Products Archive - TCS Cameras and Lenses

Arri Alexa Mini LF

5.70

2.6

Body, Lens Mount, Record Module only

Arri LPL

Full Frame+, Super 35mm

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Electronic shutter, 5 – 356 degrees

ALEV III A2X CMOS

LF Open Gate, UHD, or 2.39:1

Codex Compact Drive

0.75-60fps — LF Open Gate 4.5K ARRIRAW (4448 x 3096)
0.75-40fps — LF Open Gate 4.5K ProRes 4444 XQ, 4444, 422HQ, 422 (4448 x 3096)
0.75-60fps — LF 16:9 UHD ARRIRAW (3840 x 2160)
0.75-60fps — LF 16:9 UHD ProRes 4444 XQ, 4444, 422HQ, 422 (3840 x 2160)
0.75-60fps — LF 2.39:1 ARRIRAW (4448 x 1856)
0.75-100fps — LF 2.39:1 ProRes 4444, 422HQ, 422 (4448 x 1856)
0.75-60fps — LF 2.39:1 ProRes 4444 XQ (4448 x 1856)

0.75-90fps — LF 16:9 2K ProRes 4444 XQ, 4444, 422HQ, 422 (2048 x 1152)

0.75-90fps — LF 16:9 1080p ProRes 4444 XQ, 4444, 422HQ, 422 (1920 x 1080)

*** Framerates based on Codex Compact Drive media capabilities. Other media types may have lower framerate capabilities.

ARRIRAW
Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422

12-bit or 10-bit

4:4:4 or 4:2:2

Log C
Rec 709
Rec 2020

Yes

uncompressed ARRIRAW internally to Codex Compact Drives

800

14+ stops

14+ stops dynamic range • Exposure Index 160-3200 • 36.70 x 25.54 mm, 44.71 Ø ALEV III sensor • 4448x3096 maximum capture resolution • Up to 150 fps • PL/LPL Lens Mount • 16-bit linear internal image processing in full ALEXA Wide Gamut / Log C color space • LF Open Gate Recording Mode (4448x3096) up to 90fps in ARRIRAW • LF 16:9 Recording Mode (3840x2160 up to 90fps in ARRIRAW) • LF 2.39:1 Recording Mode (4448x1856) up to 150fps in ARRIRAW • Records to SXR Capture Drives and SxS PRO+ cards • Full Frame+

Yes, Built-in motorized large-format FSND filters: ND 0.6, 1.2 and 1.8

Product Highlights
- Full Frame
- 14+ stops dynamic range
- Three internal, motorized large-format FSND filters: ND 0.6, 1.2 and 1.8
- 16-bit linear internal image processing in full ALEXA Wide Gamut / Log C color space
- New dedicated, regulated 12 V and 24 V accessory power outputs
- Lower noise with higher usable sensitivity
- Compatible with LPL and PL mount lenses, Super 35 and full frame
- 1-60fps
- Internal ARRIRAW 4.5K Open Gate Recording
- Internal ProRes 4.5K Open Gate / UHD / 2K / HD
- Built-in lens motor controller
- Highest dynamic range of any production camera
- Internal recording to new Codex Compact Drive
- New MVF-2 high-contrast HD viewfinder
- New SYNC IN and improved AUDIO connectors
- Two built-in microphones
Our Kit Includes
- Arri Alexa Mini LF Camera Body
- Turret Plug For Alexa Camera Body
- Dual Band Antenna
- LPL Mount
- PL to LPL Adapter
- USB Stick for camera settings
- MVF-2 Electronic Viewfinder incl. Magnetic Eyecup
- MVB-1 Viewfinder Bracket
- Arri MVF-2 Viewfinder Cable Medium, 0.5m / 1.5′
- Arri MVF-2 Viewfinder Cable Short, 0.35m / 1.15′
- AIR EVF Extension Arm
- Arri EL-3 Eyepiece Leveler
- Ethernet Cable
- Arri CCH-4 Camera Center Handle
- Arri Alexa A-EV Handle Extension Block
- (2) MAP-1 Adapter Plate
- (2) MAP-2A Adapter Plate
- MSB-2 Side Bracket for Arri Alexa Mini
- MSB-3 Side Bracket for Arri Alexa Mini LF
- SAB-1 Side Accessory Bracket
- RMB-3 Rod Mounting Bracket for Arri Alexa Mini
- CBP-1 Compact Bridge Plate is 19mm Studio with Shoulder Pad
- Arri 15mm LWS Adapter for CBP-1
- 12″ Bottom Dovetail Plate
- Arri D-BOX incl Anton Bauer Gold Mount
- WC Battery Swing (15mm LWS) (Swing-Away Batt Plate Mount)
- 15 mm Reduction Insert for cforce Mini Motor
- Wooden Camera A-BOX
- EXT-RS Adapter Cable 3.5″
- Timecode Cable: 1/8″ to BNC Male Timecode-In Cable
- Timecode Cable: 5p Lemo – Dual BNC-m Timecode In+Out Cable
- 24v Power Supply
- (2) 24V Power Cables
- 10′ 24v 3pXLRm-3pXLRf Extension Cable
- Case for Alexa Mini LF
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa LF

Arri Alexa LF

17.2

7.80

Arri LPL

Full Frame+, Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5 – 358 degrees

ALEV III A2X CMOS

LF Open Gate, UHD, or 2.39:1

SxS PRO+ 256 GB (ProRes)
SXR Capture Drives 1 TB (ARRIRAW or ProRes)
SXR Capture Drives 2 TB (ARRIRAW or ProRes)

0.75-90fps — LF Open Gate ARRIRAW (4448 x 3096)
0.75-60fps — LF Open Gate ProRes 4444, 422HQ, 422 (4448 x 3096)
0.75-40fps — LF Open Gate ProRes 4444 XQ (4448 x 3096)
0.75-90fps — LF 16:9 UHD ARRIRAW (3840 x 2160)
0.75-60fps — LF 16:9 UHD ProRes 4444 XQ, 4444, 422HQ, 422 (3840 x 2160)
0.75-150fps — LF 2.39:1 ARRIRAW (4448 x 1856)
0.75-100fps — LF 2.39:1 ProRes 4444, 422HQ, 422 (4448 x 1856)
0.75-60fps — LF 2.39:1 ProRes 4444 XQ (4448 x 1856)

*** Framerates based on SXR Capture Drive media capabilities. Other media types may have lower framerate capabilities.

Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

12-bit or 10-bit

4:4:4 or 4:2:2

Log C
Rec 709
Rec 2020

Yes

uncompressed ARRIRAW internally to Codex SXR Capture Drives

800

14+ stops

• 14+ stops dynamic range • 1-120fps • Internal ARRIRAW and ProRes 4K Cine / 4K UHD / 3.2K / 2K / 1080p recording • Open Gate, 6:5, 4:3 and 16:9 sensor modes • Internal ND filtration • Three fully independent HD-SDI outputs • Integrated wireless receiver for camera and lens remote control • New ARRI Color Tool (ACT) and ARRI Look File (ALF-2) allow the creation of unique looks, which are compatible with ALEXA Mini and AMIRA

•Available as SXT W •Integrated wireless video (compatible with Arri WVR-1 Receiver) • Transmits uncompressed HD up to 600 m with no delay (< 1ms) • Integrated WiFi • Integrated ARRI ECS wireless camera/lens control

Yes, w/ LF FSND set (available upon request)

Product Highlights
- Exposure Index 160-3200
- 36.70 x 25.54 mm, 44.71 Ø ALEV III sensor (A2X layout)
- 4448×3096 maximum capture resolution
- Up to 150 fps
- New LPL Lens Mount (44 mm FFD, Ø 62 mm) (PL adapter available)
- Lower noise at higher EI than previous cameras
- Only 12mm wider and longer than standard Alexa
- 16-bit linear internal image processing in full ALEXA Wide Gamut / Log C color space
- LF Open Gate Recording Mode (4448×3096) up to 90fps in ARRIRAW
- LF 16:9 Recording Mode (3840×2160 up to 90fps in ARRIRAW)
- LF 2.39:1 Recording Mode (4448×1856) up to 150fps in ARRIRAW
- ARRIRAW and ProRes, Same ARRI Workflow
- Records to SXR Capture Drives and SxS PRO+ cards
- Anamorphic desqueezing : 1.25x, 1.3x, 1.5x, 2x
- Integrated wireless video (compatible with Arri WVR-1 Receiver)
- Integrated WiFi
- Integrated ARRI ECS wireless camera/lens control
Our Kit Includes
- SXR Media Adapter
- ARRI LPL Mount PL Adapter (upon request)
- Turret Plug
- Hawk-Woods RP-CFA1 Battery Adapter
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa SXT

Arri Alexa SXT Plus 4:3

Arri Alexa SXT Plus 4:3

14.3

6.49

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5 – 358 degrees

CMOS, ALEV III sensor

Open Gate, 6:5, 4:3, or 16:9

Supports new high speed SXR Capture Drives (1 TB or 2 TB) via SXR Adapter

Supports current XR Capture Drive 512 GB via XR Adapter

Supports SxS PRO and SxS PRO+ cards via SxS Adapter 2

Supports CFast 2.0 cards via CFast 2.0 Adapter 2

0.75-50fps — 16:9 ProRes 4K UHD (3840 x 2160)
0.75-72fps — 16:9 ProRes 3.2K (3200 x 1800)
0.75 – 120fps — 16:9 ProRes HD (1920 x 1080)
0.75 – 120fps — 16:9 ProRes 2K (2048 x 1152)
0.75 – 120fps — 16:9 ARRIRAW 2.8K (2880 x 1612)
0.75 – 120fps — 16:9 ARRIRAW 3.2K (3168 x 1782)
0.75 – 60fps — 6:5 ProRes 4K Cine Anamorphic (4096 x 1716)
0.75 – 96fps — 6:5 ProRes 2K Anamorphic (2048 x 858)
0.75 – 96fps — 6:5 ARRIRAW 2.6K (2578 x 2160)
0.75 – 60fps — 4:3 ProRes 2.8K (2880 x 2160)
0.75 – 96fps — 4:3 ARRIRAW 2.8K (2880 x 2160)
0.75 – 48fps — Open Gate ProRes 4K Cine (4096 X 2636)
0.75 – 60fps — Open Gate ProRes 3.4K (3424 X 2202)
0.75 – 90fps — Open Gate ARRIRAW 3.4K (3424 X 2202)

*** Framerates based on SXR Capture Drive media capabilities. Other media types may have lower framerate capabilities.

Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

12-bit or 10-bit

4:4:4 or 4:2:2

Log C
Rec 709
Rec 2020

Yes

uncompressed ARRIRAW internally to Codex SXR Capture Drives(or XR Capture Drives, CFast 2.0, or SxS via adapters)

800

14+ stops

• 14+ stops dynamic range • 1-200fps • Internal ARRIRAW 16:9 2.8K and 3.4K Open Gate Recording • Internal ProRes 16:9 UHD / 3.2K / 2K / 1080p recording • 4:3 2.8K ProRes recording for use with anamorphic lenses • Internal ND filtration • Records to CFast 2.0 cards • Built-in lens motor controller

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Exposure Index 160-3200
- Built-in Internal Filter Module (IFM-1) filter holder
- In-camera ARRIRAW recording up to 120 fps on SXR or XR Capture Drives via optional adapters
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
- Easy in-camera ProRes 4K recording
- ProRes 4K UHD (3840 x 2160) recording format for 4K UHD TV deliverables
- ProRes 4K Cine (4096 x 2636) recording format for 4C DCI cinema deliverables
- Improved image quality
- Completely overhauled image processing chain
- Advanced pixel correction
- Optional noise reduction
- New color management
- Matches current ALEXA images, but provides the basis for radically different looks
- 3D Look-up Tables, ASC Color Decision List
- Live in-camera grading on set
- Rec 2020 gamma
- Same tools for ALEXA SXT, ALEXA Mini & AMIRA
- Three fully independent HD-SDI outputs
- Powerful new media bay
- Supports new high speed SXR Capture Drives (1 TB or 2 TB) via SXR Adapter
- Supports current XR Capture Drive 512 GB via XR Adapter
- Supports SxS PRO and SxS PRO+ cards (64GB and above) via SxS Adapter 2
- Supports CFast 2.0 cards via CFast 2.0 Adapter 2
Our Kit Includes
- SXR Recorder Module
- Antenna for Plus Module
- SXR Media Adapter
- ProRes Codec Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- PL Turret Plug
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa Mini

Arri Alexa Mini

6.40

2.90

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Electronic shutter, 5 – 356 degrees

CMOS, ALEV III sensor

4:3 or 16:9

Cfast 2.0 Cards

0.75-30fps — 16:9 ProRes 4K UHD (3840 x 2160) 4444XQ
0.75-60fps — 16:9 ProRes 4K UHD (3840 x 2160) all other ProRes formats
0.75-30fps — 16:9 ProRes 3.2K (3164 x 1778) 4444XQ
0.75-60fps — 16:9 ProRes 3.2K (3164 x 1778) all other ProRes formats
0.75-120fps — 16:9 ProRes HD (1920 x 1080) 4444XQ
0.75-200fps — 16:9 ProRes HD (1920 x 1080) all other ProRes formats
0.75-120fps — 16:9 ProRes 2K (2048 x 1552) 4444XQ
0.75-200fps — 16:9 ProRes 2K (2048 x 1552) all other ProRes formats
0.75-200fps — S16 Mode ProRes HD (1920 x 1080) 4444XQ
0.75-120fps — S16 Mode ProRes HD (1920 x 1080) all other ProRes formats
0.75-50fps — 4:3 ProRes 2.8K (2880 x 1620) all ProRes formats
0.75-120fps — 6:5 ProRes 2.39:1 2K Anamorphic (2048 x 858) all ProRes formats
0.75-120fps — 8:9 ProRes HD Anamorphic (1920 x 1080) 4444 only
0.75-48fps — 16:9 2.8K ARRIRAW (2880 x 1620)
0.75-30fps — 16:9 3.4K Open Gate ARRIRAW (3424 x 2202)

