Products Archive - TCS Cameras and Lenses

Arri Alexa 35

6.40

2.9

Body, Lens Mount, Record Module, Three Antennas

Arri LPL, Arri PL, Canon EF

Super 35mm

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Electronic shutter, 5.0°- 356° or 1s – 1/8000s

ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array

4.6K 3:2 Open Gate: 4608 x 3164
4.6K 16:9: 4608 x 2592
4K 16:9: 4096 x 2304
4K 2:1: 4096 x 2048
3.3K 6:5: 3328 x 2790
3K 1:1: 3072 x 3072
2.7K 8:9: 2743 x 3086
2K 16:9 S16: 2048 x 1152

Codex Compact Drive 2TB (CB16-2048)
Codex Compact Drive 1TB (CA08-1024)

ARRIRAW 4.6K 3:2 Open Gate: 35 / 75 fps
ARRIRAW 4.6K 16:9 – 4.6K: 45 / 75 fps
ARRIRAW 4K 16:9 – 4K: 55 / 120 fps
ARRIRAW 4K 2:1 – 4K: 65 / 120 fps
ARRIRAW 3.3K 6:5 – 3.3K: 55 / 100 fps
ARRIRAW 3K 1:1 – 3K: 55 / 100 fps
Apple ProRes 4.6K 3:2 Open Gate: 60 / 60 fps
Apple ProRes 4.6K 16:9 – 4K: 75 / 75 fps
Apple ProRes 4K 16:9 – 4K: 100 / 100 fps
Apple ProRes 4K 16:9 – UHD: 120 / 120 fps
Apple ProRes 4K 16:9 – 2K: 120 / 120 fps
Apple ProRes 4K 16:9 – HD: 120 / 120 fps
Apple ProRes 4K 2:1 – 4K: 120 / 120 fps
Apple ProRes 3.3K 6:5 – 3.3K: 75 / 75 fps
Apple ProRes 3.3K 6:5 – 4K 2.39:1 Ana. 2x: 90 / 90 fps
Apple ProRes 3K 1:1 – 3K: 90 / 90 fps
Apple ProRes 3K 1:1 – 3.8K 2:1 Ana. 2x: 100 / 100 fps
Apple ProRes 2.7K 8:9 – UHD 16:9 Ana. 2x: 100 / 100fps
Apple ProRes 2K 16:9 S16 – 2K: 120 / 120 fps

MXF/ARRIRAW
MXF/Apple ProRes 4444 XQ
MXF/Apple ProRes 4444
MXF/Apple ProRes 422 HQ

12-bit or 10-bit

4:4:4 or 4:2:2

Rec 709
Rec 2020
Rec 2100 PQ
Rec 2100 HLG
LogC4
Custom Look (ARRI Look File ALF-4)

Yes

uncompressed ARRIRAW internally to Codex Compact Drives

800

17 stops

14+ stops dynamic range • Exposure Index 160-3200 • 36.70 x 25.54 mm, 44.71 Ø ALEV III sensor • 4448x3096 maximum capture resolution • 1-60fps 4K recording • PL/LPL Lens Mount • LF Open Gate Recording Mode (4448x3096) up to 40fps in ARRIRAW • LF 16:9 Recording Mode (3840x2160 up to 60fps in ARRIRAW) • Internal recording to Codex Compact Drive • Built-in lens motor controller • Three internal, motorized large-format FSND filters: ND 0.6, 1.2 and 1.8 • Full Frame+

Yes, four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8

Product Highlights
- 17 stops dynamic range
- Higher sensitivity and lower noise than ever before
- Adjustable from EI 160 – 6400 in 1/3 stops
- Super 35mm 27.99 x 19.22mm, 33.96 Ø ARRI ALEV 4 CMOS sensor
- 4608 x 3164 maximum capture resolution • 1-120fps 4K recording
- PL/LPL Lens Mount
- Open Gate 3:2 (4608×3164) or 16:9 (4608 x 2592) up to 75fps in ARRIRAW
- Internal recording to Codex Compact Drive
- Built-in lens motor controller
- Three internal, motorized FSND filters: ND 0.6, 1.2 and 1.8
- REVEAL Color Science
- New Texture options to control grain/contrast/sharpness
- New debayering algorithm to create cleaner-edged images that are perfect for compositing work.
- New ACE4 color engine converts RGB image data into the ARRI Wide Gamut color space (AWG4), producing more accurate colors and improving color saturation and tracking, even with subtle tones and lower light levels.
- AWG4 camera color space is larger than Rec. 2020 but bypasses “virtual” colors that are outside the human visual spectrum, providing faster grading, easier color space conversion, and compatibility with the ACES system.
- New Log-C 4 tonal curve enables the ALEXA 35’s larger 17-stop dynamic range.
- New LUTs use the improved sensor, color space, and Log-C 4 to produce optimal shadow tonality, color fidelity, and color-grading base.
Our Kit Includes
- Arri Alexa 35 Camera (Arri PL, LPL)
- Cine License
- Antennas
- Arri LPL Mount
- PL to LPL Adapter
- Turret Plug
- * Arri MVF-2 Electronic Viewfinder
- MVF-2 Viewfinder Cable, 0.5m / 18″ f/ Alexa 35 / Mini LF (1928)
- Arri MVB-1 Viewfinder Bracket
- Arri Square Accessory Sleeve f/ Alexa 35 (SAS-1)
- Arri CCH-4 Camera Center Handle
- Alexa LMS-4 Low Mode Support f/ Alexa 35
- Arri Top Extension Bracket f/ Alexa 35 (TEB-1)
- Arri RMB-7 Rod Mounting Bracket f/ Alexa35
- Arri Camera Side Bracket LEFT f/ Alexa 35 (CSB-1L)
- Arri Camera Side Bracket RIGHT f/ Alexa 35 (CSB-1R)
- Arri Camera Side Bracket RIGHT Extension f/ Alexa 35
- Arri Articulated Mounting Plate f/ Alexa 35 (AMP-1)
- Balance Utility Dovetail Plate f/ Alexa 35 (BUD-1)
- BPA-6 Bridge Plate Adapter f/ use with BP-8
- BP-8 19mm Bridgeplate (Baseplate aka Bridge Plate)
- 12″ Dovetail Plate, Lightweight (Arri, Black w/ Rear Push-Tab)
- Helix 24V G-Mount Battery Plate f/ Alexa 35 (Core Direct Connect)
- Arri Power Distribution Module (24V DC In, 4x 3p 24V, 2x 2p 12V Outputs) f/ Alexa 35 (PDM-1)
- Camera Power Cable : 24V DC, 10′ length, 8pLemoF-3pXLRm w/ 3pRS pigtail (Alexa Mini/Amira)
- Power Cable: 24v 3pXLRm to 3pXLRf 10′
- Meanwell 280W 24vDC 3pXLR Power Supply w/ AC Cable
- Codex Compact Capture Drive Dock (TB3 Drive Reader) Power supply f/ Codex Compact Capture Drive Dock (TB3) (Alexa 35/Mini LF)
- Apple Thunderbolt 3 Cable (3′)
- Timecode Cable: 1/8″ to BNC Male Timecode-In Cable
- Timecode Cable: 5p Lemo – Dual BNC-m Timecode In+Out Cable
- Transcend USB-C to USB 3.1 Flash Drive f/ Alexa 35
- Custom A&J Shipping Case
- Viewfinder Extension Bracket VEB-3 (Alexa / Amira)
- EL-3 Eyepiece Leveler
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa Mini LF

Arri Alexa Mini LF

5.70

2.6

Body, Lens Mount, Record Module only

Arri LPL

Full Frame+, Super 35mm

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Electronic shutter, 5 – 356 degrees

ALEV III A2X CMOS

LF Open Gate, UHD, or 2.39:1

Codex Compact Drive

0.75-40fps — LF Open Gate 4.5K ARRIRAW (4448 x 3096)
0.75-40fps — LF Open Gate 4.5K ProRes 4444 XQ, 4444, 422HQ, 422 (4448 x 3096)
0.75-60fps — LF 16:9 UHD ARRIRAW (3840 x 2160)
0.75-60fps — LF 16:9 UHD ProRes 4444 XQ, 4444, 422HQ, 422 (3840 x 2160)
0.75-60fps — LF 2.39:1 ARRIRAW (4448 x 1856)
0.75-100fps — LF 2.39:1 ProRes 4444, 422HQ, 422 (4448 x 1856)
0.75-60fps — LF 2.39:1 ProRes 4444 XQ (4448 x 1856)

0.75-90fps — LF 16:9 2K ProRes 4444 XQ, 4444, 422HQ, 422 (2048 x 1152)

0.75-90fps — LF 16:9 1080p ProRes 4444 XQ, 4444, 422HQ, 422 (1920 x 1080)

*** Framerates based on Codex Compact Drive media capabilities. Other media types may have lower framerate capabilities.

ARRIRAW
Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422

12-bit or 10-bit

4:4:4 or 4:2:2

Log C
Rec 709
Rec 2020

Yes

uncompressed ARRIRAW internally to Codex Compact Drives

800

14+ stops

14+ stops dynamic range • Exposure Index 160-3200 • 36.70 x 25.54 mm, 44.71 Ø ALEV III sensor • 4448x3096 maximum capture resolution • Up to 150 fps • PL/LPL Lens Mount • 16-bit linear internal image processing in full ALEXA Wide Gamut / Log C color space • LF Open Gate Recording Mode (4448x3096) up to 90fps in ARRIRAW • LF 16:9 Recording Mode (3840x2160 up to 90fps in ARRIRAW) • LF 2.39:1 Recording Mode (4448x1856) up to 150fps in ARRIRAW • Records to SXR Capture Drives and SxS PRO+ cards • Full Frame+

Yes, Built-in motorized large-format FSND filters: ND 0.6, 1.2 and 1.8

Product Highlights
- Full Frame
- 14+ stops dynamic range
- Three internal, motorized large-format FSND filters: ND 0.6, 1.2 and 1.8
- 16-bit linear internal image processing in full ALEXA Wide Gamut / Log C color space
- New dedicated, regulated 12 V and 24 V accessory power outputs
- Lower noise with higher usable sensitivity
- Compatible with LPL and PL mount lenses, Super 35 and full frame
- 1-60fps
- Internal ARRIRAW 4.5K Open Gate Recording
- Internal ProRes 4.5K Open Gate / UHD / 2K / HD
- Built-in lens motor controller
- Highest dynamic range of any production camera
- Internal recording to new Codex Compact Drive
- New MVF-2 high-contrast HD viewfinder
- New SYNC IN and improved AUDIO connectors
- Two built-in microphones
Our Kit Includes
- Arri Alexa Mini LF Camera Body
- Turret Plug For Alexa Camera Body
- Dual Band Antenna
- LPL Mount
- PL to LPL Adapter
- USB Stick for camera settings
- MVF-2 Electronic Viewfinder incl. Magnetic Eyecup
- MVB-1 Viewfinder Bracket
- Arri MVF-2 Viewfinder Cable Medium, 0.5m / 1.5′
- Arri MVF-2 Viewfinder Cable Short, 0.35m / 1.15′
- AIR EVF Extension Arm
- Arri EL-3 Eyepiece Leveler
- Ethernet Cable
- Arri CCH-4 Camera Center Handle
- Arri Alexa A-EV Handle Extension Block
- (2) MAP-1 Adapter Plate
- (2) MAP-2A Adapter Plate
- MSB-2 Side Bracket for Arri Alexa Mini
- MSB-3 Side Bracket for Arri Alexa Mini LF
- SAB-1 Side Accessory Bracket
- RMB-3 Rod Mounting Bracket for Arri Alexa Mini
- CBP-1 Compact Bridge Plate is 19mm Studio with Shoulder Pad
- Arri 15mm LWS Adapter for CBP-1
- 12″ Bottom Dovetail Plate
- Arri D-BOX incl Anton Bauer Gold Mount
- WC Battery Swing (15mm LWS) (Swing-Away Batt Plate Mount)
- 15 mm Reduction Insert for cforce Mini Motor
- Wooden Camera A-BOX
- EXT-RS Adapter Cable 3.5″
- Timecode Cable: 1/8″ to BNC Male Timecode-In Cable
- Timecode Cable: 5p Lemo – Dual BNC-m Timecode In+Out Cable
- 24v Power Supply
- (2) 24V Power Cables
- 10′ 24v 3pXLRm-3pXLRf Extension Cable
- Case for Alexa Mini LF
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa LF

Arri Alexa LF

17.2

7.80

Arri LPL

Full Frame+, Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5 – 358 degrees

ALEV III A2X CMOS

LF Open Gate, UHD, or 2.39:1

SxS PRO+ 256 GB (ProRes)
SXR Capture Drives 1 TB (ARRIRAW or ProRes)
SXR Capture Drives 2 TB (ARRIRAW or ProRes)

0.75-90fps — LF Open Gate ARRIRAW (4448 x 3096)
0.75-60fps — LF Open Gate ProRes 4444, 422HQ, 422 (4448 x 3096)
0.75-40fps — LF Open Gate ProRes 4444 XQ (4448 x 3096)
0.75-90fps — LF 16:9 UHD ARRIRAW (3840 x 2160)
0.75-60fps — LF 16:9 UHD ProRes 4444 XQ, 4444, 422HQ, 422 (3840 x 2160)
0.75-150fps — LF 2.39:1 ARRIRAW (4448 x 1856)
0.75-100fps — LF 2.39:1 ProRes 4444, 422HQ, 422 (4448 x 1856)
0.75-60fps — LF 2.39:1 ProRes 4444 XQ (4448 x 1856)

*** Framerates based on SXR Capture Drive media capabilities. Other media types may have lower framerate capabilities.

Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

12-bit or 10-bit

4:4:4 or 4:2:2

Log C
Rec 709
Rec 2020

Yes

uncompressed ARRIRAW internally to Codex SXR Capture Drives

800

14+ stops

• 14+ stops dynamic range • 1-120fps • Internal ARRIRAW and ProRes 4K Cine / 4K UHD / 3.2K / 2K / 1080p recording • Open Gate, 6:5, 4:3 and 16:9 sensor modes • Internal ND filtration • Three fully independent HD-SDI outputs • Integrated wireless receiver for camera and lens remote control • New ARRI Color Tool (ACT) and ARRI Look File (ALF-2) allow the creation of unique looks, which are compatible with ALEXA Mini and AMIRA

•Available as SXT W •Integrated wireless video (compatible with Arri WVR-1 Receiver) • Transmits uncompressed HD up to 600 m with no delay (< 1ms) • Integrated WiFi • Integrated ARRI ECS wireless camera/lens control

Yes, w/ LF FSND set (available upon request)

Product Highlights
- Exposure Index 160-3200
- 36.70 x 25.54 mm, 44.71 Ø ALEV III sensor (A2X layout)
- 4448×3096 maximum capture resolution
- Up to 150 fps
- New LPL Lens Mount (44 mm FFD, Ø 62 mm) (PL adapter available)
- Lower noise at higher EI than previous cameras
- Only 12mm wider and longer than standard Alexa
- 16-bit linear internal image processing in full ALEXA Wide Gamut / Log C color space
- LF Open Gate Recording Mode (4448×3096) up to 90fps in ARRIRAW
- LF 16:9 Recording Mode (3840×2160 up to 90fps in ARRIRAW)
- LF 2.39:1 Recording Mode (4448×1856) up to 150fps in ARRIRAW
- ARRIRAW and ProRes, Same ARRI Workflow
- Records to SXR Capture Drives and SxS PRO+ cards
- Anamorphic desqueezing : 1.25x, 1.3x, 1.5x, 2x
- Integrated wireless video (compatible with Arri WVR-1 Receiver)
- Integrated WiFi
- Integrated ARRI ECS wireless camera/lens control
Our Kit Includes
- SXR Media Adapter
- ARRI LPL Mount PL Adapter (upon request)
- Turret Plug
- Hawk-Woods RP-CFA1 Battery Adapter
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa SXT

Arri Alexa SXT Plus 4:3

Arri Alexa SXT Plus 4:3

14.3

6.49

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5 – 358 degrees

CMOS, ALEV III sensor

Open Gate, 6:5, 4:3, or 16:9

Supports new high speed SXR Capture Drives (1 TB or 2 TB) via SXR Adapter

Supports current XR Capture Drive 512 GB via XR Adapter

Supports SxS PRO and SxS PRO+ cards via SxS Adapter 2

Supports CFast 2.0 cards via CFast 2.0 Adapter 2

0.75-50fps — 16:9 ProRes 4K UHD (3840 x 2160)
0.75-72fps — 16:9 ProRes 3.2K (3200 x 1800)
0.75 – 120fps — 16:9 ProRes HD (1920 x 1080)
0.75 – 120fps — 16:9 ProRes 2K (2048 x 1152)
0.75 – 120fps — 16:9 ARRIRAW 2.8K (2880 x 1612)
0.75 – 120fps — 16:9 ARRIRAW 3.2K (3168 x 1782)
0.75 – 60fps — 6:5 ProRes 4K Cine Anamorphic (4096 x 1716)
0.75 – 96fps — 6:5 ProRes 2K Anamorphic (2048 x 858)
0.75 – 96fps — 6:5 ARRIRAW 2.6K (2578 x 2160)
0.75 – 60fps — 4:3 ProRes 2.8K (2880 x 2160)
0.75 – 96fps — 4:3 ARRIRAW 2.8K (2880 x 2160)
0.75 – 48fps — Open Gate ProRes 4K Cine (4096 X 2636)
0.75 – 60fps — Open Gate ProRes 3.4K (3424 X 2202)
0.75 – 90fps — Open Gate ARRIRAW 3.4K (3424 X 2202)

*** Framerates based on SXR Capture Drive media capabilities. Other media types may have lower framerate capabilities.

Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

12-bit or 10-bit

4:4:4 or 4:2:2

Log C
Rec 709
Rec 2020

Yes

uncompressed ARRIRAW internally to Codex SXR Capture Drives(or XR Capture Drives, CFast 2.0, or SxS via adapters)

800

14+ stops

14+ stops dynamic range • 1-200fps • Internal ARRIRAW 16:9 2.8K and 3.4K Open Gate Recording • Internal ProRes 16:9 UHD / 3.2K / 2K / 1080p recording • 4:3 2.8K ProRes recording for use with anamorphic lenses • Internal ND filtration • Records to CFast 2.0 cards • Built-in lens motor controller

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Exposure Index 160-3200
- Built-in Internal Filter Module (IFM-1) filter holder
- In-camera ARRIRAW recording up to 120 fps on SXR or XR Capture Drives via optional adapters
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
- Easy in-camera ProRes 4K recording
- ProRes 4K UHD (3840 x 2160) recording format for 4K UHD TV deliverables
- ProRes 4K Cine (4096 x 2636) recording format for 4C DCI cinema deliverables
- Improved image quality
- Completely overhauled image processing chain
- Advanced pixel correction
- Optional noise reduction
- New color management
- Matches current ALEXA images, but provides the basis for radically different looks
- 3D Look-up Tables, ASC Color Decision List
- Live in-camera grading on set
- Rec 2020 gamma
- Same tools for ALEXA SXT, ALEXA Mini & AMIRA
- Three fully independent HD-SDI outputs
- Powerful new media bay
- Supports new high speed SXR Capture Drives (1 TB or 2 TB) via SXR Adapter
- Supports current XR Capture Drive 512 GB via XR Adapter
- Supports SxS PRO and SxS PRO+ cards (64GB and above) via SxS Adapter 2
- Supports CFast 2.0 cards via CFast 2.0 Adapter 2
Our Kit Includes
- SXR Recorder Module
- Antenna for Plus Module
- SXR Media Adapter
- ProRes Codec Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- PL Turret Plug
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa Mini

Arri Alexa Mini

6.40

2.90

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Electronic shutter, 5 – 356 degrees

CMOS, ALEV III sensor

4:3 or 16:9

Cfast 2.0 Cards

0.75-30fps — 16:9 ProRes 4K UHD (3840 x 2160) 4444XQ
0.75-60fps — 16:9 ProRes 4K UHD (3840 x 2160) all other ProRes formats
0.75-30fps — 16:9 ProRes 3.2K (3164 x 1778) 4444XQ
0.75-60fps — 16:9 ProRes 3.2K (3164 x 1778) all other ProRes formats
0.75-120fps — 16:9 ProRes HD (1920 x 1080) 4444XQ
0.75-200fps — 16:9 ProRes HD (1920 x 1080) all other ProRes formats
0.75-120fps — 16:9 ProRes 2K (2048 x 1552) 4444XQ
0.75-200fps — 16:9 ProRes 2K (2048 x 1552) all other ProRes formats
0.75-200fps — S16 Mode ProRes HD (1920 x 1080) 4444XQ
0.75-120fps — S16 Mode ProRes HD (1920 x 1080) all other ProRes formats
0.75-50fps — 4:3 ProRes 2.8K (2880 x 1620) all ProRes formats
0.75-120fps — 6:5 ProRes 2.39:1 2K Anamorphic (2048 x 858) all ProRes formats
0.75-120fps — 8:9 ProRes HD Anamorphic (1920 x 1080) 4444 only
0.75-48fps — 16:9 2.8K ARRIRAW (2880 x 1620)
0.75-30fps — 16:9 3.4K Open Gate ARRIRAW (3424 x 2202)

ARRIRAW (MXF-wrapped)
Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT

12-bit or 10-bit

4:4:4 or 4:2:2

Log C
REC 709

800

14+ stops

• 14+ stops dynamic range • 1-200fps • Internal ProRes 4K / 3.2K / 2K / 1080p recording • ProRes 4444 XQ • Internal ND filtration • Records to CFast 2.0 cards • Single User Ergonomics

Yes, Built-in motorized ND filters, 0.6, 1.2, 2.1

Product Highlights
- ARRIRAW 16:9 2.8K up to 48fps
- ARRIRAW 3.4K Open Gate up to 30fps
- 16:9 UHD ProRes up to 60fps
- 4:3 2.8K ProRes up to 50fps
- 1080p ProRes up to 200fps
- 4:3 sensor (switchable to 16:9 mode)
- Same 35 mm sensor as ALEXA
- Internal ND filters (0.6/1.2/2.1)
- Automatic de-squeeze mode for anamorphic productions
- Records to CFast 2.0 cards
- Built-in lens motor controller
Our Kit Includes
- 4:3 License
- PL Turret Plug
- 2.4 GHz Antenna
- PL LDS mount with L-Bus connector
- Arri MVF-1ML Amira / Alexa Mini Electronic Viewfinder incl. Magnetic Eyecup
- MVB-1 Viewfinder Bracket Viewfinder MVF-1ML
- (2) Arri MVF-1 to Alexa Mini Viewfinder Cable Short, 0.5m / 1.6′
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Alexa-M / Alexa Mini Handle, CCH-2 (K2.73002.0)
- Arri Alexa A-EV Handle Extension Block (HEB-1/ JC HEB-1)
- (2) MAP-1 Adapter Plate
- (2) MAP-2 Adapter Plate
- (2) MSB-1 Side Bracket
- RMB-3 Rod Mounting Bracket
- BPA-4 Bridgeplate Adapter
- CSP-1 Camera Shoulder Pad
- BAP-1 Battery Adapter Plate
- Anton Bauer Gold Mount Battery Plate w/ Custom Alexa Mini Connector
- Wooden Camera D-Box for Alexa Mini (incl. Anton Bauer Gold Mount)
- Wooden Camera A-BOX f/ Arri Alexa Mini Audio incl. 19mm Mounting Rod
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.
- ARRIRAW License available upon request.

