6.40

2.9

Body, Lens Mount, Record Module, Three Antennas

Arri LPL, Arri PL, Canon EF

Super 35mm

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Electronic shutter, 5.0°- 356° or 1s – 1/8000s

ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array

4.6K 3:2 Open Gate: 4608 x 3164
4.6K 16:9: 4608 x 2592
4K 16:9: 4096 x 2304
4K 2:1: 4096 x 2048
3.3K 6:5: 3328 x 2790
3K 1:1: 3072 x 3072
2.7K 8:9: 2743 x 3086
2K 16:9 S16: 2048 x 1152

Codex Compact Drive 2TB (CB16-2048)
Codex Compact Drive 1TB (CA08-1024)

• ARRIRAW 4.6K 3:2 Open Gate: 35 / 75 fps
• ARRIRAW 4.6K 16:9 – 4.6K: 45 / 75 fps
• ARRIRAW 4K 16:9 – 4K: 55 / 120 fps
• ARRIRAW 4K 2:1 – 4K: 65 / 120 fps
• ARRIRAW 3.3K 6:5 – 3.3K: 55 / 100 fps
• ARRIRAW 3K 1:1 – 3K: 55 / 100 fps
• Apple ProRes 4.6K 3:2 Open Gate: 60 / 60 fps
• Apple ProRes 4.6K 16:9 – 4K: 75 / 75 fps
• Apple ProRes 4K 16:9 – 4K: 100 / 100 fps
• Apple ProRes 4K 16:9 – UHD: 120 / 120 fps
• Apple ProRes 4K 16:9 – 2K: 120 / 120 fps
• Apple ProRes 4K 16:9 – HD: 120 / 120 fps
• Apple ProRes 4K 2:1 – 4K: 120 / 120 fps
• Apple ProRes 3.3K 6:5 – 3.3K: 75 / 75 fps
• Apple ProRes 3.3K 6:5 – 4K 2.39:1 Ana. 2x: 90 / 90 fps
• Apple ProRes 3K 1:1 – 3K: 90 / 90 fps
• Apple ProRes 3K 1:1 – 3.8K 2:1 Ana. 2x: 100 / 100 fps
• Apple ProRes 2.7K 8:9 – UHD 16:9 Ana. 2x: 100 / 100fps
• Apple ProRes 2K 16:9 S16 – 2K: 120 / 120 fps

MXF/ARRIRAW
MXF/Apple ProRes 4444 XQ
MXF/Apple ProRes 4444
MXF/Apple ProRes 422 HQ

5.70

2.6

Body, Lens Mount, Record Module only

Arri LPL

Full Frame+, Super 35mm

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Electronic shutter, 5 – 356 degrees

ALEV III A2X CMOS

LF Open Gate, UHD, or 2.39:1

Codex Compact Drive

0.75-60fps — LF Open Gate 4.5K ARRIRAW (4448 x 3096)
0.75-40fps — LF Open Gate 4.5K ProRes 4444 XQ, 4444, 422HQ, 422 (4448 x 3096)
0.75-60fps — LF 16:9 UHD ARRIRAW (3840 x 2160)
0.75-60fps — LF 16:9 UHD ProRes 4444 XQ, 4444, 422HQ, 422 (3840 x 2160)
0.75-60fps — LF 2.39:1 ARRIRAW (4448 x 1856)
0.75-100fps — LF 2.39:1 ProRes 4444, 422HQ, 422 (4448 x 1856)
0.75-60fps — LF 2.39:1 ProRes 4444 XQ (4448 x 1856)

0.75-90fps — LF 16:9 2K ProRes 4444 XQ, 4444, 422HQ, 422 (2048 x 1152)

0.75-90fps — LF 16:9 1080p ProRes 4444 XQ, 4444, 422HQ, 422 (1920 x 1080)

*** Framerates based on Codex Compact Drive media capabilities. Other media types may have lower framerate capabilities.

ARRIRAW
Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422

17.2

7.80

Arri LPL

Full Frame+, Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5 – 358 degrees

ALEV III A2X CMOS

LF Open Gate, UHD, or 2.39:1

SxS PRO+ 256 GB (ProRes)
SXR Capture Drives 1 TB (ARRIRAW or ProRes)
SXR Capture Drives 2 TB (ARRIRAW or ProRes)

0.75-90fps — LF Open Gate ARRIRAW (4448 x 3096)
0.75-60fps — LF Open Gate ProRes 4444, 422HQ, 422 (4448 x 3096)
0.75-40fps — LF Open Gate ProRes 4444 XQ (4448 x 3096)
0.75-90fps — LF 16:9 UHD ARRIRAW (3840 x 2160)
0.75-60fps — LF 16:9 UHD ProRes 4444 XQ, 4444, 422HQ, 422 (3840 x 2160)
0.75-150fps — LF 2.39:1 ARRIRAW (4448 x 1856)
0.75-100fps — LF 2.39:1 ProRes 4444, 422HQ, 422 (4448 x 1856)
0.75-60fps — LF 2.39:1 ProRes 4444 XQ (4448 x 1856)