ARRIRAW (MXF-wrapped)
Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT

12-bit or 10-bit

4:4:4 or 4:2:2

Log C
REC 709

800

14+ stops

• 14+ stops dynamic range • 1-200fps • Internal ProRes 4K / 3.2K / 2K / 1080p recording • ProRes 4444 XQ • Internal ND filtration • Records to CFast 2.0 cards • Single User Ergonomics

Yes, Built-in motorized ND filters, 0.6, 1.2, 2.1

Product Highlights
- ARRIRAW 16:9 2.8K up to 48fps
- ARRIRAW 3.4K Open Gate up to 30fps
- 16:9 UHD ProRes up to 60fps
- 4:3 2.8K ProRes up to 50fps
- 1080p ProRes up to 200fps
- 4:3 sensor (switchable to 16:9 mode)
- Same 35 mm sensor as ALEXA
- Internal ND filters (0.6/1.2/2.1)
- Automatic de-squeeze mode for anamorphic productions
- Records to CFast 2.0 cards
- Built-in lens motor controller
Our Kit Includes
- 4:3 License
- PL Turret Plug
- 2.4 GHz Antenna
- PL LDS mount with L-Bus connector
- Arri MVF-1ML Amira / Alexa Mini Electronic Viewfinder incl. Magnetic Eyecup
- MVB-1 Viewfinder Bracket Viewfinder MVF-1ML
- (2) Arri MVF-1 to Alexa Mini Viewfinder Cable Short, 0.5m / 1.6′
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Alexa-M / Alexa Mini Handle, CCH-2 (K2.73002.0)
- Arri Alexa A-EV Handle Extension Block (HEB-1/ JC HEB-1)
- (2) MAP-1 Adapter Plate
- (2) MAP-2 Adapter Plate
- (2) MSB-1 Side Bracket
- RMB-3 Rod Mounting Bracket
- BPA-4 Bridgeplate Adapter
- CSP-1 Camera Shoulder Pad
- BAP-1 Battery Adapter Plate
- Anton Bauer Gold Mount Battery Plate w/ Custom Alexa Mini Connector
- Wooden Camera D-Box for Alexa Mini (incl. Anton Bauer Gold Mount)
- Wooden Camera A-BOX f/ Arri Alexa Mini Audio incl. 19mm Mounting Rod
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.
- ARRIRAW License available upon request.

Arri Amira

Arri Amira w/ Premium License

Arri Amira w/ Premium License

9.2

4.17

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Electronic shutter, 5 – 356 degrees

CMOS, ALEV III sensor

16:9

Cfast 2.0 Cards

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT

12-bit or 10-bit

4:4:4 or 4:2:2

Log C
REC 709

800

14+ stops

Full Frame • 17+ stops dynamic range • 1-300fps • Interchangeable OLPF System and Standard OLPF installed (shadow/low-light and skintone/highlight options available) • Internal ProRes 4K / 2K / HD to Mini-Mags • Internal REDCODE RAW up to 8K to Mini-Mags • Ideal for gimbal/drone usage • VistaVision size MONSTRO 35.4 Megapixel CMOS • IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues • Integrated I/O's • Three SDI outputs (two mirrored and one independent) • Support for wider input voltage (11.5-32V) • 24V & 12V power outs (two of each) • 12V P-Tap port • Integrated 5-pin XLR stereo audio input (line/mic/+48V selectable) • Genlock, timecode, USB, and control • Shimmed PL mount • Large diameter fan provides improved thermal performance and quieter operation

Yes, Built-in motorized ND filters, 0.6, 1.2, 2.1

Product Highlights
- Records 4K UHD ProRes up to 60fps
- Frame rates of 0.75-200 fps
- 4:3 sensor
- Same 35 mm sensor as ALEXA
- Internal ND filters (0.6/1.2/2.1)
- OLED eyepiece and fold-away LCD monitor
- Multi-channel audio – easy-access controls
Our Kit Includes
- PL Turret Plug
- Premium License
- UHD License
- (2) Arri Amira Antenna (blu-tooth & wi-fi)
- MHB-2 Mic Adapter Bracket For Amira (821100)
- PL LDS Lens Mount
- Arri MVF-1 Amira Electronic Viewfinder incl. Magnetic Eyecup
- Arri MVF-1 Bracket
- Arri VAB-1 Viewfinder Attachment Bracket (With [2] 4″ rods)
- Arri MVF-1 Amira Viewfinder Cable Short, 0.5m / 1.6′ (820204)
- Arri MVF-1 Amira Viewfinder Cable Medium, 1.5m / 3′
- 10′ Cat6A Black Ethernet Cable
- Arri Amira Gold Mount Adapter (821200)
- Arri CCH-1 (Center Camera Handle)
- Arri Alexa A-EV Handle Extension Block (HEB-1 or HEB-5)
- Arri Amira BPA-3 Bridge Plate Adapter (821104)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.
- Look Library available upon request.

Red Weapon 8K Monstro VV

Red RANGER 8K Monstro VV

Red RANGER 8K Monstro VV

3.3

1.50

Arri PL

VistaVision, Full Frame, Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

MONSTRO 35.4 Megapixel CMOS

1.90:1

RED MINI-MAG

1-29.97fps –ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps –ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps — ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps — ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-60fps — 8K FF REDCODE RAW (8192 x 4320)
1-75fps — 8K 2.4:1 REDCODE RAW (8192 x 3456)
1-60fps — 7K FF REDCODE RAW (7168 x 3780)
1-75fps — 7K 2.4:1 REDCODE RAW (7168 x 3024)
1-75fps — 6K FF REDCODE RAW (6144 x 3240)
1-100fps — 6K 2.4:1 REDCODE RAW (6144 x 2592)
1-96fps — 5K FF REDCODE RAW (5120 x 2700)
1-120fps — 5K 2.4:1 REDCODE RAW (5120 x 2160)
1-120fps — 4K FF REDCODE RAW (4096 x 2160)
1-150fps — 4K 2.4:1 REDCODE RAW (4096 x 1728)
1-150fps — 3K FF REDCODE RAW (3072 x 1620)
1-200fps — 3K 2.4:1 REDCODE RAW (3072 x 1296)
1-240fps — 3K FF REDCODE RAW (2048 x 1080)
1-300fps — 3K 2.4:1 REDCODE RAW (2048 x 864)

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

4:4:4

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm
REDWideGamutRGB and Log3G10

Yes

REDCODE RAW

800

17+ stops

Product Highlights
- IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.
- REDCODE RAW formats:
- 8K Full Format (8192 x 4320), 1-60fps
- 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 7K Full Format (7168 x 3780), 1-60fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 6K Full Format (6144 x 3240), 1-75fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 5K Full Format (5120 x 2700), 1-96fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 4K Full Format (4096 x 2160), 1-120fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
- 3K Full Format (3072 x 1620), 1-150fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 2K Full Format (2048 x 1080), 1-240fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)
- ProRes Record Formats:
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- 2K Apple ProRes 4444 XQ up to 120 fps
- 2K Apple ProRes 4444 up to 120 fps
- 2K Apple ProRes 422 HQ up to 120 fps
- 2K Apple ProRes 422 up to 120 fps
- 2K Apple ProRes 422 LT up to 120 fps
- Avid Record Formats:
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
Our Kit Includes
- Red RANGER MONSTRO VV 8K CF Camera
- Standard OLPF
- Antenna
- Shimmable Titanium PL mount
- Turret Plug for PL Mount
- Red Production Top Handle
- (2) Red DSMC² Top Mount 15mm LWS Adapter
- RED MINI-MAG Side SSD Module
- USB Memory Stick for Camera Builds
- Red DSMC² 7.0″ PRO Touch LCD
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount Adaptor
- Red LCD Arm
- DSMC² Lemo Adapter A for Brain
- Red DSMC² Flush Mount Side Adapter
- RED DSMC Lemo B Adapter
- (3) EVF/LCD Cables
- Full Metal Jacket Bottom Plate w/ 15mm LWS
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- (2) Red RANGER Power Cable: 3pXLRm-4pLemo2B 10′, 24v
- 10′ 24V 3p XLR Extension
- AC Power Adapter
- Shipping Case
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

RED DSMC2 8K Monstro VV Carbon Fiber

RED DSMC2 8K Monstro VV Carbon Fiber

3.3

1.50

Arri PL, Canon EF, Leica M

VistaVision, Full Frame, Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

MONSTRO 35.4 Megapixel CMOS

1.90:1

RED MINI-MAG

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

4:4:4

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Yes

REDCODE RAW

800

17+ stops

Dual Sensitivity modes (ISO 800/3200) • 16.5+ stops dynamic range • 1-75fps up to 5K • 1-150fps up to 4K • Interchangeable OLPF System and Standard OLPF installed (shadow/low-light and skintone/highlight options available) • Internal ProRes 4K / 2K / HD to Mini-Mags • Internal REDCODE RAW up to 5K to Mini-Mags • Ideal for gimbal/drone usage • S35mm size Red GEMINI 15.4 Megapixel CMOS sensor

Product Highlights
- IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.
- REDCODE RAW formats:
- 8K Full Format (8192 x 4320), 1-60fps
- 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 7K Full Format (7168 x 3780), 1-60fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 6K Full Format (6144 x 3240), 1-75fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 5K Full Format (5120 x 2700), 1-96fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 4K Full Format (4096 x 2160), 1-120fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
- 3K Full Format (3072 x 1620), 1-150fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 2K Full Format (2048 x 1080), 1-240fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)
- ProRes Record Formats:
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- 2K Apple ProRes 4444 XQ up to 120 fps
- 2K Apple ProRes 4444 up to 120 fps
- 2K Apple ProRes 422 HQ up to 120 fps
- 2K Apple ProRes 422 up to 120 fps
- 2K Apple ProRes 422 LT up to 120 fps
- Avid Record Formats:
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
Our Kit Includes
- DSMC Interchangeable OLPF System
- Interchangeable Standard OLPF for Red Weapon (other options available per request)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Element Technica W – Gold Mount Battery Module
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Weapon 5K Gemini S35

RED DSMC2 5K Gemini S35 Carbon Fiber

RED DSMC2 5K Gemini S35 Carbon Fiber

3.3

1.50

Arri PL, Canon EF, Leica M

Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 1 to 1/8000 sec

GEMINI 15.4 Megapixel Dual Sensitivity CMOS

1.70:1

RED MINI-MAG

1-75 fps at 5K Full Height 1.7:1 REDCODE RAW (5120 × 3000)
1-96 fps at 5K Full Format REDCODE RAW (5120 × 2700)
1-120 fps at 5K 2.4:1 REDCODE RAW (5120 × 2160)
1-120 fps at 4K Full Format REDCODE RAW (4096 × 2160)
1-150 fps at 4K 2.4:1 REDCODE RAW (4096 × 1728)
1-150 fps at 3K Full Format REDCODE RAW (3072 × 1620)
1-200 fps at 3K 2.4:1 REDCODE RAW (3072 × 1296)
1-240 fps at 2K Full Format REDCODE RAW (2048 × 1080)
1-300 fps at 2K 2.4:1 REDCODE RAW (2048 × 864)
1-29.97 fps at 4K ProRes 422 HQ, ProRes 422 and ProRes 422 LT (4096 × 2160)
1-120 fps at 2K ProRes 4444 XQ and ProRes 4444 (2048 × 1080)
1-120 fps at 2K ProRes 422 HQ, ProRes 422 and ProRes 422 LT (2048 × 1080)
1-29.97 fps at 4K DNxHR HQX (4096 × 2160) 12-bit
1-29.97 fps at 4K DNxHR HQ, SQ and LB (4096 × 2160) 8-bit
1-120 fps at 2K DNxHR 444 (2048 × 1080) 12-bit
1-120 fps at DNxHD 444 and HQX (1920 × 1080) 10-bit
1-120 fps at DNxHD HQ, SQ and LB (1920 × 1080) 8-bit

*** List not comprehensive, intended to show main formats only.

*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

16-bit REDCODE RAW
12-bit or 10-bit
ProRes 8-bit, 10-bit
12-bit Avid

4:4:4 or 4:2:2

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

REDCODE RAW

Dual-ISO 800 / 3200

16.5+ stops

• 16.5+ stops dynamic range • 1-300fps • Interchangeable OLPF System and Standard OLPF installed (shadow/low-light and skintone/highlight options available) • Internal ProRes 4K / 2K / HD to Mini-Mags • Internal REDCODE RAW up to 8K to Mini-Mags • Ideal for gimbal/drone usage • S35mm size Red HELIUM 35.4 Megapixel CMOS sensor • IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues

Product Highlights
- RED’s highest sensitivity sensor to date.
- Significantly increased performance in low-light situations and improved performance in shadows.
Our Kit Includes
- DSMC2 Interchangeable OLPF System
- Interchangeable DSMC2 Standard OLPF for Red Weapon (other options available per request)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Wooden Camera DSMC2 D-Box
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Weapon 8K Helium S35

