop: T1.4 • Close Focus: 16" • Outer Diameter: 114mm

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Zeiss Master Prime 40mm Distagon T*XP T1.4

LDS

Zeiss Master Prime 50mm Planar T*XP T1.4

Weight: 5.9 lbs • T-Stop: T1.4 • Close Focus: 20" • Outer Diameter: 114mm

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Zeiss Master Prime 50mm Planar T*XP T1.4

LDS

Zeiss Master Prime 65mm Planar T*XP T1.4

Weight: 5.7 lbs • T-Stop: T1.4 • Close Focus: 2'3" • Outer Diameter: 114mm

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Zeiss Master Prime 65mm Planar T*XP T1.4

LDS

Zeiss Master Prime 75mm Sonnar T*XP T1.4

Weight: 6.2 lbs • T-Stop: T1.4 • Close Focus: 2'9" • Outer Diameter: 114mm

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Zeiss Master Prime 75mm Sonnar T*XP T1.4

LDS

Zeiss Master Prime 100mm Sonnar T*XP T1.4

Weight: 6.4 lbs • T-Stop: T1.4 • Close Focus: 3'6" • Outer Diameter: 114mm

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Zeiss Master Prime 100mm Sonnar T*XP T1.4

LDS

Zeiss Master Prime 135mm Sonnar T*XP T1.4

Weight: 6.2 lbs • T-Stop: T1.4 • Close Focus: 3'3" • Outer Diameter: 114mm

More Info

Zeiss Master Prime 135mm Sonnar T*XP T1.4

LDS

Zeiss Master Prime 150mm Sonnar T*XP T1.4

Weight: 8.8 lbs • T-Stop: T1.4 • Close Focus: 4'11" • Outer Diameter: 134mm

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Zeiss Master Prime 150mm Sonnar T*XP T1.4

LDS

Zeiss Ultra Prime

Zeiss Ultra Prime 8R Distagon T* T2.8

Weight: 4.4 lbs • T-Stop: T2.8 • Close Focus: 12" • Outer Diameter: 134mm

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Zeiss Ultra Prime 8R Distagon T* T2.8

Zeiss Ultra Prime 10mm Distagon T* T2.1

Weight: 6.4 lbs • T-Stop: T2.1 • Close Focus: 14" • Outer Diameter: 156mm

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Zeiss Ultra Prime 10mm Distagon T* T2.1

Zeiss Ultra Prime 14mm Distagon T* T1.9

Weight: 4 lbs • T-Stop: T1.9 • Close Focus: 9" • Outer Diameter: 114mm

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Zeiss Ultra Prime 14mm Distagon T* T1.9

Zeiss Ultra Prime 16mm Distagon T* T1.9

Weight: 2.6 lbs • T-Stop: T1.9 • Close Focus: 10" • Outer Diameter: 95mm

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Zeiss Ultra Prime 16mm Distagon T* T1.9

Zeiss Ultra Prime 20mm Distagon T* T1.9

Weight: 2.6 lbs • T-Stop: T1.9 • Close Focus: 11" • Outer Diameter: 95mm

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Zeiss Ultra Prime 20mm Distagon T* T1.9

Zeiss Ultra Prime 24mm Distagon T* T1.9

Weight: 2.2 lbs • T-Stop: T1.9 • Close Focus: 12" • Outer Diameter: 95mm

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Zeiss Ultra Prime 24mm Distagon T* T1.9

Zeiss Ultra Prime 28mm Distagon T* T1.9

Weight: 2.2 lbs • T-Stop: T1.9 • Close Focus: 11" • Outer Diameter: 95mm

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Zeiss Ultra Prime 28mm Distagon T* T1.9

Zeiss Ultra Prime 32mm Distagon T* T1.9

Weight: 2.4 lbs • T-Stop: T1.9 • Close Focus: 14" • Outer Diameter: 95mm

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Zeiss Ultra Prime 32mm Distagon T* T1.9

Zeiss Ultra Prime 40mm Distagon T* T1.9

Weight: 2.2 lbs • T-Stop: T1.9 • Close Focus: 15" • Outer Diameter: 95mm

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Zeiss Ultra Prime 40mm Distagon T* T1.9

Zeiss Ultra Prime 50mm Planar T* T1.9

Weight: 2.2 lbs • T-Stop: T1.9 • Close Focus: 2' • Outer Diameter: 95mm

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Zeiss Ultra Prime 50mm Planar T* T1.9

Zeiss Ultra Prime 65mm Planar T* T1.9

Weight: 2.4 lbs • T-Stop: T1.9 • Close Focus: 2'3" • Outer Diameter: 95mm

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Zeiss Ultra Prime 65mm Planar T* T1.9

Zeiss Ultra Prime 85mm Planar T* T1.9

Weight: 2.6 lbs • T-Stop: T1.9 • Close Focus: 3' • Outer Diameter: 95mm

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Zeiss Ultra Prime 85mm Planar T* T1.9

Zeiss Ultra Prime 100mm Planar T* T1.9

Weight: 2.6 lbs • T-Stop: T1.9 • Close Focus: 3'3" • Outer Diameter: 95mm

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Zeiss Ultra Prime 100mm Planar T* T1.9

Zeiss Ultra Prime 135mm Planar T* T1.9

Weight: 3.5 lbs • T-Stop: T1.9 • Close Focus: 5' • Outer Diameter: 95mm

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Zeiss Ultra Prime 135mm Planar T* T1.9

Zeiss Ultra Prime 180mm Sonnar T* T1.9

Weight: 5.7 lbs • T-Stop: T1.9 • Close Focus: 8'6" • Outer Diameter: 114mm

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Zeiss Ultra Prime 180mm Sonnar T* T1.9

Zeiss CP.2

Zeiss CP.2 Compact Prime 15mm Distagon T* T2.9

Weight: 2 lbs • T-Stop: T2.9 • Close Focus: 12" • Outer Diameter: 114mm

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Zeiss CP.2 Compact Prime 15mm Distagon T* T2.9

Zeiss CP.2 Compact Prime 18mm Distagon T* T3.6

Weight: 2 lbs • T-Stop: T3.6 • Close Focus: 12" • Outer Diameter: 114mm

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Zeiss CP.2 Compact Prime 18mm Distagon T* T3.6

Zeiss CP.2 Compact Prime 21mm Distagon T* T2.9

Weight: 2.2 lbs • T-Stop: T2.9 • Close Focus: 10" • Outer Diameter: 114mm

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Zeiss CP.2 Compact Prime 21mm Distagon T* T2.9

Zeiss CP.2 Compact Prime 25mm Distagon T* T2.1

Weight: 2 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 114mm

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Zeiss CP.2 Compact Prime 25mm Distagon T* T2.1

Zeiss CP.2 Compact Prime 28mm Distagon T* T2.1

Weight: 2.2 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 114mm

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Zeiss CP.2 Compact Prime 28mm Distagon T* T2.1

Zeiss CP.2 Super Speed 35mm Distagon T* T1.5

Weight: 2.4 lbs • T-Stop: T1.5 • Close Focus: 12" • Outer Diameter: 114mm

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Zeiss CP.2 Super Speed 35mm Distagon T* T1.5

Zeiss CP.2 Super Speed 50mm Planar T* T1.5

Weight: 2 lbs • T-Stop: T1.5 • Close Focus: 18" • Outer Diameter: 114mm

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Zeiss CP.2 Super Speed 50mm Planar T* T1.5

Zeiss CP.2 Compact Prime 50mm Macro Planar T* T2.1

Weight: 3 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 134mm

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Zeiss CP.2 Compact Prime 50mm Macro Planar T* T2.1

Zeiss CP.2 Super Speed 85mm Planar T* T1.5

Weight: 2 lbs • T-Stop: T1.5 • Close Focus: 3'3" • Outer Diameter: 114mm

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Zeiss CP.2 Super Speed 85mm Planar T* T1.5

Zeiss CP.2 Compact Prime 100mm CF Planar T* T2.1

Weight: 3.3 lbs • T-Stop: T2.1 • Close Focus: 2'6" • Outer Diameter: 114mm

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Zeiss CP.2 Compact Prime 100mm CF Planar T* T2.1

Zeiss CP.2 Compact Prime 135mm Sonnar T* T2.1

Weight: 3.5 lbs • T-Stop: T2.1 • Close Focus: 3'3" • Outer Diameter: 114mm

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Zeiss CP.2 Compact Prime 135mm Sonnar T* T2.1

Zeiss Super Speeds

Zeiss Super Speed 18mm Distagon T* T1.3

Weight: 2.94 lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 80mm

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Zeiss Super Speed 18mm Distagon T* T1.3

Zeiss Super Speed 25mm Distagon T* T1.3

Weight: 2 lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 80mm

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Zeiss Super Speed 25mm Distagon T* T1.3