Arri Amira

Arri Amira w/ Premium License

Arri Amira w/ Premium License

9.2

4.17

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Electronic shutter, 5 – 356 degrees

CMOS, ALEV III sensor

16:9

Cfast 2.0 Cards

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT

12-bit or 10-bit

4:4:4 or 4:2:2

Log C
REC 709

800

14+ stops

Full Frame • 17+ stops dynamic range • 1-300fps • Interchangeable OLPF System and Standard OLPF installed (shadow/low-light and skintone/highlight options available) • Internal ProRes 4K / 2K / HD to Mini-Mags • Internal REDCODE RAW up to 8K to Mini-Mags • Ideal for gimbal/drone usage • VistaVision size MONSTRO 35.4 Megapixel CMOS • IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues • Integrated I/O's • Three SDI outputs (two mirrored and one independent) • Support for wider input voltage (11.5-32V) • 24V & 12V power outs (two of each) • 12V P-Tap port • Integrated 5-pin XLR stereo audio input (line/mic/+48V selectable) • Genlock, timecode, USB, and control • Shimmed PL mount • Large diameter fan provides improved thermal performance and quieter operation

Yes, Built-in motorized ND filters, 0.6, 1.2, 2.1

Product Highlights
- Records 4K UHD ProRes up to 60fps
- Frame rates of 0.75-200 fps
- 4:3 sensor
- Same 35 mm sensor as ALEXA
- Internal ND filters (0.6/1.2/2.1)
- OLED eyepiece and fold-away LCD monitor
- Multi-channel audio – easy-access controls
Our Kit Includes
- PL Turret Plug
- Premium License
- UHD License
- (2) Arri Amira Antenna (blu-tooth & wi-fi)
- MHB-2 Mic Adapter Bracket For Amira (821100)
- PL LDS Lens Mount
- Arri MVF-1 Amira Electronic Viewfinder incl. Magnetic Eyecup
- Arri MVF-1 Bracket
- Arri VAB-1 Viewfinder Attachment Bracket (With [2] 4″ rods)
- Arri MVF-1 Amira Viewfinder Cable Short, 0.5m / 1.6′ (820204)
- Arri MVF-1 Amira Viewfinder Cable Medium, 1.5m / 3′
- 10′ Cat6A Black Ethernet Cable
- Arri Amira Gold Mount Adapter (821200)
- Arri CCH-1 (Center Camera Handle)
- Arri Alexa A-EV Handle Extension Block (HEB-1 or HEB-5)
- Arri Amira BPA-3 Bridge Plate Adapter (821104)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.
- Look Library available upon request.

Red Weapon 8K Monstro VV

Red RANGER 8K Monstro VV

Red RANGER 8K Monstro VV

3.3

1.50

Arri PL

VistaVision, Full Frame, Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

MONSTRO 35.4 Megapixel CMOS

1.90:1

RED MINI-MAG

1-29.97fps –ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps –ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps — ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps — ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-60fps — 8K FF REDCODE RAW (8192 x 4320)
1-75fps — 8K 2.4:1 REDCODE RAW (8192 x 3456)
1-60fps — 7K FF REDCODE RAW (7168 x 3780)
1-75fps — 7K 2.4:1 REDCODE RAW (7168 x 3024)
1-75fps — 6K FF REDCODE RAW (6144 x 3240)
1-100fps — 6K 2.4:1 REDCODE RAW (6144 x 2592)
1-96fps — 5K FF REDCODE RAW (5120 x 2700)
1-120fps — 5K 2.4:1 REDCODE RAW (5120 x 2160)
1-120fps — 4K FF REDCODE RAW (4096 x 2160)
1-150fps — 4K 2.4:1 REDCODE RAW (4096 x 1728)
1-150fps — 3K FF REDCODE RAW (3072 x 1620)
1-200fps — 3K 2.4:1 REDCODE RAW (3072 x 1296)
1-240fps — 3K FF REDCODE RAW (2048 x 1080)
1-300fps — 3K 2.4:1 REDCODE RAW (2048 x 864)

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

4:4:4

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm
REDWideGamutRGB and Log3G10

Yes

REDCODE RAW

800

17+ stops

Product Highlights
- IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.
- REDCODE RAW formats:
- 8K Full Format (8192 x 4320), 1-60fps
- 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 7K Full Format (7168 x 3780), 1-60fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 6K Full Format (6144 x 3240), 1-75fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 5K Full Format (5120 x 2700), 1-96fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 4K Full Format (4096 x 2160), 1-120fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
- 3K Full Format (3072 x 1620), 1-150fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 2K Full Format (2048 x 1080), 1-240fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)
- ProRes Record Formats:
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- 2K Apple ProRes 4444 XQ up to 120 fps
- 2K Apple ProRes 4444 up to 120 fps
- 2K Apple ProRes 422 HQ up to 120 fps
- 2K Apple ProRes 422 up to 120 fps
- 2K Apple ProRes 422 LT up to 120 fps
- Avid Record Formats:
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
Our Kit Includes
- Red RANGER MONSTRO VV 8K CF Camera
- Standard OLPF
- Antenna
- Shimmable Titanium PL mount
- Turret Plug for PL Mount
- Red Production Top Handle
- (2) Red DSMC² Top Mount 15mm LWS Adapter
- RED MINI-MAG Side SSD Module
- USB Memory Stick for Camera Builds
- Red DSMC² 7.0″ PRO Touch LCD
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount Adaptor
- Red LCD Arm
- DSMC² Lemo Adapter A for Brain
- Red DSMC² Flush Mount Side Adapter
- RED DSMC Lemo B Adapter
- (3) EVF/LCD Cables
- Full Metal Jacket Bottom Plate w/ 15mm LWS
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- (2) Red RANGER Power Cable: 3pXLRm-4pLemo2B 10′, 24v
- 10′ 24V 3p XLR Extension
- AC Power Adapter
- Shipping Case
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

RED DSMC2 8K Monstro VV Carbon Fiber

RED DSMC2 8K Monstro VV Carbon Fiber

3.3

1.50

Arri PL, Canon EF, Leica M

VistaVision, Full Frame, Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

MONSTRO 35.4 Megapixel CMOS

1.90:1

RED MINI-MAG

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

4:4:4

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Yes

REDCODE RAW

800

17+ stops

Dual Sensitivity modes (ISO 800/3200) • 16.5+ stops dynamic range • 1-75fps up to 5K • 1-150fps up to 4K • Interchangeable OLPF System and Standard OLPF installed (shadow/low-light and skintone/highlight options available) • Internal ProRes 4K / 2K / HD to Mini-Mags • Internal REDCODE RAW up to 5K to Mini-Mags • Ideal for gimbal/drone usage • S35mm size Red GEMINI 15.4 Megapixel CMOS sensor

Product Highlights
- IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.
- REDCODE RAW formats:
- 8K Full Format (8192 x 4320), 1-60fps
- 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 7K Full Format (7168 x 3780), 1-60fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 6K Full Format (6144 x 3240), 1-75fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 5K Full Format (5120 x 2700), 1-96fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 4K Full Format (4096 x 2160), 1-120fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
- 3K Full Format (3072 x 1620), 1-150fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 2K Full Format (2048 x 1080), 1-240fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)
- ProRes Record Formats:
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- 2K Apple ProRes 4444 XQ up to 120 fps
- 2K Apple ProRes 4444 up to 120 fps
- 2K Apple ProRes 422 HQ up to 120 fps
- 2K Apple ProRes 422 up to 120 fps
- 2K Apple ProRes 422 LT up to 120 fps
- Avid Record Formats:
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
Our Kit Includes
- DSMC Interchangeable OLPF System
- Interchangeable Standard OLPF for Red Weapon (other options available per request)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Element Technica W – Gold Mount Battery Module
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Weapon 5K Gemini S35

RED DSMC2 5K Gemini S35 Carbon Fiber

RED DSMC2 5K Gemini S35 Carbon Fiber

3.3

1.50

Arri PL, Canon EF, Leica M

Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 1 to 1/8000 sec

GEMINI 15.4 Megapixel Dual Sensitivity CMOS

1.70:1

RED MINI-MAG

1-75 fps at 5K Full Height 1.7:1 REDCODE RAW (5120 × 3000)
1-96 fps at 5K Full Format REDCODE RAW (5120 × 2700)
1-120 fps at 5K 2.4:1 REDCODE RAW (5120 × 2160)
1-120 fps at 4K Full Format REDCODE RAW (4096 × 2160)
1-150 fps at 4K 2.4:1 REDCODE RAW (4096 × 1728)
1-150 fps at 3K Full Format REDCODE RAW (3072 × 1620)
1-200 fps at 3K 2.4:1 REDCODE RAW (3072 × 1296)
1-240 fps at 2K Full Format REDCODE RAW (2048 × 1080)
1-300 fps at 2K 2.4:1 REDCODE RAW (2048 × 864)
1-29.97 fps at 4K ProRes 422 HQ, ProRes 422 and ProRes 422 LT (4096 × 2160)
1-120 fps at 2K ProRes 4444 XQ and ProRes 4444 (2048 × 1080)
1-120 fps at 2K ProRes 422 HQ, ProRes 422 and ProRes 422 LT (2048 × 1080)
1-29.97 fps at 4K DNxHR HQX (4096 × 2160) 12-bit
1-29.97 fps at 4K DNxHR HQ, SQ and LB (4096 × 2160) 8-bit
1-120 fps at 2K DNxHR 444 (2048 × 1080) 12-bit
1-120 fps at DNxHD 444 and HQX (1920 × 1080) 10-bit
1-120 fps at DNxHD HQ, SQ and LB (1920 × 1080) 8-bit

*** List not comprehensive, intended to show main formats only.

*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

16-bit REDCODE RAW
12-bit or 10-bit
ProRes 8-bit, 10-bit
12-bit Avid

4:4:4 or 4:2:2

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

REDCODE RAW

Dual-ISO 800 / 3200

16.5+ stops

• 16.5+ stops dynamic range • 1-300fps • Interchangeable OLPF System and Standard OLPF installed (shadow/low-light and skintone/highlight options available) • Internal ProRes 4K / 2K / HD to Mini-Mags • Internal REDCODE RAW up to 8K to Mini-Mags • Ideal for gimbal/drone usage • S35mm size Red HELIUM 35.4 Megapixel CMOS sensor • IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues

Product Highlights
- RED’s highest sensitivity sensor to date.
- Significantly increased performance in low-light situations and improved performance in shadows.
Our Kit Includes
- DSMC2 Interchangeable OLPF System
- Interchangeable DSMC2 Standard OLPF for Red Weapon (other options available per request)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Wooden Camera DSMC2 D-Box
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Weapon 8K Helium S35

RED DSMC2 8K Helium S35 Carbon Fiber

RED DSMC2 8K Helium S35 Carbon Fiber

3.3

1.50

Arri PL, Canon EF, Leica M

Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

HELIUM 35.4 Megapixel CMOS

1.90:1

RED MINI-MAG

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

4:4:4

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Yes

REDCODE RAW

800

16.5+ stops

• 16.5+ stops dynamic range • 1-40fps at 6K 17:9 • 1-60fps at 4K 17:9 • Internal REDCODE RAW HQ, MQ or LQ • S35mm size KOMODO 19.9MP Super 35mm-size Global Shutter CMOS sensor • Canon RF Mount • PL Mount adapter available • Records to CFast 2.0 media

Product Highlights
- IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.
- REDCODE RAW formats:
- 8K Full Format (8192 x 4320), 1-60fps
- 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 7K Full Format (7168 x 3780), 1-60fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 6K Full Format (6144 x 3240), 1-75fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 5K Full Format (5120 x 2700), 1-96fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 4K Full Format (4096 x 2160), 1-120fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
- 3K Full Format (3072 x 1620), 1-150fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 2K Full Format (2048 x 1080), 1-240fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)
- ProRes Record Formats:
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- 2K Apple ProRes 4444 XQ up to 120 fps
- 2K Apple ProRes 4444 up to 120 fps
- 2K Apple ProRes 422 HQ up to 120 fps
- 2K Apple ProRes 422 up to 120 fps
- 2K Apple ProRes 422 LT up to 120 fps
- Avid Record Formats:
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
Our Kit Includes
- DSMC Interchangeable OLPF System
- Interchangeable Standard OLPF for Red Weapon (other options available per request)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Element Technica W – Gold Mount Battery Module
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Komodo 6K

RED Komodo 6K S35

RED Komodo 6K S35

2.10

.95

Camera body only

Canon RF, Canon EF, Arri PL

Super 35mm

Global Shutter

KOMODO 19.9MP Super 35mm Global Shutter CMOS

1.90:1

CFast 2.0

REDCODE HQ, MQ AND LQ at 6K 17:9 (6144 X 3240) up to 40 FPS
REDCODE HQ, MQ AND LQ at 6K 2.4:1 (6144 X 2592) up to 50 FPS
REDCODE HQ, MQ AND LQ at 5K 17:9 (5120 X 2700) up to 48 FPS
REDCODE HQ, MQ AND LQ at 4K 17:9 (4096 X 2160) up to 60 FPS
REDCODE HQ, MQ AND LQ at 2K 17:9 (2048 X 1080) up to 120 FPS
PRORES 422 HQ AND PRORES 422 at 4K (4096 × 2160) up to 60 FPS
PRORES 422 HQ AND PRORES 422 at 2K (2048 × 1080) up to 120 FPS

REDCODE HQ
REDCODE MQ
REDCODE LQ
ProRes 422 HQ
ProRes 422

16-bit REDCODE RAW

4:4:4

DCI-P3
Rec. 709
Rec. 2020
REDWideGamutRGB

Yes

REDCODE RAW

800

16.5+ stops

Product Highlights
- - 19.9MP Super35 Global Shutter CMOS
  - Compact, 2.1 lb All-in-One Design
  - Canon RF Lens & ARRI CFast 2.0 Support
  - 16+ Stops Dynamic Range
  - Up to 6K40, 5K48, 4K60 & 2K120 Recording
  - REDCODE RAW HQ/MQ/LQ & Apple ProRes
  - Integrated 2.9″ 1440 x 1440 Touchscreen
  - Wireless Control & Preview via Wi-Fi
  - CFast 2.0 Card Slot; RED IPP2 Support
  - EF-to-RF Mechanical Adapter Included
Our Kit Includes
- * Red Komodo Mount Option: Canon RF-Arri LPL (C7)
- * Red Komodo Mount Option: Canon RF-Canon EF, Smart Adapter
- * Red Komodo Mount Option: Canon RF-PL (0.71x Speed Booster Ultra T Cine, MB)(Komodo only)
- * Red Komodo Mount Option: Canon RF-PL (Kippertie Adapta, KOMODO only)
- * Red Raptor Mount Option: Canon RF-LPL (Kippertie Strata)
- * Red Raptor Mount Option: Canon RF-PL (Kippertie Strata)

Red Weapon 6K Dragon

Red Weapon 6K Dragon Carbon Fiber

Red Weapon 6K Dragon Carbon Fiber

3.35

1.52

Arri PL, Canon EF, Leica M

Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

19 megapixel APS-H DRAGON sensor

1.90:1

RED MINI-MAG

1-29.97fps –ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps –ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps — ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps — ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-82fps — 6K FF REDCODE RAW (6144 x 3160)
1-83fps — 6K HD REDCODE RAW (5568 x 3132)
1-100fps — 6K WS REDCODE RAW (6144 x 2592)
1-95fps — 5K FF REDCODE RAW (5120 x 2700)
1-119fps — 5K WS REDCODE RAW (5120 x 2160)
1-119fps — 4K FF REDCODE RAW (4096 x 2160)
1-120fps — 4K HD REDCODE RAW (3840 x 2160)
1-148fps — 4K WS REDCODE RAW (4096 x 1728)
1-239fps — 2K FF REDCODE RAW (2048 x 1080)
1-298fps — 2K WS REDCODE RAW (2048 x 864)

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

16-bit REDCODE RAW
12-bit or 10-bit ProRes

4:4:4

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Yes

REDCODE RAW

800

16.5+ stops

Full Frame • DSMC3 • 17+ stops dynamic range • 1-600fps • Fixed OLPF stack • Monstro 8K VV 35.4 Megapixel CMOS • Optimized for either 8K Large Format or 6K S35 • Integrated V-Lock battery interface optimized for Micro V-Lock Batteries • Image Processing Pipeline 2 (IPP2) • Lightweight & Compact DSMC3 Design • Canon RF Lens & CFexpress Type-B Support • Up to 8K120 17:9, 6K198 S35 & 4K240 17:9 • Right-Side Assistant’s User Interface • REDCODE Raw HQ, MQ & LQ Options • USB Type-C & Dual 12G-SDI Ports

Product Highlights
- 6K RAW (2:1, 2.4:1)
- 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
- 4.5K RAW (2.4:1)
- 4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
- 3K RAW (16:9, 2:1 and Anamorphic 2:1)
- 2K RAW (16:9, 2:1 and Anamorphic 2:1)
- 1080p RGB (16:9), 720p RGB (16:9)
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- HD Apple ProRes 4444 XQ up to 120 fps
- HD Apple ProRes 4444 up to 120 fps
- HD Apple ProRes 422 HQ up to 120 fps
- HD Apple ProRes 422 up to 120 fps
- HD Apple ProRes 422 LT up to 120 fps
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
- Project Framerates: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
Our Kit Includes
- DSMC Interchangeable OLPF System
- Interchangeable Standard OLPF for Red Weapon (other options available per request)
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Element Technica W – Gold Mount Battery Module
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Weapon 8K Monstro VV

Red RAPTOR MONSTRO VV 8K (ST White)

Red RAPTOR MONSTRO VV 8K (ST White)

1.8

Canon RF

VistaVision, Full Frame, Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

MONSTRO 35.4 Megapixel CMOS

1.90:1

RED MINI-MAG

REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps
REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps
REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps
REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps
REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps
REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps

120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)
140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)
160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)
192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)
240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)
320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)
480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)

8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x
6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x
5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1
4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1
3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1
2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
REDCODE Raw HQ, MQ & LQ Options
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

4:4:4

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm
REDWideGamutRGB and Log3G10

Yes

REDCODE RAW

17+ stops

Full Frame+ • 17+ stops dynamic range • 1-600fps • Fixed OLPF stack • Monstro 8K VV 35.4 Megapixel CMOS • Optimized for either 8K Large Format or 6K S35 • Integrated V-Lock battery interface optimized for Micro V-Lock Batteries • Image Processing Pipeline 2 (IPP2) • Lightweight & Compact DSMC3 Design • Canon RF Lens & CFexpress Type-B Support • Up to 8K120 17:9, 6K198 S35 & 4K240 17:9 • Right-Side Assistant’s User Interface • REDCODE Raw HQ, MQ & LQ Options • USB Type-C & Dual 12G-SDI Ports

Product Highlights
- 17+ stops
- V-RAPTOR™ 8K VV 35.4 Megapixel CMOS
- 40.96 mm x 21.60 mm (Diagonal: 46.31 mm)
- 8192 x 4320px
- Optimized for either 8K Large Format or 6K S35
- Integrated V-Lock battery interface optimized for Micro V-Lock Batteries[1]
- Image Processing Pipeline 2 (IPP2)
- Lightweight & Compact DSMC3 Design
- Canon RF Lens & CFexpress Type-B Support
- Up to 8K120 17:9, 6K198 S35 & 4K240 17:9
- Right-Side Assistant’s User Interface
- REDCODE Raw HQ, MQ & LQ Options
- USB Type-C & Dual 12G-SDI Ports
- REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps
- REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps
- REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps
- REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps
- REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps
- REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps
- 120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)
- 140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)
- 160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)
- 192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)
- 240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)
- 320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)
- 480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)
- 8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
- 7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x
- 6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x
- 5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1
- 4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1
- 3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1
- 2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1

Red Raptor XL MONSTRO 8K VV Camera

Red Raptor XL MONSTRO 8K VV Camera

G-Mount, PL Mount

VistaVision, Full Frame, Super 35mm

Progressive scan, rolling shutter

Electronic shutter, 1 to 1/8000 sec

SENSOR V-RAPTORTM 8K VV 35.4 Megapixel CMOS

2.4:1

RED MINI-MAG

REDCODE® RAW ACQUISITION FORMATS

PLAYBACK FRAME RATES (PROJECT TIME BASE) 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions BEST AVAILABLE REDCODE® SETTINGS

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

REDCODE RAW 2:1 to 22:1
REDCODE Raw HQ, MQ & LQ Options
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

4:4:4

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm
REDWideGamutRGB and Log3G10

Yes

REDCODE RAW

17+ stops

12 stops dynamic range • 1-1950fps • Internal ProRes or RAW .Cine recording up to 4K resolution • Phantom CineMag IV recording media • 64GB of internal memory • Both Mac and Windows based software for Cine download and file conversion. • Also supports standard fps and sync sound shooting

Product Highlights
- 17+ stops
- V-RAPTOR™ 8K VV 35.4 Megapixel CMOS
- 40.96 mm x 21.60 mm (Diagonal: 46.31 mm)
- 8192 x 4320px
- Optimized for either 8K Large Format or 6K S35
- Integrated V-Lock battery interface optimized for Micro V-Lock Batteries[1]
- Image Processing Pipeline 2 (IPP2)
- Lightweight & Compact DSMC3 Design
- Canon RF Lens & CFexpress Type-B Support
- Up to 8K120 17:9, 6K198 S35 & 4K240 17:9
- Right-Side Assistant’s User Interface
- REDCODE Raw HQ, MQ & LQ Options
- USB Type-C & Dual 12G-SDI Ports
- REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps
- REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps
- REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps
- REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps
- REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps
- REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps
- 120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)
- 140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)
- 160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)
- 192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)
- 240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)
- 320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)
- 480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)
- 8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
- 7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x
- 6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x
- 5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1
- 4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1
- 3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1
- 2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1

Phantom Flex4K

Phantom Flex 4K

Phantom Flex 4K

5.90

Body and Lens Mount only

Arri PL

Super 35mm

Progressive scan shutter (less than 1ms scan time)

Electronic shutter, 5μs to 1/frame rateCan be set in degrees or microseconds (μs)