RED DSMC2 8K Helium S35 Carbon Fiber

RED DSMC2 8K Helium S35 Carbon Fiber

3.3

1.50

Arri PL, Canon EF, Leica M

Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

HELIUM 35.4 Megapixel CMOS

1.90:1

RED MINI-MAG

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

4:4:4

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Yes

REDCODE RAW

800

16.5+ stops

• 16.5+ stops dynamic range • 1-40fps at 6K 17:9 • 1-60fps at 4K 17:9 • Internal REDCODE RAW HQ, MQ or LQ • S35mm size KOMODO 19.9MP Super 35mm-size Global Shutter CMOS sensor • Canon RF Mount • PL Mount adapter available • Records to CFast 2.0 media

Product Highlights
- IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.
- REDCODE RAW formats:
- 8K Full Format (8192 x 4320), 1-60fps
- 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 7K Full Format (7168 x 3780), 1-60fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 6K Full Format (6144 x 3240), 1-75fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 5K Full Format (5120 x 2700), 1-96fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 4K Full Format (4096 x 2160), 1-120fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
- 3K Full Format (3072 x 1620), 1-150fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 2K Full Format (2048 x 1080), 1-240fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)
- ProRes Record Formats:
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- 2K Apple ProRes 4444 XQ up to 120 fps
- 2K Apple ProRes 4444 up to 120 fps
- 2K Apple ProRes 422 HQ up to 120 fps
- 2K Apple ProRes 422 up to 120 fps
- 2K Apple ProRes 422 LT up to 120 fps
- Avid Record Formats:
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
Our Kit Includes
- DSMC Interchangeable OLPF System
- Interchangeable Standard OLPF for Red Weapon (other options available per request)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Element Technica W – Gold Mount Battery Module
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Komodo 6K

RED Komodo 6K S35

RED Komodo 6K S35

2.10

.95

Camera body only

Canon RF, Canon EF, Arri PL

Super 35mm

Global Shutter

KOMODO 19.9MP Super 35mm Global Shutter CMOS

1.90:1

CFast 2.0

REDCODE HQ, MQ AND LQ at 6K 17:9 (6144 X 3240) up to 40 FPS
REDCODE HQ, MQ AND LQ at 6K 2.4:1 (6144 X 2592) up to 50 FPS
REDCODE HQ, MQ AND LQ at 5K 17:9 (5120 X 2700) up to 48 FPS
REDCODE HQ, MQ AND LQ at 4K 17:9 (4096 X 2160) up to 60 FPS
REDCODE HQ, MQ AND LQ at 2K 17:9 (2048 X 1080) up to 120 FPS
PRORES 422 HQ AND PRORES 422 at 4K (4096 × 2160) up to 60 FPS
PRORES 422 HQ AND PRORES 422 at 2K (2048 × 1080) up to 120 FPS

REDCODE HQ
REDCODE MQ
REDCODE LQ
ProRes 422 HQ
ProRes 422

16-bit REDCODE RAW

4:4:4

DCI-P3
Rec. 709
Rec. 2020
REDWideGamutRGB

Yes

REDCODE RAW

800

16.5+ stops

Product Highlights
- - 19.9MP Super35 Global Shutter CMOS
  - Compact, 2.1 lb All-in-One Design
  - Canon RF Lens & ARRI CFast 2.0 Support
  - 16+ Stops Dynamic Range
  - Up to 6K40, 5K48, 4K60 & 2K120 Recording
  - REDCODE RAW HQ/MQ/LQ & Apple ProRes
  - Integrated 2.9″ 1440 x 1440 Touchscreen
  - Wireless Control & Preview via Wi-Fi
  - CFast 2.0 Card Slot; RED IPP2 Support
  - EF-to-RF Mechanical Adapter Included

Red Weapon 6K Dragon

Red Weapon 6K Dragon Carbon Fiber

Red Weapon 6K Dragon Carbon Fiber

3.35

1.52

Arri PL, Canon EF, Leica M

Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

19 megapixel APS-H DRAGON sensor

1.90:1

RED MINI-MAG

1-29.97fps –ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps –ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps — ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps — ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-82fps — 6K FF REDCODE RAW (6144 x 3160)
1-83fps — 6K HD REDCODE RAW (5568 x 3132)
1-100fps — 6K WS REDCODE RAW (6144 x 2592)
1-95fps — 5K FF REDCODE RAW (5120 x 2700)
1-119fps — 5K WS REDCODE RAW (5120 x 2160)
1-119fps — 4K FF REDCODE RAW (4096 x 2160)
1-120fps — 4K HD REDCODE RAW (3840 x 2160)
1-148fps — 4K WS REDCODE RAW (4096 x 1728)
1-239fps — 2K FF REDCODE RAW (2048 x 1080)
1-298fps — 2K WS REDCODE RAW (2048 x 864)

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

16-bit REDCODE RAW
12-bit or 10-bit ProRes

4:4:4

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Yes

REDCODE RAW

800

16.5+ stops

Full Frame • DSMC3 • 17+ stops dynamic range • 1-600fps • Fixed OLPF stack • Monstro 8K VV 35.4 Megapixel CMOS • Optimized for either 8K Large Format or 6K S35 • Integrated V-Lock battery interface optimized for Micro V-Lock Batteries • Image Processing Pipeline 2 (IPP2) • Lightweight & Compact DSMC3 Design • Canon RF Lens & CFexpress Type-B Support • Up to 8K120 17:9, 6K198 S35 & 4K240 17:9 • Right-Side Assistant’s User Interface • REDCODE Raw HQ, MQ & LQ Options • USB Type-C & Dual 12G-SDI Ports

Product Highlights
- 6K RAW (2:1, 2.4:1)
- 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
- 4.5K RAW (2.4:1)
- 4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
- 3K RAW (16:9, 2:1 and Anamorphic 2:1)
- 2K RAW (16:9, 2:1 and Anamorphic 2:1)
- 1080p RGB (16:9), 720p RGB (16:9)
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- HD Apple ProRes 4444 XQ up to 120 fps
- HD Apple ProRes 4444 up to 120 fps
- HD Apple ProRes 422 HQ up to 120 fps
- HD Apple ProRes 422 up to 120 fps
- HD Apple ProRes 422 LT up to 120 fps
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
- Project Framerates: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
Our Kit Includes
- DSMC Interchangeable OLPF System
- Interchangeable Standard OLPF for Red Weapon (other options available per request)
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Element Technica W – Gold Mount Battery Module
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Weapon 8K Monstro VV

Red RAPTOR MONSTRO VV 8K (ST White)

Red RAPTOR MONSTRO VV 8K (ST White)

1.8

Canon RF

VistaVision, Full Frame, Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

MONSTRO 35.4 Megapixel CMOS

1.90:1

RED MINI-MAG

REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps
REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps
REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps
REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps
REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps
REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps

120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)
140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)
160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)
192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)
240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)
320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)
480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)

8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x
6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x
5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1
4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1
3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1
2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
REDCODE Raw HQ, MQ & LQ Options
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

4:4:4

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm
REDWideGamutRGB and Log3G10

Yes

REDCODE RAW

17+ stops

12 stops dynamic range • 1-1950fps • Internal ProRes or RAW .Cine recording up to 4K resolution • Phantom CineMag IV recording media • 64GB of internal memory • Both Mac and Windows based software for Cine download and file conversion. • Also supports standard fps and sync sound shooting

Product Highlights
- 17+ stops
- V-RAPTOR™ 8K VV 35.4 Megapixel CMOS
- 40.96 mm x 21.60 mm (Diagonal: 46.31 mm)
- 8192 x 4320px
- Optimized for either 8K Large Format or 6K S35
- Integrated V-Lock battery interface optimized for Micro V-Lock Batteries[1]
- Image Processing Pipeline 2 (IPP2)
- Lightweight & Compact DSMC3 Design
- Canon RF Lens & CFexpress Type-B Support
- Up to 8K120 17:9, 6K198 S35 & 4K240 17:9
- Right-Side Assistant’s User Interface
- REDCODE Raw HQ, MQ & LQ Options
- USB Type-C & Dual 12G-SDI Ports
- REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps
- REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps
- REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps
- REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps
- REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps
- REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps
- 120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)
- 140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)
- 160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)
- 192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)
- 240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)
- 320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)
- 480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)
- 8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
- 7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x
- 6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x
- 5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1
- 4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1
- 3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1
- 2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1

Phantom Flex4K

Phantom Flex 4K

Phantom Flex 4K

5.90

Body and Lens Mount only

Arri PL

Super 35mm

Progressive scan shutter (less than 1ms scan time)

Electronic shutter, 5μs to 1/frame rateCan be set in degrees or microseconds (μs)

13.1 megapixel Super 35mm equivalent CMOS sensor

1.78.1 or 1.90:1

Internal 64GB RAM
Cinemag IV

up to 940 fps @ Cine Raw 4K (4096 x 2304) (to internal RAM only)
up to 1000fps @ Cine Raw 4K (4096 x 2160)
up to 1950fps @ Cine Raw 2K (2048×1080)(windowed, Super-16mm mode)

RAW .Cine

12-bit

4:4:4

Rec709
Log

Yes

Internal to 64Gb RAM or to attached Cinemag IV

250

12 stops

• 14+ stops dynamic range • 1-120fps 4K RAW • Integrated V-RAW Pure module for smaller form factor • Dual native ISOs of 800 and 5000 • Internal ND filtration

Product Highlights
- 4K resolution at up to 1,000 fps
- Also supports standard fps and sync sound frame rates
- Low noise, high dynamic range
- Robust on-camera control interface
- Multi-Channel 3G HG-SDI outputs
- CineMag IV support for raw recording
- Now Available: Audio and Apple ProRes recording options
Our Kit Includes
- 64GB Internal RAM
- PL Mount
- PL Turret Plug
- Gold-Mount Battery Plate
- Mini-BOB Breakout Box for Phantom Flex 4K
- Astro DF-3512-A OLED Viewfinder
- Viewfinder Mounting Bracket
- Top Handle
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Cine-style LWS Riser Plate
- Detachable Shoulder Pad
- Trigger Cable
- Pickle Switch (for Loop RAM Recording)
- Phantom Flex4K I/O Squid (Trigger, F-Sync, TC Out, TC In, Ready, Aux)
- (2) Capture Cables
- Cinestation IV (10GE) for Phantom Flex4K
- 24V Power Supply for CInestation IV (10GE) incl. AC Cable
- ATTO Thunderlink NT 1102 (10GBASE-T)
- Ethernet and Thunderbolt Cables for Data Transfer (per user request)
- Lenovo W520 Thinkpad 15.6″ Laptop with 2.50GHz Intel Core i7-2860QM CPU / 8GB RAM / 64-bit Windows
- Batteries, Cinemags and Additional Cinestations / Laptops for download available à la carte

Panasonic Cameras

Panasonic Varicam Pure

Panasonic Varicam Pure

11.35

5.15

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan shutter

Electronic shutter, 1 – 358 degrees

8.9 megapixel Super 35mm equivalent MOS sensor

1.90:1

Codex Capture Drive 2.0

V-RAW 1-120fps

V-RAW

(Offload to various other formats such as ProRes and DNxHD possible via Codex Production Suite software)

12-bit — V-RAW (1-60fps)
10-bit — V-RAW (60-120fps)

4:4:4 or 4:2:2

V-Log

Yes

12bit/10bit V-Log uncompressed V-RAW via V-RAW Pure recorder

5000 (or 800)

14+ stops

• 14+ stops dynamic range • 1-120fps 4K • Internal AVC-Intra recording up to 4K • Internal HD ProRes recording • External RAW via Codex V-RAW module up to 4K • Dockable recording module unit (AU-VREC1) for two-piece operation (cranes/jibs) • Dual native ISOs of 800 and 5000 • Internal ND filtration

Yes, Built-in ND6, ND1.2, ND1.8

Product Highlights
- Video captured in 4K by the VariCam 35 camera module AU-V35C1G is recorded as uncompressed V-RAW data to Codex’s Capture Drive 2.0 at up to 120 fps.
- The recorder proper is 157 mm shorter than earlier systems, making it excellent for mobile use and easier to mount on gimbals and cranes than earlier systems.
- Using Codex’s Production Suite, recorded data can be converted to a wide range of file formats including Panasonic V-RAW, Apple ProRes and Avid DNxHR. This ensures wide-ranging support for existing workflows.
Our Kit Includes
- 4K camera module (AU-V35C1)
- V-RAW 2.0 Recording module unit (AU-VCXRAW2)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Panasonic Varicam 35

Panasonic Varicam 35

11.02

5.00

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan shutter

Electronic shutter, 1 – 358 degrees

8.9 megapixel Super 35mm equivalent MOS sensor

1.90:1

expressP2 card
(for 4K and HFR recording)

microP2 card
(HD or 2K recording)