*** Framerates based on SXR Capture Drive media capabilities. Other media types may have lower framerate capabilities.

Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

14.3

6.49

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5 – 358 degrees

CMOS, ALEV III sensor

Open Gate, 6:5, 4:3, or 16:9

Supports new high speed SXR Capture Drives (1 TB or 2 TB) via SXR Adapter

Supports current XR Capture Drive 512 GB via XR Adapter

Supports SxS PRO and SxS PRO+ cards via SxS Adapter 2

Supports CFast 2.0 cards via CFast 2.0 Adapter 2

0.75-50fps — 16:9 ProRes 4K UHD (3840 x 2160)
0.75-72fps — 16:9 ProRes 3.2K (3200 x 1800)
0.75 – 120fps — 16:9 ProRes HD (1920 x 1080)
0.75 – 120fps — 16:9 ProRes 2K (2048 x 1152)
0.75 – 120fps — 16:9 ARRIRAW 2.8K (2880 x 1612)
0.75 – 120fps — 16:9 ARRIRAW 3.2K (3168 x 1782)
0.75 – 60fps — 6:5 ProRes 4K Cine Anamorphic (4096 x 1716)
0.75 – 96fps — 6:5 ProRes 2K Anamorphic (2048 x 858)
0.75 – 96fps — 6:5 ARRIRAW 2.6K (2578 x 2160)
0.75 – 60fps — 4:3 ProRes 2.8K (2880 x 2160)
0.75 – 96fps — 4:3 ARRIRAW 2.8K (2880 x 2160)
0.75 – 48fps — Open Gate ProRes 4K Cine (4096 X 2636)
0.75 – 60fps — Open Gate ProRes 3.4K (3424 X 2202)
0.75 – 90fps — Open Gate ARRIRAW 3.4K (3424 X 2202)

*** Framerates based on SXR Capture Drive media capabilities. Other media types may have lower framerate capabilities.

Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

6.40

2.90

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Electronic shutter, 5 – 356 degrees

CMOS, ALEV III sensor

4:3 or 16:9

Cfast 2.0 Cards

0.75-30fps — 16:9 ProRes 4K UHD (3840 x 2160) 4444XQ
0.75-60fps — 16:9 ProRes 4K UHD (3840 x 2160) all other ProRes formats
0.75-30fps — 16:9 ProRes 3.2K (3164 x 1778) 4444XQ
0.75-60fps — 16:9 ProRes 3.2K (3164 x 1778) all other ProRes formats
0.75-120fps — 16:9 ProRes HD (1920 x 1080) 4444XQ
0.75-200fps — 16:9 ProRes HD (1920 x 1080) all other ProRes formats
0.75-120fps — 16:9 ProRes 2K (2048 x 1552) 4444XQ
0.75-200fps — 16:9 ProRes 2K (2048 x 1552) all other ProRes formats
0.75-200fps — S16 Mode ProRes HD (1920 x 1080) 4444XQ
0.75-120fps — S16 Mode ProRes HD (1920 x 1080) all other ProRes formats
0.75-50fps — 4:3 ProRes 2.8K (2880 x 1620) all ProRes formats
0.75-120fps — 6:5 ProRes 2.39:1 2K Anamorphic (2048 x 858) all ProRes formats
0.75-120fps — 8:9 ProRes HD Anamorphic (1920 x 1080) 4444 only
0.75-48fps — 16:9 2.8K ARRIRAW (2880 x 1620)
0.75-30fps — 16:9 3.4K Open Gate ARRIRAW (3424 x 2202)

ARRIRAW (MXF-wrapped)
Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT

9.2

4.17

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Electronic shutter, 5 – 356 degrees

CMOS, ALEV III sensor

16:9

Cfast 2.0 Cards

0.75-30fps — 16:9 ProRes 4K UHD (3840 x 2160) 4444XQ
0.75-60fps — 16:9 ProRes 4K UHD (3840 x 2160) all other ProRes formats
0.75-30fps — 16:9 ProRes 3.2K (3164 x 1778) 4444XQ
0.75-60fps — 16:9 ProRes 3.2K (3164 x 1778) all other ProRes formats
0.75-120ps — 16:9 ProRes 2K (2048 x 1552) 4444XQ
0.75-200fps — 16:9 ProRes 2K (2048 x 1552) all other ProRes formats
0.75-120fps — 16:9 ProRes HD (1920 x 1080) 4444XQ
0.75-200fps — 16:9 ProRes HD (1920 x 1080) all other ProRes formats