13.1 megapixel Super 35mm equivalent CMOS sensor

1.78.1 or 1.90:1

Internal 64GB RAM
Cinemag IV

up to 940 fps @ Cine Raw 4K (4096 x 2304) (to internal RAM only)
up to 1000fps @ Cine Raw 4K (4096 x 2160)
up to 1950fps @ Cine Raw 2K (2048×1080)(windowed, Super-16mm mode)

RAW .Cine

12-bit

4:4:4

Rec709
Log

Yes

Internal to 64Gb RAM or to attached Cinemag IV

250

12 stops

• 14+ stops dynamic range • 1-120fps 4K RAW • Integrated V-RAW Pure module for smaller form factor • Dual native ISOs of 800 and 5000 • Internal ND filtration

Product Highlights
- 4K resolution at up to 1,000 fps
- Also supports standard fps and sync sound frame rates
- Low noise, high dynamic range
- Robust on-camera control interface
- Multi-Channel 3G HG-SDI outputs
- CineMag IV support for raw recording
- Now Available: Audio and Apple ProRes recording options
Our Kit Includes
- 64GB Internal RAM
- PL Mount
- PL Turret Plug
- Gold-Mount Battery Plate
- Mini-BOB Breakout Box for Phantom Flex 4K
- Astro DF-3512-A OLED Viewfinder
- Viewfinder Mounting Bracket
- Top Handle
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Cine-style LWS Riser Plate
- Detachable Shoulder Pad
- Trigger Cable
- Pickle Switch (for Loop RAM Recording)
- Phantom Flex4K I/O Squid (Trigger, F-Sync, TC Out, TC In, Ready, Aux)
- (2) Capture Cables
- Cinestation IV (10GE) for Phantom Flex4K
- 24V Power Supply for CInestation IV (10GE) incl. AC Cable
- ATTO Thunderlink NT 1102 (10GBASE-T)
- Ethernet and Thunderbolt Cables for Data Transfer (per user request)
- Lenovo W520 Thinkpad 15.6″ Laptop with 2.50GHz Intel Core i7-2860QM CPU / 8GB RAM / 64-bit Windows
- Batteries, Cinemags and Additional Cinestations / Laptops for download available à la carte

Panasonic Cameras

Panasonic Varicam Pure

Panasonic Varicam Pure

11.35

5.15

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan shutter

Electronic shutter, 1 – 358 degrees

8.9 megapixel Super 35mm equivalent MOS sensor

1.90:1

Codex Capture Drive 2.0

V-RAW 1-120fps

V-RAW

(Offload to various other formats such as ProRes and DNxHD possible via Codex Production Suite software)

12-bit — V-RAW (1-60fps)
10-bit — V-RAW (60-120fps)

4:4:4 or 4:2:2

V-Log

Yes

12bit/10bit V-Log uncompressed V-RAW via V-RAW Pure recorder

5000 (or 800)

14+ stops

• 14+ stops dynamic range • 1-120fps 4K • Internal AVC-Intra recording up to 4K • Internal HD ProRes recording • External RAW via Codex V-RAW module up to 4K • Dockable recording module unit (AU-VREC1) for two-piece operation (cranes/jibs) • Dual native ISOs of 800 and 5000 • Internal ND filtration

Yes, Built-in ND6, ND1.2, ND1.8

Product Highlights
- Video captured in 4K by the VariCam 35 camera module AU-V35C1G is recorded as uncompressed V-RAW data to Codex’s Capture Drive 2.0 at up to 120 fps.
- The recorder proper is 157 mm shorter than earlier systems, making it excellent for mobile use and easier to mount on gimbals and cranes than earlier systems.
- Using Codex’s Production Suite, recorded data can be converted to a wide range of file formats including Panasonic V-RAW, Apple ProRes and Avid DNxHR. This ensures wide-ranging support for existing workflows.
Our Kit Includes
- 4K camera module (AU-V35C1)
- V-RAW 2.0 Recording module unit (AU-VCXRAW2)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Panasonic Varicam 35

Panasonic Varicam 35

11.02

5.00

Body, Lens Mount, Record Module only

Arri PL

Super 35mm

Progressive scan shutter

Electronic shutter, 1 – 358 degrees

8.9 megapixel Super 35mm equivalent MOS sensor

1.90:1

expressP2 card
(for 4K and HFR recording)

microP2 card
(HD or 2K recording)

23.98, 24, 25, 29.97fps — 4K AVC-Intra4K444 (4096 × 2160)
23.98, 24, 25, 29.97fps — UHD AVC-Intra4K444 (3840 × 2160)
1-60fps — 4K AVC-Intra4K422 (4096 × 2160)
1-60fps — UHD AVC-Intra4K422 (3840 × 2160)
1-120fps — 4K AVC-Intra4K-LT (4096 × 2160)
1-120fps — UHD AVC-Intra4K-LT (3840 × 2160)
23.98, 25, 29.97fps — 2K AVC-Intra444 (2048×1080)
23.98, 25, 29.97fps — HD AVC-Intra444 (1920 X 1080)
23.98, 25, 29.97fps — 2K AVC-Intra200 (2048×1080)
23.98, 25, 29.97fps — HD AVC-Intra200 (1920 X 1080)
1-120fps — 2K AVC-Intra100 (2048×1080)
1-120fps — HD AVC-Intra100 (1920 X 1080)
1-60fps — HD ProRes 4444 (1920 X 1080)
1-120fps — HD ProRes 422HQ (1920 X 1080)

1-120fps External 4K V-RAW (4096 × 2160)
1-120fps External UHD V-RAW (3840 × 2160)
(V-RAW is 12-bit up to 30fps, 10-bit beyond 30fps)

Main Recorder: AVC-Intra4K444/AVC-Intra4K422/AVC-Intra4K-LT/AVC-Intra2K444/
AVC-Intra2K422/AVC-Intra444/AVC-Intra200/AVC-Intra100/ProRes422HQ/ProRes4444

Sub Recorder: AVC-Intra 2K422, AVC Intra 100, AVC LongG 50,
AVC LongG 25
Compression Format: H.264/AVC High Profile

12-bit — internal AVC-Intra 4K444
12-bit — external V-RAW (up to 60 fps)
10-bit — internal all other AVC-Intra formats

10-bit — external V-RAW (above 30 fps)

4:4:4 or 4:2:2

V-Log
V-709

Yes

Yes, with Codex V-RAW Recorder module add-on (additional cost)
Cinema 4K or UHD Uncompressed up to 120 fps
Record to Codex Capture Drive 2.0
12-bit up to 30 fps, 10-bit beyond 30 fps

5000 (or 800)

14+ stops

• 14+ stops dynamic range • 1-60fps 4K • Internal AVC-Intra recording up to 4K • Arri PL or Canon EF mount options avail. • Internal HD ProRes Recording • External RAW over SDI coming summer 2016 via firmware upgrade • Dual native ISOs of 800 and 5000 • Internal ND filtration

Yes, Built-in ND6, ND1.2, ND1.8

Product Highlights
- AVC-Intra Codecs — Class 100 / Class 200 / Class 4:4:4
- Dual Codec Recording — Simultaneously records in two different formats, codecs and selectable from V-log/V-709/Grading
- Encodes high-resolution proxy files in parallel with 4K and 2K production formats, enabling fast, efficient offline editing, at bit rates from 6 Mbps down to 1.5Mbps.
- Variable speed 4K recording up to 120fps.
- 3G-HD-SDI x4 for 4K QUAD output
- 3G-HD-SDI x2 for RAW output
- HD-SDI out for monitoring (down-converting from 4K)
- Dockable recording module unit (AU-VREC1) (also interchangeable with Panasonic’s new 2/3” camera module unit (AU-V23HS1))
- Camera head can be operated seperately from recorder via external umbilical cable, similar to Alexa-M for crane / jib needs.
- Support for an Academy Color Encoding System (ACES) workflow.
- Newly-developed OLED electronic viewfinder (EVF) with optical zoom functionality.
Our Kit Includes
- 4K camera module (AU-V35C1)
- Recording module unit (AU-VREC1)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Panasonic Varicam LT

Panasonic Varicam LT

5.95

2.70

Body, Lens Mount, Record Module only

Arri PL, Canon EF

Super 35mm

Progressive scan shutter

Electronic shutter, 1 – 358 degrees

8.9 megapixel Super 35mm equivalent MOS sensor

1.90:1

expressP2 card

1-30fps — 4K AVC-Intra4K422 (4096 × 2160)
1-30fps — UHD AVC-Intra4K422 (3840 × 2160)
1-60fps — 4K AVC-Intra4K-LT (4096 × 2160)
1-60fps — UHD AVC-Intra4K-LT (3840 × 2160)
23.98, 25, 29.97fps — 2K AVC-Intra444 (2048×1080)
23.98, 25, 29.97fps — HD AVC-Intra444 (1920 X 1080)
1-60fps — 2K AVC-Intra422 (2048×1080)
1-120fps (cropped) — 2K AVC-Intra422 (2048×1080)
1-60fps — HD AVC-Intra422 (1920 X 1080)
1-120fps (cropped) — HD AVC-Intra422 (1920 X 1080)
50i/59.94i — HD AVC-Intra100 (1920 X 1080)
1-120fps — AVC-Intra 2K-LT (2048×1080)
1-240fps (cropped) — AVC-Intra 2K-LT (2048×1080)
1-120fps — HD AVC-IntraLT (1920×1080 )
1-240fps (cropped) — HD AVC-IntraLT (1920×1080 )
2-30fps — HD ProRes 4444 (1920 X 1080)
2-60fps — HD ProRes 422HQ (1920 X 1080)
Up to 60p AVC-Proxy G6

AVC-Intra4K422
AVC-Intra4K-LT
AVC-Intra2K444
AVC-Intra2K422
AVC-Intra444
AVC-Intra422
AVC-Intra100
ProRes422HQ
ProRes4444
AVC-Proxy G6

12-bit — internal AVC-Intra 4K444
10-bit — internal all other AVC-Intra formats

4:4:4 or 4:2:2

V-Log
V-LOOK
V-709

Yes, via planned firmware upgrade summer 2016

Via SDI out, Convergent Design Odyssey 7Q recorders will support new Varicam LT RAW format

5000 (or 800)

14+ stops

• 11+ stops dynamic range • 1-30fps • Internal Full HD 1080p DVCPRO HD or AVC-Intra recording • 2/3" CCD image sensor • Internal ND filtration

Yes, Built-in ND6, ND1.2, ND1.8

Product Highlights
- Same 4K Sensor as the VariCam 35
- 14+ Stops of Dynamic Range
- Dual ISO: 800 and 5000
- Removable Canon EF or PL Mount Option ($1,300)
- 4K-UHD — AVC-Intra 4K422: up to 30p
- 4K-UHD — AVC-Intra 4K-LT: 30p to 60p
- 2K — AVC-Intra 2K444: up to 30p, AVC-Intra 2K422: up to 60p, up to 120p (cropped), AVC-Intra 2K-LT: 120p to 240p (cropped)
- HD — AVC-Intra444: up to 30p, AVC-Intra422: up to 60p, up to 120p (cropped), AVC-Intra100: 50i/59.94i, AVC-IntraLT: 120p to 240p (cropped)
- HD ProRes: 4444 up to 30p, ProRes 422HQ up to 60p
- One expressP2 card Slot
- SD Slot for Proxies — AVC-Proxy G6 (6Mbps): up to 60p
- RAW Output from SDI Coming in Summer 2016
- ND filters (CLEAR, 0.6, 1.2, 1.8)
- 256GB expressP2 card — 90 minutes of 4K/4:2:2/23.98p content
- Power Consumption: 47 W (body only), 77 W with all ports maxed out
Our Kit Includes
- AU-VCVF10 Viewfinder for VariCam LT
- AU-VGRP1 Grip Module for VariCam LT
- AU-VMPL1 PL Mount Adapter for VariCam LT
- (2) AU-XP0256AG 256GB expressP2 Memory Cards
- AU-XPD1 AU-XPD1 P2 Memory Card Drive
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Panasonic AJ-HPX3700

Panasonic AJ-HPX3700

10.8

4.90

Body only, no VF

2/3″

Progressive scan, rolling shutter

Electronic Shutter, 7 speeds up to a maximum of 1/2000.

2.2 Megapixel 2/3 Type 3CCD

1.78:1

P2 Cards

1-30fps variable

24p, 25p, 30p, 50i, 60i (1920 x 1080)
24p, 25p, 30p, 50i, 60i (1280 x 720)

DVCPRO HD
AVC-Intra 100
AVC-Intra 50

10-bit

4:4:4

HD
SD
FILMLIKE1
FILMLIKE2
FILMLIKE3
FILM-REC
VIDEO-REC

11+ stops

12 stops dynamic range • 1-25fps • Internal 2K or 1080p HD CinemaDNG RAW recording • Interchangeable lens mounts (C-Mount / Canon EF / Arri PL) • Super 16mm size CCD global shutter image sensor • Flat "Film" gamma option • Records to Dual CF card slots or Internal (Non-Removable) Enterprise SSD • Arri PL to C-Mount Adapter Available

Yes, built-in 0.6, 1.2, 1.8

Our Kit Includes
- AJ-HVF21G B/W Viewfinder
- B4 Turret Plug
- Onboard Microphone
- Microphone Jumper Cable
- LWS Triangle Plate
- ENG Quick Release Plate
- 15mm Prime Rods
- Raincover
- Thermodyne Shipping Case
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Digital Bolex Cameras

Digital Bolex D16 Cinema Camera

Digital Bolex D16 Cinema Camera

2.27

Body only

C-Mount, Micro 4/3, Arri PL

Super 16mm

Global shutter

Electronic Shutter, 1/25 – 1/500

Super16mm size Kodak 1″ Truesense CCD

1.78:1

Dual CF card slots, Internal 256GB or 500GB Enterprise SSD

23.98, 24, 25 fps — Adobe CinemaDNG RAW (2048 x 1152)
23.98, 24, 25 fps — Adobe CinemaDNG RAW (1920 x 1080)

Adobe CinemaDNG RAW

12-bit

4:4:4

Yes

12-bit Adobe Cinema DNG (RAW)

400

12 stops

15+ Stops of Exposure Latitude • native ISO 500 • S-Log3 gamma option • 36.2 x 24.1mm Full Frame Sensor • 6K X-OCN 16-bit ST/LT RAW up to 60 fps in 3:2 mode (to AXS-R7 recorder) • 4K uncompressed linear 16-bit RAW up to 110fps in Cinema 4K (to AXS-R7 recorder) • Internal XAVC up to 4K (to SxS Pro +) • 4K S35 Window modes for 17:9 (up to 110fps) and 4:3 (up to 75fps) • HFR Mode: 120fps at 4K 2.39:1, 60fps at 6K 3:2, 110fps at 4K 17:9, 75fps at 4K 4:3 anamorphic • 2.0x squeeze Anamorphic in Super 35mm 4:3 mode • 1.25x, 1.3x, 1.5x, 1.8x, 2.0x Anamorphic Desqueeze in Full Frame Anamorphic 6K 3:2 mode • 8-Step, 8-Stop Internal NDs (.3 - 2.4)

Product Highlights
- Super16mm Truesense CCD (Color or Monochrome)
- Dual 24-bit 96kHz audio recording capability
- Records 12-bit Adobe Cinema DNG (RAW)
- Ports: HDMI, USB 3.0, Dual Audio XLR, 4-PIN XLR, ⅛ video, headphone
- Dual CF card slots
- Internal (Non-Removable) Enterprise SSD
Our Kit Includes
- C-Mount Interchangeable Lens Mount
- C-Mount Turret Plug
- Power Supply
- User Manual
- Pistol Grip
- Arri PL to C-Mount Adapter + additional Accessories and Media available à la carte.

Sony Cameras

Sony VENICE (6K)

Sony VENICE (6K)

8.625

3.91

Body, R7 recorder and Lens Mount only

Arri PL, Sony E

Full Frame, Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5.6° to 360°

24.8 megapixel Full Frame single-chip CMOS sensor

3:2
4:3
6:5
16:9
17:9
1.85:1
2.39:1

SxS Pro
(for 4K XAVC or HD ProRes recording)

AXSM A Series 4.8 Gb/s Memory Card to attached R7 recorder
(for RAW and X-OCN recording)

X-OCN XT (to AXS-R7)

1-30FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-60FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

X-OCN ST/LT (to AXS-R7)

1-60FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-75FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

RAW SQ (to AXS-R7)

1-110FPS /// 4K 17:9 (4096 x 2160)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

XAVC (to SxS Pro +)

1-30FPS /// XAVC 4K Class480

1-60FPS /// XAVC 4K Class300

1-30FPS /// XAVC QFHD Class480

1-60FPS /// XAVC QFHD Class300

ProRes (to SxS Pro +)

1-60FPS /// HD ProRes 422HQ

1-60FPS /// HD ProRes 422

1-60FPS /// HD ProRes 422 Proxy

MPEG HD422 (to SxS Pro +)

1-60FPS /// MPEG HD422(1920×1080)

6K / 4K X-OCN XT compressed RAW
6K / 4K X-OCN ST compressed RAW
6K / 4K X-OCN LT compressed RAW
4K Uncompressed RAW
4K XAVC Class480
4K XAVC Class300
HD ProRes 422HQ
HD ProRes 422
HD ProRes 422 Proxy
MPEG HD422

16-bit
10-bit

4:4:4 or 4:2:2

S-Gamut3.Cine / Slog3

Yes

6K X-OCN XT 16-bit linear RAW to Sony AXS A series memory cards (using attached R7 recorder)

500

15+ stops

Extend camera sensor up to 18' Away using Rialto extension • 15+ Stops of Exposure Latitude • native ISO 500 • S-Log3 gamma option • 36.2 x 24.1mm Full Frame Sensor • 6K X-OCN 16-bit ST/LT RAW up to 60 fps in 3:2 mode (to AXS-R7 recorder) • 4K uncompressed linear 16-bit RAW up to 110fps in Cinema 4K (to AXS-R7 recorder) • Internal XAVC up to 4K (to SxS Pro +) • 4K S35 Window modes for 17:9 (up to 110fps) and 4:3 (up to 75fps) • HFR Mode: 120fps at 4K 2.39:1, 60fps at 6K 3:2, 110fps at 4K 17:9, 75fps at 4K 4:3 anamorphic • 2.0x squeeze Anamorphic in Super 35mm 4:3 mode • 1.25x, 1.3x, 1.5x, 1.8x, 2.0x Anamorphic Desqueeze in Full Frame Anamorphic 6K 3:2 mode • 8-Step, 8-Stop Internal NDs (.3 - 2.4)

Yes, built-in 8-position optical ND: 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4

Product Highlights
- 36.2 x 24.1mm Full Frame Sensor
- 6K X-OCN 16-bit ST/LT RAW up to 60 fps in 3:2 mode (to AXS-R7 recorder)
- 4K uncompressed linear 16-bit RAW up to 110fps in Cinema 4K (to AXS-R7 recorder)
- Internal XAVC up to 4K (to SxS Pro +)
- 4K S35 Window modes for 17:9 (up to 110fps) and 4:3 (up to 75fps)
- HFR Mode: 120fps at 4K 2.39:1, 60fps at 6K 3:2, 110fps at 4K 17:9, 75fps at 4K 4:3 anamorphic
- 2.0x squeeze Anamorphic in Super 35mm 4:3 mode
- 1.25x, 1.3x, 1.5x, 1.8x, 2.0x Anamorphic Desqueeze in Full Frame Anamorphic 6K 3:2 mode
- 8-Step, 8-Stop Internal NDs (.3 – 2.4)
- 15+ Stops of Exposure Latitude
- native ISO 500 • S-Log3 gamma option
Our Kit Includes
- Anamorphic, Full Frame Licenses, High Frame Rate License
- Sony Full Frame Sensor Assembly
- Sony Mount Option: Arri PL (Venice)
- Turret Plug for Sony Venice PL Mount
- Sony AXS-R7 Onboard Recorder (Sony Venice/F55/F5)
- SD Card for Camera Settings
- Wooden Camera Gold Mount D-Box for Sony Venice
- Sony DVF-EL200 0.7″ OLED HD EVF for Sony Venice or F55/F5
- Viewfinder Mounting Bracket for Sony Venice (incl. 2x 15mm 4″ rods)
- Sony Venice Viewfinder Cable: 22″ Right 26pLEMOm to 26pLEMOm
- Sony Venice Viewfinder Cable: 48″ Right 26pLEMOm to 26pLEMOm
- Standard Top Handle for Sony Venice
- Viewfinder Extension Bracket
- EL-3 Eyepiece Leveler
- Wooden Camera A-Box (Sony Venice)
- Arri BPA-5 Bridgeplate Adapter
- Arri Sliding LWS Dovetail Plate For Sony Venice
- BP-8 Baseplate 19mm
- 12″ Camera Dovetail
- (2) Power Adapter Cables: 12v 4pXLRf to 4pXLRm
- 12v Power Supply for Sony Venice
- A&J Hard Case
- Additional Accessories, Media and Card Readers available à la carte.