23.98, 24, 25, 29.97fps — 4K AVC-Intra4K444 (4096 × 2160)
23.98, 24, 25, 29.97fps — UHD AVC-Intra4K444 (3840 × 2160)
1-60fps — 4K AVC-Intra4K422 (4096 × 2160)
1-60fps — UHD AVC-Intra4K422 (3840 × 2160)
1-120fps — 4K AVC-Intra4K-LT (4096 × 2160)
1-120fps — UHD AVC-Intra4K-LT (3840 × 2160)
23.98, 25, 29.97fps — 2K AVC-Intra444 (2048×1080)
23.98, 25, 29.97fps — HD AVC-Intra444 (1920 X 1080)
23.98, 25, 29.97fps — 2K AVC-Intra200 (2048×1080)
23.98, 25, 29.97fps — HD AVC-Intra200 (1920 X 1080)
1-120fps — 2K AVC-Intra100 (2048×1080)
1-120fps — HD AVC-Intra100 (1920 X 1080)
1-60fps — HD ProRes 4444 (1920 X 1080)
1-120fps — HD ProRes 422HQ (1920 X 1080)

1-120fps External 4K V-RAW (4096 × 2160)
1-120fps External UHD V-RAW (3840 × 2160)
(V-RAW is 12-bit up to 30fps, 10-bit beyond 30fps)

Main Recorder: AVC-Intra4K444/AVC-Intra4K422/AVC-Intra4K-LT/AVC-Intra2K444/
AVC-Intra2K422/AVC-Intra444/AVC-Intra200/AVC-Intra100/ProRes422HQ/ProRes4444

Sub Recorder: AVC-Intra 2K422, AVC Intra 100, AVC LongG 50,
AVC LongG 25
Compression Format: H.264/AVC High Profile

12-bit — internal AVC-Intra 4K444
12-bit — external V-RAW (up to 60 fps)
10-bit — internal all other AVC-Intra formats

10-bit — external V-RAW (above 30 fps)

4:4:4 or 4:2:2

V-Log
V-709

Yes

Yes, with Codex V-RAW Recorder module add-on (additional cost)
Cinema 4K or UHD Uncompressed up to 120 fps
Record to Codex Capture Drive 2.0
12-bit up to 30 fps, 10-bit beyond 30 fps

5000 (or 800)

14+ stops

• 14+ stops dynamic range • 1-60fps 4K • Internal AVC-Intra recording up to 4K • Arri PL or Canon EF mount options avail. • Internal HD ProRes Recording • External RAW over SDI coming summer 2016 via firmware upgrade • Dual native ISOs of 800 and 5000 • Internal ND filtration

Yes, Built-in ND6, ND1.2, ND1.8

Product Highlights
- AVC-Intra Codecs — Class 100 / Class 200 / Class 4:4:4
- Dual Codec Recording — Simultaneously records in two different formats, codecs and selectable from V-log/V-709/Grading
- Encodes high-resolution proxy files in parallel with 4K and 2K production formats, enabling fast, efficient offline editing, at bit rates from 6 Mbps down to 1.5Mbps.
- Variable speed 4K recording up to 120fps.
- 3G-HD-SDI x4 for 4K QUAD output
- 3G-HD-SDI x2 for RAW output
- HD-SDI out for monitoring (down-converting from 4K)
- Dockable recording module unit (AU-VREC1) (also interchangeable with Panasonic’s new 2/3” camera module unit (AU-V23HS1))
- Camera head can be operated seperately from recorder via external umbilical cable, similar to Alexa-M for crane / jib needs.
- Support for an Academy Color Encoding System (ACES) workflow.
- Newly-developed OLED electronic viewfinder (EVF) with optical zoom functionality.
Our Kit Includes
- 4K camera module (AU-V35C1)
- Recording module unit (AU-VREC1)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Panasonic Varicam LT

Panasonic Varicam LT

5.95

2.70

Body, Lens Mount, Record Module only

Arri PL, Canon EF

Super 35mm

Progressive scan shutter

Electronic shutter, 1 – 358 degrees

8.9 megapixel Super 35mm equivalent MOS sensor

1.90:1

expressP2 card

1-30fps — 4K AVC-Intra4K422 (4096 × 2160)
1-30fps — UHD AVC-Intra4K422 (3840 × 2160)
1-60fps — 4K AVC-Intra4K-LT (4096 × 2160)
1-60fps — UHD AVC-Intra4K-LT (3840 × 2160)
23.98, 25, 29.97fps — 2K AVC-Intra444 (2048×1080)
23.98, 25, 29.97fps — HD AVC-Intra444 (1920 X 1080)
1-60fps — 2K AVC-Intra422 (2048×1080)
1-120fps (cropped) — 2K AVC-Intra422 (2048×1080)
1-60fps — HD AVC-Intra422 (1920 X 1080)
1-120fps (cropped) — HD AVC-Intra422 (1920 X 1080)
50i/59.94i — HD AVC-Intra100 (1920 X 1080)
1-120fps — AVC-Intra 2K-LT (2048×1080)
1-240fps (cropped) — AVC-Intra 2K-LT (2048×1080)
1-120fps — HD AVC-IntraLT (1920×1080 )
1-240fps (cropped) — HD AVC-IntraLT (1920×1080 )
2-30fps — HD ProRes 4444 (1920 X 1080)
2-60fps — HD ProRes 422HQ (1920 X 1080)
Up to 60p AVC-Proxy G6

AVC-Intra4K422
AVC-Intra4K-LT
AVC-Intra2K444
AVC-Intra2K422
AVC-Intra444
AVC-Intra422
AVC-Intra100
ProRes422HQ
ProRes4444
AVC-Proxy G6

12-bit — internal AVC-Intra 4K444
10-bit — internal all other AVC-Intra formats

4:4:4 or 4:2:2

V-Log
V-LOOK
V-709

Yes, via planned firmware upgrade summer 2016

Via SDI out, Convergent Design Odyssey 7Q recorders will support new Varicam LT RAW format

5000 (or 800)

14+ stops

• 11+ stops dynamic range • 1-30fps • Internal Full HD 1080p DVCPRO HD or AVC-Intra recording • 2/3" CCD image sensor • Internal ND filtration

Yes, Built-in ND6, ND1.2, ND1.8

Product Highlights
- Same 4K Sensor as the VariCam 35
- 14+ Stops of Dynamic Range
- Dual ISO: 800 and 5000
- Removable Canon EF or PL Mount Option ($1,300)
- 4K-UHD — AVC-Intra 4K422: up to 30p
- 4K-UHD — AVC-Intra 4K-LT: 30p to 60p
- 2K — AVC-Intra 2K444: up to 30p, AVC-Intra 2K422: up to 60p, up to 120p (cropped), AVC-Intra 2K-LT: 120p to 240p (cropped)
- HD — AVC-Intra444: up to 30p, AVC-Intra422: up to 60p, up to 120p (cropped), AVC-Intra100: 50i/59.94i, AVC-IntraLT: 120p to 240p (cropped)
- HD ProRes: 4444 up to 30p, ProRes 422HQ up to 60p
- One expressP2 card Slot
- SD Slot for Proxies — AVC-Proxy G6 (6Mbps): up to 60p
- RAW Output from SDI Coming in Summer 2016
- ND filters (CLEAR, 0.6, 1.2, 1.8)
- 256GB expressP2 card — 90 minutes of 4K/4:2:2/23.98p content
- Power Consumption: 47 W (body only), 77 W with all ports maxed out
Our Kit Includes
- AU-VCVF10 Viewfinder for VariCam LT
- AU-VGRP1 Grip Module for VariCam LT
- AU-VMPL1 PL Mount Adapter for VariCam LT
- (2) AU-XP0256AG 256GB expressP2 Memory Cards
- AU-XPD1 AU-XPD1 P2 Memory Card Drive
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Panasonic AJ-HPX3700

Panasonic AJ-HPX3700

10.8

4.90

Body only, no VF

2/3″

Progressive scan, rolling shutter

Electronic Shutter, 7 speeds up to a maximum of 1/2000.

2.2 Megapixel 2/3 Type 3CCD

1.78:1

P2 Cards

1-30fps variable

24p, 25p, 30p, 50i, 60i (1920 x 1080)
24p, 25p, 30p, 50i, 60i (1280 x 720)

DVCPRO HD
AVC-Intra 100
AVC-Intra 50

10-bit

4:4:4

HD
SD
FILMLIKE1
FILMLIKE2
FILMLIKE3
FILM-REC
VIDEO-REC

11+ stops

12 stops dynamic range • 1-25fps • Internal 2K or 1080p HD CinemaDNG RAW recording • Interchangeable lens mounts (C-Mount / Canon EF / Arri PL) • Super 16mm size CCD global shutter image sensor • Flat "Film" gamma option • Records to Dual CF card slots or Internal (Non-Removable) Enterprise SSD • Arri PL to C-Mount Adapter Available

Yes, built-in 0.6, 1.2, 1.8

Our Kit Includes
- AJ-HVF21G B/W Viewfinder
- B4 Turret Plug
- Onboard Microphone
- Microphone Jumper Cable
- LWS Triangle Plate
- ENG Quick Release Plate
- 15mm Prime Rods
- Raincover
- Thermodyne Shipping Case
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Digital Bolex Cameras

Digital Bolex D16 Cinema Camera

Digital Bolex D16 Cinema Camera

2.27

Body only

C-Mount, Micro 4/3, Arri PL

Super 16mm

Global shutter

Electronic Shutter, 1/25 – 1/500

Super16mm size Kodak 1″ Truesense CCD

1.78:1

Dual CF card slots, Internal 256GB or 500GB Enterprise SSD

23.98, 24, 25 fps — Adobe CinemaDNG RAW (2048 x 1152)
23.98, 24, 25 fps — Adobe CinemaDNG RAW (1920 x 1080)

Adobe CinemaDNG RAW

12-bit

4:4:4

Yes

12-bit Adobe Cinema DNG (RAW)

400

12 stops

36.2 x 24.1mm Full Frame Sensor • 6K X-OCN 16-bit ST/LT RAW up to 60 fps in 3:2 mode (to AXS-R7 recorder) • 4K uncompressed linear 16-bit RAW up to 110fps in Cinema 4K (to AXS-R7 recorder) • Internal XAVC up to 4K (to SxS Pro +) • 4K S35 Window modes for 17:9 (up to 110fps) and 4:3 (up to 75fps) • HFR Mode: 120fps at 4K 2.39:1, 60fps at 6K 3:2, 110fps at 4K 17:9, 75fps at 4K 4:3 anamorphic • 2.0x squeeze Anamorphic in Super 35mm 4:3 mode • 1.25x, 1.3x, 1.5x, 1.8x, 2.0x Anamorphic Desqueeze in Full Frame Anamorphic 6K 3:2 mode • 8-Step, 8-Stop Internal NDs (.3 - 2.4) • 15+ Stops of Exposure Latitude • native ISO 500 • S-Log3 gamma option

Product Highlights
- Super16mm Truesense CCD (Color or Monochrome)
- Dual 24-bit 96kHz audio recording capability
- Records 12-bit Adobe Cinema DNG (RAW)
- Ports: HDMI, USB 3.0, Dual Audio XLR, 4-PIN XLR, ⅛ video, headphone
- Dual CF card slots
- Internal (Non-Removable) Enterprise SSD
Our Kit Includes
- C-Mount Interchangeable Lens Mount
- C-Mount Turret Plug
- Power Supply
- User Manual
- Pistol Grip
- Arri PL to C-Mount Adapter + additional Accessories and Media available à la carte.

Sony Cameras

Sony VENICE

Sony VENICE

8.625

3.91

Body, R7 recorder and Lens Mount only

Arri PL, Sony E

Full Frame, Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5.6° to 360°

24.8 megapixel Full Frame single-chip CMOS sensor

3:2
4:3
6:5
16:9
17:9
1.85:1
2.39:1

SxS Pro
(for 4K XAVC or HD ProRes recording)

AXSM A Series 4.8 Gb/s Memory Card to attached R7 recorder
(for RAW and X-OCN recording)

X-OCN XT (to AXS-R7)

1-30FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-60FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

X-OCN ST/LT (to AXS-R7)

1-60FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-75FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

RAW SQ (to AXS-R7)

1-110FPS /// 4K 17:9 (4096 x 2160)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

XAVC (to SxS Pro +)

1-30FPS /// XAVC 4K Class480

1-60FPS /// XAVC 4K Class300

1-30FPS /// XAVC QFHD Class480

1-60FPS /// XAVC QFHD Class300

ProRes (to SxS Pro +)

1-60FPS /// HD ProRes 422HQ

1-60FPS /// HD ProRes 422

1-60FPS /// HD ProRes 422 Proxy

MPEG HD422 (to SxS Pro +)

1-60FPS /// MPEG HD422(1920×1080)

6K / 4K X-OCN XT compressed RAW
6K / 4K X-OCN ST compressed RAW
6K / 4K X-OCN LT compressed RAW
4K Uncompressed RAW
4K XAVC Class480
4K XAVC Class300
HD ProRes 422HQ
HD ProRes 422
HD ProRes 422 Proxy
MPEG HD422

16-bit
10-bit

4:4:4 or 4:2:2

S-Gamut3.Cine / Slog3

Yes

6K X-OCN XT 16-bit linear RAW to Sony AXS A series memory cards (using attached R7 recorder)