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT

3.3

1.50

Arri PL

VistaVision, Full Frame, Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

MONSTRO 35.4 Megapixel CMOS

1.90:1

RED MINI-MAG

1-29.97fps –ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps –ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps — ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps — ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-60fps — 8K FF REDCODE RAW (8192 x 4320)
1-75fps — 8K 2.4:1 REDCODE RAW (8192 x 3456)
1-60fps — 7K FF REDCODE RAW (7168 x 3780)
1-75fps — 7K 2.4:1 REDCODE RAW (7168 x 3024)
1-75fps — 6K FF REDCODE RAW (6144 x 3240)
1-100fps — 6K 2.4:1 REDCODE RAW (6144 x 2592)
1-96fps — 5K FF REDCODE RAW (5120 x 2700)
1-120fps — 5K 2.4:1 REDCODE RAW (5120 x 2160)
1-120fps — 4K FF REDCODE RAW (4096 x 2160)
1-150fps — 4K 2.4:1 REDCODE RAW (4096 x 1728)
1-150fps — 3K FF REDCODE RAW (3072 x 1620)
1-200fps — 3K 2.4:1 REDCODE RAW (3072 x 1296)
1-240fps — 3K FF REDCODE RAW (2048 x 1080)
1-300fps — 3K 2.4:1 REDCODE RAW (2048 x 864)

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

3.3

1.50

Arri PL, Canon EF, Leica M

VistaVision, Full Frame, Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

MONSTRO 35.4 Megapixel CMOS

1.90:1

RED MINI-MAG

1-29.97fps –ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps –ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps — ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps — ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-60fps — 8K FF REDCODE RAW (8192 x 4320)
1-75fps — 8K 2.4:1 REDCODE RAW (8192 x 3456)
1-60fps — 7K FF REDCODE RAW (7168 x 3780)
1-75fps — 7K 2.4:1 REDCODE RAW (7168 x 3024)
1-75fps — 6K FF REDCODE RAW (6144 x 3240)
1-100fps — 6K 2.4:1 REDCODE RAW (6144 x 2592)
1-96fps — 5K FF REDCODE RAW (5120 x 2700)
1-120fps — 5K 2.4:1 REDCODE RAW (5120 x 2160)
1-120fps — 4K FF REDCODE RAW (4096 x 2160)
1-150fps — 4K 2.4:1 REDCODE RAW (4096 x 1728)
1-150fps — 3K FF REDCODE RAW (3072 x 1620)
1-200fps — 3K 2.4:1 REDCODE RAW (3072 x 1296)
1-240fps — 3K FF REDCODE RAW (2048 x 1080)
1-300fps — 3K 2.4:1 REDCODE RAW (2048 x 864)

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

3.3

1.50

Arri PL, Canon EF, Leica M

Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 1 to 1/8000 sec

GEMINI 15.4 Megapixel Dual Sensitivity CMOS

1.70:1

RED MINI-MAG

1-75 fps at 5K Full Height 1.7:1 REDCODE RAW (5120 × 3000)
1-96 fps at 5K Full Format REDCODE RAW (5120 × 2700)
1-120 fps at 5K 2.4:1 REDCODE RAW (5120 × 2160)
1-120 fps at 4K Full Format REDCODE RAW (4096 × 2160)
1-150 fps at 4K 2.4:1 REDCODE RAW (4096 × 1728)
1-150 fps at 3K Full Format REDCODE RAW (3072 × 1620)
1-200 fps at 3K 2.4:1 REDCODE RAW (3072 × 1296)
1-240 fps at 2K Full Format REDCODE RAW (2048 × 1080)
1-300 fps at 2K 2.4:1 REDCODE RAW (2048 × 864)
1-29.97 fps at 4K ProRes 422 HQ, ProRes 422 and ProRes 422 LT (4096 × 2160)
1-120 fps at 2K ProRes 4444 XQ and ProRes 4444 (2048 × 1080)
1-120 fps at 2K ProRes 422 HQ, ProRes 422 and ProRes 422 LT (2048 × 1080)
1-29.97 fps at 4K DNxHR HQX (4096 × 2160) 12-bit
1-29.97 fps at 4K DNxHR HQ, SQ and LB (4096 × 2160) 8-bit
1-120 fps at 2K DNxHR 444 (2048 × 1080) 12-bit
1-120 fps at DNxHD 444 and HQX (1920 × 1080) 10-bit
1-120 fps at DNxHD HQ, SQ and LB (1920 × 1080) 8-bit

*** List not comprehensive, intended to show main formats only.

*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

3.3

1.50

Arri PL, Canon EF, Leica M

Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

HELIUM 35.4 Megapixel CMOS

1.90:1

RED MINI-MAG

1-29.97fps –ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps –ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps — ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps — ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-60fps — 8K FF REDCODE RAW (8192 x 4320)
1-75fps — 8K 2.4:1 REDCODE RAW (8192 x 3456)
1-60fps — 7K FF REDCODE RAW (7168 x 3780)
1-75fps — 7K 2.4:1 REDCODE RAW (7168 x 3024)
1-75fps — 6K FF REDCODE RAW (6144 x 3240)
1-100fps — 6K 2.4:1 REDCODE RAW (6144 x 2592)
1-96fps — 5K FF REDCODE RAW (5120 x 2700)
1-120fps — 5K 2.4:1 REDCODE RAW (5120 x 2160)
1-120fps — 4K FF REDCODE RAW (4096 x 2160)
1-150fps — 4K 2.4:1 REDCODE RAW (4096 x 1728)
1-150fps — 3K FF REDCODE RAW (3072 x 1620)
1-200fps — 3K 2.4:1 REDCODE RAW (3072 x 1296)
1-240fps — 3K FF REDCODE RAW (2048 x 1080)
1-300fps — 3K 2.4:1 REDCODE RAW (2048 x 864)