Sony VENICE (6K) w/ Rialto Extension System

Sony VENICE (6K) w/ Rialto Extension System

4.19

1.90

Rialto Sensor Block and PL mount only

Arri PL, Sony E

Full Frame, Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5.6° to 360°

24.8 megapixel Full Frame single-chip CMOS sensor

3:2
4:3
6:5
16:9
17:9
1.85:1
2.39:1

SxS Pro
(for 4K XAVC or HD ProRes recording)

AXSM A Series 4.8 Gb/s Memory Card to attached R7 recorder
(for RAW and X-OCN recording)

X-OCN XT (to AXS-R7)

1-30FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-60FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

X-OCN ST/LT (to AXS-R7)

1-60FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-75FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

RAW SQ (to AXS-R7)

1-110FPS /// 4K 17:9 (4096 x 2160)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

XAVC (to SxS Pro +)

1-30FPS /// XAVC 4K Class480

1-60FPS /// XAVC 4K Class300

1-30FPS /// XAVC QFHD Class480

1-60FPS /// XAVC QFHD Class300

ProRes (to SxS Pro +)

1-60FPS /// HD ProRes 422HQ

1-60FPS /// HD ProRes 422

1-60FPS /// HD ProRes 422 Proxy

MPEG HD422 (to SxS Pro +)

1-60FPS /// MPEG HD422(1920×1080)

6K / 4K X-OCN XT compressed RAW
6K / 4K X-OCN ST compressed RAW
6K / 4K X-OCN LT compressed RAW
4K Uncompressed RAW
4K XAVC Class 480
4K XAVC Class 300
HD ProRes 422HQ
HD ProRes 422
HD ProRes 422 Proxy
MPEG HD422

16-bit
10-bit

4:4:4 or 4:2:2

S-Gamut3.Cine / Slog3

Yes

6K X-OCN XT 16-bit linear RAW to Sony AXS A series memory cards (using attached R7 recorder)

500

15+ stops

16 Stops of dynamic range • Full Frame • dual base ISO of 800/3200 • 8-Step, 8-Stop Internal NDs • 8.6K Full Frame 8640 x 5760 maximum resolution • Compact Body Design • Spherical FF & S35 • Anamorphic FF & S35 • Removable PL Mount, Cooke /i Protocol • 36.2 x 24.1mm Full Frame Sensor • 8K X-OCN 16-bit XT RAW up to 29.97 fps in 3:2 mode • Internal 4k ProRes 422 HQ/ProRes 4444 up to 4K (up to 59.94p)

Yes, built-in 8-position optical ND: 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4

Product Highlights
- Extend camera sensor up to 18′ Away using Rialto extension
- 36.2 x 24.1mm Full Frame Sensor
- 6K X-OCN 16-bit ST/LT RAW up to 60 fps in 3:2 mode (to AXS-R7 recorder)
- 4K uncompressed linear 16-bit RAW up to 110fps in Cinema 4K (to AXS-R7 recorder)
- Internal XAVC up to 4K (to SxS Pro +)
- 4K S35 Window modes for 17:9 (up to 110fps) and 4:3 (up to 75fps)
- HFR Mode: 120fps at 4K 2.39:1, 60fps at 6K 3:2, 110fps at 4K 17:9, 75fps at 4K 4:3 anamorphic
- 2.0x squeeze Anamorphic in Super 35mm 4:3 mode
- 1.25x, 1.3x, 1.5x, 1.8x, 2.0x Anamorphic Desqueeze in Full Frame Anamorphic 6K 3:2 mode
- 8-Step, 8-Stop Internal NDs (.3 – 2.4)
- 15+ Stops of Exposure Latitude
- native ISO 500 • S-Log3 gamma option
Our Kit Includes
- Sony Venice RIALTO Extension System incl. 9′ Cable
- Sony Venice RIALTO 9′ Extension Cable (m to f)
- Anamorphic, Full Frame Licenses
- Sony Full Frame Sensor Assembly
- Sony Mount Option: Arri PL (Venice)
- Turret Plug for Sony Venice PL Mount
- Sony AXS-R7 Onboard Recorder (Sony Venice/F55/F5)
- SD Card for Camera Settings
- Wooden Camera Gold Mount D-Box for Sony Venice
- Sony DVF-EL200 0.7″ OLED HD EVF for Sony Venice or F55/F5
- Viewfinder Mounting Bracket for Sony Venice (incl. 2x 15mm 4″ rods)
- Sony Venice Viewfinder Cable: 22″ Right 26pLEMOm to 26pLEMOm
- Sony Venice Viewfinder Cable: 48″ Right 26pLEMOm to 26pLEMOm
- Standard Top Handle for Sony Venice
- Viewfinder Extension Bracket
- EL-3 Eyepiece Leveler
- Wooden Camera A-Box (Sony Venice)
- Arri BPA-5 Bridgeplate Adapter
- Arri Sliding LWS Dovetail Plate For Sony Venice
- BP-8 Baseplate 19mm
- 12″ Camera Dovetail
- (2) Power Adapter Cables: 12v 4pXLRf to 4pXLRm
- 12v Power Supply for Sony Venice
- A&J Hard Case
- Additional Accessories, Media and Card Readers available à la carte.

Sony VENICE 2 (8K)

Sony VENICE 2 (8K)

9.5

4.3

Body and Lens Mount only

Arri PL, Sony E

Full Frame, Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5.6° to 360°

36.2 x 24.1 mm Full Frame single-chip CMOS sensor

3:2
16:9
17:9
6:5

S66 AXSM A Series Memory Cards

8.6K: 1 to 29.97 fps
8.2K: 1 to 60 fps
7.6K: 1 to 60 fps
5.8K Anamorphic: 1 to 48 fps
5.8K: 1 Up to 90 fps
5.4K: 1 Up to 90 fps

X-OCN XT formats

8640 x 5760 at 23.98/24.00/25/29.97 fps
8192 x 4320 at 23.98/24.00/25/29.97/47.95 fps
7680 x 4320 at 23.98/24.00/25/29.97 fps
5792 x 4854 at 23.98/24.00/25/29.97/47.95 fps
5792 x 3056 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
5452 x 3056 at 23.98/24.00/25/29.97/50/59.94 fps

X-OCN ST/LT formats

8640 x 5760 at 23.98/24.00/25/29.97 fps
8192 x 4320 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
7680 x 4320 at 23.98/24.00/25/29.97/50/59.94 fps
5792 x 4854 at 23.98/24.00/25/29.97/47.95 fps
5792 x 3056 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
5452 x 3056 at 23.98/24.00/25/29.97/50/59.94 fps

ProRes 422 HQ/ProRes 4444 formats

4096 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p
3840 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p

8.6K / 8.2K / 7.6K / 5.8K Anam / 5.8K / 5.4K
X-OCN XT compressed RAW
X-OCN ST compressed RAW
X-OCN LT compressed RAW

Cinema 4K / UHD
ProRes 422 HQ
ProRes 4444

16-bit
12-bit
10-bit

4:4:4 or 4:2:2

S-Gamut3.Cine / Slog3

Yes

8.6K X-OCN XT 16-bit linear RAW internally to Sony AXS S66 series memory cards

800 / 3200

16 stops

PMW-F55 • 14 stops dynamic range • 1-240fps • 16-bit linear 4K RAW up to 120fps using incl. R7 recorder (available upon request) • new X-OCN compressed RAW format for smaller file sizes available • Internal XAVC Class480 up to 4K • Internal ProRes HD (with optional license) • 16-bit linear 2K RAW up to 240fps • Internal ND filtration • Global shutter • High native ISO of 1250 • S-Log3 gamma option • S-Gamut3Cine color

Yes, built-in 8-position optical ND: 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4

Product Highlights
- 16 Stops of dynamic range
- Dual base ISO of 800/3200
- 8-Step, 8-Stop Internal NDs
- Full Frame Sensor
- 8.6K Full Frame 8640 x 5760 maximum resolution
- Compact Body Design
- Spherical FF & S35
- Anamorphic FF & S35
- Removable PL Mount, Cooke /i Protocol
- 36.2 x 24.1mm Full Frame Sensor
- 8K X-OCN 16-bit XT RAW up to 29.97 fps in 3:2 mode
- Internal 4k ProRes 422 HQ/ProRes 4444 up to 4K (up to 59.94p)
- New high-speed 6.6 Gbps AXS card AXS-A1TS66 for 8K 60p recording
- Easy color control by established workflow of Sony S-Log3 gamma encoding, and S-Gamut3 Ultra-wide color space
Our Kit Includes
- Sony Venice 8K Camera
- Anamorphic, Full Frame Licenses (Arri PL)
- Full Frame 8K Sensor Assembly
- Venice 1/2 Sony E-Mount Adapter: Arri PL
- Turret Plug for Sony Venice 1/2 PL Mount
- Sony DVF-EL200 0.7″ OLED Electronic Viewfinder (Venice 1/2 EVF)
- Viewfinder Bracket Tube Clamp for Sony Venice 1/2
- Viewfinder Bracket Rod for Sony Venice 1/2
- Sony Venice 1/2 Viewfinder Cable: 20″ Right 26pLEMOm to 26pLEMOm
- Sony Venice 1/2 Viewfinder Cable: 48″ Right 26pLEMOm to 26pLEMOm
- Viewfinder Mounting Bracket for Sony Venice 1/2 (incl. 2x 15mm 4″ rods)
- EL-3 Eyepiece Leveler
- AIR EVF Viewfinder Extension Bracket (Venice 1/2, DVF-EL200EVF)(WC)
- 19mm Prime Rods
- Meanwell GST280A24-C6P External Power Adaptor – 280W 24V 11.67A
- Power Cable: 24v 3pXLRm to 3pXLRf 10′
- Core 24V D-Box Gold Mount f/ Sony Venice 1/2 (24V DC In + Hotswap)
- CORE Venice D-Box Trigger Cable (3pFisM – 3pFisM)
- Gold Mount Batteries and Charger
- A-Box (Sony Venice 1/2)
- Top Plate for Sony Venice 1/2
- Arri CCH-4 Camera Center Handle (Alexa Mini/ Sony Venice 1/2)
- Side Bracket Right for Sony Venice 1/2
- Side Bracket Left for Sony Venice 1/2
- Plate for Sony Venice 1/2
- Arri BPA-5 Bridgeplate Adapter for Sony Venice 1/2
- BP-8 Baseplate 19mm
- 12″ Camera Dovetail
- Shoulder Pad for Sony Venice
- Arri HEX-1 Handle Extension
- Case for Sony Venice 2 Camera (TT97-141)
- SD Card for Camera Settings

Sony F55

Sony F55

7.28

3.30

Body, R7 recorder and Lens Mount only

Arri PL, Sony FZ, Nikon G, Leica M, Leica R

Super 35mm

Global shutter

Electronic shutter, 4.2° to 359.7°

11.6 megapixel S35mm equivalent single-chip, Bayer pattern CMOS sensor

1.90:1

SxS Pro +

AXSM A Series 4.8 Gb/s Memory Card (for use w/ R7 recorder up to 120fps)

RAW RECORD MODES:
Cinema 4K RAW (4096 X 2160) — 1-120fps
Cinema 4K X-OCN (4096 X 2160) — 1-120fps
2K RAW (2048×1080) — 1-240fps
2K X-OCN (2048×1080) — 1-240fps

SXS PRO+ STANDARD RECORD MODES:
XAVC 4K Class480 (4096 X 2160) — 23.98p, 25p, 29.97p
XAVC 4K Class300 (4096 X 2160) — 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC UHD Class480 (3840 X 2160) — 23.98p, 25p, 29.97p
XAVC UHD Class300 (3840 X 2160) — 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC 2K (2048×1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC HD (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
ProRes 444 1080p (1920 X 1080) — 23.98p, 25p, 29.97p
ProRes 422 HQ 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
ProRes 422 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
DNxHD 220x 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
DNxHD 145 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p

SXS PRO+ S&Q RECORD MODES:
XAVC 4K Class300 (4096 X 2160) — 1-60fps (NTSC)
XAVC UHD Class300 (3840 X 2160) — 1-60fps (NTSC)
XAVC 2K (2048×1080) — 1-180fps (NTSC)
XAVC HD (1920 X 1080) — 1-60fps (NTSC)

Cinema 4K X-OCN compressed RAW 16-bit
Cinema 4K RAW 16-bit
Cinema 2K X-OCN compressed RAW 16-bit
Cinema 2K RAW 16-bit
XAVC HD 422 10-bit 10-bit
XAVC 2K 422 10-bit 10-bit
XAVC QFHD Class480 10-bit
XAVC QFHD Class300 10-bit
XAVC 4K Class480 10-bit
XAVC 4K Class300 10-bit
SR 422 10-bit
SR 444 10-bit
ProRes 444 12-bit
ProRes 422 HQ 10-bit
ProRes 422 10-bit
Avid DNxHD 220x 10-bit
Avid DNxHD 145 8-bit
MPEG2 422 HD 1080p 8-bit

16-bit
12-bit
10-bit

4:4:4 or 4:2:2

S-Log 3
S-Log 2
STD1 DVW
STD2 ×4.5
STD3 ×3.5
STD4 240M
STD5 R709
STD6 ×5.0
HG1 3250G36
HG2 4600G30
HG3 3259G40
HG4 4609G33
HG7 8009G40
HG8 8009G33

Yes

4K or 2K 16-bit linear RAW to Sony AXS memory cards

1250

14 stops

Extend camera sensor up to 39' Away using Rialto extension • 16 Stops of dynamic range • Full Frame • dual base ISO of 800/3200 • 8-Step, 8-Stop Internal NDs • 8.6K Full Frame 8640 x 5760 maximum resolution • Compact Body Design • Spherical FF & S35 • Anamorphic FF & S35 • Removable PL Mount, Cooke /i Protocol • 36.2 x 24.1mm Full Frame Sensor • 8K X-OCN 16-bit XT RAW up to 29.97 fps in 3:2 mode • Internal 4k ProRes 422 HQ/ProRes 4444 up to 4K (up to 59.94p)

Yes, built-in 0.9 or 1.8

Product Highlights
- 1-240fps
- 16-bit linear 2K RAW up to 240fps
- 16-bit linear 4K RAW up to 120fps
- Internal XAVC up to 4K
- Internal ProRes up to 4K (with optional license)
- Internal ND filtration
- Global shutter
- High native ISO of 1250
- S-Log3 gamma option
Our Kit Includes
- F55 Pro Adapter Module
- Audio Adapter for Sony F55 Camera Body
- Sony DVF-EL100 0.7″ OLED HD EVF
- Viewfinder Adapter Bracket for Sony F55 (Arri, K2.66248.0)
- 1′ EVF Cable for Sony DVF-EL100
- 3′ EVF Cable for Sony DVF-EL100
- Arri Viewfinder Plug Protector for Sony F55 (K2.66251.0)
- Arri PL to Sony FZ Mount Adapter for Sony F55/F5
- PL Turret Plug
- LWS Riser Plate for Sony F55 (Arri, K2.66246.0)
- Top Cheeseplate for Sony F55 (Arri, K2.66247.0)
- AMH-1 Top Camera Handle for Sony F55 (Arri, K2.73002.0)
- Shoulder Pad for Sony F55 (Arri, K2.66249.0)
- Anton Bauer QRC-4K-S Battery Plate for Sony F5/F55
- USB WiFi Adapter for Sony F55 Camera Body (IFU-WLM3)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- AXS-R7 Recording Module available à la carte.
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Sony VENICE 2 (8K) W/ RIALTO EXTENSION SYSTEM

Sony VENICE 2 (8K) W/ RIALTO EXTENSION SYSTEM

9.5

4.3

Body and Lens Mount only

Arri PL, Sony E

Full Frame, Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Electronic shutter, 5.6° to 360°

36.2 x 24.1 mm Full Frame single-chip CMOS sensor

3:2
16:9
17:9
6:5

S66 AXSM A Series Memory Cards

8.6K: 1 to 29.97 fps
8.2K: 1 to 60 fps
7.6K: 1 to 60 fps
5.8K Anamorphic: 1 to 48 fps
5.8K: 1 Up to 90 fps
5.4K: 1 Up to 90 fps

X-OCN XT formats

8640 x 5760 at 23.98/24.00/25/29.97 fps
8192 x 4320 at 23.98/24.00/25/29.97/47.95 fps
7680 x 4320 at 23.98/24.00/25/29.97 fps
5792 x 4854 at 23.98/24.00/25/29.97/47.95 fps
5792 x 3056 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
5452 x 3056 at 23.98/24.00/25/29.97/50/59.94 fps

X-OCN ST/LT formats

8640 x 5760 at 23.98/24.00/25/29.97 fps
8192 x 4320 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
7680 x 4320 at 23.98/24.00/25/29.97/50/59.94 fps
5792 x 4854 at 23.98/24.00/25/29.97/47.95 fps
5792 x 3056 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
5452 x 3056 at 23.98/24.00/25/29.97/50/59.94 fps

ProRes 422 HQ/ProRes 4444 formats

4096 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p
3840 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p

8.6K / 8.2K / 7.6K / 5.8K Anam / 5.8K / 5.4K
X-OCN XT compressed RAW
X-OCN ST compressed RAW
X-OCN LT compressed RAW

Cinema 4K / UHD
ProRes 422 HQ
ProRes 4444

16-bit
12-bit
10-bit

4:4:4 or 4:2:2

S-Gamut3.Cine / Slog3

Yes

8.6K X-OCN XT 16-bit linear RAW internally to Sony AXS S66 series memory cards

800 / 3200

16 stops

Compact but robust form for Cage-Free Operation • Detachable 2 x XLR/TRS Adapter Handle • Dual CFexpress Type A/SDXC Card Slots • 15+ Stops DR • 1-120fps UHD 4K • Native ISO 640 in S-Log 3 • Full Frame image sensor • Internal H.265/XAVC HS 4:2:2 10-Bit UHD 4K 24p,60p,120p Video, 10-Bit 4:2:2 • 16-Bit 4.2K Raw ProRes RAW Output • S-Cinetone color profile • 5-Axis SteadyShot Image Stabilization • 759-Point Fast Hybrid AF • 9.44m-Dot QXGA OLED EVF • Records to CFexpress Type A or SDXC V90 or higher

Yes, built-in 8-position optical ND: 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4

Product Highlights
- 16 Stops of dynamic range
- Dual base ISO of 800/3200
- 8-Step, 8-Stop Internal NDs
- Full Frame Sensor
- 8.6K Full Frame 8640 x 5760 maximum resolution
- Compact Body Design
- Spherical FF & S35
- Anamorphic FF & S35
- Removable PL Mount, Cooke /i Protocol
- 36.2 x 24.1mm Full Frame Sensor
- 8K X-OCN 16-bit XT RAW up to 29.97 fps in 3:2 mode
- Internal 4k ProRes 422 HQ/ProRes 4444 up to 4K (up to 59.94p)
- New high-speed 6.6 Gbps AXS card AXS-A1TS66 for 8K 60p recording
- Easy color control by established workflow of Sony S-Log3 gamma encoding, and S-Gamut3 Ultra-wide color space
Our Kit Includes
- Sony Venice 8K Camera
- Anamorphic, Full Frame Licenses (Arri PL)
- Full Frame 8K Sensor Assembly
- Venice 1/2 Sony E-Mount Adapter: Arri PL
- Turret Plug for Sony Venice 1/2 PL Mount
- Sony DVF-EL200 0.7″ OLED Electronic Viewfinder (Venice 1/2 EVF)
- Viewfinder Bracket Tube Clamp for Sony Venice 1/2
- Viewfinder Bracket Rod for Sony Venice 1/2
- Sony Venice 1/2 Viewfinder Cable: 20″ Right 26pLEMOm to 26pLEMOm
- Sony Venice 1/2 Viewfinder Cable: 48″ Right 26pLEMOm to 26pLEMOm
- Viewfinder Mounting Bracket for Sony Venice 1/2 (incl. 2x 15mm 4″ rods)
- EL-3 Eyepiece Leveler
- AIR EVF Viewfinder Extension Bracket (Venice 1/2, DVF-EL200EVF)(WC)
- 19mm Prime Rods
- Meanwell GST280A24-C6P External Power Adaptor – 280W 24V 11.67A
- Power Cable: 24v 3pXLRm to 3pXLRf 10′
- Core 24V D-Box Gold Mount f/ Sony Venice 1/2 (24V DC In + Hotswap)
- CORE Venice D-Box Trigger Cable (3pFisM – 3pFisM)
- Gold Mount Batteries and Charger
- A-Box (Sony Venice 1/2)
- Top Plate for Sony Venice 1/2
- Arri CCH-4 Camera Center Handle (Alexa Mini/ Sony Venice 1/2)
- Side Bracket Right for Sony Venice 1/2
- Side Bracket Left for Sony Venice 1/2
- Plate for Sony Venice 1/2
- Arri BPA-5 Bridgeplate Adapter for Sony Venice 1/2
- BP-8 Baseplate 19mm
- 12″ Camera Dovetail
- Shoulder Pad for Sony Venice
- Arri HEX-1 Handle Extension
- Case for Sony Venice 2 Camera (TT97-141)
- SD Card for Camera Settings

Sony FX3 Mirrorless Digital Cinema Camera

Sony FX3 Mirrorless Digital Cinema Camera

1.54

0.69

Sony E-Mount, Arri PL, Canon EF

Full Frame

Progessive scan, rolling shutter, 8.7ms delay in Full Frame mode

Mechanical or Electronic shutter, 1/8000 to 1/4 sec in Movie Mode

Full Frame, effective 12.1 megapixel Exmor R BSI CMOS Sensor

3:2

SDXC Card, UHS-I U3, Class 10 or above

H.265/XAVC HS 4:2:2 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [50 to 280 Mb/s]

H.265/XAVC HS 4:2:0 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [30 to 200 Mb/s]

H.264/XAVC S-I 4:2:2 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [89 to 222 Mb/s]

H.264/XAVC S 4:2:2 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [100 to 280 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 Mb/s]

H.264/XAVC S 4:2:0 8-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [60 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [16 to 100 Mb/s]

H.265/XAVC HS 4:2:2 10-Bit
H.265/XAVC HS 4:2:0 10-Bit
H.264/XAVC S-I 4:2:2 10-Bit
H.264/XAVC S 4:2:2 10-Bit
H.264/XAVC S 4:2:0 8-Bit
(External via HDMI) Raw 16-Bit

10-bit internal, 16-bit external

4:2:2

S-Cinetone // S-Log 3 // S-Log 2

ProRes RAW, via external recorder, 4.2K (4264 x 2408) up to 59.94p

640

15+ stops

1-120fps UHD 4K • Native ISO 640 in S-Log 3 • Full Frame image sensor • Internal H.265/XAVC HS 4:2:2 10-Bit UHD 4K 24p,60p,120p Video, 10-Bit 4:2:2 • 16-Bit 4.2K Raw ProRes RAW Output • S-Cinetone color profile • 5-Axis SteadyShot Image Stabilization • 759-Point Fast Hybrid AF • 9.44m-Dot QXGA OLED EVF • Records to CFexpress Type A or SDXC V90 or higher

Product Highlights
- Compact Form for Cage-Free Operation
- Cooling fans for longer record times
- Detachable 2 x XLR/TRS Adapter Handle
- Tally lamp
- Zoom lever built-in to control FE PZ 28-135mm f/4 or FE C 16-35mm T3.1 lenses
- Dual CFexpress Type A/SDXC Card Slots
- 15+ Stops DR
- 1-120fps UHD 4K
- Native ISO 640 in S-Log 3
- Full Frame image sensor
- Internal H.265/XAVC HS 4:2:2 10-Bit UHD 4K 24p,60p,120p Video, 10-Bit 4:2:2
- 16-Bit 4.2K Raw ProRes RAW Output
- new S-Cinetone color profile
- 5-Axis SteadyShot Image Stabilization
- 759-Point Fast Hybrid AF
- 9.44m-Dot QXGA OLED EVF
- Records to CFexpress Type A or SDXC V90 or higher
Our Kit Includes
- Sony Alpha FX3 Mirrorless Digital Camera (Full Frame, 4K) (Sony E-Mount) (Other Mounts Avail.)
- Sony MRW-G2 CFexpress Type A / SD Memory Card Reader (for a7S III)
- Cable: 12″ (Type C to Type C)
- USB 3.0 Cable: 12″ (Type A to Type C)
- Sony BC-QZ1 Battery Charger for NP-FZ100 Batteries (a7S III) (Z-Series)
- Sony NP-FZ100 Rechargeable Lithium-Ion Battery 2280mAH (for a7S III) (Z-Series)
- AC Power Supply for Sony a7S III with NP-FZ100 Dummy Battery (Indipro)
- 24-36″ Coiled P-Tap to Sony NP-FZ100 Dummy Battery (f/ Sony a7S III) (Indipro)
- SmallRig Cage for Sony FX3 Cinema Camera 3277
- SmallRig Universal 15mm LWS Support Baseplate with Quick Release Plate for A7S III
- Mini Quick Release NATO Rail (2″) for Sony a7s III Cage (Smallrig)
- Nato Top Handle for Sony a7S/FX3 Cage (Smallrig)
- Additional E-Mount adapters for PL/EF as well as media available à la carte.