500

15+ stops

Extend camera sensor up to 18' Away using Rialto extension • 36.2 x 24.1mm Full Frame Sensor • 6K X-OCN 16-bit ST/LT RAW up to 60 fps in 3:2 mode (to AXS-R7 recorder) • 4K uncompressed linear 16-bit RAW up to 110fps in Cinema 4K (to AXS-R7 recorder) • Internal XAVC up to 4K (to SxS Pro +) • 4K S35 Window modes for 17:9 (up to 110fps) and 4:3 (up to 75fps) • HFR Mode: 120fps at 4K 2.39:1, 60fps at 6K 3:2, 110fps at 4K 17:9, 75fps at 4K 4:3 anamorphic • 2.0x squeeze Anamorphic in Super 35mm 4:3 mode • 1.25x, 1.3x, 1.5x, 1.8x, 2.0x Anamorphic Desqueeze in Full Frame Anamorphic 6K 3:2 mode • 8-Step, 8-Stop Internal NDs (.3 - 2.4) • 15+ Stops of Exposure Latitude • native ISO 500 • S-Log3 gamma option

Yes, built-in 8-position optical ND: 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4

Product Highlights
- 36.2 x 24.1mm Full Frame Sensor
- 6K X-OCN 16-bit ST/LT RAW up to 60 fps in 3:2 mode (to AXS-R7 recorder)
- 4K uncompressed linear 16-bit RAW up to 110fps in Cinema 4K (to AXS-R7 recorder)
- Internal XAVC up to 4K (to SxS Pro +)
- 4K S35 Window modes for 17:9 (up to 110fps) and 4:3 (up to 75fps)
- HFR Mode: 120fps at 4K 2.39:1, 60fps at 6K 3:2, 110fps at 4K 17:9, 75fps at 4K 4:3 anamorphic
- 2.0x squeeze Anamorphic in Super 35mm 4:3 mode
- 1.25x, 1.3x, 1.5x, 1.8x, 2.0x Anamorphic Desqueeze in Full Frame Anamorphic 6K 3:2 mode
- 8-Step, 8-Stop Internal NDs (.3 – 2.4)
- 15+ Stops of Exposure Latitude
- native ISO 500 • S-Log3 gamma option
Our Kit Includes
- Anamorphic, Full Frame Licenses, High Frame Rate License
- Sony Full Frame Sensor Assembly
- Sony Mount Option: Arri PL (Venice)
- Turret Plug for Sony Venice PL Mount
- Sony AXS-R7 Onboard Recorder (Sony Venice/F55/F5)
- SD Card for Camera Settings
- Wooden Camera Gold Mount D-Box for Sony Venice
- Sony DVF-EL200 0.7″ OLED HD EVF for Sony Venice or F55/F5
- Viewfinder Mounting Bracket for Sony Venice (incl. 2x 15mm 4″ rods)
- Sony Venice Viewfinder Cable: 22″ Right 26pLEMOm to 26pLEMOm
- Sony Venice Viewfinder Cable: 48″ Right 26pLEMOm to 26pLEMOm
- Standard Top Handle for Sony Venice
- Viewfinder Extension Bracket
- EL-3 Eyepiece Leveler
- Wooden Camera A-Box (Sony Venice)
- Arri BPA-5 Bridgeplate Adapter
- Arri Sliding LWS Dovetail Plate For Sony Venice
- BP-8 Baseplate 19mm
- 12″ Camera Dovetail
- (2) Power Adapter Cables: 12v 4pXLRf to 4pXLRm
- 12v Power Supply for Sony Venice
- A&J Hard Case
- Additional Accessories, Media and Card Readers available à la carte.

Sony VENICE w/ Rialto Extension System

Sony VENICE w/ Rialto Extension System

4.19

1.90

Rialto Sensor Block and PL mount only

Arri PL, Sony E

Full Frame, Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5.6° to 360°

24.8 megapixel Full Frame single-chip CMOS sensor

3:2
4:3
6:5
16:9
17:9
1.85:1
2.39:1

SxS Pro
(for 4K XAVC or HD ProRes recording)

AXSM A Series 4.8 Gb/s Memory Card to attached R7 recorder
(for RAW and X-OCN recording)

X-OCN XT (to AXS-R7)

1-30FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-60FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

X-OCN ST/LT (to AXS-R7)

1-60FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-75FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

RAW SQ (to AXS-R7)

1-110FPS /// 4K 17:9 (4096 x 2160)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

XAVC (to SxS Pro +)

1-30FPS /// XAVC 4K Class480

1-60FPS /// XAVC 4K Class300

1-30FPS /// XAVC QFHD Class480

1-60FPS /// XAVC QFHD Class300

ProRes (to SxS Pro +)

1-60FPS /// HD ProRes 422HQ

1-60FPS /// HD ProRes 422

1-60FPS /// HD ProRes 422 Proxy

MPEG HD422 (to SxS Pro +)

1-60FPS /// MPEG HD422(1920×1080)

6K / 4K X-OCN XT compressed RAW
6K / 4K X-OCN ST compressed RAW
6K / 4K X-OCN LT compressed RAW
4K Uncompressed RAW
4K XAVC Class 480
4K XAVC Class 300
HD ProRes 422HQ
HD ProRes 422
HD ProRes 422 Proxy
MPEG HD422

16-bit
10-bit

4:4:4 or 4:2:2

S-Gamut3.Cine / Slog3

Yes

6K X-OCN XT 16-bit linear RAW to Sony AXS A series memory cards (using attached R7 recorder)

500

15+ stops

14+ stops dynamic range • 1-24fps Full Frame 6K • 1-60fps Super 35mm 4K • Internal 4:2:2 10-bit recording • Native Leica L Mount • Dual native ISOs of 640 and 4000 in V-Log • 5-axis Sensor-Shift IBIS • Raw video output over HDMI in resolutions up to 5.9K at 29.97 fps or DCI 4K at 59.94 fps

Yes, built-in 8-position optical ND: 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4

Product Highlights
- Extend camera sensor up to 18′ Away using Rialto extension
- 36.2 x 24.1mm Full Frame Sensor
- 6K X-OCN 16-bit ST/LT RAW up to 60 fps in 3:2 mode (to AXS-R7 recorder)
- 4K uncompressed linear 16-bit RAW up to 110fps in Cinema 4K (to AXS-R7 recorder)
- Internal XAVC up to 4K (to SxS Pro +)
- 4K S35 Window modes for 17:9 (up to 110fps) and 4:3 (up to 75fps)
- HFR Mode: 120fps at 4K 2.39:1, 60fps at 6K 3:2, 110fps at 4K 17:9, 75fps at 4K 4:3 anamorphic
- 2.0x squeeze Anamorphic in Super 35mm 4:3 mode
- 1.25x, 1.3x, 1.5x, 1.8x, 2.0x Anamorphic Desqueeze in Full Frame Anamorphic 6K 3:2 mode
- 8-Step, 8-Stop Internal NDs (.3 – 2.4)
- 15+ Stops of Exposure Latitude
- native ISO 500 • S-Log3 gamma option
Our Kit Includes
- Sony Venice RIALTO Extension System incl. 9′ Cable
- Sony Venice RIALTO 9′ Extension Cable (m to f)
- Anamorphic, Full Frame Licenses
- Sony Full Frame Sensor Assembly
- Sony Mount Option: Arri PL (Venice)
- Turret Plug for Sony Venice PL Mount
- Sony AXS-R7 Onboard Recorder (Sony Venice/F55/F5)
- SD Card for Camera Settings
- Wooden Camera Gold Mount D-Box for Sony Venice
- Sony DVF-EL200 0.7″ OLED HD EVF for Sony Venice or F55/F5
- Viewfinder Mounting Bracket for Sony Venice (incl. 2x 15mm 4″ rods)
- Sony Venice Viewfinder Cable: 22″ Right 26pLEMOm to 26pLEMOm
- Sony Venice Viewfinder Cable: 48″ Right 26pLEMOm to 26pLEMOm
- Standard Top Handle for Sony Venice
- Viewfinder Extension Bracket
- EL-3 Eyepiece Leveler
- Wooden Camera A-Box (Sony Venice)
- Arri BPA-5 Bridgeplate Adapter
- Arri Sliding LWS Dovetail Plate For Sony Venice
- BP-8 Baseplate 19mm
- 12″ Camera Dovetail
- (2) Power Adapter Cables: 12v 4pXLRf to 4pXLRm
- 12v Power Supply for Sony Venice
- A&J Hard Case
- Additional Accessories, Media and Card Readers available à la carte.

Panasonic Cameras

Panasonic S1H Mirrorless Digital Camera

Panasonic S1H Mirrorless Digital Camera

2.56

1.16

Body, Battery, Memory Card

Leica L, Arri PL, Canon EF

Full Frame

Rolling Shutter, 29.7ms in 6K 3:2 mode, 24.2ms in 4K DCI mode

Electronic shutter, 1/16000 to 1/125 Second in Movie Mode, Mechanical shutter 1/8000 to 60 sec in Photography mode

24.20 megapixel 35mm full-frame (35.6mm x 23.8mm) CMOS sensor

3:2, 1.90:1, 16:9

SDHC/SDXC UHS-I/UHS-II UHS Speed Class 3
SDHC/SDXC UHS-II Video Speed Class 90

Internal // MOV/H.265 4:2:0 10-Bit
- 6K 3:2 (5952 x 3968) at 23.976p/24.00p [200 Mb/s]
- 5.4K 3:2 (5376 x 3584) at 25p/29.97p [200 Mb/s]
- 5.9K (5888 x 3312) at 23.976p/24.00p/25p/29.97p [200 Mb/s]
- DCI 4K (4096 x 2160) at 47.95p/48.00p/50p/59.94p [200 Mb/s]
- UHD 4K (3840 x 2160) at 47.95p/48.00p/50p/59.94p [200 Mb/s]
- 4K Anamorphic (3328 x 2496) at 47.95p/48.00p/50p [200 Mb/s]
- Full HD (1920 x 1080) at 47.95p/48.00p/100p/119.88p [100 to 150 Mb/s]
Internal // MOV/H.264 4:2:2 10-Bit
- DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
- UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
- 4K Anamorphic (3328 x 2496) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
- Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50i/50p/59.94i/59.94p [50 to 200 Mb/s]
Internal // MOV/H.264 4:2:0 8-Bit
- DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
- UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
- 4K Anamorphic (3328 x 2496) at 23.976p/24.00p/25p/29.97p/50p [100 to 150 Mb/s]
- Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 Mb/s]
External // 12-bit ProRes RAW 4:2:2 10-Bit (requires HDMI recorder)
- DCI 4K (4096 x 2160) up to 24.00p/50p/59.94p
- UHD 4K (3840 x 2160) up to 24.00p/50p/59.94p
Internal // MP4/H.265 4:2:0 10-Bit
- UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [72 to 100 Mb/s]
Internal // MP4/H.264 4:2:0 8-Bit
- UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [100 Mb/s]
  Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [20 to 28 Mb/s]
Internal // AVCHD 4:2:0 8-Bit
- Full HD (1920 x 1080) at 23.976p/50i/50p/59.94i/59.94p [17 to 28 Mb/s]

MOV/H.265 4:2:0 10-Bit
MOV/H.264 4:2:2 10-Bit
MOV/H.264 4:2:0 8-Bit
MP4/H.265 4:2:0 10-Bit
MP4/H.264 4:2:0 8-Bit
AVCHD 4:2:0 8-Bit
ProRes RAW (via external recorder)

4:2:2 10-bit, 4:2:0 10-bit or 4:2:0 8-bit internal
4:2:2 12-bit external ProRes RAW via HDMI

4:2:2 or 4:2:0

V-Log
Cinelike D2
Cinelike V2
Like 709
HLG

Yes, via external HDMI recorder (12-bit ProRes RAW)

640 (or 4000)

PMW-F55 • 14 stops dynamic range • 1-240fps • 16-bit linear 4K RAW up to 120fps using incl. R7 recorder (available upon request) • new X-OCN compressed RAW format for smaller file sizes available • Internal XAVC Class480 up to 4K • Internal ProRes HD (with optional license) • 16-bit linear 2K RAW up to 240fps • Internal ND filtration • Global shutter • High native ISO of 1250 • S-Log3 gamma option • S-Gamut3Cine color

14+ stops

Product Highlights
- 14+ stops dynamic range
- 1-24fps Full Frame 6K
- 1-60fps Super 35mm 4K
- Internal 4:2:2 10-bit recording
- Native Leica L Mount
- Dual native ISOs of 640 and 4000 in V-Log
- 5-axis Sensor-Shift IBIS
- Raw video output over HDMI in resolutions up to 5.9K at 29.97 fps or DCI 4K at 59.94 fps
Our Kit Includes
- Tilta Full Cage for S1H
- (4) Panasonic DMW-BLJ31 Rechargeable Lithium-Ion Battery (7.2V, 3100mAh) (f/ S1H)
- (4) Panasonic DMW-BTC14 Battery Charger (f/ Panasonic S1H)
- DMW-DCC16 Coupler for Panasonic S1H (incl. DMW-BLJ31 dummy battery)
- DMW-DCC16 Coupler to P-Tap Cable (w/ Regulator)
- A.B. Flat Gold Mount Battery Plate
- Arri PL and Canon EF adapters available upon request.
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Sony Cameras

Sony F55

Sony F55

7.28

3.30

Body, R7 recorder and Lens Mount only

Arri PL, Sony FZ, Nikon G, Leica M, Leica R

Super 35mm

Global shutter

Electronic shutter, 4.2° to 359.7°

11.6 megapixel S35mm equivalent single-chip, Bayer pattern CMOS sensor

1.90:1

SxS Pro +

AXSM A Series 4.8 Gb/s Memory Card (for use w/ R7 recorder up to 120fps)