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

2.10

.95

Camera body only

Canon RF, Canon EF, Arri PL

Super 35mm

Global Shutter

KOMODO 19.9MP Super 35mm Global Shutter CMOS

1.90:1

CFast 2.0

• REDCODE HQ, MQ AND LQ at 6K 17:9 (6144 X 3240) up to 40 FPS
• REDCODE HQ, MQ AND LQ at 6K 2.4:1 (6144 X 2592) up to 50 FPS
• REDCODE HQ, MQ AND LQ at 5K 17:9 (5120 X 2700) up to 48 FPS
• REDCODE HQ, MQ AND LQ at 4K 17:9 (4096 X 2160) up to 60 FPS
• REDCODE HQ, MQ AND LQ at 2K 17:9 (2048 X 1080) up to 120 FPS
• PRORES 422 HQ AND PRORES 422 at 4K (4096 × 2160) up to 60 FPS
• PRORES 422 HQ AND PRORES 422 at 2K (2048 × 1080) up to 120 FPS

REDCODE HQ
REDCODE MQ
REDCODE LQ
ProRes 422 HQ
ProRes 422

3.35

1.52

Arri PL, Canon EF, Leica M

Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

19 megapixel APS-H DRAGON sensor

1.90:1

RED MINI-MAG

1-29.97fps –ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps –ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps — ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps — ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-82fps — 6K FF REDCODE RAW (6144 x 3160)
1-83fps — 6K HD REDCODE RAW (5568 x 3132)
1-100fps — 6K WS REDCODE RAW (6144 x 2592)
1-95fps — 5K FF REDCODE RAW (5120 x 2700)
1-119fps — 5K WS REDCODE RAW (5120 x 2160)
1-119fps — 4K FF REDCODE RAW (4096 x 2160)
1-120fps — 4K HD REDCODE RAW (3840 x 2160)
1-148fps — 4K WS REDCODE RAW (4096 x 1728)
1-239fps — 2K FF REDCODE RAW (2048 x 1080)
1-298fps — 2K WS REDCODE RAW (2048 x 864)

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

4

1.8

Canon RF

VistaVision, Full Frame, Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

MONSTRO 35.4 Megapixel CMOS

1.90:1

RED MINI-MAG

REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps
REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps
REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps
REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps
REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps
REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps

120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)
140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)
160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)
192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)
240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)
320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)
480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)

8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x
6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x
5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1
4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1
3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1
2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
REDCODE Raw HQ, MQ & LQ Options
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

G-Mount, PL Mount

VistaVision, Full Frame, Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

SENSOR V-RAPTORTM 8K VV 35.4 Megapixel CMOS

2.4:1

RED MINI-MAG

REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps
REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps
REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps
REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps
REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps
REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps

REDCODE® RAW ACQUISITION FORMATS

120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)
140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)
160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)
192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)
240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)
320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)
480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)

PLAYBACK FRAME RATES (PROJECT TIME BASE) 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions BEST AVAILABLE REDCODE® SETTINGS

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
REDCODE Raw HQ, MQ & LQ Options
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

13

5.90

Body and Lens Mount only

Arri PL

Super 35mm

Progressive scan shutter (less than 1ms scan time)

Electronic shutter, 5μs to 1/frame rateCan be set in degrees or microseconds (μs)

13.1 megapixel Super 35mm equivalent CMOS sensor

1.78.1 or 1.90:1

Internal 64GB RAM
Cinemag IV

up to 940 fps @ Cine Raw 4K (4096 x 2304) (to internal RAM only)
up to 1000fps @ Cine Raw 4K (4096 x 2160)
up to 1950fps @ Cine Raw 2K (2048×1080)(windowed, Super-16mm mode)

RAW .Cine

11.35

5.15

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan shutter

Electronic shutter, 1 – 358 degrees

8.9 megapixel Super 35mm equivalent MOS sensor

1.90:1

Codex Capture Drive 2.0

V-RAW 1-120fps

V-RAW

(Offload to various other formats such as ProRes and DNxHD possible via Codex Production Suite software)

11.02

5.00

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan shutter

Electronic shutter, 1 – 358 degrees

8.9 megapixel Super 35mm equivalent MOS sensor

1.90:1

expressP2 card
(for 4K and HFR recording)

microP2 card
(HD or 2K recording)

