RED DSMC2 8K Monstro VV Carbon Fiber
3.3
1.50
Arri PL, Canon EF, Leica M
VistaVision, Full Frame, Super 35mm
Progressive scan, rolling shutter
Electronic shutter, 1 to 1/8000 sec
MONSTRO 35.4 Megapixel CMOS
1.90:1
RED MINI-MAG
1-29.97fps –ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps –ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps — ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps — ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-60fps — 8K FF REDCODE RAW (8192 x 4320)
1-75fps — 8K 2.4:1 REDCODE RAW (8192 x 3456)
1-60fps — 7K FF REDCODE RAW (7168 x 3780)
1-75fps — 7K 2.4:1 REDCODE RAW (7168 x 3024)
1-75fps — 6K FF REDCODE RAW (6144 x 3240)
1-100fps — 6K 2.4:1 REDCODE RAW (6144 x 2592)
1-96fps — 5K FF REDCODE RAW (5120 x 2700)
1-120fps — 5K 2.4:1 REDCODE RAW (5120 x 2160)
1-120fps — 4K FF REDCODE RAW (4096 x 2160)
1-150fps — 4K 2.4:1 REDCODE RAW (4096 x 1728)
1-150fps — 3K FF REDCODE RAW (3072 x 1620)
1-200fps — 3K 2.4:1 REDCODE RAW (3072 x 1296)
1-240fps — 3K FF REDCODE RAW (2048 x 1080)
1-300fps — 3K 2.4:1 REDCODE RAW (2048 x 864)
(Compression choices of 22:1 to 2:1)
*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.
REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB
16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid
4:4:4
RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm
Yes
REDCODE RAW
800
17+ stops
No
-
Product Highlights
- IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.
- REDCODE RAW formats:
- 8K Full Format (8192 x 4320), 1-60fps
- 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 7K Full Format (7168 x 3780), 1-60fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 6K Full Format (6144 x 3240), 1-75fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 5K Full Format (5120 x 2700), 1-96fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 4K Full Format (4096 x 2160), 1-120fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
- 3K Full Format (3072 x 1620), 1-150fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 2K Full Format (2048 x 1080), 1-240fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)
- ProRes Record Formats:
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- 2K Apple ProRes 4444 XQ up to 120 fps
- 2K Apple ProRes 4444 up to 120 fps
- 2K Apple ProRes 422 HQ up to 120 fps
- 2K Apple ProRes 422 up to 120 fps
- 2K Apple ProRes 422 LT up to 120 fps
- Avid Record Formats:
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
-
Our Kit Includes
- DSMC Interchangeable OLPF System
- Interchangeable Standard OLPF for Red Weapon (other options available per request)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Element Technica W – Gold Mount Battery Module
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.
- DSMC Interchangeable OLPF System