RAW RECORD MODES:
Cinema 4K RAW (4096 X 2160) — 1-120fps
Cinema 4K X-OCN (4096 X 2160) — 1-120fps
2K RAW (2048×1080) — 1-240fps
2K X-OCN (2048×1080) — 1-240fps

SXS PRO+ STANDARD RECORD MODES:
XAVC 4K Class480 (4096 X 2160) — 23.98p, 25p, 29.97p
XAVC 4K Class300 (4096 X 2160) — 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC UHD Class480 (3840 X 2160) — 23.98p, 25p, 29.97p
XAVC UHD Class300 (3840 X 2160) — 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC 2K (2048×1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC HD (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
ProRes 444 1080p (1920 X 1080) — 23.98p, 25p, 29.97p
ProRes 422 HQ 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
ProRes 422 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
DNxHD 220x 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
DNxHD 145 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p

SXS PRO+ S&Q RECORD MODES:
XAVC 4K Class300 (4096 X 2160) — 1-60fps (NTSC)
XAVC UHD Class300 (3840 X 2160) — 1-60fps (NTSC)
XAVC 2K (2048×1080) — 1-180fps (NTSC)
XAVC HD (1920 X 1080) — 1-60fps (NTSC)

Cinema 4K X-OCN compressed RAW 16-bit
Cinema 4K RAW 16-bit
Cinema 2K X-OCN compressed RAW 16-bit
Cinema 2K RAW 16-bit
XAVC HD 422 10-bit 10-bit
XAVC 2K 422 10-bit 10-bit
XAVC QFHD Class480 10-bit
XAVC QFHD Class300 10-bit
XAVC 4K Class480 10-bit
XAVC 4K Class300 10-bit
SR 422 10-bit
SR 444 10-bit
ProRes 444 12-bit
ProRes 422 HQ 10-bit
ProRes 422 10-bit
Avid DNxHD 220x 10-bit
Avid DNxHD 145 8-bit
MPEG2 422 HD 1080p 8-bit

16-bit
12-bit
10-bit

4:4:4 or 4:2:2

S-Log 3
S-Log 2
STD1 DVW
STD2 ×4.5
STD3 ×3.5
STD4 240M
STD5 R709
STD6 ×5.0
HG1 3250G36
HG2 4600G30
HG3 3259G40
HG4 4609G33
HG7 8009G40
HG8 8009G33

Yes

4K or 2K 16-bit linear RAW to Sony AXS memory cards

1250

14 stops

Compact but robust form for Cage-Free Operation • Detachable 2 x XLR/TRS Adapter Handle • Dual CFexpress Type A/SDXC Card Slots • 15+ Stops DR • 1-120fps UHD 4K • Native ISO 640 in S-Log 3 • Full Frame image sensor • Internal H.265/XAVC HS 4:2:2 10-Bit UHD 4K 24p,60p,120p Video, 10-Bit 4:2:2 • 16-Bit 4.2K Raw ProRes RAW Output • S-Cinetone color profile • 5-Axis SteadyShot Image Stabilization • 759-Point Fast Hybrid AF • 9.44m-Dot QXGA OLED EVF • Records to CFexpress Type A or SDXC V90 or higher

Yes, built-in 0.9 or 1.8

Product Highlights
- 1-240fps
- 16-bit linear 2K RAW up to 240fps
- 16-bit linear 4K RAW up to 120fps
- Internal XAVC up to 4K
- Internal ProRes up to 4K (with optional license)
- Internal ND filtration
- Global shutter
- High native ISO of 1250
- S-Log3 gamma option
Our Kit Includes
- F55 Pro Adapter Module
- Audio Adapter for Sony F55 Camera Body
- Sony DVF-EL100 0.7″ OLED HD EVF
- Viewfinder Adapter Bracket for Sony F55 (Arri, K2.66248.0)
- 1′ EVF Cable for Sony DVF-EL100
- 3′ EVF Cable for Sony DVF-EL100
- Arri Viewfinder Plug Protector for Sony F55 (K2.66251.0)
- Arri PL to Sony FZ Mount Adapter for Sony F55/F5
- PL Turret Plug
- LWS Riser Plate for Sony F55 (Arri, K2.66246.0)
- Top Cheeseplate for Sony F55 (Arri, K2.66247.0)
- AMH-1 Top Camera Handle for Sony F55 (Arri, K2.73002.0)
- Shoulder Pad for Sony F55 (Arri, K2.66249.0)
- Anton Bauer QRC-4K-S Battery Plate for Sony F5/F55
- USB WiFi Adapter for Sony F55 Camera Body (IFU-WLM3)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- AXS-R7 Recording Module available à la carte.
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Sony FX3 Mirrorless Digital Cinema Camera

Sony FX3 Mirrorless Digital Cinema Camera

1.54

0.69

Sony E-Mount, Arri PL, Canon EF

Full Frame

Progessive scan, rolling shutter, 8.7ms delay in Full Frame mode

Mechanical or Electronic shutter, 1/8000 to 1/4 sec in Movie Mode

Full Frame, effective 12.1 megapixel Exmor R BSI CMOS Sensor

3:2

SDXC Card, UHS-I U3, Class 10 or above

H.265/XAVC HS 4:2:2 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [50 to 280 Mb/s]

H.265/XAVC HS 4:2:0 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [30 to 200 Mb/s]

H.264/XAVC S-I 4:2:2 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [89 to 222 Mb/s]

H.264/XAVC S 4:2:2 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [100 to 280 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 Mb/s]

H.264/XAVC S 4:2:0 8-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [60 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [16 to 100 Mb/s]

H.265/XAVC HS 4:2:2 10-Bit
H.265/XAVC HS 4:2:0 10-Bit
H.264/XAVC S-I 4:2:2 10-Bit
H.264/XAVC S 4:2:2 10-Bit
H.264/XAVC S 4:2:0 8-Bit
(External via HDMI) Raw 16-Bit

10-bit internal, 16-bit external

4:2:2

S-Cinetone // S-Log 3 // S-Log 2

ProRes RAW, via external recorder, 4.2K (4264 x 2408) up to 59.94p

640

15+ stops

1-120fps UHD 4K • Native ISO 640 in S-Log 3 • Full Frame image sensor • Internal H.265/XAVC HS 4:2:2 10-Bit UHD 4K 24p,60p,120p Video, 10-Bit 4:2:2 • 16-Bit 4.2K Raw ProRes RAW Output • S-Cinetone color profile • 5-Axis SteadyShot Image Stabilization • 759-Point Fast Hybrid AF • 9.44m-Dot QXGA OLED EVF • Records to CFexpress Type A or SDXC V90 or higher

Product Highlights
- Compact Form for Cage-Free Operation
- Cooling fans for longer record times
- Detachable 2 x XLR/TRS Adapter Handle
- Tally lamp
- Zoom lever built-in to control FE PZ 28-135mm f/4 or FE C 16-35mm T3.1 lenses
- Dual CFexpress Type A/SDXC Card Slots
- 15+ Stops DR
- 1-120fps UHD 4K
- Native ISO 640 in S-Log 3
- Full Frame image sensor
- Internal H.265/XAVC HS 4:2:2 10-Bit UHD 4K 24p,60p,120p Video, 10-Bit 4:2:2
- 16-Bit 4.2K Raw ProRes RAW Output
- new S-Cinetone color profile
- 5-Axis SteadyShot Image Stabilization
- 759-Point Fast Hybrid AF
- 9.44m-Dot QXGA OLED EVF
- Records to CFexpress Type A or SDXC V90 or higher
Our Kit Includes
- Sony Alpha FX3 Mirrorless Digital Camera (Full Frame, 4K) (Sony E-Mount) (Other Mounts Avail.)
- Sony MRW-G2 CFexpress Type A / SD Memory Card Reader (for a7S III)
- Cable: 12″ (Type C to Type C)
- USB 3.0 Cable: 12″ (Type A to Type C)
- Sony BC-QZ1 Battery Charger for NP-FZ100 Batteries (a7S III) (Z-Series)
- Sony NP-FZ100 Rechargeable Lithium-Ion Battery 2280mAH (for a7S III) (Z-Series)
- AC Power Supply for Sony a7S III with NP-FZ100 Dummy Battery (Indipro)
- 24-36″ Coiled P-Tap to Sony NP-FZ100 Dummy Battery (f/ Sony a7S III) (Indipro)
- SmallRig Cage for Sony FX3 Cinema Camera 3277
- SmallRig Universal 15mm LWS Support Baseplate with Quick Release Plate for A7S III
- Mini Quick Release NATO Rail (2″) for Sony a7s III Cage (Smallrig)
- Nato Top Handle for Sony a7S/FX3 Cage (Smallrig)
- Additional E-Mount adapters for PL/EF as well as media available à la carte.

Sony Alpha a7S III Mirrorless Digital Camera

Sony Alpha a7S III Mirrorless Digital Camera

1.54

0.69

Sony E-Mount, Arri PL, Canon EF

Full Frame

Progessive scan, rolling shutter, 8.7ms delay in Full Frame mode

Mechanical or Electronic shutter, 1/8000 to 1/4 sec in Movie Mode

Full Frame, effective 12.1 megapixel Exmor R BSI CMOS Sensor

3:2

SDXC Card, UHS-I U3, Class 10 or above

H.265/XAVC HS 4:2:2 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [50 to 280 Mb/s]

H.265/XAVC HS 4:2:0 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [30 to 200 Mb/s]

H.264/XAVC S-I 4:2:2 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [89 to 222 Mb/s]

H.264/XAVC S 4:2:2 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [100 to 280 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 Mb/s]

H.264/XAVC S 4:2:0 8-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [60 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [16 to 100 Mb/s]

H.265/XAVC HS 4:2:2 10-Bit
H.265/XAVC HS 4:2:0 10-Bit
H.264/XAVC S-I 4:2:2 10-Bit
H.264/XAVC S 4:2:2 10-Bit
H.264/XAVC S 4:2:0 8-Bit
(External via HDMI) Raw 16-Bit

10-bit internal, 16-bit external

4:2:2

S-Cinetone // S-Log 3 // S-Log 2

ProRes RAW, via external recorder, 4.2K (4264 x 2408) up to 59.94p

640

15+ stops

• 12.5 stops of dynamic range • 1-30fps 4K • 1-120fps in FHD • Dual ISO of 100 and 3200 • Full Frame image sensor • Internal H264 or CinemaDNG 8-bit or 10-bit to SDXC • External CinemaDNG 12-bit to SSD • ProRes RAW or Blackmagic RAW recording possible w/ external recorder • World's smallest and lightest full-frame camera • Director's Viewfinder mode ideal for Alexa LF, Alexa Mini LF, Alexa Mini, Red Helium 8K, Red Gemini 5K or Sony Venice in 4K S35mm mode

Product Highlights
- 1-120fps UHD 4K
- Native ISO 640 in S-Log 3
- Full Frame image sensor
- Internal H.265/XAVC HS 4:2:2 10-Bit UHD 4K 24p,60p,120p Video, 10-Bit 4:2:2
- 16-Bit 4.2K Raw ProRes RAW Output
- new S-Cinetone color profile
- 5-Axis SteadyShot Image Stabilization
- 759-Point Fast Hybrid AF
- 9.44m-Dot QXGA OLED EVF
- Records to CFexpress Type A or SDXC V90 or higher
Our Kit Includes
- Sony Alpha a7S III Mirrorless Digital Camera (Full Frame, 4K) (Sony E-Mount) (Other Mounts Avail.)
- Sony MRW-G2 CFexpress Type A / SD Memory Card Reader (for a7S III)
- Cable: 12″ (Type C to Type C)
- USB 3.0 Cable: 12″ (Type A to Type C)
- Sony BC-QZ1 Battery Charger for NP-FZ100 Batteries (a7S III) (Z-Series)
- Sony NP-FZ100 Rechargeable Lithium-Ion Battery 2280mAH (for a7S III) (Z-Series)
- AC Power Supply for Sony a7S III with NP-FZ100 Dummy Battery (Indipro)
- 24-36″ Coiled P-Tap to Sony NP-FZ100 Dummy Battery (f/ Sony a7S III) (Indipro)
- Full Cage for Sony a7S III (Smallrig)
- SmallRig Universal 15mm LWS Support Baseplate with Quick Release Plate for A7S III
- Mini Quick Release NATO Rail (2″) for Sony a7s III Cage (Smallrig)
- Nato Top Handle for Sony a7S III Cage (Smallrig)
- Additional E-Mount adapters for PL/EF as well as media available à la carte.