Zeiss Super Speed 35mm Distagon T* T1.3

Weight: 1.75 lbs • T-Stop: T1.3 • Close Focus: 1'2" • Outer Diameter: 80mm

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Zeiss Super Speed 35mm Distagon T* T1.3

Zeiss Super Speed 50mm Planar T* T1.3

Weight: 1.75 lbs • T-Stop: T1.3 • Close Focus: 2'4" • Outer Diameter: 80mm

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Zeiss Super Speed 50mm Planar T* T1.3

Zeiss Super Speed 65mm Planar T* T1.3

Weight: 2.25 lbs • T-Stop: T1.3 • Close Focus: 2'4" • Outer Diameter: 80mm

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Zeiss Super Speed 65mm Planar T* T1.3

Zeiss Super Speed 85mm Planar T* T1.3

Weight: 2 lbs • T-Stop: T1.3 • Close Focus: 3' • Outer Diameter: 80mm

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Zeiss Super Speed 85mm Planar T* T1.3

Zeiss Standard Speeds

Zeiss Standard Speed 10mm Distagon T* T2.1

Weight: 7 lbs • T-Stop: T2.1 • Close Focus: 14" • Outer Diameter: 156mm

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Zeiss Standard Speed 10mm Distagon T* T2.1

Zeiss Standard Speed 14mm Distagon T* T2

Weight: 3.5 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 114mm

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Zeiss Standard Speed 14mm Distagon T* T2

Zeiss Standard Speed 16mm Distagon T* T2.1

Weight: 1.25 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 80mm

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Zeiss Standard Speed 16mm Distagon T* T2.1

Zeiss Standard Speed 20mm Distagon T* T2.1

Weight: 1.49 lbs • T-Stop: T2.1 • Close Focus: 8" • Outer Diameter: 80mm

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Zeiss Standard Speed 20mm Distagon T* T2.1

Zeiss Standard Speed 24mm Distagon T* T2.1

Weight: 1.25 lbs • T-Stop: T2.1 • Close Focus: 1'2" • Outer Diameter: 80mm

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Zeiss Standard Speed 24mm Distagon T* T2.1

Zeiss Standard Speed 28mm Distagon T* T2.1

Weight: 2.25 lbs • T-Stop: T2.1 • Close Focus: 11" • Outer Diameter: 80mm

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Zeiss Standard Speed 28mm Distagon T* T2.1

Zeiss Standard Speed 32mm Planar T* T2.1

Weight: 1 lbs • T-Stop: T2.1 • Close Focus: 2' • Outer Diameter: 80mm

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Zeiss Standard Speed 32mm Planar T* T2.1

Zeiss Standard Speed 40mm Planar T* T2.1

Weight: 1 lbs • T-Stop: T2.1 • Close Focus: 1'4" • Outer Diameter: 80mm

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Zeiss Standard Speed 40mm Planar T* T2.1

Zeiss Standard Speed 50mm Planar T* T2.1

Weight: 1.25 lbs • T-Stop: T2.1 • Close Focus: 1'6" • Outer Diameter: 80mm

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Zeiss Standard Speed 50mm Planar T* T2.1

Zeiss Standard Speed 85mm Planar T* T2.1

Weight: 1.49 lbs • T-Stop: T2.1 • Close Focus: 3' • Outer Diameter: 80mm

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Zeiss Standard Speed 85mm Planar T* T2.1

Zeiss Standard Speed 100mm Planar T* T2.1

Weight: 1.75 lbs • T-Stop: T2.1 • Close Focus: 3'4" • Outer Diameter: 80mm

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Zeiss Standard Speed 100mm Planar T* T2.1

Zeiss Standard Speed 135mm Planar T* T2.1

Weight: 2.25 lbs • T-Stop: T2.1 • Close Focus: 5' • Outer Diameter: 80mm

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Zeiss Standard Speed 135mm Planar T* T2.1

Zeiss Standard Speed 180mm Sonnar T* T3

Weight: 2.94 lbs • T-Stop: T3 • Close Focus: 5' • Outer Diameter: 80mm

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Zeiss Standard Speed 180mm Sonnar T* T3

Cooke S7/i

Cooke S7/i 32mm T2

Weight: 7.5 lbs • T-Stop: T2 • Close Focus: 4" • Outer Diameter: 110mm • Covers VistaVision

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Cooke S7/i 32mm T2

Cooke S7/i 40mm T2

Weight: 7.72 lbs • T-Stop: T2 • Close Focus: 8" • Outer Diameter: 110mm • Covers VistaVision

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Cooke S7/i 40mm T2

Cooke S7/i 50mm T2

Weight: 7.5 lbs • T-Stop: T2 • Close Focus: 10" • Outer Diameter: 110mm • Covers VistaVision

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Cooke S7/i 50mm T2

Cooke S7/i 75mm T2

Weight: 6.61 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm • Covers VistaVision

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Cooke S7/i 75mm T2

Cooke S7/i 100mm T2

Weight: 7.28 lbs • T-Stop: T2 • Close Focus: 18" • Outer Diameter: 110mm • Covers VistaVision

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Cooke S7/i 100mm T2

Cooke 5/i

Cooke 5/i 18mm T1.4

Weight: 6.67 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 110mm

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Cooke 5/i 18mm T1.4

Cooke 5/i 25mm T1.4

Weight: 6.56 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 110mm

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Cooke 5/i 25mm T1.4

Cooke 5/i 32mm T1.4

Weight: 6.12 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 110mm

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Cooke 5/i 32mm T1.4

Cooke 5/i 40mm T1.4

Weight: 6.07 lbs • T-Stop: T1.4 • Close Focus: 16" • Outer Diameter: 110mm

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Cooke 5/i 40mm T1.4

Cooke 5/i 50mm T1.4

Weight: 7.11 lbs • T-Stop: T1.4 • Close Focus: 20" • Outer Diameter: 110mm

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Cooke 5/i 50mm T1.4

Cooke 5/i 65mm T1.4

Weight: 6.78 lbs • T-Stop: T1.4 • Close Focus: 24" • Outer Diameter: 110mm

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Cooke 5/i 65mm T1.4

Cooke 5/i 75mm T1.4

Weight: 6.58 lbs • T-Stop: T1.4 • Close Focus: 27" • Outer Diameter: 110mm

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Cooke 5/i 75mm T1.4

Cooke 5/i 100mm T1.4

Weight: 6.36 lbs • T-Stop: T1.4 • Close Focus: 30" • Outer Diameter: 110mm

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Cooke 5/i 100mm T1.4

Cooke 5/i 135mm T1.4

Weight: 11.2 lbs • T-Stop: T1.4 • Close Focus: 31" • Outer Diameter: 136mm

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Cooke 5/i 135mm T1.4

Cooke S4/i

Cooke S4/i 12mm T2

Weight: 6.5 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 156mm

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Cooke S4/i 12mm T2

Cooke S4/i 14mm T2

Weight: 4.8 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

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Cooke S4/i 14mm T2

Cooke S4/i 16mm T2

Weight: 5.4 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

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Cooke S4/i 16mm T2

Cooke S4/i 18mm T2

Weight: 3.85 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

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Cooke S4/i 18mm T2

Cooke S4/i 21mm T2

Weight: 4.4 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

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Cooke S4/i 21mm T2

Cooke S4/i 25mm T2

Weight: 3.5 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

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Cooke S4/i 25mm T2

Cooke S4/i 27mm T2

Weight: 3.55 lbs • T-Stop: T2 • Close Focus: 10" • Outer Diameter: 110mm

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Cooke S4/i 27mm T2

Cooke S4/i 32mm T2

Weight: 4 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 110mm

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Cooke S4/i 32mm T2

Cooke S4/i 35mm T2

Weight: 4.2 lbs • T-Stop: T2 • Close Focus: 14" • Outer Diameter: 110mm

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Cooke S4/i 35mm T2

Cooke S4/i 40mm T2

Weight: 4.4 lbs • T-Stop: T2 • Close Focus: 16" • Outer Diameter: 110mm

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Cooke S4/i 40mm T2

Cooke S4/i 50mm T2

Weight: 3.3 lbs • T-Stop: T2 • Close Focus: 20" • Outer Diameter: 110mm

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Cooke S4/i 50mm T2

Cooke S4/i 65mm T2

Weight: 3.55 lbs • T-Stop: T2 • Close Focus: 27" • Outer Diameter: 110mm

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Cooke S4/i 65mm T2

Cooke S4/i 75mm T2

Weight: 3.85 lbs • T-Stop: T2 • Close Focus: 30" • Outer Diameter: 110mm

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Cooke S4/i 75mm T2

Cooke S4/i 100mm T2

Weight: 4.4 lbs • T-Stop: T2 • Close Focus: 36" • Outer Diameter: 110mm

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Cooke S4/i 100mm T2

Cooke S4/i 135mm T2

Weight: 4.95 lbs • T-Stop: T2 • Close Focus: 33" • Outer Diameter: 110mm

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Cooke S4/i 135mm T2

Cooke S4/i 150mm T2

Weight: 7.7 lbs • T-Stop: T2 • Close Focus: 42" • Outer Diameter: 125mm

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Cooke S4/i 150mm T2

Cooke S4/i 180mm T2

Weight: 9.45 lbs • T-Stop: T2 • Close Focus: 51" • Outer Diameter: 136mm

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Cooke S4/i 180mm T2

Cooke mini s4/i

Cooke mini S4/i 18mm T2.8

Weight: 2.86 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 110mm

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Cooke mini S4/i 18mm T2.8

Cooke mini S4/i 21mm T2.8

Weight: 3.44 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 87mm

More Info

Cooke mini S4/i 21mm T2.8

Cooke mini S4/i 25mm T2.8

Weight: 3.08 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 87mm

More Info

Cooke mini S4/i 25mm T2.8

Cooke mini S4/i 32mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 12" • Outer Diameter: 87mm