23.98, 24, 25, 29.97fps — 4K AVC-Intra4K444 (4096 × 2160)
23.98, 24, 25, 29.97fps — UHD AVC-Intra4K444 (3840 × 2160)
1-60fps — 4K AVC-Intra4K422 (4096 × 2160)
1-60fps — UHD AVC-Intra4K422 (3840 × 2160)
1-120fps — 4K AVC-Intra4K-LT (4096 × 2160)
1-120fps — UHD AVC-Intra4K-LT (3840 × 2160)
23.98, 25, 29.97fps — 2K AVC-Intra444 (2048×1080)
23.98, 25, 29.97fps — HD AVC-Intra444 (1920 X 1080)
23.98, 25, 29.97fps — 2K AVC-Intra200 (2048×1080)
23.98, 25, 29.97fps — HD AVC-Intra200 (1920 X 1080)
1-120fps — 2K AVC-Intra100 (2048×1080)
1-120fps — HD AVC-Intra100 (1920 X 1080)
1-60fps — HD ProRes 4444 (1920 X 1080)
1-120fps — HD ProRes 422HQ (1920 X 1080)

1-120fps External 4K V-RAW (4096 × 2160)
1-120fps External UHD V-RAW (3840 × 2160)
(V-RAW is 12-bit up to 30fps, 10-bit beyond 30fps)

Main Recorder: AVC-Intra4K444/AVC-Intra4K422/AVC-Intra4K-LT/AVC-Intra2K444/
AVC-Intra2K422/AVC-Intra444/AVC-Intra200/AVC-Intra100/ProRes422HQ/ProRes4444

Sub Recorder: AVC-Intra 2K422, AVC Intra 100, AVC LongG 50,
AVC LongG 25
Compression Format: H.264/AVC High Profile

5.95

2.70

Body, Lens Mount, Record Module only

Arri PL, Canon EF

Super 35mm

Progressive scan shutter

Electronic shutter, 1 – 358 degrees

8.9 megapixel Super 35mm equivalent MOS sensor

1.90:1

expressP2 card

1-30fps — 4K AVC-Intra4K422 (4096 × 2160)
1-30fps — UHD AVC-Intra4K422 (3840 × 2160)
1-60fps — 4K AVC-Intra4K-LT (4096 × 2160)
1-60fps — UHD AVC-Intra4K-LT (3840 × 2160)
23.98, 25, 29.97fps — 2K AVC-Intra444 (2048×1080)
23.98, 25, 29.97fps — HD AVC-Intra444 (1920 X 1080)
1-60fps — 2K AVC-Intra422 (2048×1080)
1-120fps (cropped) — 2K AVC-Intra422 (2048×1080)
1-60fps — HD AVC-Intra422 (1920 X 1080)
1-120fps (cropped) — HD AVC-Intra422 (1920 X 1080)
50i/59.94i — HD AVC-Intra100 (1920 X 1080)
1-120fps — AVC-Intra 2K-LT (2048×1080)
1-240fps (cropped) — AVC-Intra 2K-LT (2048×1080)
1-120fps — HD AVC-IntraLT (1920×1080 )
1-240fps (cropped) — HD AVC-IntraLT (1920×1080 )
2-30fps — HD ProRes 4444 (1920 X 1080)
2-60fps — HD ProRes 422HQ (1920 X 1080)
Up to 60p AVC-Proxy G6

AVC-Intra4K422
AVC-Intra4K-LT
AVC-Intra2K444
AVC-Intra2K422
AVC-Intra444
AVC-Intra422
AVC-Intra100
ProRes422HQ
ProRes4444
AVC-Proxy G6

10.8

4.90

Body only, no VF

B4

2/3″

Progressive scan, rolling shutter

Electronic Shutter, 7 speeds up to a maximum of 1/2000.

2.2 Megapixel 2/3 Type 3CCD

1.78:1

P2 Cards

1-30fps variable

24p, 25p, 30p, 50i, 60i (1920 x 1080)
24p, 25p, 30p, 50i, 60i (1280 x 720)

DVCPRO HD
AVC-Intra 100
AVC-Intra 50

5

2.27

Body only

C-Mount, Micro 4/3, Arri PL

Super 16mm

Global shutter

Electronic Shutter, 1/25 – 1/500

Super16mm size Kodak 1″ Truesense CCD

1.78:1

Dual CF card slots, Internal 256GB or 500GB Enterprise SSD

23.98, 24, 25 fps — Adobe CinemaDNG RAW (2048 x 1152)
23.98, 24, 25 fps — Adobe CinemaDNG RAW (1920 x 1080)

Adobe CinemaDNG RAW

8.625

3.91

Body, R7 recorder and Lens Mount only

Arri PL, Sony E

Full Frame, Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5.6° to 360°

24.8 megapixel Full Frame single-chip CMOS sensor

3:2
4:3
6:5
16:9
17:9
1.85:1
2.39:1

SxS Pro
(for 4K XAVC or HD ProRes recording)

or

AXSM A Series 4.8 Gb/s Memory Card to attached R7 recorder
(for RAW and X-OCN recording)

X-OCN XT (to AXS-R7)

1-30FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-60FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

X-OCN ST/LT (to AXS-R7)

1-60FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-75FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

RAW SQ (to AXS-R7)

1-110FPS /// 4K 17:9 (4096 x 2160)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

XAVC (to SxS Pro +)

1-30FPS /// XAVC 4K Class480

1-60FPS /// XAVC 4K Class300

1-30FPS /// XAVC QFHD Class480

1-60FPS /// XAVC QFHD Class300

ProRes (to SxS Pro +)