Sony Alpha a7S III Mirrorless Digital Camera

Sony Alpha a7S III Mirrorless Digital Camera

1.54

0.69

Sony E-Mount, Arri PL, Canon EF

Full Frame

Progessive scan, rolling shutter, 8.7ms delay in Full Frame mode

Mechanical or Electronic shutter, 1/8000 to 1/4 sec in Movie Mode

Full Frame, effective 12.1 megapixel Exmor R BSI CMOS Sensor

3:2

SDXC Card, UHS-I U3, Class 10 or above

H.265/XAVC HS 4:2:2 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [50 to 280 Mb/s]

H.265/XAVC HS 4:2:0 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [30 to 200 Mb/s]

H.264/XAVC S-I 4:2:2 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [89 to 222 Mb/s]

H.264/XAVC S 4:2:2 10-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [100 to 280 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 Mb/s]

H.264/XAVC S 4:2:0 8-Bit

UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [60 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [16 to 100 Mb/s]

H.265/XAVC HS 4:2:2 10-Bit
H.265/XAVC HS 4:2:0 10-Bit
H.264/XAVC S-I 4:2:2 10-Bit
H.264/XAVC S 4:2:2 10-Bit
H.264/XAVC S 4:2:0 8-Bit
(External via HDMI) Raw 16-Bit

10-bit internal, 16-bit external

4:2:2

S-Cinetone // S-Log 3 // S-Log 2

ProRes RAW, via external recorder, 4.2K (4264 x 2408) up to 59.94p

640

15+ stops

• 12.5 stops of dynamic range • 1-30fps 4K • 1-120fps in FHD • Dual ISO of 100 and 3200 • Full Frame image sensor • Internal H264 or CinemaDNG 8-bit or 10-bit to SDXC • External CinemaDNG 12-bit to SSD • ProRes RAW or Blackmagic RAW recording possible w/ external recorder • World's smallest and lightest full-frame camera • Director's Viewfinder mode ideal for Alexa LF, Alexa Mini LF, Alexa Mini, Red Helium 8K, Red Gemini 5K or Sony Venice in 4K S35mm mode

Product Highlights
- 1-120fps UHD 4K
- Native ISO 640 in S-Log 3
- Full Frame image sensor
- Internal H.265/XAVC HS 4:2:2 10-Bit UHD 4K 24p,60p,120p Video, 10-Bit 4:2:2
- 16-Bit 4.2K Raw ProRes RAW Output
- new S-Cinetone color profile
- 5-Axis SteadyShot Image Stabilization
- 759-Point Fast Hybrid AF
- 9.44m-Dot QXGA OLED EVF
- Records to CFexpress Type A or SDXC V90 or higher
Our Kit Includes
- Sony Alpha a7S III Mirrorless Digital Camera (Full Frame, 4K) (Sony E-Mount) (Other Mounts Avail.)
- Sony MRW-G2 CFexpress Type A / SD Memory Card Reader (for a7S III)
- Cable: 12″ (Type C to Type C)
- USB 3.0 Cable: 12″ (Type A to Type C)
- Sony BC-QZ1 Battery Charger for NP-FZ100 Batteries (a7S III) (Z-Series)
- Sony NP-FZ100 Rechargeable Lithium-Ion Battery 2280mAH (for a7S III) (Z-Series)
- AC Power Supply for Sony a7S III with NP-FZ100 Dummy Battery (Indipro)
- 24-36″ Coiled P-Tap to Sony NP-FZ100 Dummy Battery (f/ Sony a7S III) (Indipro)
- Full Cage for Sony a7S III (Smallrig)
- SmallRig Universal 15mm LWS Support Baseplate with Quick Release Plate for A7S III
- Mini Quick Release NATO Rail (2″) for Sony a7s III Cage (Smallrig)
- Nato Top Handle for Sony a7S III Cage (Smallrig)
- Additional E-Mount adapters for PL/EF as well as media available à la carte.

Sigma Cameras

Sigma fp Mirrorless Digital Camera (w/ Director's Viewfinder Mode)

Sigma fp Mirrorless Digital Camera (w/ Director's Viewfinder Mode)

.93

.422

Camera, Battery, SD Card

Leica L, Arri PL. Canon EF

Full Frame

Progressive scan, rolling shutter, 20.8ms delay in Full Frame mode

Electronic shutter, 30 – 1/8,000sec., Bulb (5 minutes max)

Full Frame (35.9mm x 23.9mm) Back-illuminated Bayer CMOS sensor

3:2 (stills), 16:9 (video), various others (DVF mode)

SD card ：UHS-II UHD 8bit under 25fps, FHD 12bit under 60fps
Portable SSD：UHD 12bit 30fps, FHD 12bit 100fps or less, 10bit and 8bit 120fps or less

4K UHD / 23.98p, 25p, 29.97p

HD / 23.98p, 25p, 29.97p, 59.94p, 100p, 119.88p

CinemaDNG（8bit / 10bit/ 12bit
MOV：H.264 (ALL-I/ GOP)
ProRes RAW (to compatible external recorder)
Blackmagic RAW (to compatible external recorder)

12-bit (to SSD or external recorder) or 10-bit / 8-bit internally to SDXC

4:4:4, 4:2:2, 4:2:0

Off, Standard, Vivid, Neutral, Portrait, Landscape, Cinema, Teal & Orange, Sunset Red, Forest Green, FOV Classic Blue, FOV Classic Yellow, Monochrome

8/10-bit internal Cinema DNG RAW, 12-bit Cinema DNG RAW to portable SSD, ProRes RAW or Blackmagic RAW to compatible external recorders

100 (and 3200)

12.5 stops

15 stops dynamic range • 5.9K RAW up to 60fps • 1-120fps 4K RAW to Codex CDX-36150 Recorder • 1-60fps internal 4K ProRes or XF AVC recording in 4K • up to 180fps in ProRes 422 or 240fps XF-AVC in 2K/FHD Crop Mode • Dual CFast 2.0 Card Slots • Proxy Recording to SD Cards • Selectable Gamma and Log Curves

Product Highlights
- 12.5 stops of dynamic range
- New flatter “Color Profile Off” gamma option
- 1-30fps 4K
- 1-120fps in FHD
- Dual ISO of 100 and 3200
- Full Frame image sensor
- Internal H264 or CinemaDNG 8-bit or 10-bit to SDXC
- External CinemaDNG 12-bit to SSD
- ProRes RAW or Blackmagic RAW recording possible w/ external recorder
- World’s smallest and lightest full-frame camera
- Takes can be recorded in Director’s Monitor mode.
- Director’s Viewfinder mode formats incl.
- ARRICAM / ARRIFLEX
- ANSI S35 4-perf
- ANSI S35 3-perf
- ALEXA LF / ALEXA Mini LF
- LF 16:9
- LF 2.39:1
- LF 16:9 (x1.25 anamorphic desqueeze)
- LF 16:9 (x1.3 anamorphic desqueeze)
- LF 16:9 (x1.5 anamorphic desqueeze)
- LF 16:9 (x1.65 anamorphic desqueeze)
- LF 16:9 (x1.8 anamorphic desqueeze)
- LF 16:9 (x1.2 anamorphic desqueeze)
- ALEXA SXT
- 16:9 ProRes HD / 2K
- 16:9 ProRes 3.2K / 4K UHD
- 16:9 ARRIRAW 2.8K
- 16:9 ARRIRAW 3.2K
- 4:3 2.8K (x2 anamorphic desqueeze)
- 6:5 ProRes (x2 anamorphic desqueeze)
- 6:5 ARRIRAW (x2 anamorphic desqueeze)
- Open Gate 3.4K
- Open Gate 4K Cine
- ALEXA Mini
- ProRes S16 HD
- ProRes HD
- ProRes HD Ana. (x2 anamorphic desqueeze)
- ProRes 2K
- ProRes 2.39:1 2K Ana. (x2 anamorphic desqueeze)
- ProRes 4:3 2.8K
- ProRes 3.2K
- ProRes 4K UHD
- ARRIRAW 16:9 HD Ana. (x2 anamorphic desqueeze)
- ARRIRAW 2.8K
- ARRIRAW 4:3 2.8K (x2 anamorphic desqueeze)
- ARRIRAW Open Gate 3.4K
- AMIRA
- MPEG-2 HD
- ProRes S16 HD
- ProRes HD
- ProRes 2K
- ProRes 3.2K
- ProRes 4K UHD
- ARRIRAW 2.8K
- ALEXA 65
- 4K UHD
- ALEXA XT
- 16:9 DNxHD
- 16:9 ProRes HD
- 16:9 ProRes 2K
- 16:9 ProRes 3.2K
- 4:3 ProRes 2K (x2 anamorphic desqueeze)
- 4:3 ARRIRAW Cropped (x2 anamorphic desqueeze)
- 4:3 ARRIRAW Full (x2 anamorphic desqueeze)
- Open Gate ARRIRAW
- SONY VENICE
- 3.8K 16:9
- 4K 17:9
- 4K 4:3 (x2 anamorphic desqueeze)
- 4K 4:3 (x1.8 anamorphic desqueeze)
- 4K 4:3 (x1.65 anamorphic desqueeze)
- 4K 4:3 (x1.5 anamorphic desqueeze)
- 4K 4:3 (x1.3 anamorphic desqueeze)
- 4K 4:3 (x1.25 anamorphic desqueeze)
- 4K 6:5 (x2 anamorphic desqueeze)
- 4K 6:5 (x1.8 anamorphic desqueeze)
- 4K 6:5 (x1.65 anamorphic desqueeze)
- 4K 6:5 (x1.5 anamorphic desqueeze)
- 4K 6:5 (x1.3 anamorphic desqueeze)
- 4K 6:5 (x1.25 anamorphic desqueeze)
- 5.7K 16:9
- 6K 17:9
- 6K 1.85:1
- 6K 2.39:1
- RED MONSTRO
- 7K FF
- 6K FF
- 4K FF
- RED HELIUM 8K
- 8K FF
- 8K 6:5 (x1.25 anamorphic desqueeze)
- RED DRAGON 6K
- 6K FF
- RED GEMINI 5K
- 5K Full Height 1.7:1
- 5K Full Height 6:5
- 5K FF
Our Kit Includes
- Smallrig Cage w/ Integrated Handle Grip
- Sigma MC-31 Arri PL to L-Mount Adapter
- LCD Viewfinder LVF-11 for Sigma fp (for use as Director’s Viewfinder)
- Riser Plate f/ Sigma LVF-11 (BPL-11)
- (4) Li-Ion Rechargeable Battery for Sigma fp (BP-51)
- (2) Battery Charger for Sigma fp (BC-71 US)
- USB AC Adapter for Sigma fp (UAC-11 US)
- USB Cable (A-C) for Sigma fp (SUC-11)
- DC Connector for Sigma fp (CN-21)

Canon Cameras

Canon C700 FF (Arri PL Mount)

Canon C700 FF (Arri PL Mount)

7.6

3.45

Body only

Arri PL

Super 35mm

Modes: Speed, Angle, Clear Scan, Slow, OffAdjustable with either 1/3 or 1/4 steps selected as speed increment

38.1 x 20.1 mm (Full-Frame) Sensor

1.9:1

Cfast 2.0 Cards

1 – 30fps — ProRes 422 HQ 4K/QFHD (to CFast 2.0)
1 – 60fps — ProRes 422 HQ 2K/FHD (to CFast 2.0)
1 – 60fps — ProRes 4444 2K/FHD (to CFast 2.0)
1 – 180fps — ProRes 422 Crop 2K/FHD (to CFast 2.0)
1 – 60fps — XF-AVC 4K YCC422 Intra 4K/QFHD (to CFast 2.0)
1 – 120fps — XF-AVC 4K YCC422 Intra 2K/FHD (to CFast 2.0)
1 – 60fps — XF-AVC 4K YCC422 LGOP 2K/FHD (to CFast 2.0)
1 – 60fps — XF-AVC 4K RGB444 Intra 2K/FHD (to CFast 2.0)
1 – 240fps — YCC422 Intra Crop 2K/FHD (to CFast 2.0)
1-120fps — Uncompressed RAW 4K (to Codex CDX-36150)
1-100fps — Uncompressed RAW 4.5K (to Codex CDX-36150)
1-120fps — Uncompressed RAW 4.5K (to Codex CDX-36150)
1-120fps — Uncompressed RAW Crop 2K (to Codex CDX-36150)
1 – 60fps — ProRes 422 HQ 4K/QFHD (to Codex CDX-36150)
1 – 120fps — ProRes 422 HQ 2K/FHD (to Codex CDX-36150)
1 – 60fps — ProRes 4444 2K/FHD (to Codex CDX-36150)
1 – 60fps — ProRes 4444 XQ 2K/FHD (to Codex CDX-36150)
1 – 240fps — ProRes 422 HQ Crop 2K/FHD (to Codex CDX-36150)
1-60fps — XF-AVC (Proxy) YCC420 LGOP 2K/FHD (internal SD card)

ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
XF-AVC YCC422 Intra (10 bit)
XF-AVC YCC422 LGOP (10 bit)
XF-AVC RGB444 Intra (12/10 bit)
RAW (Uncompressed)

10-bit
12-bit

4:2:24:4:4

Gamma: Canon Log 3, Canon Log 2, Canon Log, Wide DR

Color Space: Cinema Gamut, BT.2020 Gamut, DCI-P3 Gamut, BT.709 Gamut

LUT: BT.709, BT.2020, DCI, ACESproxy, HDR-ST2084

Yes

Externally, via Codex CDX-36150 attachment

15 stops

• 15 stops dynamic range • 1-120fps • Internal XF AVC recording in 4K / 2K / HD • External 4K RAW recording • Dual CFast 2.0 Card Slots • Internal ND up to 10 stops in expansion mode • Flatter Canon Log Gamma 2 • Dual Pixel CMOS AF

Yes, built-in 5 density settings (2, 4, 6, 8*, 10* stops)*when expansion is selected

Product Highlights
- 38.1 x 20.1 mm (Full-Frame) CMOS Sensor
- PL Mount
- Up to 15 Stops of Dynamic Range
- 4K up to 60 fps, 2K/HD up to 240 fps
- Proxy Recording to SD Cards
- Selectable Gamma and Log Curves
- XF-AVC and ProRes Recording to CFast 2.0
- Intuitive User Interface
- Raw Recording Option
Our Kit Includes
- PL Turret Plug
- Canon EVF-V70 OLED Viewfinder for C700
- UN-5 Monitor Cable
- UN-10 Monitor Cable
- MVB-1 Viewfinder Bracket
- Arri CCH-2 Top Handle
- Arri Viewfinder Bracket
- Arri Top Plate
- Arri LWS Adapter Plate
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- BP-8 Baseplate 19mm
- 10′ 4p XLR 12v Power Cables
- 6pLemo1Bm-to-4pXLRm Power Cable (for block batteries)
- Wooden Camera D-BOX incl. Anton Bauer Gold Mount (Canon C700)
- USB 3.0 CFast 2.0 Card Reader w/ Corresponding Cable
- Additional Batteries and Media available à la carte.

Canon C300 Mark II (EF Mount)

Canon C300 Mark II (EF Mount)

7.42

3.37

Body, Grip, Monitor and 2x CF cards

Arri PL, Canon EF

Super 35mm

Progressive scan, rolling shutter

2x faster readout than C300 Mk. I

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

9.84 megapixel Super 35mm Canon CMOS sensor w/ Dual Digic DV5 Image Processors

1.9:1

Cfast 2.0 Cards

1 – 30fps — XF AVC Cinema 4K (4096×2160)
1 – 30fps — XF AVC UHD (3840×2160)
1 – 30fps — XF AVC 2K 4:4:4 (2048×1080)
1 – 120fps — XF AVC 2K 4:2:2 (2048×1152)
1 – 30fps — XF AVC HD 4:4:4 (1920 X 1080)
1 – 120fps — XF AVC HD 4:2:2 (1920 X 1080)

.MXF (OP-1a) file format
XF AVC codec
(MPEG-4 AVC/H.264)
Choice of Intraframe or LongGOP compression
Infraframe: 410Mbps in 4K
LongGOP 50Mbps in 2K

10-bit (4K)
12-bit (2K)

4:2:2 (in 4K)
4:4:4 (in 2K or HD only)

Canon Log 2
Canon Log

Yes

Externally, via HD-SDI outputs

800

15 stops

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Can record 4K internally and 4K RAW externally at the same time
- While shooting 4K, can record proxies in 8-bit 4:2:0 at 35mbps or 24mbps in 2K/HD
- Flatter Canon Log Gamma 2 (and Canon Wide DR)
- Baked in Looks Option Allows Matching the Image of Other Cameras Internally
- ISO Up to 102,400
- Dual CFast 2.0 Card Slots
- Dual 3G-SDI & HDMI (Unclear if the HDMI can output 4K)
- Internally ND up to 10 stops in expansion mode
- Internally ND up to 10 stops in expansion mode
- Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally)
- Uses new batteries different from the Original C300
- Color Matrixes to match various other cameras.
Our Kit Includes
- EF Turret Plug
- Side Handle Grip
- 4″ Rotatable LCD Viewfinder incl. Microphone Mount
- (4) Canon BP-A30 Intelligent Li-Ion Battery 7.4V 3100mAh 47Wh
- Canon Battery Charger for EOS C300 Mark II Camcorder Batteries
- Wooden Camera D-Box for Canon C300 Mk. II (incl. Anton Bauer Gold Mount)
- Arri CCH-2 Camera Handle (K2.73002.0)
- Arri Top Plate for C300 Mk. II (K2.0006859)
- Cine Plate C300 Mk II, K2.0006864
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries and Media available à la carte.

Canon C300 Mark II (PL Mount)

Canon C300 Mark II (PL Mount)

7.42

3.37

Body, Grip, Monitor and 2x CF cards

Arri PL, Canon EF

Super 35mm

Progressive scan, rolling shutter

2x faster readout than C300 Mk. I

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

9.84 megapixel Super 35mm Canon CMOS sensor w/ Dual Digic DV5 Image Processors

1.9:1

Cfast 2.0 Cards

.MXF (OP-1a) file format
XF AVC codec
(MPEG-4 AVC/H.264)
Choice of Intraframe or LongGOP compression
Infraframe: 410Mbps in 4K
LongGOP 50Mbps in 2K

10-bit (4K)
12-bit (2K)

4:2:2 (in 4K)
4:4:4 (in 2K or HD only)

Canon Log 2
Canon Log

Yes

Externally, via HD-SDI outputs

800

15 stops

• 9 stops dynamic range • 1-30fps Full HD • Internal H.264 recording • Robust PL mount • APS-C size sensor for S35mm approximate field of view

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Can record 4K internally and 4K RAW externally at the same time
- While shooting 4K, can record proxies in 8-bit 4:2:0 at 35mbps or 24mbps in 2K/HD
- Flatter Canon Log Gamma 2 (and Canon Wide DR)
- Baked in Looks Option Allows Matching the Image of Other Cameras Internally
- ISO Up to 102,400
- Dual CFast 2.0 Card Slots
- Dual 3G-SDI & HDMI (Unclear if the HDMI can output 4K)
- Supports BT.2020, Canon Cinema Gamut, and DCI-P3 Color Spaces
- Internally ND up to 10 stops in expansion mode
- Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally)
- Uses new batteries different from the Original C300
- Color Matrixes to match various other cameras.
Our Kit Includes
- PL Turret Plug
- Side Handle Grip
- 4″ Rotatable LCD Viewfinder incl. Microphone Mount
- (4) Canon BP-A30 Intelligent Li-Ion Battery 7.4V 3100mAh 47Wh
- Canon Battery Charger for EOS C300 Mark II Camcorder Batteries
- Wooden Camera D-Box for Canon C300 Mk. II (incl. Anton Bauer Gold Mount)
- Arri CCH-2 Camera Handle (K2.73002.0)
- Arri Top Plate for C300 Mk. II (K2.0006859)
- Cine Plate C300 Mk II, K2.0006864
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries and Media available à la carte.

Canon 7D-PL

Canon 7D-PL

3.5

1.59

Body only

Arri PL

APS-C

Progessive scan, rolling shutter

Electronic shutter, 1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode)

APS-C 18 megapixel CMOS sensor

3:2

CF Card

24p, 25p, 30p — H.264 1080p (1920 X 1080)
50p, 60p — H.264 720p (1280 x 720)
50p, 60p — H.264 480p (720 x 480)

.MOV files w/ H.264 compression.

8-bit

4:2:0

Built-in Canon profiles
Technicolor
VisionLOG
VisionColor

200

9 stops

• 9 stops dynamic range • 1-30fps Full HD • Internal H.264 recording • Robust PL mount • APS-C size sensor for S35mm approximate field of view • custom modified with 715nm Infrared pass filter for interesting visual effects • Useful for high-contrast black and white infrared as well as some color infrared applications

Product Highlights
- Custom FGV PL-mount with integrated LWS support plate and rear 3-pin Fischer connector for recording start/stop.
Our Kit Includes
- PL Turret Plug
- (4) LP-E6 Battery
- LC-E6 Charger
- Gold Mount Battery Plate
- HDMI Protector
- Hybrid LWS Plate
- Iris Rods (per user’s intended configuration)
- Additional Accessories and Media available à la carte.

Canon 7D-PL Infrared

Canon 7D-PL Infrared

3.5

1.59

Body only

Arri PL

APS-C

Progessive scan, rolling shutter

Electronic shutter, 1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode)

APS-C 18 megapixel CMOS sensor

3:2

CF Card

24p, 25p, 30p — H.264 1080p (1920 X 1080)
50p, 60p — H.264 720p (1280 x 720)
50p, 60p — H.264 480p (720 x 480)

.MOV files w/ H.264 compression.

8-bit

4:2:0

Built-in Canon profiles
Technicolor
VisionLOG
VisionColor

200

9 stops

• 1-60fps Forward • 1-32fps Reverse • 3-perf or 4-perf pulldown options • Ground glasses for common formats such as 1.85:1, 1.78:1, 2.40 Spherical and 2x Anamorphic available upon request

Product Highlights
- Custom FGV PL-mount with integrated LWS support plate and rear 3-pin Fischer connector for recording start/stop.
- Custom modified with 715nm Infrared pass filter for interesting visual effects.
- Useful for high-contrast black and white infrared as well as some color infrared applications.
Our Kit Includes
- PL Turret Plug
- (4) LP-E6 Battery
- LC-E6 Charger
- Gold Mount Battery Plate
- HDMI Protector
- Hybrid LWS Plate
- Iris Rods (per user’s intended configuration)
- Additional Accessories and Media available à la carte.