More Info

Cooke mini S4/i 32mm T2.8

Cooke mini S4/i 40mm T2.8

Weight: 3.74 lbs • T-Stop: T2.8 • Close Focus: 16" • Outer Diameter: 87mm

More Info

Cooke mini S4/i 40mm T2.8

Cooke mini S4/i 50mm T2.8

Weight: 3.3 lbs • T-Stop: T2.8 • Close Focus: 20" • Outer Diameter: 87mm

More Info

Cooke mini S4/i 50mm T2.8

Cooke mini S4/i 65mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 27" • Outer Diameter: 87mm

More Info

Cooke mini S4/i 65mm T2.8

Cooke mini S4/i 75mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 30" • Outer Diameter: 87mm

More Info

Cooke mini S4/i 75mm T2.8

Cooke mini S4/i 100mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 36" • Outer Diameter: 87mm

More Info

Cooke mini S4/i 100mm T2.8

Cooke mini S4/i 135mm T2.8

Weight: 3.96 lbs • T-Stop: T2.8 • Close Focus: 39" • Outer Diameter: 87mm

More Info

Cooke mini S4/i 135mm T2.8

Canon CN-E

Canon CN-E 14mm T3.1 L F

Weight: 2.65 lbs • T-Stop: T3.1 • Close Focus: 7.87" • Outer Diameter: 114mm

More Info

Canon CN-E 14mm T3.1 L F

Screw-In Filter Size:

Canon CN-E 14mm T3.1

Weight: 2.65 lbs • T-Stop: T3.1 • Close Focus: 7.87" • Outer Diameter: 114mm

More Info

Canon CN-E 14mm T3.1

Screw-In Filter Size:

Canon CN-E 24mm T1.5

Weight: 2.65 lbs • T-Stop: T1.5 • Close Focus: 12" • Outer Diameter: 114mm

More Info

Canon CN-E 24mm T1.5

Screw-In Filter Size:

Canon CN-E 35mm T1.5

Weight: 2.43 lbs • T-Stop: T1.5 • Close Focus: 12" • Outer Diameter: 114mm

More Info

Canon CN-E 35mm T1.5

Screw-In Filter Size:

Canon CN-E 50mm T1.3

Weight: 2.43 lbs • T-Stop: T1.3 • Close Focus: 18" • Outer Diameter: 114mm

More Info

Canon CN-E 50mm T1.3

Screw-In Filter Size:

Canon CN-E 85mm T1.3

Weight: 2.87 lbs • T-Stop: T1.3 • Close Focus: 3.16' • Outer Diameter: 114mm

More Info

Canon CN-E 85mm T1.3

Screw-In Filter Size:

Canon CN-E 135mm T2.2

Weight: 3.09 lbs • T-Stop: T2.2 • Close Focus: 3.28' • Outer Diameter: 114mm

More Info

Canon CN-E 135mm T2.2

Screw-In Filter Size:

Celere HS

Celere HS 25mm T1.5

Weight: 2.31 lbs • T-Stop: T1.5 • Close Focus: 9.5" • Outer Diameter: 85mm • Screw-in Filters: 77mm

More Info

Celere HS 25mm T1.5

Screw-In Filter Size:

Celere HS 36mm T1.5

Weight: 2.31 lbs • T-Stop: T1.5 • Close Focus: 13" • Outer Diameter: 85mm • Screw-in Filters: 77mm

More Info

Celere HS 36mm T1.5

Screw-In Filter Size:

Celere HS 50mm T1.5

Weight: 2.31 lbs • T-Stop: T1.5 • Close Focus: 1'5" • Outer Diameter: 85mm • Screw-in Filters: 77mm

More Info

Celere HS 50mm T1.5

Screw-In Filter Size:

Celere HS 85mm T1.5

Weight: 2.31 lbs • T-Stop: T1.5 • Close Focus: 3'9" • Outer Diameter: 85mm • Screw-in Filters: 77mm

More Info

Celere HS 85mm T1.5

Screw-In Filter Size:

Telephoto Primes

Century-Nikkor 200mm T2

Weight: 6.7 lbs • T-Stop: T2 • Close Focus: 9' • Outer Diameter: 127mm

More Info

Century-Nikkor 200mm T2

Century-Nikkor 300mm T2.8

Weight: 12.5 lbs • T-Stop: T2.8 • Close Focus: 13' • Outer Diameter: 177mm

More Info

Century-Nikkor 300mm T2.8

Century-Canon 300mm T2

Weight: 7.9 lbs • T-Stop: T2 • Close Focus: 10' • Outer Diameter: 123mm

More Info

Century-Canon 300mm T2

Century-Canon 400mm T2.8

Weight: 11.5 lbs • T-Stop: T2.8 • Close Focus: 15' • Outer Diameter: 164mm

More Info

Century-Canon 400mm T2.8

Angenieux Optimos

Angenieux Optimo 15-40mm T2.6

Weight: 4.2 lbs • T-Stop: T2.6 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Angenieux Optimo 15-40mm T2.6

Arri PL, Canon EF, Panavision

/i w/ ASU

Multiplier (If Zoom):

Angenieux Optimo 28-76mm T2.6

Weight: 4.2 lbs • T-Stop: T2.6 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Angenieux Optimo 28-76mm T2.6

Arri PL, Canon EF, Panavision

/i w/ ASU

Multiplier (If Zoom):

Angenieux Optimo 17-80mm T2.2

Weight: 12.1 lbs • T-Stop: T2.2 • Close Focus: 1'9" • Outer Diameter: 136mm

More Info

Angenieux Optimo 17-80mm T2.2

Multiplier (If Zoom):

Angenieux Optimo 19.5-94mm T2.6

Weight: 12.3 lbs • T-Stop: T2.6 • Close Focus: 2'6" • Outer Diameter: 136mm

More Info

Angenieux Optimo 19.5-94mm T2.6

Multiplier (If Zoom):

Angenieux Optimo 45-120mm T2.8

Weight: 4.3 lbs • T-Stop: T2.8 • Close Focus: 3'1" • Outer Diameter: 114mm

More Info

Angenieux Optimo 45-120mm T2.8

Arri PL, Canon EF, Panavision

/i w/ ASU

Multiplier (If Zoom):

Angenieux Optimo 24-290mm T2.8

Weight: 24.2 lbs • T-Stop: T2.8 • Close Focus: 4' • Outer Diameter: 162mm

More Info

Angenieux Optimo 24-290mm T2.8

Multiplier (If Zoom):

Angenieux Optimo 28-340mm T3.2

Weight: 24.4 lbs • T-Stop: T3.2 • Close Focus: 4'6" • Outer Diameter: 162mm

More Info

Angenieux Optimo 28-340mm T3.2

Arri PL, Canon EF, Panavision

Multiplier (If Zoom):

Angenieux EZ-1 30-90mm T2 (S35mm)

Weight: 4.7 lbs • T-Stop: T2 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Angenieux EZ-1 30-90mm T2 (S35mm)

Arri PL, Canon EF, Sony E-Mount

Multiplier (If Zoom):

Angenieux EZ-1 45-135mm T3 (VistaVision)

Weight: 4.7 lbs • T-Stop: T3 • Close Focus: 2' • Outer Diameter: 114mm • covers VistaVision format

More Info

Angenieux EZ-1 45-135mm T3 (VistaVision)

Arri PL, Canon EF, Sony E-Mount

Multiplier (If Zoom):

Angenieux Optimo DP 16-42mm T2.8

Weight: 4.2 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Angenieux Optimo DP 16-42mm T2.8

Multiplier (If Zoom):

Angenieux Optimo DP 30-80mm T2.8

Weight: 4.2 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Angenieux Optimo DP 30-80mm T2.8

Multiplier (If Zoom):

Canon Zooms

Canon Cinema Zoom 15.5-47mm T2.8

Weight: 4.8 lbs • T-Stop: T2.8 • Close Focus: 1' 8" • Outer Diameter: 114mm

More Info

Canon Cinema Zoom 15.5-47mm T2.8

Multiplier (If Zoom):