Sigma Cameras

Sigma fp Mirrorless Digital Camera (w/ Director's Viewfinder Mode)

Sigma fp Mirrorless Digital Camera (w/ Director's Viewfinder Mode)

.93

.422

Camera, Battery, SD Card

Leica L, Arri PL. Canon EF

Full Frame

Progressive scan, rolling shutter, 20.8ms delay in Full Frame mode

Electronic shutter, 30 – 1/8,000sec., Bulb (5 minutes max)

Full Frame (35.9mm x 23.9mm) Back-illuminated Bayer CMOS sensor

3:2 (stills), 16:9 (video), various others (DVF mode)

SD card ：UHS-II UHD 8bit under 25fps, FHD 12bit under 60fps
Portable SSD：UHD 12bit 30fps, FHD 12bit 100fps or less, 10bit and 8bit 120fps or less

4K UHD / 23.98p, 25p, 29.97p

HD / 23.98p, 25p, 29.97p, 59.94p, 100p, 119.88p

CinemaDNG（8bit / 10bit/ 12bit
MOV：H.264 (ALL-I/ GOP)
ProRes RAW (to compatible external recorder)
Blackmagic RAW (to compatible external recorder)

12-bit (to SSD or external recorder) or 10-bit / 8-bit internally to SDXC

4:4:4, 4:2:2, 4:2:0

Off, Standard, Vivid, Neutral, Portrait, Landscape, Cinema, Teal & Orange, Sunset Red, Forest Green, FOV Classic Blue, FOV Classic Yellow, Monochrome

8/10-bit internal Cinema DNG RAW, 12-bit Cinema DNG RAW to portable SSD, ProRes RAW or Blackmagic RAW to compatible external recorders

100 (and 3200)

12.5 stops

15 stops dynamic range • 5.9K RAW up to 60fps • 1-120fps 4K RAW to Codex CDX-36150 Recorder • 1-60fps internal 4K ProRes or XF AVC recording in 4K • up to 180fps in ProRes 422 or 240fps XF-AVC in 2K/FHD Crop Mode • Dual CFast 2.0 Card Slots • Proxy Recording to SD Cards • Selectable Gamma and Log Curves

Product Highlights
- 12.5 stops of dynamic range
- New flatter “Color Profile Off” gamma option
- 1-30fps 4K
- 1-120fps in FHD
- Dual ISO of 100 and 3200
- Full Frame image sensor
- Internal H264 or CinemaDNG 8-bit or 10-bit to SDXC
- External CinemaDNG 12-bit to SSD
- ProRes RAW or Blackmagic RAW recording possible w/ external recorder
- World’s smallest and lightest full-frame camera
- Takes can be recorded in Director’s Monitor mode.
- Director’s Viewfinder mode formats incl.
- ARRICAM / ARRIFLEX
- ANSI S35 4-perf
- ANSI S35 3-perf
- ALEXA LF / ALEXA Mini LF
- LF 16:9
- LF 2.39:1
- LF 16:9 (x1.25 anamorphic desqueeze)
- LF 16:9 (x1.3 anamorphic desqueeze)
- LF 16:9 (x1.5 anamorphic desqueeze)
- LF 16:9 (x1.65 anamorphic desqueeze)
- LF 16:9 (x1.8 anamorphic desqueeze)
- LF 16:9 (x1.2 anamorphic desqueeze)
- ALEXA SXT
- 16:9 ProRes HD / 2K
- 16:9 ProRes 3.2K / 4K UHD
- 16:9 ARRIRAW 2.8K
- 16:9 ARRIRAW 3.2K
- 4:3 2.8K (x2 anamorphic desqueeze)
- 6:5 ProRes (x2 anamorphic desqueeze)
- 6:5 ARRIRAW (x2 anamorphic desqueeze)
- Open Gate 3.4K
- Open Gate 4K Cine
- ALEXA Mini
- ProRes S16 HD
- ProRes HD
- ProRes HD Ana. (x2 anamorphic desqueeze)
- ProRes 2K
- ProRes 2.39:1 2K Ana. (x2 anamorphic desqueeze)
- ProRes 4:3 2.8K
- ProRes 3.2K
- ProRes 4K UHD
- ARRIRAW 16:9 HD Ana. (x2 anamorphic desqueeze)
- ARRIRAW 2.8K
- ARRIRAW 4:3 2.8K (x2 anamorphic desqueeze)
- ARRIRAW Open Gate 3.4K
- AMIRA
- MPEG-2 HD
- ProRes S16 HD
- ProRes HD
- ProRes 2K
- ProRes 3.2K
- ProRes 4K UHD
- ARRIRAW 2.8K
- ALEXA 65
- 4K UHD
- ALEXA XT
- 16:9 DNxHD
- 16:9 ProRes HD
- 16:9 ProRes 2K
- 16:9 ProRes 3.2K
- 4:3 ProRes 2K (x2 anamorphic desqueeze)
- 4:3 ARRIRAW Cropped (x2 anamorphic desqueeze)
- 4:3 ARRIRAW Full (x2 anamorphic desqueeze)
- Open Gate ARRIRAW
- SONY VENICE
- 3.8K 16:9
- 4K 17:9
- 4K 4:3 (x2 anamorphic desqueeze)
- 4K 4:3 (x1.8 anamorphic desqueeze)
- 4K 4:3 (x1.65 anamorphic desqueeze)
- 4K 4:3 (x1.5 anamorphic desqueeze)
- 4K 4:3 (x1.3 anamorphic desqueeze)
- 4K 4:3 (x1.25 anamorphic desqueeze)
- 4K 6:5 (x2 anamorphic desqueeze)
- 4K 6:5 (x1.8 anamorphic desqueeze)
- 4K 6:5 (x1.65 anamorphic desqueeze)
- 4K 6:5 (x1.5 anamorphic desqueeze)
- 4K 6:5 (x1.3 anamorphic desqueeze)
- 4K 6:5 (x1.25 anamorphic desqueeze)
- 5.7K 16:9
- 6K 17:9
- 6K 1.85:1
- 6K 2.39:1
- RED MONSTRO
- 7K FF
- 6K FF
- 4K FF
- RED HELIUM 8K
- 8K FF
- 8K 6:5 (x1.25 anamorphic desqueeze)
- RED DRAGON 6K
- 6K FF
- RED GEMINI 5K
- 5K Full Height 1.7:1
- 5K Full Height 6:5
- 5K FF
Our Kit Includes
- Smallrig Cage w/ Integrated Handle Grip
- Sigma MC-31 Arri PL to L-Mount Adapter
- LCD Viewfinder LVF-11 for Sigma fp (for use as Director’s Viewfinder)
- Riser Plate f/ Sigma LVF-11 (BPL-11)
- (4) Li-Ion Rechargeable Battery for Sigma fp (BP-51)
- (2) Battery Charger for Sigma fp (BC-71 US)
- USB AC Adapter for Sigma fp (UAC-11 US)
- USB Cable (A-C) for Sigma fp (SUC-11)
- DC Connector for Sigma fp (CN-21)

Canon Cameras

Canon C700 FF (Arri PL Mount)

Canon C700 FF (Arri PL Mount)

7.6

3.45

Body only

Arri PL

Super 35mm

Modes: Speed, Angle, Clear Scan, Slow, OffAdjustable with either 1/3 or 1/4 steps selected as speed increment

38.1 x 20.1 mm (Full-Frame) Sensor

1.9:1

Cfast 2.0 Cards

1 – 30fps — ProRes 422 HQ 4K/QFHD (to CFast 2.0)
1 – 60fps — ProRes 422 HQ 2K/FHD (to CFast 2.0)
1 – 60fps — ProRes 4444 2K/FHD (to CFast 2.0)
1 – 180fps — ProRes 422 Crop 2K/FHD (to CFast 2.0)
1 – 60fps — XF-AVC 4K YCC422 Intra 4K/QFHD (to CFast 2.0)
1 – 120fps — XF-AVC 4K YCC422 Intra 2K/FHD (to CFast 2.0)
1 – 60fps — XF-AVC 4K YCC422 LGOP 2K/FHD (to CFast 2.0)
1 – 60fps — XF-AVC 4K RGB444 Intra 2K/FHD (to CFast 2.0)
1 – 240fps — YCC422 Intra Crop 2K/FHD (to CFast 2.0)
1-120fps — Uncompressed RAW 4K (to Codex CDX-36150)
1-100fps — Uncompressed RAW 4.5K (to Codex CDX-36150)
1-120fps — Uncompressed RAW 4.5K (to Codex CDX-36150)
1-120fps — Uncompressed RAW Crop 2K (to Codex CDX-36150)
1 – 60fps — ProRes 422 HQ 4K/QFHD (to Codex CDX-36150)
1 – 120fps — ProRes 422 HQ 2K/FHD (to Codex CDX-36150)
1 – 60fps — ProRes 4444 2K/FHD (to Codex CDX-36150)
1 – 60fps — ProRes 4444 XQ 2K/FHD (to Codex CDX-36150)
1 – 240fps — ProRes 422 HQ Crop 2K/FHD (to Codex CDX-36150)
1-60fps — XF-AVC (Proxy) YCC420 LGOP 2K/FHD (internal SD card)

ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
XF-AVC YCC422 Intra (10 bit)
XF-AVC YCC422 LGOP (10 bit)
XF-AVC RGB444 Intra (12/10 bit)
RAW (Uncompressed)

10-bit
12-bit

4:2:24:4:4

Gamma: Canon Log 3, Canon Log 2, Canon Log, Wide DR

Color Space: Cinema Gamut, BT.2020 Gamut, DCI-P3 Gamut, BT.709 Gamut

LUT: BT.709, BT.2020, DCI, ACESproxy, HDR-ST2084

Yes

Externally, via Codex CDX-36150 attachment

15 stops

• 15 stops dynamic range • 1-120fps • Internal XF AVC recording in 4K / 2K / HD • External 4K RAW recording • Dual CFast 2.0 Card Slots • Internal ND up to 10 stops in expansion mode • Flatter Canon Log Gamma 2 • Dual Pixel CMOS AF

Yes, built-in 5 density settings (2, 4, 6, 8*, 10* stops)*when expansion is selected

Product Highlights
- 38.1 x 20.1 mm (Full-Frame) CMOS Sensor
- PL Mount
- Up to 15 Stops of Dynamic Range
- 4K up to 60 fps, 2K/HD up to 240 fps
- Proxy Recording to SD Cards
- Selectable Gamma and Log Curves
- XF-AVC and ProRes Recording to CFast 2.0
- Intuitive User Interface
- Raw Recording Option
Our Kit Includes
- PL Turret Plug
- Canon EVF-V70 OLED Viewfinder for C700
- UN-5 Monitor Cable
- UN-10 Monitor Cable
- MVB-1 Viewfinder Bracket
- Arri CCH-2 Top Handle
- Arri Viewfinder Bracket
- Arri Top Plate
- Arri LWS Adapter Plate
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- BP-8 Baseplate 19mm
- 10′ 4p XLR 12v Power Cables
- 6pLemo1Bm-to-4pXLRm Power Cable (for block batteries)
- Wooden Camera D-BOX incl. Anton Bauer Gold Mount (Canon C700)
- USB 3.0 CFast 2.0 Card Reader w/ Corresponding Cable
- Additional Batteries and Media available à la carte.

Canon C300 Mark II (EF Mount)

Canon C300 Mark II (EF Mount)

7.42

3.37

Body, Grip, Monitor and 2x CF cards

Arri PL, Canon EF

Super 35mm

Progressive scan, rolling shutter

2x faster readout than C300 Mk. I

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

9.84 megapixel Super 35mm Canon CMOS sensor w/ Dual Digic DV5 Image Processors

1.9:1

Cfast 2.0 Cards

1 – 30fps — XF AVC Cinema 4K (4096×2160)
1 – 30fps — XF AVC UHD (3840×2160)
1 – 30fps — XF AVC 2K 4:4:4 (2048×1080)
1 – 120fps — XF AVC 2K 4:2:2 (2048×1152)
1 – 30fps — XF AVC HD 4:4:4 (1920 X 1080)
1 – 120fps — XF AVC HD 4:2:2 (1920 X 1080)

.MXF (OP-1a) file format
XF AVC codec
(MPEG-4 AVC/H.264)
Choice of Intraframe or LongGOP compression
Infraframe: 410Mbps in 4K
LongGOP 50Mbps in 2K

10-bit (4K)
12-bit (2K)

4:2:2 (in 4K)
4:4:4 (in 2K or HD only)

Canon Log 2
Canon Log

Yes

Externally, via HD-SDI outputs

800

15 stops

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Can record 4K internally and 4K RAW externally at the same time
- While shooting 4K, can record proxies in 8-bit 4:2:0 at 35mbps or 24mbps in 2K/HD
- Flatter Canon Log Gamma 2 (and Canon Wide DR)
- Baked in Looks Option Allows Matching the Image of Other Cameras Internally
- ISO Up to 102,400
- Dual CFast 2.0 Card Slots
- Dual 3G-SDI & HDMI (Unclear if the HDMI can output 4K)
- Internally ND up to 10 stops in expansion mode
- Internally ND up to 10 stops in expansion mode
- Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally)
- Uses new batteries different from the Original C300
- Color Matrixes to match various other cameras.
Our Kit Includes
- EF Turret Plug
- Side Handle Grip
- 4″ Rotatable LCD Viewfinder incl. Microphone Mount
- (4) Canon BP-A30 Intelligent Li-Ion Battery 7.4V 3100mAh 47Wh
- Canon Battery Charger for EOS C300 Mark II Camcorder Batteries
- Wooden Camera D-Box for Canon C300 Mk. II (incl. Anton Bauer Gold Mount)
- Arri CCH-2 Camera Handle (K2.73002.0)
- Arri Top Plate for C300 Mk. II (K2.0006859)
- Cine Plate C300 Mk II, K2.0006864
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries and Media available à la carte.