1-60FPS /// HD ProRes 422HQ

1-60FPS /// HD ProRes 422

1-60FPS /// HD ProRes 422 Proxy

MPEG HD422 (to SxS Pro +)

1-60FPS /// MPEG HD422(1920×1080)

6K / 4K X-OCN XT compressed RAW
6K / 4K X-OCN ST compressed RAW
6K / 4K X-OCN LT compressed RAW
4K Uncompressed RAW
4K XAVC Class480
4K XAVC Class300
HD ProRes 422HQ
HD ProRes 422
HD ProRes 422 Proxy
MPEG HD422

4.19

1.90

Rialto Sensor Block and PL mount only

Arri PL, Sony E

Full Frame, Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5.6° to 360°

24.8 megapixel Full Frame single-chip CMOS sensor

3:2
4:3
6:5
16:9
17:9
1.85:1
2.39:1

SxS Pro
(for 4K XAVC or HD ProRes recording)

or

AXSM A Series 4.8 Gb/s Memory Card to attached R7 recorder
(for RAW and X-OCN recording)

X-OCN XT (to AXS-R7)

1-30FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-60FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

X-OCN ST/LT (to AXS-R7)

1-60FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-75FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

RAW SQ (to AXS-R7)

1-110FPS /// 4K 17:9 (4096 x 2160)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

XAVC (to SxS Pro +)

1-30FPS /// XAVC 4K Class480

1-60FPS /// XAVC 4K Class300

1-30FPS /// XAVC QFHD Class480

1-60FPS /// XAVC QFHD Class300

ProRes (to SxS Pro +)

1-60FPS /// HD ProRes 422HQ

1-60FPS /// HD ProRes 422

1-60FPS /// HD ProRes 422 Proxy

MPEG HD422 (to SxS Pro +)

1-60FPS /// MPEG HD422(1920×1080)

6K / 4K X-OCN XT compressed RAW
6K / 4K X-OCN ST compressed RAW
6K / 4K X-OCN LT compressed RAW
4K Uncompressed RAW
4K XAVC Class 480
4K XAVC Class 300
HD ProRes 422HQ
HD ProRes 422
HD ProRes 422 Proxy
MPEG HD422

9.5

4.3

Body and Lens Mount only

Arri PL, Sony E

Full Frame, Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5.6° to 360°

36.2 x 24.1 mm Full Frame single-chip CMOS sensor

3:2
16:9
17:9
6:5

S66 AXSM A Series Memory Cards

8.6K: 1 to 29.97 fps
8.2K: 1 to 60 fps
7.6K: 1 to 60 fps
5.8K Anamorphic: 1 to 48 fps
5.8K: 1 Up to 90 fps
5.4K: 1 Up to 90 fps

X-OCN XT formats

• 8640 x 5760 at 23.98/24.00/25/29.97 fps
• 8192 x 4320 at 23.98/24.00/25/29.97/47.95 fps
• 7680 x 4320 at 23.98/24.00/25/29.97 fps
• 5792 x 4854 at 23.98/24.00/25/29.97/47.95 fps
• 5792 x 3056 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
• 5452 x 3056 at 23.98/24.00/25/29.97/50/59.94 fps

X-OCN ST/LT formats

• 8640 x 5760 at 23.98/24.00/25/29.97 fps
• 8192 x 4320 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
• 7680 x 4320 at 23.98/24.00/25/29.97/50/59.94 fps
• 5792 x 4854 at 23.98/24.00/25/29.97/47.95 fps
• 5792 x 3056 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
• 5452 x 3056 at 23.98/24.00/25/29.97/50/59.94 fps

ProRes 422 HQ/ProRes 4444 formats

• 4096 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p
• 3840 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p

8.6K / 8.2K / 7.6K / 5.8K Anam / 5.8K / 5.4K
X-OCN XT compressed RAW
X-OCN ST compressed RAW
X-OCN LT compressed RAW

Cinema 4K / UHD
ProRes 422 HQ
ProRes 4444

7.28

3.30

Body, R7 recorder and Lens Mount only

Arri PL, Sony FZ, Nikon G, Leica M, Leica R

Super 35mm

Global shutter

Electronic shutter, 4.2° to 359.7°

11.6 megapixel S35mm equivalent single-chip, Bayer pattern CMOS sensor

1.90:1

SxS Pro +

AXSM A Series 4.8 Gb/s Memory Card (for use w/ R7 recorder up to 120fps)

RAW RECORD MODES:
Cinema 4K RAW (4096 X 2160) — 1-120fps
Cinema 4K X-OCN (4096 X 2160) — 1-120fps
2K RAW (2048×1080) — 1-240fps
2K X-OCN (2048×1080) — 1-240fps

SXS PRO+ STANDARD RECORD MODES:
XAVC 4K Class480 (4096 X 2160) — 23.98p, 25p, 29.97p
XAVC 4K Class300 (4096 X 2160) — 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC UHD Class480 (3840 X 2160) — 23.98p, 25p, 29.97p
XAVC UHD Class300 (3840 X 2160) — 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC 2K (2048×1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC HD (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
ProRes 444 1080p (1920 X 1080) — 23.98p, 25p, 29.97p
ProRes 422 HQ 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
ProRes 422 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
DNxHD 220x 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
DNxHD 145 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p