Canon Cinema Zoom 30-105mm T2.8

Weight: 4.8 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Canon Cinema Zoom 30-105mm T2.8

Multiplier (If Zoom):

Canon Cinema Zoom 30-300mm T2.95 - 3.7

Weight: 12.79 lbs • T-Stop: T2.95 - 3.7 • Close Focus: 5' • Outer Diameter: 136mm

More Info

Canon Cinema Zoom 30-300mm T2.95 - 3.7

Multiplier (If Zoom):

10x

Wide T-Stop:

T2.95

Full Aperature Range:

30-240mm

Tele T-Stop:

T3.7

Reduced Aperature Range:

Canon Cine-Servo Zoom 17-120mm T2.95 - 3.9

Weight: 6.39 lbs • T-Stop: T2.95 - 3.9 • Close Focus: 2.8' • Outer Diameter: 114mm

More Info

Canon Cine-Servo Zoom 17-120mm T2.95 - 3.9

/i, Active Canon EF

Multiplier (If Zoom):

Wide T-Stop:

T2.95

Full Aperature Range:

17-91mm

Tele T-Stop:

T3.9

Reduced Aperature Range:

0.4 mod (Fujinon iris pitch)

Zoom Ring Pitch:

0.5 mod (Canon / Angenieux pitch)

Canon Cine-Servo Zoom 50-1000mm T5-8.9

Weight: 14.55 lbs • T-Stop: T5 - 8.9 • Close Focus: 11'5" • Outer Diameter: 136mm • 75-1500mm focal length with built-in 1.5x extender (T7.5 - T13.35 in this mode)

More Info

Canon Cine-Servo Zoom 50-1000mm T5-8.9

Product Highlights:

Built-in 1.5x extender
75-1500mm focal length when using extender
When using extender, T-stop is T7.5 (75 to 840mm) and T 13.35 at 1500mm

/i, Active Canon EF

Multiplier (If Zoom):

20x

Wide T-Stop:

Full Aperature Range:

50-560mm

Tele T-Stop:

T8.9

Reduced Aperature Range:

0.8 mod (cine pitch) and 0.5 mod (Canon / Angenieux pitch) dual design

Iris Ring Pitch:

0.5 mod (Canon / Angenieux pitch)

Zoom Ring Pitch:

0.5 mod (Canon / Angenieux pitch)

Product Highlights
- Built-in 1.5x extender
- 75-1500mm focal length when using extender
- When using extender, T-stop is T7.5 (75 to 840mm) and T 13.35 at 1500mm

Arri Zooms

Arri Alura 15.5-45mm T2.8

Weight: 4.9 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Arri Alura 15.5-45mm T2.8

LDS

Multiplier (If Zoom):

Arri Alura 18-80mm T2.6

Weight: 10.4 lbs • T-Stop: T2.6 • Close Focus: 2' • Outer Diameter: 134mm

More Info

Arri Alura 18-80mm T2.6

Multiplier (If Zoom):

Arri Alura 30-80mm T2.8

Weight: 4.9 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Arri Alura 30-80mm T2.8

LDS

Multiplier (If Zoom):

Arri Alura 45-250mm T2.6

Weight: 16.5 lbs • T-Stop: T2.6 • Close Focus: 3'11" • Outer Diameter: 134mm

More Info

Arri Alura 45-250mm T2.6

Multiplier (If Zoom):

Arri Ultra Wide Zoom 9.5mm-18mm T2.9

Weight: 9.9 lbs • T-Stop: T2.9 • Close Focus: 1.8' • Outer Diameter: 156mm • Very low image distortion, even at 9.5 mm • Uniform field illumination, even at close focus

More Info

Arri Ultra Wide Zoom 9.5mm-18mm T2.9

Product Highlights:

Zoom index marker
Virtually no image breathing
Uniform field illumination, even at close focus
Fixed entrance pupil position over the entire zoom range
Exchangeable matte box interfaces (dia. 134 mm and 156 mm)
Matches other ARRI/FUJINON and ARRI/ZEISS lenses

Arri PL LDS, Canon EF

LDS

Multiplier (If Zoom):

Product Highlights
- Zoom index marker
- Virtually no image breathing
- Uniform field illumination, even at close focus
- Fixed entrance pupil position over the entire zoom range
- Exchangeable matte box interfaces (dia. 134 mm and 156 mm)
- Matches other ARRI/FUJINON and ARRI/ZEISS lenses

Fujinon Cabrio

Fujinon Cabrio 14-35mm T2.9 (ZK2.5x14)

Weight: 6.39 lbs • T-Stop: T2.9 • Close Focus: 2' • Outer Diameter: 114mm

More Info

Fujinon Cabrio 14-35mm T2.9 (ZK2.5x14)

/i, LDS

1:5.26 at 14mm; 1:5.81 at 35mm

Macro Close Focus:

At 14mm: 13.09" (1'1"), at 35mm: 18.09" (1'6")

Self Compensation?:

Front Diameter:

114mm

Multiplier (If Zoom):

Fujinon Cabrio 19-90mm T2.9 (ZK4.7x19)

Weight: 6.28 lbs • T-Stop: T2.9 • Close Focus: 2'10" • Outer Diameter: 114mm

More Info

Fujinon Cabrio 19-90mm T2.9 (ZK4.7x19)

/i, LDS

1:6.89 at 19mm; 1:5.89 at 90mm

Macro Close Focus:

At 19mm: 14.05" (1'2"), at 90mm: 25.55" (2'1 1/2")

Self Compensation?:

Front Diameter:

114mm

Multiplier (If Zoom):

Fujinon Cabrio 85-300mm T2.9 - 4 (ZK3.5x85)

Weight: 6.61 lbs • T-Stop: T2.9 - 4 • Close Focus: 3' 11" • Outer Diameter: 114mm

More Info

Fujinon Cabrio 85-300mm T2.9 - 4 (ZK3.5x85)

/i, LDS

1:7.4 at 85mm; 1:2.74 at 300mm

Macro Close Focus:

At 85mm: 37.05" (3'1"), at 300mm: 45.3" (3'9")

Self Compensation?:

Front Diameter:

114mm

Multiplier (If Zoom):

3.7x

Wide T-Stop:

T2.9

Full Aperature Range:

85-218mm

Tele T-Stop:

Reduced Aperature Range:

Fujinon Premier Cabrio 25-300mm T3.5 - 3.85 (ZK12x25)

Weight: 18.5 lbs • T-Stop: T3.5 - 3.85 • Close Focus: 4' • Outer Diameter: 136mm

More Info

Fujinon Premier Cabrio 25-300mm T3.5 - 3.85 (ZK12x25)

/i, LDS

1:7.5 at 25mm; 1:2.75 at 300mm

Macro Close Focus:

At 25mm: 21.5" (2'9 1/2"), at 300mm: 46.25" (3'10 1/4")

Self Compensation?:

Front Diameter:

136mm

Multiplier (If Zoom):

12x

Wide T-Stop:

T3.5

Full Aperature Range:

25-273mm

Tele T-Stop:

T3.85

Reduced Aperature Range:

Zeiss Zooms

Zeiss CZ.2 Compact Zoom 15-30mm T* T2.9

Weight: 5.7 lbs • T-Stop: T2.9 • Close Focus: 1'10" • Outer Diameter: 114mm

More Info

Zeiss CZ.2 Compact Zoom 15-30mm T* T2.9

Multiplier (If Zoom):

Zeiss CZ.2 Compact Zoom 28-80mm T* T2.9

Weight: 5.5 lbs • T-Stop: T2.9 • Close Focus: 2'8" • Outer Diameter: 95mm

More Info

Zeiss CZ.2 Compact Zoom 28-80mm T* T2.9

Multiplier (If Zoom):

Zeiss CZ.2 Compact Zoom 70-200mm T* T2.9

Weight: 6.17 lbs • T-Stop: T2.9 • Close Focus: 5' • Outer Diameter: 95mm

More Info

Zeiss CZ.2 Compact Zoom 70-200mm T* T2.9

Multiplier (If Zoom):

Leica Zooms

Leica R 70-180mm T3 (Duclos Rehousing)

Weight: 4.2 lbs • T-Stop: T3 • Close Focus: 5'4" • Outer Diameter: 95mm or 80mm

More Info

Leica R 70-180mm T3 (Duclos Rehousing)

Screw-In Filter Size:

85mm or 77mm

Multiplier (If Zoom):

Duclos Zooms

Duclos Tokina 11-16mm T2.8

T-Stop: T2.8 • Close Focus: 12" • Outer Diameter: 80mm

More Info

Duclos Tokina 11-16mm T2.8

Multiplier (If Zoom):

Century Zooms

Century 150-600mm T6.7

T-Stop: T6.7

More Info

Century 150-600mm T6.7

Mount Options:

Arri PL, Arri Bayonet

T-Stop (Open):

T6.7

Multiplier (If Zoom):

Cooke Anamorphic /i

Cooke Anamorphic /i 25mm T2.3 (2x)

Weight: 6.11 lbs • T-Stop: T2.3 • Close Focus: 33" • Outer Diameter: 136mm

More Info

Cooke Anamorphic /i 25mm T2.3 (2x)

/I Squared

Cooke Anamorphic /i 32mm T2.3 (2x)

Weight: 5.9 lbs • T-Stop: T2.3 • Close Focus: 33" • Outer Diameter: 110mm

More Info

Cooke Anamorphic /i 32mm T2.3 (2x)

/I Squared

Cooke Anamorphic /i 40mm T2.3 (2x)

Weight: 6.47 lbs • T-Stop: T2.3 • Close Focus: 33" • Outer Diameter: 110mm

More Info

Cooke Anamorphic /i 40mm T2.3 (2x)

/I Squared

Cooke Anamorphic /i 50mm T2.3 (2x)

Weight: 6.03 lbs • T-Stop: T2.3 • Close Focus: 33" • Outer Diameter: 110mm

More Info

Cooke Anamorphic /i 50mm T2.3 (2x)

/I Squared

Cooke Anamorphic /i 65mm Macro T2.6 (2x)

Weight: 11.5 lbs • T-Stop: T2.6 • Close Focus: 18" • Outer Diameter: 136mm

More Info

Cooke Anamorphic /i 65mm Macro T2.6 (2x)

/I Squared

Cooke Anamorphic /i 75mm T2.3 (2x)

Weight: 5.81 lbs • T-Stop: T2.3 • Close Focus: 39" • Outer Diameter: 110mm

More Info

Cooke Anamorphic /i 75mm T2.3 (2x)

/I Squared

Cooke Anamorphic /i 100mm T2.3 (2x)

Weight: 6.47 lbs • T-Stop: T2.3 • Close Focus: 44" • Outer Diameter: 110mm

More Info

Cooke Anamorphic /i 100mm T2.3 (2x)

/I Squared

Cooke Anamorphic /i 135mm T2.3 (2x)

Weight: 9.06 lbs • T-Stop: T2.3 • Close Focus: 5' • Outer Diameter: 110mm

More Info

Cooke Anamorphic /i 135mm T2.3 (2x)

/I Squared

Cooke Anamorphic /i 180mm T2.8 (2x)

Weight: 13.62 lbs • T-Stop: T2.8 • Close Focus: 6'6" • Outer Diameter: 110mm

More Info

Cooke Anamorphic /i 180mm T2.8 (2x)

/I Squared

Cooke Anamorphic /i 300mm T3.4 (2x)

Weight: 20 lbs • T-Stop: T3.4 • Close Focus: 10' • Outer Diameter: 136mm

More Info

Cooke Anamorphic /i 300mm T3.4 (2x)

/I Squared

Zeiss Master Anamorphic

Master Anamorphic 28mm T* XP T1.9 (2x)

Weight: 5.5 lbs • T-Stop: T1.9 • Close Focus: 2'3" • Outer Diameter: 114mm • Front and Rear Flare Lenses available • Master Diopters +0.5, 1 and 2 available

More Info

Master Anamorphic 28mm T* XP T1.9 (2x)

LDS

Front and Rear Flare Lenses available

Master Anamorphic 35mm T* XP T1.9 (2x)

Weight: 5.7 lbs • T-Stop: T1.9 • Close Focus: 2'6" • Outer Diameter: 95mm • Front and Rear Flare Lenses available • Master Diopters +0.5, 1 and 2 available

More Info

Master Anamorphic 35mm T* XP T1.9 (2x)

LDS

Front and Rear Flare Lenses available

Master Anamorphic 40mm T* XP T1.9 (2x)

Weight: 6 lbs • T-Stop: T1.9 • Close Focus: 2'4" • Outer Diameter: 95mm • Front and Rear Flare Lenses available • Master Diopters +0.5, 1 and 2 available

More Info

Master Anamorphic 40mm T* XP T1.9 (2x)

LDS

Front and Rear Flare Lenses available

Master Anamorphic 50mm T* XP T1.9 (2x)

Weight: 5.7 lbs • T-Stop: T1.9 • Close Focus: 2'6" • Outer Diameter: 95mm • Front and Rear Flare Lenses available • Master Diopters +0.5, 1 and 2 available

More Info

Master Anamorphic 50mm T* XP T1.9 (2x)

LDS

Front and Rear Flare Lenses available

Master Anamorphic 60mm T* XP T1.9 (2x)

Weight: 6 lbs • T-Stop: T1.9 • Close Focus: 3' • Outer Diameter: 95mm • Front and Rear Flare Lenses available • Master Diopters +0.5, 1 and 2 available

More Info

Master Anamorphic 60mm T* XP T1.9 (2x)

LDS

Front and Rear Flare Lenses available

Master Anamorphic 75mm T* XP T1.9 (2x)

Weight: 5.7 lbs • T-Stop: T1.9 • Close Focus: 3' • Outer Diameter: 95mm • Front and Rear Flare Lenses available • Master Diopters +0.5, 1 and 2 available

More Info

Master Anamorphic 75mm T* XP T1.9 (2x)

LDS

Front and Rear Flare Lenses available

Master Anamorphic 100mm T* XP T1.9 (2x)

Weight: 6.8 lbs • T-Stop: T1.9 • Close Focus: 3'1" • Outer Diameter: 95mm • Front and Rear Flare Lenses available • Master Diopters +0.5, 1 and 2 available

More Info

Master Anamorphic 100mm T* XP T1.9 (2x)

LDS

Front and Rear Flare Lenses available

Master Anamorphic 135mm T* XP T1.9 (2x)

Weight: 8.4 lbs • T-Stop: T1.9 • Close Focus: 3'11" • Outer Diameter: 95mm • Front and Rear Flare Lenses available

More Info

Master Anamorphic 135mm T* XP T1.9 (2x)

LDS

Front and Rear Flare Lenses available

Master Anamorphic 180mm T* XP T1.9 (2x)

Weight: 7.2 lbs • T-Stop: T2.8 • Close Focus: 5' • Outer Diameter: 95mm • Front and Rear Flare Lenses available

More Info

Master Anamorphic 180mm T* XP T1.9 (2x)

LDS

Front and Rear Flare Lenses available

Vantage Hawk V-Lite

Vantage Hawk V-Lite Anamorphic 28mm T2.2 (2x)

Weight: 4.6 lbs • T-Stop: T2.2 • Close Focus: 2'9" • Outer Diameter: 120mm

More Info

Vantage Hawk V-Lite Anamorphic 28mm T2.2 (2x)

Vantage Hawk V-Lite Anamorphic 35mm T2.2 (2x)

Weight: 6.4 lbs • T-Stop: T2.2 • Close Focus: 3'6" • Outer Diameter: 120mm

More Info

Vantage Hawk V-Lite Anamorphic 35mm T2.2 (2x)

Vantage Hawk V-Lite Anamorphic 45mm T2.2 (2x)

Weight: 4.2 lbs • T-Stop: T2.2 • Close Focus: 3'6" • Outer Diameter: 104mm

More Info

Vantage Hawk V-Lite Anamorphic 45mm T2.2 (2x)

Vantage Hawk V-Lite Anamorphic 55mm T2.2 (2x)

Weight: 4.4 lbs • T-Stop: T2.2 • Close Focus: 3'6" • Outer Diameter: 104mm

More Info

Vantage Hawk V-Lite Anamorphic 55mm T2.2 (2x)

Vantage Hawk V-Lite Anamorphic 65mm T2.2 (2x)

Weight: 4.4 lbs • T-Stop: T2.2 • Close Focus: 3'6" • Outer Diameter: 104mm

More Info

Vantage Hawk V-Lite Anamorphic 65mm T2.2 (2x)

Vantage Hawk V-Lite Anamorphic 80mm T2.2 (2x)

Weight: 5 lbs • T-Stop: T2.2 • Close Focus: 3'6" • Outer Diameter: 104mm

More Info

Vantage Hawk V-Lite Anamorphic 80mm T2.2 (2x)

Vantage Hawk V-Lite Anamorphic 110mm T3 (2x)

Weight: 5.7 lbs • T-Stop: T3 • Close Focus: 3'6" • Outer Diameter: 104mm

More Info

Vantage Hawk V-Lite Anamorphic 110mm T3 (2x)

Vantage Hawk V-Lite Anamorphic 140mm T3.5 (2x)

Weight: 5.9 lbs • T-Stop: T3.5 • Close Focus: 3'6" • Outer Diameter: 104mm

More Info

Vantage Hawk V-Lite Anamorphic 140mm T3.5 (2x)