Canon C300 Mark II (PL Mount)

Canon C300 Mark II (PL Mount)

7.42

3.37

Body, Grip, Monitor and 2x CF cards

Arri PL, Canon EF

Super 35mm

Progressive scan, rolling shutter

2x faster readout than C300 Mk. I

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

9.84 megapixel Super 35mm Canon CMOS sensor w/ Dual Digic DV5 Image Processors

1.9:1

Cfast 2.0 Cards

.MXF (OP-1a) file format
XF AVC codec
(MPEG-4 AVC/H.264)
Choice of Intraframe or LongGOP compression
Infraframe: 410Mbps in 4K
LongGOP 50Mbps in 2K

10-bit (4K)
12-bit (2K)

4:2:2 (in 4K)
4:4:4 (in 2K or HD only)

Canon Log 2
Canon Log

Yes

Externally, via HD-SDI outputs

800

15 stops

• 9 stops dynamic range • 1-30fps Full HD • Internal H.264 recording • Robust PL mount • APS-C size sensor for S35mm approximate field of view

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Can record 4K internally and 4K RAW externally at the same time
- While shooting 4K, can record proxies in 8-bit 4:2:0 at 35mbps or 24mbps in 2K/HD
- Flatter Canon Log Gamma 2 (and Canon Wide DR)
- Baked in Looks Option Allows Matching the Image of Other Cameras Internally
- ISO Up to 102,400
- Dual CFast 2.0 Card Slots
- Dual 3G-SDI & HDMI (Unclear if the HDMI can output 4K)
- Supports BT.2020, Canon Cinema Gamut, and DCI-P3 Color Spaces
- Internally ND up to 10 stops in expansion mode
- Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally)
- Uses new batteries different from the Original C300
- Color Matrixes to match various other cameras.
Our Kit Includes
- PL Turret Plug
- Side Handle Grip
- 4″ Rotatable LCD Viewfinder incl. Microphone Mount
- (4) Canon BP-A30 Intelligent Li-Ion Battery 7.4V 3100mAh 47Wh
- Canon Battery Charger for EOS C300 Mark II Camcorder Batteries
- Wooden Camera D-Box for Canon C300 Mk. II (incl. Anton Bauer Gold Mount)
- Arri CCH-2 Camera Handle (K2.73002.0)
- Arri Top Plate for C300 Mk. II (K2.0006859)
- Cine Plate C300 Mk II, K2.0006864
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries and Media available à la carte.

Canon 7D-PL

Canon 7D-PL

3.5

1.59

Body only

Arri PL

APS-C

Progessive scan, rolling shutter

Electronic shutter, 1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode)

APS-C 18 megapixel CMOS sensor

3:2

CF Card

24p, 25p, 30p — H.264 1080p (1920 X 1080)
50p, 60p — H.264 720p (1280 x 720)
50p, 60p — H.264 480p (720 x 480)

.MOV files w/ H.264 compression.

8-bit

4:2:0

Built-in Canon profiles
Technicolor
VisionLOG
VisionColor

200

9 stops

• 9 stops dynamic range • 1-30fps Full HD • Internal H.264 recording • Robust PL mount • APS-C size sensor for S35mm approximate field of view • custom modified with 715nm Infrared pass filter for interesting visual effects • Useful for high-contrast black and white infrared as well as some color infrared applications

Product Highlights
- Custom FGV PL-mount with integrated LWS support plate and rear 3-pin Fischer connector for recording start/stop.
Our Kit Includes
- PL Turret Plug
- (4) LP-E6 Battery
- LC-E6 Charger
- Gold Mount Battery Plate
- HDMI Protector
- Hybrid LWS Plate
- Iris Rods (per user’s intended configuration)
- Additional Accessories and Media available à la carte.

Canon 7D-PL Infrared

Canon 7D-PL Infrared

3.5

1.59

Body only

Arri PL

APS-C

Progessive scan, rolling shutter

Electronic shutter, 1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode)

APS-C 18 megapixel CMOS sensor

3:2

CF Card

24p, 25p, 30p — H.264 1080p (1920 X 1080)
50p, 60p — H.264 720p (1280 x 720)
50p, 60p — H.264 480p (720 x 480)

.MOV files w/ H.264 compression.

8-bit

4:2:0

Built-in Canon profiles
Technicolor
VisionLOG
VisionColor

200

9 stops

• 1-60fps Forward • 1-32fps Reverse • 3-perf or 4-perf pulldown options • Ground glasses for common formats such as 1.85:1, 1.78:1, 2.40 Spherical and 2x Anamorphic available upon request

Product Highlights
- Custom FGV PL-mount with integrated LWS support plate and rear 3-pin Fischer connector for recording start/stop.
- Custom modified with 715nm Infrared pass filter for interesting visual effects.
- Useful for high-contrast black and white infrared as well as some color infrared applications.
Our Kit Includes
- PL Turret Plug
- (4) LP-E6 Battery
- LC-E6 Charger
- Gold Mount Battery Plate
- HDMI Protector
- Hybrid LWS Plate
- Iris Rods (per user’s intended configuration)
- Additional Accessories and Media available à la carte.

35mm Sync Cameras

Arricam Studio (ST)

Arricam Studio (ST)

17.95

8.14

Body w/ Finder

Arri PL

Super 35mm

4:3 (4-perf), 1.78:1 (3-perf)

Pulldown Options:

4-perf or 3-perf movement

Mirror reflex shutter adjustable from 0° and 180° while in standbyRampable between 11.2° and 180° while running

1.37:1 or 1.85:1

• 1-48fps Forward • 1-32fps Reverse • 3-perf or 4-perf pulldown options • Ground glasses for common formats such as 1.85:1, 1.78:1, 2.40 Spherical and 2x Anamorphic available upon request • Arricam LT HD-IVS Video Tap or indieASSIST HD Video Assist

1-60fps Forward Run
1-32fps Reverse Run

Product Highlights
- Ground Glass formats available: 3-perf 1.78:1 (S35), 3/4-perf 1.85:1 (S35), 3/4-perf 2.40 Spherical (S35), 4-perf 2x Anamorphic (2.35:1)(N35)
- Crystal accurate to 0.001 frames
- Below 20 db(A) sound level
- Five link movement with dual registration pins and pulldown claws, 3 or 4-perf pulldown, pitch adjustment
- Power Input 24V to 32V DC
Our Kit Includes
- Turret Plug
- Arricam Ground Glass 1.78 S35 4-perf (unless otherwise specified)
- Arricam Glow Module 1.78 S35 4-perf (unless otherwise specified)
- 4-perf Movement for Arricam LT (3-perf available upon request)
- Arricam ST NTSC SD IVS Video Tap
- Accessory Power Box for Arricam
- Studio Mask Frameglow
- Speed Control Box for Arricam
- Speed Control Cable for Arricam
- Mag Port Cover for Arricam ST
- Rear Protection Cover for Arricam
- Tools ST GG Tool
- Arricam ST Camera Handle
- HE-4 Heated Eyecup Arricam / 416
- (2) Eyepiece Heater Cable: 4p Fischer Female to 1p Male
- Arricam ST Regular Eyepiece
- Arri EL-3 Eyepiece Leveler
- Arricam ST Viewfinder
- Arricam ST Finder Block Arm Spherical
- 3pFischer Distro Box
- 19mm Prime Rods
- 19mm Power Bridgeplate for Arricam w/ 3p RS
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- (2) 24v Power Cable – 2p Fischer – 3p XLR (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Case for Arricam ST
- Additional Accessories and Magazines available à la carte.

Arricam Lite (LT)

Arricam Lite (LT)

11.56

5.24

Body w/ Finder

Arri PL

Super 35mm

4:3 (4-perf), 1.78:1 (3-perf)

Pulldown Options:

4-perf or 3-perf movement

Mirror reflex shutter adjustable from 0° and 180° while in standbyRampable between 11.2° and 180° while running

1.37:1 or 1.85:1

• 1-50fps Forward • 12-32fps Reverse

1-48fps Forward Run
1-32fps Reverse Run

Product Highlights
- Ground Glass formats available: 3-perf 1.78:1 (S35), 3/4-perf 1.85:1 (S35), 3/4-perf 2.40 Spherical (S35), 4-perf 2x Anamorphic (2.35:1)(N35)
- Crystal accurate to 0.001 frames
- Below 24 db(A) sound level
- Five link movement with dual registration pins and pulldown claws, 3 or 4-perf pulldown, pitch adjustment
- Power Input 24V to 32V DC
- 11.46 lbs w/ 1000′ Studio Mag
- 7.26 lbs w/ 400′ Studio Mag
- 5.95 lbs w/ 400′ LT Shoulder Mag
- 5.95 lbs w/ 400′ LT Steadicam Mag
Our Kit Includes
- Turret Plug
- Arricam Ground Glass 1.78 S35 4-perf (unless otherwise specified)
- Arricam Glow Module 1.78 S35 4-perf (unless otherwise specified)
- 4-perf Movement for Arricam LT (3-perf available upon request)
- Arricam LT HD-IVS Video Tap or
- indieASSIST HD Video Assist
- Accessory Power Box for Arricam
- Lite Mask Frameglow
- Speed Control Box for Arricam
- Speed Control Cable for Arricam
- Mag Port Cover for Arricam LT
- Rear Protection Cover for Arricam
- LT-ST Studio Magazine Adapter
- Tools LT GG Tool
- Arricam LT Camera Handle
- HE-4 Heated Eyecup Arricam / 416
- (2) Eyepiece Heater Cable: 4p Fischer Female to 1p Male
- Arricam LT Regular Eyepiece
- Arricam ST Zoom Extension Finder
- Arri EL-3 Eyepiece Leveler
- Arricam LT Viewfinder
- Arricam LT Finder Block Arm Spherical
- 3pFischer Distro Box
- 19mm Prime Rods
- 19mm Power Bridgeplate for Arricam w/ 3p RS
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- Arricam LT Worklight
- (2) 24v Power Cable – 2p Fischer – 3p XLR (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Case for Arricam LT (Z17-255)
- Additional Accessories and Magazines available à la carte.

Moviecam Compact Mk. II

Moviecam Compact Mk. II

5.90

Body only

Arri PL

Super 35mm

4:3 (in 4-perf)
1.78:1 (3-perf)

Pulldown Options:

3-perf or 4-perf movement

Mirror Reflex Shutter: 180°, 172.8°, 144°, 120°, 90°, 45°

1.37:1 or 1.85:1

• 1-75fps Forward • Onboard Batteries available for handheld operation • Integrated accessory electronics and radio for wireless remote control

1-50fps Forward Run
12-32fps Reverse Run

Product Highlights
- Integrated Speed Ramping and Syncobox
- Color Video Assist (SD)
Our Kit Includes
- Turret Plug for Moviecam Compact
- Ground Glass HDTV + TV + TV SAFE S35 (unless otherwise specified)
- Glow HDTV + TV + TV SAFE S35 (unless otherwise specified)
- 3-perf Movement
- Arricam IVS NTSC Video Tap
- 3pFischer Distro Box
- Arri EL-3 Eyepiece Leveler
- Heated Eyepiece
- Standard Eyecup
- (2) Eyepiece Heater Cable: 1p Male to 1p Male
- Frame Readout
- Movielite Glow Module
- Aks. Port Cover
- Rear Load Adapter
- Top Load Adapter
- Mag Port Cover
- Front Handle
- Mag Port Handle
- Top Handle
- Center Grip Attachment for Top Handle
- 19mm Prime Rods
- BP-8 Baseplate 19mm
- 12″ Dovetail Plate
- Padded Shoulder Rest for Moviecam
- 15mm Coupler for Moviecam Handgrip
- Left Handgrip for Moviecam
- Moviecam Power Handgrip (Black)
- 12″ Worklight for Moviecam (Square Pin)
- (2) Moviecam Power Cable: 4pXLRf-3pXLRm (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Combi Tool for Moviecam Compact
- Case for Moviecam Compact MkII (Z17-525)
- Additional Accessories and Magazines available à la carte.

16mm Sync Cameras

Arriflex 416 Plus

Arriflex 416 Plus

12.8

5.81

incl. finder, eyepiece, IVS, magazine and film

Arri PL

Super 16mm

1.66:1

N/A

Mirror Reflex Shutter; 180° to 11.2° electronically adjustable, 180° to 45° manually adjustable.

1.66:1

Super 16mm • single, 12, 16, 18, 24, 32, 48 and 64 f.p.s. operation • 100' Daylight Spool or 400' Magazine • 13x Viewfinder • Time-lapse & 400' Magazine Motors available • Arri PL to C-Mount Adapter Available

1-75fps

Product Highlights
- Integrated accessory electronics and radio for wireless remote control
- below 20 db(A) sound level
- 24V to 32V DC Power Input
- Onboard Batteries available for handheld operation
Our Kit Includes
- Wireless Antenna
- Turret Plug
- Optical Viewfinder
- Ground Glass 416 / SR3 1.78 S16 (unless otherwise specified)
- 416 IVS (NTSC, K2.47664.0)
- 416 Optical Top
- 416 Regular Eyepiece
- Standard Eyecup for Arriflex 16mm Cameras
- LEE-1 Eyepiece Extension for 416/235 (Long)
- Shutter Tool
- Film Track Cleaning Tool
- Arri EL-3 Eyepiece Leveler
- 3pc. Top Handle
- Magazine Port Cover
- SP-2 Shoulder Pad
- BP-10 Bridgeplate
- 19mm Prime Rods
- LWS-5 15mm LWS Bracket
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- LRB-2 Rossette Bracket
- Offset for LRB-2 Rossette Bracket (4mm, 5/32″)
- OBB-2 Onboard Battery for 416
- Battery Charger for 416 OBB-2 Batteries
- 3pFischer Distro Box
- (2) 24v Power Cable – 2p Fischer – 3p XLR (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Case for Arri 416 (Z17-517)
- Additional Accessories and Magazines available à la carte.

16mm MOS Cameras

Bolex H16 SBM