SXS PRO+ S&Q RECORD MODES:
XAVC 4K Class300 (4096 X 2160) — 1-60fps (NTSC)
XAVC UHD Class300 (3840 X 2160) — 1-60fps (NTSC)
XAVC 2K (2048×1080) — 1-180fps (NTSC)
XAVC HD (1920 X 1080) — 1-60fps (NTSC)

Cinema 4K X-OCN compressed RAW 16-bit
Cinema 4K RAW 16-bit
Cinema 2K X-OCN compressed RAW 16-bit
Cinema 2K RAW 16-bit
XAVC HD 422 10-bit 10-bit
XAVC 2K 422 10-bit 10-bit
XAVC QFHD Class480 10-bit
XAVC QFHD Class300 10-bit
XAVC 4K Class480 10-bit
XAVC 4K Class300 10-bit
SR 422 10-bit
SR 444 10-bit
ProRes 444 12-bit
ProRes 422 HQ 10-bit
ProRes 422 10-bit
Avid DNxHD 220x 10-bit
Avid DNxHD 145 8-bit
MPEG2 422 HD 1080p 8-bit

9.5

4.3

Body and Lens Mount only

Arri PL, Sony E

Full Frame, Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5.6° to 360°

36.2 x 24.1 mm Full Frame single-chip CMOS sensor

3:2
16:9
17:9
6:5

S66 AXSM A Series Memory Cards

8.6K: 1 to 29.97 fps
8.2K: 1 to 60 fps
7.6K: 1 to 60 fps
5.8K Anamorphic: 1 to 48 fps
5.8K: 1 Up to 90 fps
5.4K: 1 Up to 90 fps

X-OCN XT formats

• 8640 x 5760 at 23.98/24.00/25/29.97 fps
• 8192 x 4320 at 23.98/24.00/25/29.97/47.95 fps
• 7680 x 4320 at 23.98/24.00/25/29.97 fps
• 5792 x 4854 at 23.98/24.00/25/29.97/47.95 fps
• 5792 x 3056 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
• 5452 x 3056 at 23.98/24.00/25/29.97/50/59.94 fps

X-OCN ST/LT formats

• 8640 x 5760 at 23.98/24.00/25/29.97 fps
• 8192 x 4320 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
• 7680 x 4320 at 23.98/24.00/25/29.97/50/59.94 fps
• 5792 x 4854 at 23.98/24.00/25/29.97/47.95 fps
• 5792 x 3056 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
• 5452 x 3056 at 23.98/24.00/25/29.97/50/59.94 fps

ProRes 422 HQ/ProRes 4444 formats

• 4096 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p
• 3840 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p

8.6K / 8.2K / 7.6K / 5.8K Anam / 5.8K / 5.4K
X-OCN XT compressed RAW
X-OCN ST compressed RAW
X-OCN LT compressed RAW

Cinema 4K / UHD
ProRes 422 HQ
ProRes 4444

1.54

0.69

Sony E-Mount, Arri PL, Canon EF

Full Frame

Progessive scan, rolling shutter, 8.7ms delay in Full Frame mode

Mechanical or Electronic shutter, 1/8000 to 1/4 sec in Movie Mode

Full Frame, effective 12.1 megapixel Exmor R BSI CMOS Sensor

3:2

SDXC Card, UHS-I U3, Class 10 or above

H.265/XAVC HS 4:2:2 10-Bit

• UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [50 to 280 Mb/s]

H.265/XAVC HS 4:2:0 10-Bit

• UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [30 to 200 Mb/s]

H.264/XAVC S-I 4:2:2 10-Bit

• UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
• Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [89 to 222 Mb/s]

H.264/XAVC S 4:2:2 10-Bit

• UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [100 to 280 Mb/s]
• Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 Mb/s]

H.264/XAVC S 4:2:0 8-Bit

• UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [60 to 200 Mb/s]
• Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [16 to 100 Mb/s]

H.265/XAVC HS 4:2:2 10-Bit
H.265/XAVC HS 4:2:0 10-Bit
H.264/XAVC S-I 4:2:2 10-Bit
H.264/XAVC S 4:2:2 10-Bit
H.264/XAVC S 4:2:0 8-Bit
(External via HDMI) Raw 16-Bit

1.54

0.69

Sony E-Mount, Arri PL, Canon EF

Full Frame

Progessive scan, rolling shutter, 8.7ms delay in Full Frame mode

Mechanical or Electronic shutter, 1/8000 to 1/4 sec in Movie Mode

Full Frame, effective 12.1 megapixel Exmor R BSI CMOS Sensor

3:2

SDXC Card, UHS-I U3, Class 10 or above

H.265/XAVC HS 4:2:2 10-Bit

• UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [50 to 280 Mb/s]

H.265/XAVC HS 4:2:0 10-Bit

• UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [30 to 200 Mb/s]