Servicevision scorpiolens

scorpiolens Anamorphic 35mm T2.2 (2x)

Weight: 3.96 lbs • T-Stop: T2.2 • Close Focus: 1'6" • Outer Diameter: 95mm

More Info

scorpiolens Anamorphic 35mm T2.2 (2x)

scorpiolens Anamorphic 40mm T2.2 (2x)

Weight: 3.96 lbs • T-Stop: T2.2 • Close Focus: 1'8" • Outer Diameter: 95mm

More Info

scorpiolens Anamorphic 40mm T2.2 (2x)

scorpiolens Anamorphic 50mm T2.2 (2x)

Weight: 3.96 lbs • T-Stop: T2.2 • Close Focus: 1'10" • Outer Diameter: 95mm

More Info

scorpiolens Anamorphic 50mm T2.2 (2x)

scorpiolens Anamorphic 75mm T2.2 (2x)

Weight: 3.96 lbs • T-Stop: T2.2 • Close Focus: 2'6" • Outer Diameter: 95mm

More Info

scorpiolens Anamorphic 75mm T2.2 (2x)

scorpiolens Anamorphic 100mm T2.2 (2x)

Weight: 3.96 lbs • T-Stop: T2.2 • Close Focus: 3'3" • Outer Diameter: 95mm

More Info

scorpiolens Anamorphic 100mm T2.2 (2x)

Kowa Prominar Anamorphic

Kowa Prominar Anamorphic 40mm T2.3 (2x)

T-Stop: T2.3 • Close Focus: 3'

More Info

Kowa Prominar Anamorphic 40mm T2.3 (2x)

Kowa Prominar Anamorphic 50mm T2.3 (2x)

T-Stop: T2.3 • Close Focus: 3'

More Info

Kowa Prominar Anamorphic 50mm T2.3 (2x)

Kowa Prominar Anamorphic 75mm T2.8 (2x)

T-Stop: T2.8 • Close Focus: 3'

More Info

Kowa Prominar Anamorphic 75mm T2.8 (2x)

Kowa Prominar Anamorphic 100mm T3.4 (2x)

T-Stop: T3.4 • Close Focus: 5'

More Info

Kowa Prominar Anamorphic 100mm T3.4 (2x)

Angenieux Anamorphic Zooms

Angenieux Optimo 30-72mm 2S T4 (2x Anamorphic)

Weight: 5.3 lbs • T-Stop: T4 • Close Focus: 2'1" • Outer Diameter: 114mm

More Info

Angenieux Optimo 30-72mm 2S T4 (2x Anamorphic)

Multiplier (If Zoom):

2.4x

Angenieux Optimo 56-152mm 2S T4 (2x Anamorphic)

Weight: 4.8 lbs • T-Stop: T4 • Close Focus: 2'1" • Outer Diameter: 114mm

More Info

Angenieux Optimo 56-152mm 2S T4 (2x Anamorphic)

Multiplier (If Zoom):

2.7x

Angenieux Optimo 44-440mm 2S T4.5 (2x Anamorphic)

Weight: 16.6 lbs • T-Stop: T4.5 • Close Focus: 4'1" • Outer Diameter: 136mm

More Info

Angenieux Optimo 44-440mm 2S T4.5 (2x Anamorphic)

/i port, LDS

Multiplier (If Zoom):

Angenieux Optimo 48-580mm T4 (2x Anamorphic)

Weight: 24.2 lbs • T-Stop: T4 • Close Focus: 4' • Outer Diameter: 162mm

More Info

Angenieux Optimo 48-580mm T4 (2x Anamorphic)

Multiplier (If Zoom):

Angenieux HR 50-500mm T5 (2x Anamorphic)

Weight: 10.5 lbs • T-Stop: T5 • Close Focus: 5'7" • Outer Diameter: 136mm

More Info

Angenieux HR 50-500mm T5 (2x Anamorphic)

Multiplier (If Zoom):

Cooke Anamorphic Zooms

Cooke Anamorphic /i 35-140mm T3.1 (2x)

Weight: 25 lbs • T-Stop: T3.1 • Close Focus: 4' • Outer Diameter: 136mm

More Info

Cooke Anamorphic /i 35-140mm T3.1 (2x)

/I Squared

Multiplier (If Zoom):

Cooke Varotal 36-200mm T4.2 (2x Anamorphic)

Weight: 13.75 lbs • T-Stop: T4.2 • Close Focus: 2'6" • Outer Diameter: 150mm

More Info

Cooke Varotal 36-200mm T4.2 (2x Anamorphic)

Multiplier (If Zoom):

5.5x

Cooke Varopanchro 40-120mm T4.4 (2x Anamorphic)

T-Stop: T4.4 • Close Focus: 2'4" • Outer Diameter: 121mm

More Info

Cooke Varopanchro 40-120mm T4.4 (2x Anamorphic)

Multiplier (If Zoom):

Cooke Cinetal 50-500mm Mk. III T5.2 (2x Anamorphic)

Weight: 18 lbs • T-Stop: T5.2 • Close Focus: 5'6" • Outer Diameter: 150mm

More Info

Cooke Cinetal 50-500mm Mk. III T5.2 (2x Anamorphic)

Multiplier (If Zoom):

10x

Cooke Panchros

Cooke Speed Panchro 18mm T2.2 (Series III) (TLS Rehousing)

Weight: 1.38 lbs • T-Stop: T2.2 • Close Focus: 8" • Outer Diameter: 110mm

More Info

Cooke Speed Panchro 18mm T2.2 (Series III) (TLS Rehousing)

Cooke Speed Panchro 25mm T2.2 (Series III) (TLS Rehousing)

Weight: 1.8 lbs • T-Stop: T2.2 • Close Focus: 8" • Outer Diameter: 110mm

More Info

Cooke Speed Panchro 25mm T2.2 (Series III) (TLS Rehousing)

Cooke Speed Panchro 28mm T2.2 (Series I) (TLS Rehousing)

Weight: 1.8 lbs • T-Stop: T2.2 • Close Focus: 8" • Outer Diameter: 110mm

More Info

Cooke Speed Panchro 28mm T2.2 (Series I) (TLS Rehousing)

Cooke Speed Panchro 32mm T2.3 (Series II) (TLS Rehousing)

Weight: 1.43 lbs • T-Stop: T2.3 • Close Focus: 9" • Outer Diameter: 110mm

More Info

Cooke Speed Panchro 32mm T2.3 (Series II) (TLS Rehousing)

Cooke Speed Panchro 35mm T2.3 (Series I) (TLS Rehousing)

Weight: 1.9 lbs • T-Stop: T2.3 • Close Focus: 11" • Outer Diameter: 110mm

More Info

Cooke Speed Panchro 35mm T2.3 (Series I) (TLS Rehousing)

Cooke Speed Panchro 40mm T2.3 (Series II) (TLS Rehousing)

Weight: 1.48 lbs • T-Stop: T2.3 • Close Focus: 13" • Outer Diameter: 110mm

More Info

Cooke Speed Panchro 40mm T2.3 (Series II) (TLS Rehousing)

Cooke Speed Panchro 50mm T2.3 (Series I) (TLS Rehousing)

T-Stop: T2.3 • Close Focus: 16" • Outer Diameter: 110mm

More Info

Cooke Speed Panchro 50mm T2.3 (Series I) (TLS Rehousing)

Cooke Speed Panchro 50mm T2.3 (Series II) (TLS Rehousing)

Weight: 1.84 lbs • T-Stop: T2.3 • Close Focus: 15" • Outer Diameter: 110mm

More Info

Cooke Speed Panchro 50mm T2.3 (Series II) (TLS Rehousing)

Cooke Speed Panchro 75mm T2.3 (Series II) (TLS Rehousing)

Weight: 2.35 lbs • T-Stop: T2.3 • Close Focus: 2'4" • Outer Diameter: 110mm

More Info

Cooke Speed Panchro 75mm T2.3 (Series II) (TLS Rehousing)

Cooke Deep Field Panchro 100mm T2.8 (TLS Rehousing)

Weight: 3.5 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 110mm

More Info

Cooke Deep Field Panchro 100mm T2.8 (TLS Rehousing)

Cooke Telepanchro 152mm T3.2 (TLS Rehousing)

Weight: 2.57 lbs • T-Stop: T3.2 • Close Focus: 8' • Outer Diameter: 80mm

More Info

Cooke Telepanchro 152mm T3.2 (TLS Rehousing)

Other Cookes

Cooke Anastigmat 105mm T3.5 (TLS Rehousing)

Weight: 3.5 lbs • T-Stop: T3.5 • Close Focus: 2'4" • Outer Diameter: 110mm

More Info

Cooke Anastigmat 105mm T3.5 (TLS Rehousing)

Cooke Kinetal 150mm T4 (TLS Rehousing)