35mm Sync Cameras

Arricam Studio (ST)

Arricam Studio (ST)

17.95

8.14

Body w/ Finder

Arri PL

Super 35mm

4:3 (4-perf), 1.78:1 (3-perf)

Pulldown Options:

4-perf or 3-perf movement

Mirror reflex shutter adjustable from 0° and 180° while in standbyRampable between 11.2° and 180° while running

1.37:1 or 1.85:1

• 1-48fps Forward • 1-32fps Reverse • 3-perf or 4-perf pulldown options • Ground glasses for common formats such as 1.85:1, 1.78:1, 2.40 Spherical and 2x Anamorphic available upon request • Arricam LT HD-IVS Video Tap or indieASSIST HD Video Assist

1-60fps Forward Run
1-32fps Reverse Run

Product Highlights
- Ground Glass formats available: 3-perf 1.78:1 (S35), 3/4-perf 1.85:1 (S35), 3/4-perf 2.40 Spherical (S35), 4-perf 2x Anamorphic (2.35:1)(N35)
- Crystal accurate to 0.001 frames
- Below 20 db(A) sound level
- Five link movement with dual registration pins and pulldown claws, 3 or 4-perf pulldown, pitch adjustment
- Power Input 24V to 32V DC
Our Kit Includes
- Turret Plug
- Arricam Ground Glass 1.78 S35 4-perf (unless otherwise specified)
- Arricam Glow Module 1.78 S35 4-perf (unless otherwise specified)
- 4-perf Movement for Arricam LT (3-perf available upon request)
- Arricam ST NTSC SD IVS Video Tap
- Accessory Power Box for Arricam
- Studio Mask Frameglow
- Speed Control Box for Arricam
- Speed Control Cable for Arricam
- Mag Port Cover for Arricam ST
- Rear Protection Cover for Arricam
- Tools ST GG Tool
- Arricam ST Camera Handle
- HE-4 Heated Eyecup Arricam / 416
- (2) Eyepiece Heater Cable: 4p Fischer Female to 1p Male
- Arricam ST Regular Eyepiece
- Arri EL-3 Eyepiece Leveler
- Arricam ST Viewfinder
- Arricam ST Finder Block Arm Spherical
- 3pFischer Distro Box
- 19mm Prime Rods
- 19mm Power Bridgeplate for Arricam w/ 3p RS
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- (2) 24v Power Cable – 2p Fischer – 3p XLR (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Case for Arricam ST
- Additional Accessories and Magazines available à la carte.

Arricam Lite (LT)

Arricam Lite (LT)

11.56

5.24

Body w/ Finder

Arri PL

Super 35mm

4:3 (4-perf), 1.78:1 (3-perf)

Pulldown Options:

4-perf or 3-perf movement

Mirror reflex shutter adjustable from 0° and 180° while in standbyRampable between 11.2° and 180° while running

1.37:1 or 1.85:1

• 1-75fps Forward • Onboard Batteries available for handheld operation • Integrated accessory electronics and radio for wireless remote control

1-48fps Forward Run
1-32fps Reverse Run

Product Highlights
- Ground Glass formats available: 3-perf 1.78:1 (S35), 3/4-perf 1.85:1 (S35), 3/4-perf 2.40 Spherical (S35), 4-perf 2x Anamorphic (2.35:1)(N35)
- Crystal accurate to 0.001 frames
- Below 24 db(A) sound level
- Five link movement with dual registration pins and pulldown claws, 3 or 4-perf pulldown, pitch adjustment
- Power Input 24V to 32V DC
- 11.46 lbs w/ 1000′ Studio Mag
- 7.26 lbs w/ 400′ Studio Mag
- 5.95 lbs w/ 400′ LT Shoulder Mag
- 5.95 lbs w/ 400′ LT Steadicam Mag
Our Kit Includes
- Turret Plug
- Arricam Ground Glass 1.78 S35 4-perf (unless otherwise specified)
- Arricam Glow Module 1.78 S35 4-perf (unless otherwise specified)
- 4-perf Movement for Arricam LT (3-perf available upon request)
- Arricam LT HD-IVS Video Tap or
- indieASSIST HD Video Assist
- Accessory Power Box for Arricam
- Lite Mask Frameglow
- Speed Control Box for Arricam
- Speed Control Cable for Arricam
- Mag Port Cover for Arricam LT
- Rear Protection Cover for Arricam
- LT-ST Studio Magazine Adapter
- Tools LT GG Tool
- Arricam LT Camera Handle
- HE-4 Heated Eyecup Arricam / 416
- (2) Eyepiece Heater Cable: 4p Fischer Female to 1p Male
- Arricam LT Regular Eyepiece
- Arricam ST Zoom Extension Finder
- Arri EL-3 Eyepiece Leveler
- Arricam LT Viewfinder
- Arricam LT Finder Block Arm Spherical
- 3pFischer Distro Box
- 19mm Prime Rods
- 19mm Power Bridgeplate for Arricam w/ 3p RS
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- Arricam LT Worklight
- (2) 24v Power Cable – 2p Fischer – 3p XLR (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Case for Arricam LT (Z17-255)
- Additional Accessories and Magazines available à la carte.

16mm Sync Cameras

Arriflex 416 Plus

Arriflex 416 Plus

12.8

5.81

incl. finder, eyepiece, IVS, magazine and film

Arri PL

Super 16mm

1.66:1

N/A

Mirror Reflex Shutter; 180° to 11.2° electronically adjustable, 180° to 45° manually adjustable.

1.66:1

Super 16mm • single, 12, 16, 18, 24, 32, 48 and 64 f.p.s. operation • 100' Daylight Spool or 400' Magazine • 13x Viewfinder • Time-lapse & 400' Magazine Motors available • Arri PL to C-Mount Adapter Available

1-75fps

Product Highlights
- Integrated accessory electronics and radio for wireless remote control
- below 20 db(A) sound level
- 24V to 32V DC Power Input
- Onboard Batteries available for handheld operation
Our Kit Includes
- Wireless Antenna
- Turret Plug
- Optical Viewfinder
- Ground Glass 416 / SR3 1.78 S16 (unless otherwise specified)
- 416 IVS (NTSC, K2.47664.0)
- 416 Optical Top
- 416 Regular Eyepiece
- Standard Eyecup for Arriflex 16mm Cameras
- LEE-1 Eyepiece Extension for 416/235 (Long)
- Shutter Tool
- Film Track Cleaning Tool
- Arri EL-3 Eyepiece Leveler
- 3pc. Top Handle
- Magazine Port Cover
- SP-2 Shoulder Pad
- BP-10 Bridgeplate
- 19mm Prime Rods
- LWS-5 15mm LWS Bracket
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- LRB-2 Rossette Bracket
- Offset for LRB-2 Rossette Bracket (4mm, 5/32″)
- OBB-2 Onboard Battery for 416
- Battery Charger for 416 OBB-2 Batteries
- 3pFischer Distro Box
- (2) 24v Power Cable – 2p Fischer – 3p XLR (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Case for Arri 416 (Z17-517)
- Additional Accessories and Magazines available à la carte.

16mm MOS Cameras

Bolex H16 SBM

Bolex H16 SBM

3.18

Body only

C-Mount, Bolex Bayonet

Super 16mm, 16mm

1.37:1

N/A

Variable w/ 3 settings; Open is 135° 1/65th at 24fps (effectively 108°, 1/80th at 24fps when accounting for viewfinder light loss of approx. 1/3 stop.)

1.66:1

Weight: 6.2lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 134mm • Covers Alexa LF

12, 16, 18, 24, 32, 48 and 64 f.p.s. + single-frame

Product Highlights
- 100′ Daylight Spool or 400′ Magazine available
- 13x Viewfinder
Our Kit Includes
- 13x Viewfinder
- Bolex Bayonet Turret Plug
- Bayo to C-Mount Adapter
- C-Mount Turret Plug
- 400′ Mag Port Cover
- Rewind Crank
- Camera Door
- Daylight Spool
- Filter Holder
- Pistol Grip
- *** C-Mount to PL Adapter & additional accessories available à la carte.

Arri Signature Primes

Arri Signature Prime 12mm T1.8

Weight: 6.1lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 156mm • Covers Alexa LF

Arri Signature Prime 12mm T1.8

6.2

2.8

9.41

239

Arri LPL

LDS-2

T1.8

T22

14″

1:7.0

N/A

134mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Arri Signature Prime 15mm T1.8

Weight: 4.4 • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 114mm • Covers Alexa LF

Arri Signature Prime 15mm T1.8

6.1

2.8

7.75

197

Arri LPL

LDS-2

T1.8

T22

14″

1:10.3

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Arri Signature Prime 18mm T1.8

Arri Signature Prime 18mm T1.8

4.4

2.00

7.01

178.054

Arri LPL

LDS-2

T1.8

T22

14″

1:9.2

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 4.2 • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 114mm • Covers Alexa LF

2018

Arri Signature Prime 21mm T1.8

Arri Signature Prime 21mm T1.8

4.2

1.90

7.01

178

Arri LPL

LDS-2

T1.8

T22

14″

1:8.2

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 4.2lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 114mm • Covers Alexa LF

2018

Arri Signature Prime 25mm T1.8

Arri Signature Prime 25mm T1.8

4.2

1.91

7.01

178.054

Arri LPL

LDS-2

T1.8

T22

14″

1:7.1

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 4lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 114mm • Covers Alexa LF

2018

Arri Signature Prime 29mm T1.8

Arri Signature Prime 29mm T1.8

1.8

7.01

178.054

Arri LPL

LDS-2

T1.8

T22

14″

1:6.4

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 3.7lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 114mm • Covers Alexa LF

2018

Arri Signature Prime 35mm T1.8

Arri Signature Prime 35mm T1.8

3.7

1.68

7.01

178.054

Arri LPL

LDS-2

T1.8

T22

14″

1:5.4

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 4lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 114mm • Covers Alexa LF

2018

Arri Signature Prime 40mm T1.8

Arri Signature Prime 40mm T1.8

1.8

7.01

178.054

Arri LPL

LDS-2

T1.8

T22

14″

1:4.8

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 4 • T-Stop: T1.8 • Close Focus: 18" • Outer Diameter: 114mm • Covers Alexa LF

2018

Arri Signature Prime 47mm T1.8

Arri Signature Prime 47mm T1.8

1.8

7.01

178.054

Arri LPL

LDS-2

T1.8

T22

18″

1:6.3

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 4.4lbs • T-Stop: T1.8 • Close Focus: 18" • Outer Diameter: 114mm • Covers Alexa LF

2018

Arri Signature Prime 58mm T1.8

Arri Signature Prime 58mm T1.8

4.4

7.01

178.054

Arri LPL

LDS-2

T1.8

T22

18″

1:5.4

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 4.2lbs • T-Stop: T1.8 • Close Focus: 2'4" • Outer Diameter: 114mm • Covers Alexa LF

2018

Arri Signature Prime 75mm T1.8

Arri Signature Prime 75mm T1.8

4.2

1.9

7.01

178.054

Arri LPL

LDS-2

T1.8

T22

2’4″

1:7.2

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 4.2lbs • T-Stop: T1.8 • Close Focus: 2'9" • Outer Diameter: 114mm • Covers Alexa LF

2018

Arri Signature Prime 95mm T1.8

Arri Signature Prime 95mm T1.8

4.2

1.9

7.01

178.054

Arri LPL

LDS-2

T1.8

T22

2’9″

1:7.9

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 5.1lbs • T-Stop: T1.8 • Close Focus: 3'4" • Outer Diameter: 114mm • Covers Alexa LF

2018

Arri Signature Prime 125mm T1.8

Arri Signature Prime 125mm T1.8

5.1

2.3

7.01

178.054

Arri LPL

LDS-2

T1.8

T22

3’4″

1:7

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 7.3lbs • T-Stop: T1.8 • Close Focus: 5' • Outer Diameter: 114mm • Covers Alexa LF

2018

Arri Signature Prime 150mm T1.8

Arri Signature Prime 150mm T1.8

7.3

3.25

8.19

208.026

Arri LPL

LDS-2

T1.8

T22

5′

1:9

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 6.13lbs • T-Stop: T2.5 • Close Focus: 6' • Outer Diameter: 114mm • Covers Alexa LF

2018

Arri Signature Prime 200mm T2.5

Arri Signature Prime 200mm T2.5

6.13

3.1

8.58

217.932

Arri LPL

LDS-2

T2.5

T22

6′

1:8.3

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 9.48lbs • T-Stop: T2.8 • Close Focus: 8'3" • Outer Diameter: 134mm • Covers Alexa LF

2018

Arri Signature Prime 280mm T2.8

Arri Signature Prime 280mm T2.8

9.48

4.3

10.93

278

Arri LPL

LDS-2

T2.8

T22

8’3″

1:8.3

N/A

134mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Full Frame • T-Stop: T2.9 • Close Focus: 9" • Outer Diameter: 110mm • Factory Original Iris • TLS rehousing

2019

TLS Leica R

Leica Elmarit-R 19mm T2.9 (Leica R) // TLS

Full Frame • T-Stop: T2.9 • Close Focus: 12" • Outer Diameter: 110mm • Factory Original Iris • TLS rehousing

Leica Elmarit-R 19mm T2.9 (Leica R) // TLS

2.25

1.02

2.5

63.5

Arri PL

T2.9

T16

9″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Elmarit-R 24mm T2.9 (Leica R) // TLS

Full Frame • T-Stop: T2.9 • Close Focus: 9" • Outer Diameter: 110mm • Factory Original Iris • TLS rehousing

Leica Elmarit-R 24mm T2.9 (Leica R) // TLS

2.1

.95

2.7

68.75

Arri PL

T2.9

T16

12″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Elmarit-R 28mm T2.9 (Leica R) // TLS

Full Frame • T-Stop: T1.5 • Close Focus: 20" • Outer Diameter: 110mm • Factory Original Iris • TLS rehousing

Leica Elmarit-R 28mm T2.9 (Leica R) // TLS

0.91

2.75

69.85

Arri PL

T2.9

T16

8″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summilux-R 35mm T1.5 (Leica R) // TLS

Full Frame • T-Stop: T1.5 • Close Focus: 17" • Outer Diameter: 110mm • Factory Original Iris • TLS rehousing

Leica Summilux-R 35mm T1.5 (Leica R) // TLS

3.125

1.42

3.25

82.55

Arri PL

T1.5

T16

20″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summilux-R 50mm T1.5 (Leica R) // TLS

Full Frame • T-Stop: T2.9 • Close Focus: 11" • Outer Diameter: 110mm • Factory Original Iris • TLS rehousing

Leica Summilux-R 50mm T1.5 (Leica R) // TLS

2.18

0.99

2.5

63.5

Arri PL

T1.5

T16

17″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Elmarit-R 60mm Macro T2.9 (Leica R) // TLS

Full Frame • T-Stop: T1.5 • Close Focus: 2'2" • Outer Diameter: 110mm • Factory Original Iris • TLS rehousing

Leica Elmarit-R 60mm Macro T2.9 (Leica R) // TLS

3.125

1.42

4.75

120.65

Arri PL

T2.9

T16

11″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summilux-R 80mm T1.5 (Leica R) // TLS

Full Frame • T-Stop: T2.9 • Close Focus: 17" • Outer Diameter: 110mm • Factory Original Iris • TLS rehousing

Leica Summilux-R 80mm T1.5 (Leica R) // TLS

3.312

1.50

3.5

88.9

Arri PL

T1.5

T16

2’2″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Elmarit-R 100mm Macro T2.9 (Leica R) // TLS

Full Frame • T-Stop: T2.9 • Close Focus: 3'4" • Outer Diameter: 110mm • Factory Original Iris • TLS rehousing

Leica Elmarit-R 100mm Macro T2.9 (Leica R) // TLS

4.187

1.90

152.4

Arri PL

T2.9

T16

17″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Elmarit-R 135mm T2.9 (Leica R) // TLS

Full Frame • T-Stop: T3.0 • Close Focus: 6 3/4" • Outer Diameter: 95mm • Circular Iris • Zero Optik rehousing

Leica Elmarit-R 135mm T2.9 (Leica R) // TLS

3.5

1.59

4.75

120.65

Arri PL

T2.9

T16

3’4″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

ZO Leica R

Leica Elmarit-R 28mm T3.0 (Leica R) // ZO

Full Frame • T-Stop: T1.6 • Close Focus: 20" • Outer Diameter: 95mm • Circular Iris • Zero Optik rehousing

Leica Elmarit-R 28mm T3.0 (Leica R) // ZO

1.3

.589

76.2

Arri PL

T3.0

T22

6 3/4″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1985

Leica Summilux-R 35mm T1.6 (Leica R) // ZO

Full Frame • T-Stop: T1.5 • Close Focus: 19" • Outer Diameter: 95mm • Circular Iris • Zero Optik rehousing

Leica Summilux-R 35mm T1.6 (Leica R) // ZO

4.5

114.3

Arri PL

T1.6

T22

20″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1983

Leica Summilux-R 50mm T1.5 (Leica R) // ZO

Full Frame • T-Stop: T1.6 • Close Focus: 19" • Outer Diameter: 95mm • Circular Iris • Zero Optik rehousing

Leica Summilux-R 50mm T1.5 (Leica R) // ZO

Arri PL

T1.5

T22

19″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1980

Leica Summilux-R 80mm T1.6 (Leica R) // ZO

Full Frame • T-Stop: T1.6 • Close Focus: 19" • Outer Diameter: 95mm • 1:1 Macro 58mm Extension Tube w/ no extra Light Loss • Circular Iris • Zero Optik rehousing

Leica Summilux-R 80mm T1.6 (Leica R) // ZO

3.4

86.36

Arri PL

T1.6

T22

19″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1986

Leica Summilux-R 80mm Macro T1.6 (w/ 58mm 1:1 Ext Tube) (Leica R) // ZO

Full Frame • T-Stop: T2.1 • Close Focus: 2' • Outer Diameter: 95mm • Circular Iris • Zero Optik rehousing

Leica Summilux-R 80mm Macro T1.6 (w/ 58mm 1:1 Ext Tube) (Leica R) // ZO

3.4

86.36

Arri PL

T1.6

T22

19″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1986

Leica Summicron-R 90mm T2.1 (Leica R) // ZO

Full Frame+ • Weight: 7.1lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 114mm • Screw-in Filters: 112mm • /i lens data • Integrated Rear Net Ring

Leica Summicron-R 90mm T2.1 (Leica R) // ZO

Arri PL

T2.1

T22

2′

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1970

Leica Thalia

Leitz Prime 18mm T1.8

Leitz Prime 18mm T1.8

7.1

3.22

7.2

209.55

Arri PL

T1.8

T22 / Closed

14″

N/A

114mm

Full Frame+ • Weight: 6.1lbs • T-Stop: T1.8 • Close Focus: 22" • Outer Diameter: 114mm • Screw-in Filters: 112mm • /i lens data • Integrated Rear Net Ring

112mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

LEITZ Prime

Leitz Prime 21mm T1.8

Leitz Prime 21mm T1.8

6.1

2.76

7.2

183.7

Arri PL

T1.8

T22 / Closed

22″

N/A

114mm

Full Frame+ • Weight: 6.2lbs • T-Stop: T1.8 • Close Focus: 22" • Outer Diameter: 114mm • Screw-in Filters: 112mm • /i lens data • Integrated Rear Net Ring

112mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Leitz Prime 25mm T1.8

Leitz Prime 25mm T1.8

6.2

2.8

7.2

183.7

Arri PL

T1.8

T22 / Closed

22″

N/A

114mm

Full Frame+ • Weight: 5.9lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 114mm • Screw-in Filters: 112mm • /i lens data • Integrated Rear Net Ring

112mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Leitz Prime 29mm T1.8

Leitz Prime 29mm T1.8

5.9

2.67

7.2

183.7

Arri PL

T1.8

T22 / Closed

14″

N/A

114mm

Full Frame+ • Weight: 6.3lbs • T-Stop: T1.8 • Close Focus: 18" • Outer Diameter: 114mm • Screw-in Filters: 112mm • /i lens data • Integrated Rear Net Ring

112mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Leitz Prime 35mm T1.8

Leitz Prime 35mm T1.8

6.3

2.87

7.2

183.7

Arri PL

T1.8

T22 / Closed

18″

N/A

114mm

Full Frame+ • Weight: 6.1lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 114mm • Screw-in Filters: 112mm • /i lens data • Integrated Rear Net Ring

112mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Leica Thalia

Leitz Prime 40mm T1.8

Leitz Prime 40mm T1.8

6.1

2.76

7.87

199.89

Arri PL

T1.8

T22 / Closed

14″

N/A

114mm

Full Frame+ • Weight: 6lbs • T-Stop: T1.8 • Close Focus: 19" • Outer Diameter: 114mm • Screw-in Filters: 112mm • /i lens data • Integrated Rear Net Ring

112mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

LEITZ Prime

Leitz Prime 50mm T1.8

Leitz Prime 50mm T1.8

2.71

7.2

183.7

Arri PL

T1.8

T22 / Closed

19″

N/A

114mm

Full Frame+ • Weight: 6.1lbs • T-Stop: T1.8 • Close Focus: 2'2" • Outer Diameter: 114mm • Screw-in Filters: 112mm • /i lens data • Integrated Rear Net Ring

112mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Leitz Prime 65mm T1.8

Leitz Prime 65mm T1.8

6.1

2.78

7.2

183.7

Arri PL

T1.8

T22 / Closed

2’2″

N/A

114mm

Full Frame+ • Weight: 6.2lbs • T-Stop: T1.8 • Close Focus: 2'6" • Outer Diameter: 114mm • Screw-in Filters: 112mm • /i lens data • Integrated Rear Net Ring

112mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Leitz Prime 75mm T1.8

Leitz Prime 75mm T1.8

6.2

2.83

7.2

183.7

Arri PL

T1.8

T22 / Closed

2’6″

N/A

114mm

Full Frame+ • Weight: 6.1lbs • T-Stop: T1.8 • Close Focus: 3'11" • Outer Diameter: 114mm • Screw-in Filters: 112mm • /i lens data • Integrated Rear Net Ring

112mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Leitz Prime 100mm T1.8

Leitz Prime 100mm T1.8

6.1

2.77

7.2

183.7

Arri PL

T1.8

T22 / Closed

3’11”

N/A

114mm

Full Frame+ • Weight: 6.5lbs • T-Stop: T1.8 • Close Focus: 3'11" • Outer Diameter: 114mm • Screw-in Filters: 112mm • /i lens data • Integrated Rear Net Ring

112mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Leica Thalia

Leitz Prime 135mm T1.8

Leitz Prime 135mm T1.8

6.5

2.94

7.5

190.5

Arri PL

T1.8

T22 / Closed

3’11”

N/A

114mm

Full Frame+ • Weight: 6.8lbs • T-Stop: T2 • Close Focus: 4'11" • Outer Diameter: 114mm • Screw-in Filters: 112mm • /i lens data

112mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Leitz Prime 180mm T2

Leitz Prime 180mm T2

6.83

3.1

7.93

201.5

Arri PL

T22 / Closed

4’11”

N/A

114mm

Full Frame+ • Weight: 9.7lbs • T-Stop: T3.6 • Close Focus: 9'10" • Outer Diameter: 114mm • Screw-in Filters: 112mm • /i lens data

112mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Leitz Prime 350mm T3.6

Leitz Prime 350mm T3.6

9.7

4.39

12.5″

317

Arri PL

T22 / Closed

9’10”

N/A

114mm

Full Frame, 65mm • Close focus for up to 1:2 magnification • Weight: 3.13 • T-Stop: T3.6 • Macro lens • Close Focus: 7.8" • Outer Diameter: 95mm • Screw-in Filters: 92mm • /i lens data • Integrated net ring threaded into the rear element

112mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Leica Thalia 24mm Makro T3.6

Leica Thalia 24mm Makro T3.6

3.13

1.42

4.9

124.5

Arri PL

T3.6

T22 / Closed

7.8″

Yes

1:2

7.8″

N/A

95mm

Full Frame, 65mm • Weight: 3.04 lbs • T-Stop: T2.9 • Close Focus: 20" • Outer Diameter: 95mm • Screw-in Filters: 92mm • /i lens data • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Leica Thalia 30mm T2.9

Leica Thalia 30mm T2.9

3.0375

1.38

5.2

132.08

Arri PL

T2.9

T22 / Closed

20″

N/A

95mm

Full Frame, 65mm • Weight: 3.1 lbs • T-Stop: T2.6 • Close Focus: 22" • Outer Diameter: 95mm • Screw-in Filters: 92mm • /i lens data • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Leica Thalia 35mm T2.6

Leica Thalia 35mm T2.6

3.1

1.41

5.2

132.08

Arri PL

T.26

T22 / Closed

22″

N/A

95mm

1-75fps Forward • Onboard Batteries available for handheld operation • 4-Perf Movement available • Ground glasses for common formats such as 1.85:1, 1.78:1, 2.40, 1.33 Spherical and 2x Anamorphic available upon request

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

35mm MOS cameras

Arri 235 Camera

Arri 235 Camera

7.71

3.5

incl. finder, eyepiece, IVS, magazine and film

Arri PL

Super 16mm

1.66:1

N/A

Mirror Reflex Shutter: 180° to 45° manually adjustable

1.66:1

Full Frame, 65mm • Weight: 3.225 lbs • T-Stop: T2.9 • Close Focus: 2' • Outer Diameter: 95mm • Screw-in Filters: 92mm • /i lens data • Integrated net ring threaded into the rear element

1-75fps

Product Highlights
- A small and lightweight 35mm MOS (Motor Only Sync) film camera designed for handheld and remote applications.
- Half the weight of a 435 body with viewfinder.
Our Kit Includes
- Arri 235 Camera (Super 35mm) incl. Field Lens (Arri PL)
- Arri PL Mount Turret Plug
- 235 IVS (SD, PAL, K2.47524.0)
- Arri 235 Viewfinder: Universal (Spherical+Anamorphic) (uses 416/235 extensions)
- 235 ELO AB GM Battery Adapter + HD-SDI Upconverter (Wicam f/ Arri 235)
- Regular Eyepiece 8x magnification f/ Arri 416/235
- Regular Eyecup for Arricam 416
- LEE-1 Long Extension Finder f/ 416/235 (Long Eyepiece)
- MEE-1 Medium Extension Finder f/ 416/235 (Medium Eyepiece)
- EL-3 Eyepiece Leveler {{{{}}}
- HE-4 Heated Eyecup Arricam / 416
- Eyepiece Heater Cable: 4p Fischer Female to 1p Male
- Arri 235 Shoulderpad (SP-1)
- LRB-1 Rosette Bracket (235)
- 15mm Reduction Set f/ LRB-1 Rosette Bracket (235)
- Arri 235 Standard Top Handle (Factory) (SCH-1)
- Arri 235 Slim Side Plate Cheese Plate / TCS ELO
- Arri 235 Side Bracket (SBR-1)
- Arri 235 RP-1 Riser Plate f/ use w/ BP-8
- Arri 235 Compact Rod Holder (CRH-1) (15mm LWS)
- Arricam ST/235 Accessory Power Box, APB
- 24v Power Cable – 2p Fischer – 3p XLR (10′) w/ 2p Fischer Pigtail (f/ Power Block)
- Power Extension Cable: 24v, 3pXLRm-to-3pXLRf
- 235 Ground Glass Tool
- 3mm Hex Tool
- A&J Hard Case for 235

Leica Thalia

Leica Thalia 45mm T2.9

Leica Thalia 45mm T2.9

3.225

1.46

5.2

132.08

Arri PL

T2.9

T22 / Closed

2′

N/A

95mm

Full Frame, 65mm • Close focus for up to 1:2 magnification • Weight: 3.61 • T-Stop: T2.8 • Macro lens • Close Focus: 11.7" • Outer Diameter: 95mm • Screw-in Filters: 92mm • /i lens data • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Leica Thalia 55mm Makro T2.8

Leica Thalia 55mm Makro T2.8

3.61

1.64

6.1

154.5

Arri PL

T2.8

T22 / Closed

11.7″

Yes

1:2

11.7″

N/A

95mm

Full Frame, 65mm • Weight: 2.325 lbs • T-Stop: T2.6 • Close Focus: 20" • Outer Diameter: 95mm • Screw-in Filters: 92mm • /i lens data • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Leica Thalia 70mm T2.6

Leica Thalia 70mm T2.6

2.325

1.05

4.9

124.46

Arri PL

T2.6

T22 / Closed

20″

N/A

95mm

Portrait Lens • Full Frame, 65mm • Weight: 2.325 lbs • T-Stop: T2.2 • Close Focus: 3' • Outer Diameter: 95mm • Screw-in Filters: 92mm • /i lens data • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Leica Thalia-T 90mm T2.2

Leica Thalia-T 90mm T2.2

• Portrait Lens

2.325

1.05

4.9

124.46

Arri PL

T2.2

T22 / Closed

3′

N/A

95mm

Full Frame, 65mm • Weight: 2.55 lbs • T-Stop: T2.2 • Close Focus: 2'4" • Outer Diameter: 95mm • Screw-in Filters: 92mm • /i lens data • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Product Highlights

• Portrait Lens

Leica Thalia 100mm T2.2

Leica Thalia 100mm T2.2

2.55

1.16

4.9

124.46

Arri PL

T2.2

T22 / Closed

2’4″

N/A

95mm

Full Frame, 65mm • Close focus for up to 1:2 magnification • Weight: 3.66 • T-Stop: T2.6 • Macro lens • Close Focus: 22.5" • Outer Diameter: 95mm • Screw-in Filters: 92mm • /i lens data • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Leica Thalia 120mm Makro T2.6

Leica Thalia 120mm Makro T2.6

3.66

1.66

6.9

175

Arri PL

T2.6

T22 / Closed

22.5″

Yes

1:2

22.5″

N/A

95mm

Full Frame, 65mm • Weight: 3.575 lbs • T-Stop: T3.6 • Close Focus: 5' • Outer Diameter: 95mm • Screw-in Filters: 92mm • /i lens data • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Leica Thalia 180mm T3.6

Leica Thalia 180mm T3.6

3.575

1.62

6.1

154.94

Arri PL

T3.6

T22 / Closed

5′

N/A

95mm

MOS • Super 16mm • Arri PL Mount • B+W Video Tap • TV 1.33 Ground Glass • Variable Speed Motor and Crystal Sync motors available

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

16mm Sync Cameras

Arriflex 16SB

Arriflex 16SB

Arri PL

Super 16mm

1.66:1

N/A

Mirror Reflex Shutter; effective opening 180°

1.66:1

Weight: 3.68 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

1-48fps

Our Kit Includes
- PL Mount
- B+W Video Tap
- TV 1.33 Ground Glass
- Variable Speed Motor (12v)
- Crystal Sync Motor (12v)
- 400′ magazines available upon request.

Leica Summilux-C

Leica Summilux-C 16mm T1.4

Leica Summilux-C 16mm T1.4

3.68

1.67

5.6

142.24

Arri PL

T1.4

T22 / Closed

14″

95mm

Weight: 3.68 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summilux-C 18mm T1.4

Leica Summilux-C 18mm T1.4

3.68

1.67

5.6

142.24

Arri PL

T1.4

T22 / Closed

14″

95mm

Weight: 3.48 lbs • T-Stop: T1.4 • Close Focus: 12" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summilux-C 21mm T1.4

Leica Summilux-C 21mm T1.4

3.48

1.58

5.6

142.24

Arri PL

T1.4

T22 / Closed

12″

95mm

Weight: 3.51 lbs • T-Stop: T1.4 • Close Focus: 12" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summilux-C 25mm T1.4

Leica Summilux-C 25mm T1.4

3.51

1.59

5.6

142.24

Arri PL

T1.4

T22 / Closed

12″

95mm

Weight: 3.5 lbs • T-Stop: T1.4 • Close Focus: 18" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summilux-C 29mm T1.4

Leica Summilux-C 29mm T1.4

3.5

1.59

5.6

142.24

Arri PL

T1.4

T22 / Closed

18″

95mm

Weight: 3.58 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summilux-C 35mm T1.4

Leica Summilux-C 35mm T1.4

3.58

1.62

5.6

142.24

Arri PL

T1.4

T22 / Closed

14″

95mm

Weight: 3.56 lbs • T-Stop: T1.4 • Close Focus: 16" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summilux-C 40mm T1.4

Leica Summilux-C 40mm T1.4

3.56

1.61

5.6

142.24

Arri PL

T1.4

T22 / Closed

16″

95mm

Weight: 3.72 lbs • T-Stop: T1.4 • Close Focus: 20" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summilux-C 50mm T1.4

Leica Summilux-C 50mm T1.4

3.72

1.69

5.6

142.24

Arri PL

T1.4

T22 / Closed

20″

95mm

Weight: 3.60 lbs • T-Stop: T1.4 • Close Focus: 18" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summilux-C 65mm T1.4

Leica Summilux-C 65mm T1.4

3.60

1.63

5.6

142.24

Arri PL

T1.4

T22 / Closed

18″

95mm

Weight: 3.61 lbs • T-Stop: T1.4 • Close Focus: 2'3" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summilux-C 75mm T1.4

Leica Summilux-C 75mm T1.4

3.61

1.64

5.6

142.24

Arri PL

T1.4

T22 / Closed

2’3″

95mm

Weight: 3.52 lbs • T-Stop: T1.4 • Close Focus: 2'11" • Outer Diameter: 95mm • Screw-in Filters: 92mm • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summilux-C 100mm T1.4

Leica Summilux-C 100mm T1.4

3.52

1.60

5.6

142.24

Arri PL

T1.4

T22 / Closed

2’11”

95mm

Weight: 7.4lbs • T-Stop: T1.4 • Close Focus: 4'1" • Outer Diameter: 114mm • Integrated net ring threaded into the rear element

92mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summilux-C 135mm T1.4

Leica Summilux-C 135mm T1.4

7.4

3.36

7.6

193.04

Arri PL

T1.4

T22 / Closed

4’1″

114mm

Weight: 4.1 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 95mm

110mm

Integrated net ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summicron-C

Leica Summicron-C 15mm T2

Weight: 2.9 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 95mm

Leica Summicron-C 15mm T2

4.1

1.86

4.64

118mm

Arri PL

T22 / Closed

12″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Leica Summicron-C 18mm T2

Weight: 2.9 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 95mm

Leica Summicron-C 18mm T2

2.9

1.32

101.6

Arri PL

T22 / Closed

12″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summicron-C 21mm T2

Weight: 3.4 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 95mm

Leica Summicron-C 21mm T2

2.9

1.32

101.6

Arri PL

T22 / Closed

12″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summicron-C 25mm T2

Weight: 3 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 95mm

Leica Summicron-C 25mm T2

3.4

1.54

101.6

Arri PL

T22 / Closed

12″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summicron-C 29mm T2

Weight: 2.9 lbs • T-Stop: T2 • Close Focus: 14" • Outer Diameter: 95mm

Leica Summicron-C 29mm T2

1.36

101.6

Arri PL

T22 / Closed

12″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summicron-C 35mm T2

Weight: 3 lbs • T-Stop: T2 • Close Focus 18" • Outer Diameter: 95mm

Leica Summicron-C 35mm T2

2.9

1.32

101.6

Arri PL

T22 / Closed

14″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summicron-C 40mm T2

Weight: 3.2 lbs • T-Stop: T2 • Close Focus: 2' • Outer Diameter: 95mm

Leica Summicron-C 40mm T2

1.36

101.6

Arri PL

T22 / Closed

18″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summicron-C 50mm T2

Weight: 2.7 lbs • T-Stop: T2 • Close Focus: 2'7" • Outer Diameter: 95mm

Leica Summicron-C 50mm T2

3.2

1.45

101.6

Arri PL

T22 / Closed

2′

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summicron-C 75mm T2

Weight: 2.7 lbs • T-Stop: T2 • Close Focus: 3'3" • Outer Diameter: 95mm

Leica Summicron-C 75mm T2

2.7

1.22

101.6

Arri PL

T22 / Closed

2’7″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summicron-C 100mm T2

Weight: 4.1 lbs • T-Stop: T2 • Close Focus: 5' • Outer Diameter: 95mm

Leica Summicron-C 100mm T2

2.7

1.22

101.6

Arri PL

T22 / Closed

3’3″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Leica Summicron-C 135mm T2

Full Frame+ • Weight: 4.94lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 114mm • ZEISS xD /i Lens Protocol

Leica Summicron-C 135mm T2

4.1

1.86

4.6

116.84

Arri PL

T22 / Closed

5′

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Supreme Prime

Zeiss Supreme Prime 15mm T* T1.8

Full Frame+ • Weight: 5lbs • T-Stop: T1.5 • Close Focus: 14" • Outer Diameter: 114mm • ZEISS xD /i Lens Protocol

Zeiss Supreme Prime 15mm T* T1.8

4.94

2.24

5.9

149

Arri PL

/i eXtended Data

T1.8

T22

14″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Zeiss Supreme Prime 18mm T* T1.5

Zeiss Supreme Prime 18mm T* T1.5

2.26

6.38″

162.05mm

Arri PL

/i eXtended Data

T1.5

T22

14″

N/A

114mm

Full Frame+ • Weight: 3.5lbs • T-Stop: T1.5 • Close Focus: 14" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol

N/A

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Zeiss Supreme Prime 21mm T* T1.5

Full Frame+ • Weight: 3.13lbs • T-Stop: T1.5 • Close Focus: 10" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol

Zeiss Supreme Prime 21mm T* T1.5

3.5

1.59

5.75

146.05

Arri PL

/i eXtended Data

T1.5

T22

14″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Zeiss Supreme Prime 25mm T* T1.5

Full Frame+ • Weight: 3.55lbs • T-Stop: T1.5 • Close Focus: 13" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol

Zeiss Supreme Prime 25mm T* T1.5

3.13

1.42

4.5

114.3

Arri PL

/i eXtended Data

T1.5

T22

10″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime 29mm T* T1.5

Full Frame+ • Weight: 3.09lbs • T-Stop: T1.5 • Close Focus: 13" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol

Zeiss Supreme Prime 29mm T* T1.5

3.55

1.61

4.75

120.65

Arri PL

/i eXtended Data

T1.5

T22

13″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime 35mm T* T1.5

Full Frame+ • Weight: 3.3lbs • T-Stop: T1.5 • Close Focus: 17" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol

Zeiss Supreme Prime 35mm T* T1.5

3.09

1.40

4.5

114.3

Arri PL

/i eXtended Data

T1.5

T22

13″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime 40mm T* T1.5

Full Frame+ • Weight: 2.69lbs • T-Stop: T1.5 • Close Focus: 18" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol

Zeiss Supreme Prime 40mm T* T1.5

3.3

1.49

4.69

119

Arri PL

/i eXtended Data

T1.5

T22

17″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Zeiss Supreme Prime 50mm T* T1.5

Full Frame+ • Weight: 3.59lbs • T-Stop: T1.5 • Close Focus: 2' • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol

Zeiss Supreme Prime 50mm T* T1.5

2.69

1.22

4.5

114.3

Arri PL

/i eXtended Data

T1.5

T22

18″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime 65mm T* T1.5

Full Frame+ • Weight: 3.13lbs • T-Stop: T1.5 • Close Focus: 2'9" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol

Zeiss Supreme Prime 65mm T* T1.5

3.59

1.63

4.8

121

Arri PL

/i eXtended Data

T1.5

T22

2′

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime 85mm T* T1.5

Full Frame+ • Weight: 3.5lbs • T-Stop: T1.5 • Close Focus: 3'9" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol

Zeiss Supreme Prime 85mm T* T1.5

3.13

1.42

4.5

120.65

Arri PL

/i eXtended Data

T1.5

T22

2’9″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime 100mm T* T1.5

Full Frame+ • Weight: 4.9lbs • T-Stop: T1.5 • Close Focus: 4'6" • Outer Diameter: 114mm • ZEISS xD /i Lens Protocol

Zeiss Supreme Prime 100mm T* T1.5

3.5

1.58

4.7

119

Arri PL

/i eXtended Data

T1.5

T22

3’9″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime 135mm T* T1.5

Full Frame+ • Weight: 5.4lbs • T-Stop: T1.8 • Close Focus: 4'11" • Outer Diameter: 114mm • ZEISS xD /i Lens Protocol

Zeiss Supreme Prime 135mm T* T1.5

4.9

2.22

6.5

165.1

Arri PL

/i eXtended Data

T1.5

T22

4’6″

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime 150mm T* T1.8

Full Frame+ • Weight: 6.6lbs • T-Stop: T2.1 • Close Focus: 6'6" • Outer Diameter: 114mm • ZEISS xD /i Lens Protocol

Zeiss Supreme Prime 150mm T* T1.8

5.4

2.3

5.7

146

Arri PL

/i eXtended Data

T1.8

T22

4’11”

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime 200mm T* T2.1

Full Frame+ • Weight: 3.5lbs • T-Stop: T1.5 • Close Focus: 14" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol • T* blue coating for consistent, controllable flares across focal range

Zeiss Supreme Prime 200mm T* T2.1

6.6

2.99

8.5

215.9

Arri PL

/i eXtended Data

T2.1

T22

6’6″

N/A

114mm

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Zeiss Supreme Prime Radiance 21mm T* blue T1.5

Full Frame+ • Weight: 3.13lbs • T-Stop: T1.5 • Close Focus: 10" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol • T* blue coating for consistent, controllable flares across focal range

Zeiss Supreme Prime Radiance 21mm T* blue T1.5

3.5

1.59

5.75

146.05

Arri PL

/i eXtended Data

T1.5

T22

14″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Zeiss Supreme Prime Radiance 25mm T* blue T1.5

Full Frame+ • Weight: 3.55lbs • T-Stop: T1.5 • Close Focus: 13" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol • T* blue coating for consistent, controllable flares across focal range

Zeiss Supreme Prime Radiance 25mm T* blue T1.5

3.13

1.42

4.5

114.3

Arri PL

/i eXtended Data

T1.5

T22

10″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime Radiance 29mm T* blue T1.5

Full Frame+ • Weight: 3.09lbs • T-Stop: T1.5 • Close Focus: 13" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol • T* blue coating for consistent, controllable flares across focal range

Zeiss Supreme Prime Radiance 29mm T* blue T1.5

3.55

1.61

4.75

120.65

Arri PL

/i eXtended Data

T1.5

T22

13″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime Radiance 35mm T* blue T1.5

Full Frame+ • Weight: 3.3lbs • T-Stop: T1.5 • Close Focus: 17" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol • T* blue coating for consistent, controllable flares across focal range

Zeiss Supreme Prime Radiance 35mm T* blue T1.5

3.09

1.40

4.5

114.3

Arri PL

/i eXtended Data

T1.5

T22

13″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime Radiance 40mm T* blue T1.5

Full Frame+ • Weight: 2.69lbs • T-Stop: T1.5 • Close Focus: 18" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol • T* blue coating for consistent, controllable flares across focal range

Zeiss Supreme Prime Radiance 40mm T* blue T1.5

3.3

1.49

4.69

119

Arri PL

/i eXtended Data

T1.5

T22

17″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Zeiss Supreme Prime Radiance 50mm T* blue T1.5

Full Frame+ • Weight: 3.59lbs • T-Stop: T1.5 • Close Focus: 2' • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol • T* blue coating for consistent, controllable flares across focal range

Zeiss Supreme Prime Radiance 50mm T* blue T1.5

2.69

1.22

4.5

114.3

Arri PL

/i eXtended Data

T1.5

T22

18″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime Radiance 65mm T* blue T1.5

Full Frame+ • Weight: 3.13lbs • T-Stop: T1.5 • Close Focus: 2'9" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol • T* blue coating for consistent, controllable flares across focal range

Zeiss Supreme Prime Radiance 65mm T* blue T1.5

3.59

1.63

4.8

121

Arri PL

/i eXtended Data

T1.5

T22

2′

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime Radiance 85mm T* blue T1.5

Full Frame+ • Weight: 3.5lbs • T-Stop: T1.5 • Close Focus: 3'9" • Outer Diameter: 95mm • ZEISS xD /i Lens Protocol • T* blue coating for consistent, controllable flares across focal range

Zeiss Supreme Prime Radiance 85mm T* blue T1.5

3.13

1.42

4.5

120.65

Arri PL

/i eXtended Data

T1.5

T22

2’9″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime Radiance 100mm T* blue T1.5

Full Frame+ • Weight: 4.9lbs • T-Stop: T1.5 • Close Focus: 4'6" • Outer Diameter: 114mm • ZEISS xD /i Lens Protocol • T* blue coating for consistent, controllable flares across focal range

Zeiss Supreme Prime Radiance 100mm T* blue T1.5

3.5

1.58

4.7

119

Arri PL

/i eXtended Data

T1.5

T22

3’9″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Supreme Prime Radiance 135mm T* blue T1.5

Weight: 6.4 lbs • T-Stop: T1.3 • Close Focus: 16" • Outer Diameter: 156mm

Zeiss Supreme Prime Radiance 135mm T* blue T1.5

4.9

2.22

6.5

165.1

Arri PL

/i eXtended Data

T1.5

T22

4’6″

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss Master Prime

Zeiss Master Prime 12mm Distagon T*XP T1.3

Weight: 5.3 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

Zeiss Master Prime 12mm Distagon T*XP T1.3

6.4

2.90

7.76

197.104

Arri PL LDS

LDS

T1.3

T22

16″

156mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 14mm Distagon T*XP T1.3