H.264/XAVC S-I 4:2:2 10-Bit

• UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
• Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [89 to 222 Mb/s]

H.264/XAVC S 4:2:2 10-Bit

• UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [100 to 280 Mb/s]
• Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 Mb/s]

H.264/XAVC S 4:2:0 8-Bit

• UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [60 to 200 Mb/s]
• Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [16 to 100 Mb/s]

H.265/XAVC HS 4:2:2 10-Bit
H.265/XAVC HS 4:2:0 10-Bit
H.264/XAVC S-I 4:2:2 10-Bit
H.264/XAVC S 4:2:2 10-Bit
H.264/XAVC S 4:2:0 8-Bit
(External via HDMI) Raw 16-Bit

.93

.422

Camera, Battery, SD Card

Leica L, Arri PL. Canon EF

Full Frame

Progressive scan, rolling shutter, 20.8ms delay in Full Frame mode

Electronic shutter, 30 – 1/8,000sec., Bulb (5 minutes max)

Full Frame (35.9mm x 23.9mm) Back-illuminated Bayer CMOS sensor

3:2 (stills), 16:9 (video), various others (DVF mode)

SD card ：UHS-II UHD 8bit under 25fps, FHD 12bit under 60fps
Portable SSD：UHD 12bit 30fps, FHD 12bit 100fps or less, 10bit and 8bit 120fps or less

4K UHD / 23.98p, 25p, 29.97p

HD / 23.98p, 25p, 29.97p, 59.94p, 100p, 119.88p

CinemaDNG（8bit / 10bit/ 12bit
MOV：H.264 (ALL-I/ GOP)
ProRes RAW (to compatible external recorder)
Blackmagic RAW (to compatible external recorder)

7.6

3.45

Body only

Arri PL

Super 35mm

Modes: Speed, Angle, Clear Scan, Slow, OffAdjustable with either 1/3 or 1/4 steps selected as speed increment

38.1 x 20.1 mm (Full-Frame) Sensor

1.9:1

Cfast 2.0 Cards

1 – 30fps — ProRes 422 HQ 4K/QFHD (to CFast 2.0)
1 – 60fps — ProRes 422 HQ 2K/FHD (to CFast 2.0)
1 – 60fps — ProRes 4444 2K/FHD (to CFast 2.0)
1 – 180fps — ProRes 422 Crop 2K/FHD (to CFast 2.0)
1 – 60fps — XF-AVC 4K YCC422 Intra 4K/QFHD (to CFast 2.0)
1 – 120fps — XF-AVC 4K YCC422 Intra 2K/FHD (to CFast 2.0)
1 – 60fps — XF-AVC 4K YCC422 LGOP 2K/FHD (to CFast 2.0)
1 – 60fps — XF-AVC 4K RGB444 Intra 2K/FHD (to CFast 2.0)
1 – 240fps — YCC422 Intra Crop 2K/FHD (to CFast 2.0)
1-120fps — Uncompressed RAW 4K (to Codex CDX-36150)
1-100fps — Uncompressed RAW 4.5K (to Codex CDX-36150)
1-120fps — Uncompressed RAW 4.5K (to Codex CDX-36150)
1-120fps — Uncompressed RAW Crop 2K (to Codex CDX-36150)
1 – 60fps — ProRes 422 HQ 4K/QFHD (to Codex CDX-36150)
1 – 120fps — ProRes 422 HQ 2K/FHD (to Codex CDX-36150)
1 – 60fps — ProRes 4444 2K/FHD (to Codex CDX-36150)
1 – 60fps — ProRes 4444 XQ 2K/FHD (to Codex CDX-36150)
1 – 240fps — ProRes 422 HQ Crop 2K/FHD (to Codex CDX-36150)
1-60fps — XF-AVC (Proxy) YCC420 LGOP 2K/FHD (internal SD card)

ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
XF-AVC YCC422 Intra (10 bit)
XF-AVC YCC422 LGOP (10 bit)
XF-AVC RGB444 Intra (12/10 bit)
RAW (Uncompressed)

7.42

3.37

Body, Grip, Monitor and 2x CF cards

Arri PL, Canon EF

Super 35mm

Progressive scan, rolling shutter

2x faster readout than C300 Mk. I

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

9.84 megapixel Super 35mm Canon CMOS sensor w/ Dual Digic DV5 Image Processors

1.9:1

Cfast 2.0 Cards

1 – 30fps — XF AVC Cinema 4K (4096×2160)
1 – 30fps — XF AVC UHD (3840×2160)
1 – 30fps — XF AVC 2K 4:4:4 (2048×1080)
1 – 120fps — XF AVC 2K 4:2:2 (2048×1152)
1 – 30fps — XF AVC HD 4:4:4 (1920 X 1080)
1 – 120fps — XF AVC HD 4:2:2 (1920 X 1080)

.MXF (OP-1a) file format
XF AVC codec
(MPEG-4 AVC/H.264)
Choice of Intraframe or LongGOP compression
Infraframe: 410Mbps in 4K
LongGOP 50Mbps in 2K