Weight: 3.5 lbs • T-Stop: T4 • Close Focus: 4'2" • Outer Diameter: 110mm

More Info

Cooke Kinetal 150mm T4 (TLS Rehousing)

Vintage Cooke Zooms

Cooke Cinetal 25-250mm Mk. III T3.7

Weight: 18 lbs • T-Stop: T3.7 • Close Focus: 5'6" • Outer Diameter: 150mm

More Info

Cooke Cinetal 25-250mm Mk. III T3.7

Multiplier (If Zoom):

10x

Year Of Origin:

1992

Cooke Varotal 18-100mm T3

Weight: 13.75 lbs • T-Stop: T3 • Close Focus: 2'6" • Outer Diameter: 150mm

More Info

Cooke Varotal 18-100mm T3

Multiplier (If Zoom):

5.5x

Year Of Origin:

1987

Cooke Varopanchro 20-60mm T3.1

Weight: 6.13 lbs • T-Stop: T3.1 • Close Focus: 2'4" • Outer Diameter: 121mm

More Info

Cooke Varopanchro 20-60mm T3.1

Multiplier (If Zoom):

Year Of Origin:

1981

Bausch & Lomb Super Baltars

Bausch & Lomb Super Baltar 152mm T3 (P+S Rehousing)

Weight: 4.41 lbs • T-Stop: T3 • Close Focus: 8' • Outer Diameter: 100mm

More Info

Bausch & Lomb Super Baltar 152mm T3 (P+S Rehousing)

Bausch & Lomb Super Baltar 20mm T2.3 (TLS Rehousing)

T-Stop: T2.3 • Close Focus: 18" • Outer Diameter: 110mm

More Info

Bausch & Lomb Super Baltar 20mm T2.3 (TLS Rehousing)

Bausch & Lomb Super Baltar 25mm T2.3 (TLS Rehousing)

T-Stop: T2.3 • Close Focus: 18" • Outer Diameter: 110mm

More Info

Bausch & Lomb Super Baltar 25mm T2.3 (TLS Rehousing)

Bausch & Lomb Super Baltar 35mm T2.3 (TLS Rehousing)

T-Stop: T2.3 • Close Focus: 18" • Outer Diameter: 110mm

More Info

Bausch & Lomb Super Baltar 35mm T2.3 (TLS Rehousing)

Bausch & Lomb Super Baltar 50mm T2.3 (TLS Rehousing)

T-Stop: T2.3 • Close Focus: 18" • Outer Diameter: 110mm

More Info

Bausch & Lomb Super Baltar 50mm T2.3 (TLS Rehousing)

Bausch & Lomb Super Baltar 75mm T2.3 (TLS Rehousing)

T-Stop: T2.3 • Close Focus: 3' • Outer Diameter: 110mm

More Info

Bausch & Lomb Super Baltar 75mm T2.3 (TLS Rehousing)

Bausch & Lomb Super Baltar 100mm T2.3 (TLS Rehousing)

T-Stop: T2.3 • Close Focus: 3' • Outer Diameter: 110mm

More Info

Bausch & Lomb Super Baltar 100mm T2.3 (TLS Rehousing)

Bausch & Lomb Super Baltar 152mm T3 (TLS Rehousing)

Weight: 5 lbs • T-Stop: T3 • Close Focus: 5' • Outer Diameter: 110mm

More Info

Bausch & Lomb Super Baltar 152mm T3 (TLS Rehousing)

Bausch & Lomb Super Baltar 228mm T4.4 (TLS Rehousing)

Weight: 5 lbs • T-Stop: T4.4 • Close Focus: 9'6" • Outer Diameter: 110mm

More Info

Bausch & Lomb Super Baltar 228mm T4.4 (TLS Rehousing)

Canon K35 Primes (TLS Rehousing)

Canon K-35 18mm T1.5 (TLS Rehousing)

Weight: 3.8 lbs • T-Stop: T1.5 • Close Focus: 1' • Outer Diameter: 110mm

More Info

Canon K-35 18mm T1.5 (TLS Rehousing)

B series

Product Highlights
- B series

Canon K-35 24mm T1.6 (TLS Rehousing)

Weight: 2.8 lbs • T-Stop: T1.6 • Close Focus: 1' • Outer Diameter: 110mm

More Info

Canon K-35 24mm T1.6 (TLS Rehousing)

A series

Product Highlights
- A series

Canon K-35 35mm T1.4 (TLS Rehousing)

Weight: 3.14 lbs • T-Stop: T1.4 • Close Focus: 1' • Outer Diameter: 110mm

More Info

Canon K-35 35mm T1.4 (TLS Rehousing)

A series

Product Highlights
- A series

Canon K-35 55mm T1.4 (TLS Rehousing)

Weight: 2.6 lbs • T-Stop: T1.4 • Close Focus: 1'10" • Outer Diameter: 110mm

More Info

Canon K-35 55mm T1.4 (TLS Rehousing)

A series

Product Highlights
- A series

Canon K-35 85mm T1.4 (TLS Rehousing)

Weight: 2.4 lbs • T-Stop: T1.4 • Close Focus: 2'9" • Outer Diameter: 110mm

More Info

Canon K-35 85mm T1.4 (TLS Rehousing)

A series

Product Highlights
- A series

Canon K-35 18mm T2.8 (TLS Rehousing)

Weight: 3.8 lbs • T-Stop: T1.5 • Close Focus: 1' • Outer Diameter: 110mm

More Info

Canon K-35 18mm T2.8 (TLS Rehousing)

A series

Product Highlights
- A series

Canon K35 Primes

Canon K-35 18mm T1.5

Weight: 2.74 lbs • T-Stop: T1.5 • Close Focus: 1' • Outer Diameter: 110mm • Screw-in Filters: 105mm

More Info

Canon K-35 18mm T1.5

B series

Screw-In Filter Size:

Product Highlights
- B series

Canon K-35 24mm T1.6

Weight: 1.56 lbs • T-Stop: T1.6 • Close Focus: 1' • Outer Diameter: 80mm • Screw-in Filters: 77mm

More Info

Canon K-35 24mm T1.6

A series

Screw-In Filter Size:

Product Highlights
- A series

Canon K-35 24mm T1.5

Weight: 1.68 lbs • T-Stop: T1.5 • Close Focus: 1' • Outer Diameter: 80mm • Screw-in Filters: 77mm

More Info

Canon K-35 24mm T1.5

B series

Screw-In Filter Size:

Product Highlights
- B series

Canon K-35 35mm T1.4

Weight: 1.8 lbs • T-Stop: T1.4 • Close Focus: 1' • Outer Diameter: 80mm • Screw-in Filters: 77mm

More Info

Canon K-35 35mm T1.4

A series

Screw-In Filter Size:

Product Highlights
- A series

Canon K-35 50mm T1.3

Weight: 1.4 lbs • T-Stop: T1.3 • Close Focus: 2' • Outer Diameter: 80mm • Screw-in Filters: 77mm

More Info

Canon K-35 50mm T1.3

B series

Screw-In Filter Size:

Product Highlights
- B series

Canon K-35 55mm T1.4

Weight: 1.53 lbs • T-Stop: T1.4 • Close Focus: 2' • Outer Diameter: 80mm • Screw-in Filters: 77mm

More Info

Canon K-35 55mm T1.4

A series

Screw-In Filter Size:

Product Highlights
- A series

Canon K-35 85mm T1.3

Weight: 1.8 lbs • T-Stop: T1.3 • Close Focus: 3' • Outer Diameter: 80mm • Screw-in Filters: 77mm

More Info

Canon K-35 85mm T1.3

B series

Screw-In Filter Size:

Product Highlights
- B series

Canon K-35 85mm T1.4

Weight: 1.46 lbs • T-Stop: T1.4 • Close Focus: 3' • Outer Diameter: 80mm • Screw-in Filters: 77mm

More Info

Canon K-35 85mm T1.4

A series

Screw-In Filter Size:

Product Highlights
- A series

Canon FD 100mm T2 (P+S Rehousing)

T-Stop: T2

More Info

Canon FD 100mm T2 (P+S Rehousing)

Canon FD 135mm T2.4 (P+S Rehousing)

Weight: 3.9 lbs • T-Stop: T2.4 • Close Focus: 4'9" • Outer Diameter: 110mm

More Info

Canon FD 135mm T2.4 (P+S Rehousing)

Canon K35 Zooms

Canon K-35 Macro 25-120mm T2.8

Weight: 11.1 lbs • T-Stop: T2.8 • Close Focus: 4' • Outer Diameter: 130mm

More Info

Canon K-35 Macro 25-120mm T2.8

1'1" at 25mm, 3'1" @ 120mm

Front Diameter:

130mm

Multiplier (If Zoom):

Kowa Cine Prominar

Kowa Cine Prominar 20mm T2.6 (TLS Rehousing)

T-Stop: T2.6 • Close Focus: 10" • Outer Diameter: 110mm

More Info

Kowa Cine Prominar 20mm T2.6 (TLS Rehousing)

Screw-In Filter Size:

Kowa Cine Prominar 25mm T2.3 (TLS Rehousing)

T-Stop: T2.3 • Close Focus: 11" • Outer Diameter: 110mm

More Info

Kowa Cine Prominar 25mm T2.3 (TLS Rehousing)

Screw-In Filter Size:

Kowa Cine Prominar 32mm T2.3 (TLS Rehousing)

T-Stop: T2.3 • Close Focus: 10" • Outer Diameter: 110mm

More Info

Kowa Cine Prominar 32mm T2.3 (TLS Rehousing)

Screw-In Filter Size:

Kowa Cine Prominar 40mm T2.3 (TLS Rehousing)

T-Stop: T2.3 • Close Focus: 13" • Outer Diameter: 110mm

More Info

Kowa Cine Prominar 40mm T2.3 (TLS Rehousing)

Screw-In Filter Size:

Kowa Cine Prominar 50mm T2.3 (TLS Rehousing)

T-Stop: T2.3 • Close Focus: 19" • Outer Diameter: 110mm

More Info

Kowa Cine Prominar 50mm T2.3 (TLS Rehousing)

Screw-In Filter Size:

Kowa Cine Prominar 75mm T2.3 (TLS Rehousing)

T-Stop: T2.3 • Close Focus: 2'4" • Outer Diameter: 110mm

More Info

Kowa Cine Prominar 75mm T2.3 (TLS Rehousing)

Screw-In Filter Size:

Kowa Cine Prominar 100mm T2.6 (TLS Rehousing)

T-Stop: T2.6 • Close Focus: 3'3" • Outer Diameter: 110mm

More Info

Kowa Cine Prominar 100mm T2.6 (TLS Rehousing)

Screw-In Filter Size:

GL Optics Leica R

Leica R 19mm T2.8 (GL Optics Rehousing)

T-Stop: T2.8 • Close Focus: 11" • Outer Diameter: 95mm

More Info

Leica R 19mm T2.8 (GL Optics Rehousing)

Screw-In Filter Size:

Leica R 28mm T2.8 (GL Optics Rehousing)

T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 95mm

More Info

Leica R 28mm T2.8 (GL Optics Rehousing)

Screw-In Filter Size:

Leica R 35mm T2 (GL Optics Rehousing)

T-Stop: T2 • Close Focus: 11" • Outer Diameter: 95mm

More Info

Leica R 35mm T2 (GL Optics Rehousing)

Screw-In Filter Size:

Leica R 50mm T2 (GL Optics Rehousing)

T-Stop: T2 • Close Focus: 1'7" • Outer Diameter: 95mm

More Info

Leica R 50mm T2 (GL Optics Rehousing)

Screw-In Filter Size:

Leica R 60mm Macro T2.8 (GL Optics Rehousing)

T-Stop: T2.8 • Close Focus: 11" • Outer Diameter: 95mm

More Info

Leica R 60mm Macro T2.8 (GL Optics Rehousing)

Screw-In Filter Size:

Leica R 90mm T2 (GL Optics Rehousing)

T-Stop: T2 • Close Focus: 2'3" • Outer Diameter: 95mm

More Info

Leica R 90mm T2 (GL Optics Rehousing)

Screw-In Filter Size:

Leica R 135mm T2.8 (GL Optics Rehousing)

T-Stop: T2.8 • Close Focus: 5" • Outer Diameter: 95mm

More Info

Leica R 135mm T2.8 (GL Optics Rehousing)

Screw-In Filter Size:

Leica R 180mm T2.8 (GL Optics Rehousing)

T-Stop: T2.8 • Close Focus: 5'5" • Outer Diameter: 95mm

More Info

Leica R 180mm T2.8 (GL Optics Rehousing)

Screw-In Filter Size:

Vintage Angenieux Zooms

Angenieux HR 25-250mm T3.5

Weight: 10.5 lbs • T-Stop: T3.5 • Close Focus: 5'7" • Outer Diameter: 136mm

More Info

Angenieux HR 25-250mm T3.5

Multiplier (If Zoom):

Angenieux 25-250mm T3.9

T-Stop: T3.9 • Close Focus: 6'

More Info

Angenieux 25-250mm T3.9

Mount Options:

Arri PL, Arri Standard

T-Stop (Open):

T3.9

Close Focus:

Multiplier (If Zoom):

10x

Year Of Origin:

1962

Lomography

Lomography Daguerreotype 64mm Achromat Art Lens f2.9

f-Stop: f2.9 • Close Focus: 1.64' • Waterhouse aperture plates, up to f/16 • Canon EF mount • Alternate between razor-sharp images, or silky soft focus

More Info

Lomography Daguerreotype 64mm Achromat Art Lens f2.9

Screw-In Filter Size:

Macro Lenses

Arri 16mm Macro T2.1

Weight: 2.5 lbs • T-Stop: T2.1 • Close Focus: 6" • Outer Diameter: 80mm

More Info

Arri 16mm Macro T2.1

Macro Mode Light Loss:

Arri 24mm Macro T2.1

Weight: 2.5 lbs • T-Stop: T2.1 • Close Focus: 7" • Outer Diameter: 80mm

More Info

Arri 24mm Macro T2.1

Macro Mode Light Loss:

Arri 32mm Macro T2.1

Weight: 2 lbs • T-Stop: T2.1 • Close Focus: 9" • Outer Diameter: 80mm

More Info

Arri 32mm Macro T2.1

Macro Mode Light Loss:

Arri 40mm Macro T2.1

Weight: 2 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 80mm

More Info

Arri 40mm Macro T2.1

Macro Mode Light Loss:

Arri Self-Compensating 50mm Macro 1:1 T3

Weight: 2.9 lbs • T-Stop: T3 • Close Focus: 1'2" • Outer Diameter: 80mm

More Info

Arri Self-Compensating 50mm Macro 1:1 T3

Macro Mode Light Loss:

Zeiss Planar 60mm Macro T3

Weight: 1.75 lbs • T-Stop: T3 • Close Focus: 11" • Outer Diameter: 80mm

More Info

Zeiss Planar 60mm Macro T3

Macro Mode Light Loss:

Arri Self-Compensating 100mm Macro 1:1 T3

Weight: 3.4 lbs • T-Stop: T3 • Close Focus: 14" • Outer Diameter: 80mm

More Info

Arri Self-Compensating 100mm Macro 1:1 T3

Macro Mode Light Loss:

Arri 200mm Macro T4.3

Weight: 3.9 lbs • T-Stop: T4.3 • Close Focus: 1'11" • Outer Diameter: 80mm

More Info

Arri 200mm Macro T4.3

Macro Mode Light Loss:

Zeiss Master Macro 100mm 1:1 Makro-Planar T*XP T2

Weight: 5.7 lbs • T-Stop: T2 • Close Focus: 13-3/4" • Outer Diameter: 114mm

More Info

Zeiss Master Macro 100mm 1:1 Makro-Planar T*XP T2

LDS

Macro Mode Light Loss:

IB/E 100mm Raptor Macro T2.9

Weight: 2.53 lbs • T-Stop: T2.9 • Close Focus: 1.02' • Outer Diameter: 95mm

More Info

IB/E 100mm Raptor Macro T2.9

Product Highlights:

APO extended color correction
Internal focus
Consistent distance from flange to iris and focus ring
/i technology
SDI (service data readout)

Arri PL, Nikon F, Canon EF, Sony E-Mount

Macro Mode Max Aperature:

Product Highlights
- APO extended color correction
- Internal focus
- Consistent distance from flange to iris and focus ring
- /i technology
- SDI (service data readout)

IB/E 150mm Raptor Macro T2.9

Weight: 3.88 lbs • T-Stop: T2.9 • Close Focus: 1.25' • Outer Diameter: 95mm

More Info

IB/E 150mm Raptor Macro T2.9

Product Highlights:

APO extended color correction
Internal focus
Consistent distance from flange to iris and focus ring
/i technology
SDI (service data readout)

Arri PL, Nikon F, Canon EF, Sony E-Mount

Macro Mode Max Aperature:

Product Highlights
- APO extended color correction
- Internal focus
- Consistent distance from flange to iris and focus ring
- /i technology
- SDI (service data readout)

IB/E 180mm Raptor Macro T2.9

Weight: 6.39 lbs • T-Stop: T2.9 • Close Focus: 1.54' • Outer Diameter: 95mm

More Info

IB/E 180mm Raptor Macro T2.9

Product Highlights:

APO extended color correction
Internal focus
Consistent distance from flange to iris and focus ring
/i technology
SDI (service data readout)

Arri PL, Nikon F, Canon EF, Sony E-Mount

Macro Mode Max Aperature:

Product Highlights
- APO extended color correction
- Internal focus
- Consistent distance from flange to iris and focus ring
- /i technology
- SDI (service data readout)