Weight: 4.8 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

Zeiss Master Prime 14mm Distagon T*XP T1.3

5.3

2.40

6.77

171.958

Arri PL LDS

LDS

T1.3

T22

14″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 16mm Distagon T*XP T1.3

Weight: 4.8 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

Zeiss Master Prime 16mm Distagon T*XP T1.3

4.8

2.18

6.02

152.908

Arri PL LDS

LDS

T1.3

T22

14″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 18mm Distagon T*XP T1.3

Weight: 5.3 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

Zeiss Master Prime 18mm Distagon T*XP T1.3

4.8

2.18

6.02

152.908

Arri PL LDS

LDS

T1.3

T22

14″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 21mm Distagon T*XP T1.3

Weight: 5.1 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

Zeiss Master Prime 21mm Distagon T*XP T1.3

5.3

2.40

6.02

152.908

Arri PL LDS

LDS

T1.3

T22

14″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 25mm Distagon T*XP T1.3

Weight: 4.8 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

Zeiss Master Prime 25mm Distagon T*XP T1.3

5.1

2.31

6.02

152.908

Arri PL LDS

LDS

T1.3

T22

14″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 27mm Distagon T*XP T1.3

Weight: 5.1 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

Zeiss Master Prime 27mm Distagon T*XP T1.3

4.8

2.18

6.02

152.908

Arri PL LDS

LDS

T1.3

T22

14″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 32mm Distagon T*XP T1.3

Weight: 4.8 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 114mm

Zeiss Master Prime 32mm Distagon T*XP T1.3

5.1

2.31

6.02

152.908

Arri PL LDS

LDS

T1.3

T22

14″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 35mm Distagon T*XP T1.3

Weight: 5.1 lbs • T-Stop: T1.3 • Close Focus: 16" • Outer Diameter: 114mm

Zeiss Master Prime 35mm Distagon T*XP T1.3

4.8

2.18

6.02

152.908

Arri PL LDS

LDS

T1.3

T22

14″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 40mm Distagon T*XP T1.3

Weight: 5.9 lbs • T-Stop: T1.3 • Close Focus: 20" • Outer Diameter: 114mm

Zeiss Master Prime 40mm Distagon T*XP T1.3

5.1

2.31

6.02

152.908

Arri PL LDS

LDS

T1.3

T22

16″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 50mm Planar T*XP T1.3

Weight: 5.7 lbs • T-Stop: T1.3 • Close Focus: 2'3" • Outer Diameter: 114mm

Zeiss Master Prime 50mm Planar T*XP T1.3

5.9

2.68

6.02

152.908

Arri PL LDS

LDS

T1.3

T22

20″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 65mm Planar T*XP T1.3

Weight: 6.2 lbs • T-Stop: T1.3 • Close Focus: 2'9" • Outer Diameter: 114mm

Zeiss Master Prime 65mm Planar T*XP T1.3

5.7

2.59

6.02

152.908

Arri PL LDS

LDS

T1.3

T22

2’3″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 75mm Sonnar T*XP T1.3

Weight: 6.4 lbs • T-Stop: T1.3 • Close Focus: 3'6" • Outer Diameter: 114mm

Zeiss Master Prime 75mm Sonnar T*XP T1.3

6.2

2.81

6.02

152.908

Arri PL LDS

LDS

T1.3

T22

2’9″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 100mm Sonnar T*XP T1.3

Weight: 6.2 lbs • T-Stop: T1.3 • Close Focus: 3'3" • Outer Diameter: 114mm

Zeiss Master Prime 100mm Sonnar T*XP T1.3

6.4

2.90

6.02

152.908

Arri PL LDS

LDS

T1.3

T22

3’6″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 135mm Sonnar T*XP T1.3

Weight: 8.8 lbs • T-Stop: T1.3 • Close Focus: 4'11" • Outer Diameter: 134mm

Zeiss Master Prime 135mm Sonnar T*XP T1.3

6.2

2.81

6.77

171.958

Arri PL LDS

LDS

T1.3

T22

3’3″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Prime 150mm Sonnar T*XP T1.3

Weight: 4.4 lbs • T-Stop: T2.8 • Close Focus: 12" • Outer Diameter: 134mm

Zeiss Master Prime 150mm Sonnar T*XP T1.3

8.8

3.99

8.27

210.058

Arri PL LDS

LDS

T1.3

T22

4’11”

134mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime

Zeiss Ultra Prime 8R Distagon T* T2.8

Weight: 6.4 lbs • T-Stop: T2.1 • Close Focus: 14" • Outer Diameter: 156mm

Zeiss Ultra Prime 8R Distagon T* T2.8

Rectilinear

4.4

2.00

5.12

130.048

Arri PL

T2.8

T22

12″

134mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Rectilinear

Zeiss Ultra Prime 10mm Distagon T* T2.1

Weight: 4.8 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 156mm

Zeiss Ultra Prime 10mm Distagon T* T2.1

6.4

2.90

5.63

143.002

Arri PL

T2.1

T22

14″

156mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime 12mm Distagon T* T2

Weight: 4 lbs • T-Stop: T1.9 • Close Focus: 9" • Outer Diameter: 114mm

Zeiss Ultra Prime 12mm Distagon T* T2

4.8

2.17

5.51

139.954

Arri PL

T22

12″

N/A

156mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime 14mm Distagon T* T1.9

Weight: 2.6 lbs • T-Stop: T1.9 • Close Focus: 10" • Outer Diameter: 95mm

Zeiss Ultra Prime 14mm Distagon T* T1.9

1.81

4.41

112.014

Arri PL

T1.9

T22

9″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime 16mm Distagon T* T1.9

Weight: 2.6 lbs • T-Stop: T1.9 • Close Focus: 11" • Outer Diameter: 95mm

Zeiss Ultra Prime 16mm Distagon T* T1.9

2.6

1.18

3.7

93.98

Arri PL

T1.9

T22

10″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime 20mm Distagon T* T1.9

Weight: 2.2 lbs • T-Stop: T1.9 • Close Focus: 12" • Outer Diameter: 95mm

Zeiss Ultra Prime 20mm Distagon T* T1.9

2.6

1.18

3.58

90.932

Arri PL

T1.9

T22

11″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime 24mm Distagon T* T1.9

Weight: 2.2 lbs • T-Stop: T1.9 • Close Focus: 11" • Outer Diameter: 95mm

Zeiss Ultra Prime 24mm Distagon T* T1.9

2.2

1.00

3.58

90.932

Arri PL

T1.9

T22

12″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime 28mm Distagon T* T1.9

Weight: 2.4 lbs • T-Stop: T1.9 • Close Focus: 14" • Outer Diameter: 95mm

Zeiss Ultra Prime 28mm Distagon T* T1.9

2.2

1.00

3.58

90.932

Arri PL

T1.9

T22

11″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime 32mm Distagon T* T1.9

Weight: 2.2 lbs • T-Stop: T1.9 • Close Focus: 15" • Outer Diameter: 95mm

Zeiss Ultra Prime 32mm Distagon T* T1.9

2.4

1.09

3.58

90.932

Arri PL

T1.9

T22

14″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime 40mm Distagon T* T1.9

Weight: 2.2 lbs • T-Stop: T1.9 • Close Focus: 2' • Outer Diameter: 95mm

Zeiss Ultra Prime 40mm Distagon T* T1.9

2.2

1.00

3.58

90.932

Arri PL

T1.9

T22

15″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime 50mm Planar T* T1.9

Weight: 2.4 lbs • T-Stop: T1.9 • Close Focus: 2'3" • Outer Diameter: 95mm

Zeiss Ultra Prime 50mm Planar T* T1.9

2.2

1.00

3.58

90.932

Arri PL

T1.9

T22

2′

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime 65mm Planar T* T1.9

Weight: 2.6 lbs • T-Stop: T1.9 • Close Focus: 3' • Outer Diameter: 95mm

Zeiss Ultra Prime 65mm Planar T* T1.9

2.4

1.09

3.58

90.932

Arri PL

T1.9

T22

2’3″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime 85mm Planar T* T1.9

Weight: 2.6 lbs • T-Stop: T1.9 • Close Focus: 3'3" • Outer Diameter: 95mm

Zeiss Ultra Prime 85mm Planar T* T1.9

2.6

1.18

3.58

90.932

Arri PL

T1.9

T22

3′

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime 100mm Planar T* T1.9

Weight: 3.5 lbs • T-Stop: T1.9 • Close Focus: 5' • Outer Diameter: 95mm

Zeiss Ultra Prime 100mm Planar T* T1.9

2.6

1.18

3.58

90.932

Arri PL

T1.9

T22

3’3″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime 135mm Planar T* T1.9

Weight: 5.7 lbs • T-Stop: T1.9 • Close Focus: 8'6" • Outer Diameter: 114mm

Zeiss Ultra Prime 135mm Planar T* T1.9

3.5

1.59

4.69

119.126

Arri PL

T1.9

T22

5′

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Ultra Prime 180mm Sonnar T* T1.9

Weight: 3.3lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 95mm • Zeiss High Speed • Gecko Cam Rehousing

Zeiss Ultra Prime 180mm Sonnar T* T1.9

5.7

2.59

6.54

166.116

Arri PL

T1.9

T22

8’6″

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Super Speeds

Zeiss Super Speed 18mm Stealth T1.3 // Gecko

Weight: 2.3lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 95mm • Zeiss High Speed • Gecko Cam Rehousing

Zeiss Super Speed 18mm Stealth T1.3 // Gecko

3.3

1.49

4.5

114.3

Arri PL

T1.3

T16

10″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Mfg: Early 90s, Rehoused 2021

Zeiss Super Speed 25mm Stealth T1.3 // Gecko

Weight: 2.8lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 95mm • Zeiss High Speed • Gecko Cam Rehousing

Zeiss Super Speed 25mm Stealth T1.3 // Gecko

2.3

1.04

101.6

Arri PL

T1.3

T16

10″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Mfg: Early 90s, Rehoused 2021

Zeiss Super Speed 35mm Stealth T1.3 // Gecko

Weight: 2.3lbs • T-Stop: T1.3 • Close Focus: 2'4" • Outer Diameter: 95mm • Zeiss High Speed • Gecko Cam Rehousing

Zeiss Super Speed 35mm Stealth T1.3 // Gecko

2.8

1.27

101.6

Arri PL

T1.3

T16

14″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Mfg: Early 90s, Rehoused 2021

Zeiss Super Speed 50mm Stealth T1.3 // Gecko

Weight: 2.25 lbs • T-Stop: T1.3 • Close Focus: 2'4" • Outer Diameter: 80mm • Zeiss High Speed • Gecko Cam Rehousing

Zeiss Super Speed 50mm Stealth T1.3 // Gecko

2.3

1.36

4.2

106.6

Arri PL

T1.3

T16

2’4″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Mfg: Early 90s, Rehoused 2021

Zeiss Super Speed 65mm Stealth T1.3 // Gecko

Zeiss Super Speed 65mm Stealth T1.3 // Gecko

Weight: 2.8lbs • T-Stop: T1.3 • Close Focus: 3' • Outer Diameter: 95mm • Zeiss High Speed • Gecko Cam Rehousing

Zeiss High Speed lenses

2.25

1.02

2.62

66.548

Arri PL

T1.3

T22

2’4″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss High Speed lenses

Zeiss Super Speed 85mm Stealth T1.3 // Gecko

Weight: 2.8lbs • T-Stop: T2.1 • Close Focus: 3'4" • Outer Diameter: 95mm • Zeiss Regular Speed • Gecko Cam Rehousing

Zeiss Super Speed 85mm Stealth T1.3 // Gecko

2.8

1.27

101.6

Arri PL

T1.3

T16

3′

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Mfg: Early 90s, Rehoused 2021

Zeiss Standard Speeds

Zeiss Standard Speed 100mm Stealth T2.1 // Gecko

Weight: 2.25 lbs • T-Stop: T2.1 • Close Focus: 5' • Outer Diameter: 95mm • Zeiss Regular Speed • Gecko Cam Rehousing

Zeiss Standard Speed 100mm Stealth T2.1 // Gecko

2.8

1.27

3.5

88.9

Arri PL

T2.1

T22

3’4″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Standard Speed 135mm Stealth T2.1 // Gecko

Weight: 3.40 lbs • T-Stop: T1.3 • Close Focus: 11" • Outer Diameter: 95mm • Zeiss High Speed • TLS rehousing with new circular iris

Zeiss Standard Speed 135mm Stealth T2.1 // Gecko

3.7

1.67

5.5

139.7

Arri PL

T2.1

T22

5′

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Super Speed 18mm T1.3 // TLS

Weight: 2.40 lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 95mm • Zeiss Super Speed • TLS Rehousing

Zeiss Super Speed 18mm T1.3 // TLS

3.40

1.54

5.00

127

3.75

Arri PL

T1.3

T16

11″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1980

Zeiss Super Speed 25mm T1.3 // TLS

Weight: 2.60 lbs • T-Stop: T1.3 • Close Focus: 12" • Outer Diameter: 95mm • Zeiss Super Speed • TLS Rehousing

Zeiss Super Speed 25mm T1.3 // TLS

2.40

1.1

4.25

108

3.75

Arri PL

T1.3

T16

10″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1980

Zeiss Super Speed 35mm T1.3 // TLS

Weight: 2.50 lbs • T-Stop: T1.3 • Close Focus: 19" • Outer Diameter: 95mm • Zeiss Super Speed • TLS Rehousing

Zeiss Super Speed 35mm T1.3 // TLS

2.60

1.18

4.25

108

3.75

Arri PL

T1.3

T16

12″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1980

Zeiss Super Speed 50mm T1.3 // TLS

Weight: 2.80 lbs • T-Stop: T1.3 • Close Focus: 2'3" • Outer Diameter: 95mm • Zeiss Super Speed • TLS Rehousing

Zeiss Super Speed 50mm T1.3 // TLS

2.50

1.14

4.25

108

3.75

Arri PL

T1.3

T16

1’7″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1980

Zeiss Super Speed 65mm T1.3 // TLS

Weight: 2.14 lbs • T-Stop: T1.3 • Close Focus: 3' • Outer Diameter: 95mm • Zeiss Super Speed • TLS Rehousing

Zeiss Super Speed 65mm T1.3 // TLS

2.80

1.27

4.00

101.6

3.75

Arri PL

T1.3

T16

2’3″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1980

Zeiss Super Speed 85mm T1.3 // TLS

Weight: 2.94 lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 80mm • Zeiss High Speed

Zeiss Super Speed 85mm T1.3 // TLS

2.14

.98

4.50

1114.3

3.75

Arri PL

Front: yes Rear: n/a

T1.3

T16

3′

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1980

Zeiss Super Speeds

Zeiss Super Speed 18mm Distagon T* T1.3

Zeiss Super Speed 18mm Distagon T* T1.3

Weight: 2 lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 80mm • Zeiss High Speed

Zeiss High Speed lenses

2.94

1.33

3.62

91.948

Arri PL

T1.3

T22

10″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss High Speed lenses

Zeiss Super Speed 25mm Distagon T* T1.3

Zeiss Super Speed 25mm Distagon T* T1.3

Weight: 1.75 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 80mm • Zeiss High Speed

Zeiss High Speed lenses

0.91

2.5

63.5

Arri PL

T1.3

T22

10″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss High Speed lenses

Zeiss Super Speed 35mm Distagon T* T1.3

Zeiss Super Speed 35mm Distagon T* T1.3

Weight: 1.75 lbs • T-Stop: T1.3 • Close Focus: 2'4" • Outer Diameter: 80mm • Zeiss High Speed

Zeiss High Speed lenses

1.75

0.79

2.5

63.5

Arri PL

T1.3

T22

14″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss High Speed lenses

Zeiss Super Speed 50mm Planar T* T1.3

Zeiss Super Speed 50mm Planar T* T1.3

Weight: 2.25 lbs • T-Stop: T1.3 • Close Focus: 2'4" • Outer Diameter: 80mm • Zeiss High Speed

Zeiss High Speed lenses

1.75

0.79

2.5

63.5

Arri PL

T1.3

T22

2’4″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss High Speed lenses

Zeiss Super Speed 65mm Planar T* T1.3

Zeiss Super Speed 65mm Planar T* T1.3

Weight: 2 lbs • T-Stop: T1.3 • Close Focus: 3' • Outer Diameter: 80mm • Zeiss High Speed

Zeiss High Speed lenses

2.25

1.02

2.62

66.548

Arri PL

T1.3

T22

2’4″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss High Speed lenses

Zeiss Super Speed 85mm Planar T* T1.3

Zeiss Super Speed 85mm Planar T* T1.3

Weight: 3.3lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 95mm • Zeiss High Speed • Gecko Cam Rehousing • Reduced coatings for unique flare characteristics and lower contrast.

Zeiss High Speed lenses

0.91

76.2

Arri PL

T1.3

T22

3′

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss High Speed lenses

Zeiss Super Speed Uncoated 18mm Stealth T1.3 // Gecko

Weight: 2.3lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 95mm • Zeiss High Speed • Gecko Cam Rehousing • Reduced coatings for unique flare characteristics and lower contrast.

Zeiss Super Speed Uncoated 18mm Stealth T1.3 // Gecko

3.3

1.49

4.5

114.3

Arri PL

T1.3

T16

10″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Mfg: Early 90s, Rehoused 2021

Zeiss Super Speed Uncoated 25mm Stealth T1.3 // Gecko

Weight: 2.8lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 95mm • Zeiss High Speed • Gecko Cam Rehousing • Reduced coatings for unique flare characteristics and lower contrast.

Zeiss Super Speed Uncoated 25mm Stealth T1.3 // Gecko

2.3

1.04

101.6

Arri PL

T1.3

T16

10″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Mfg: Early 90s, Rehoused 2021

Zeiss Super Speed Uncoated 35mm Stealth T1.3 // Gecko

Weight: 2.3lbs • T-Stop: T1.3 • Close Focus: 2'4" • Outer Diameter: 95mm • Zeiss High Speed • Gecko Cam Rehousing • Reduced coatings for unique flare characteristics and lower contrast.

Zeiss Super Speed Uncoated 35mm Stealth T1.3 // Gecko

2.8

1.27

101.6

Arri PL

T1.3

T16

14″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Mfg: Early 90s, Rehoused 2021

Zeiss Super Speed Uncoated 50mm Stealth T1.3 // Gecko

Weight: 2.25 lbs • T-Stop: T1.3 • Close Focus: 2'4" • Outer Diameter: 80mm • Zeiss High Speed • Gecko Cam Rehousing • Reduced coatings for unique flare characteristics and lower contrast.

Zeiss Super Speed Uncoated 50mm Stealth T1.3 // Gecko

2.3

1.36

4.2

106.6

Arri PL

T1.3

T16

2’4″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Mfg: Early 90s, Rehoused 2021

Zeiss Super Speed Uncoated 65mm Stealth T1.3 // Gecko

Zeiss Super Speed Uncoated 65mm Stealth T1.3 // Gecko

Weight: 2.8lbs • T-Stop: T1.3 • Close Focus: 3' • Outer Diameter: 95mm • Zeiss High Speed • Gecko Cam Rehousing • Reduced coatings for unique flare characteristics and lower contrast.

Zeiss High Speed lenses

2.25

1.02

2.62

66.548

Arri PL

T1.3

T22

2’4″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss High Speed lenses

Zeiss Super Speed Uncoated 85mm Stealth T1.3 // Gecko

Weight: 2.94 lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 80mm • Zeiss High Speed • Reduced coatings for unique flare characteristics and lower contrast.

Zeiss Super Speed Uncoated 85mm Stealth T1.3 // Gecko

2.8

1.27

101.6

Arri PL

T1.3

T16

3′

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Mfg: Early 90s, Rehoused 2021

Zeiss Super Speed Uncoated 18mm Distagon T* T1.3

Zeiss Super Speed Uncoated 18mm Distagon T* T1.3

Weight: 2 lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 80mm • Zeiss High Speed • Reduced coatings for unique flare characteristics and lower contrast.

Zeiss High Speed lenses

2.94

1.33

3.62

91.948

Arri PL

T1.3

T22

10″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss High Speed lenses

Zeiss Super Speed Uncoated 25mm Distagon T* T1.3

Zeiss Super Speed Uncoated 25mm Distagon T* T1.3

Weight: 1.75 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 80mm • Zeiss High Speed • Reduced coatings for unique flare characteristics and lower contrast.

Zeiss High Speed lenses

0.91

2.5

63.5

Arri PL

T1.3

T22

10″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss High Speed lenses

Zeiss Super Speed Uncoated 35mm Distagon T* T1.3

Zeiss Super Speed Uncoated 35mm Distagon T* T1.3

Weight: 1.75 lbs • T-Stop: T1.3 • Close Focus: 2'4" • Outer Diameter: 80mm • Zeiss High Speed • Reduced coatings for unique flare characteristics and lower contrast.

Zeiss High Speed lenses

1.75

0.79

2.5

63.5

Arri PL

T1.3

T22

14″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss High Speed lenses

Zeiss Super Speed Uncoated 50mm Planar T* T1.3

Zeiss Super Speed Uncoated 50mm Planar T* T1.3

Weight: 2.25 lbs • T-Stop: T1.3 • Close Focus: 2'4" • Outer Diameter: 80mm • Zeiss High Speed • Reduced coatings for unique flare characteristics and lower contrast.

Zeiss High Speed lenses

1.75

0.79

2.5

63.5

Arri PL

T1.3

T22

2’4″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss High Speed lenses

Zeiss Super Speed Uncoated 65mm Planar T* T1.3

Zeiss Super Speed Uncoated 65mm Planar T* T1.3

Weight: 2 lbs • T-Stop: T1.3 • Close Focus: 3' • Outer Diameter: 80mm • Zeiss High Speed • Reduced coatings for unique flare characteristics and lower contrast.

Zeiss High Speed lenses

2.25

1.02

2.62

66.548

Arri PL

T1.3

T22

2’4″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss High Speed lenses

Zeiss Super Speed Uncoated 85mm Planar T* T1.3

Zeiss Super Speed Uncoated 85mm Planar T* T1.3

Weight: 7 lbs • T-Stop: T2.1 • Close Focus: 14" • Outer Diameter: 156mm • Zeiss Regular Speed

Zeiss High Speed lenses

0.91

76.2

Arri PL

T1.3

T22

3′

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss High Speed lenses

Zeiss Standard Speeds

Zeiss Standard Speed 10mm Distagon T* T2.1

Zeiss Standard Speed 10mm Distagon T* T2.1

Weight: 3.5 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 114mm • Zeiss Regular Speed

Zeiss Standard Speed / Zeiss Regular Speed

3.18

5.98

151.892

Arri PL

T2.1

T22

14″

N/A

156mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss Standard Speed / Zeiss Regular Speed

Zeiss Standard Speed 14mm Distagon T* T2

Zeiss Standard Speed 14mm Distagon T* T2

Weight: 1.25 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 80mm • Zeiss Regular Speed

Zeiss Standard Speed / Zeiss Regular Speed

3.5

1.59

4.48

113.792

Arri PL

T22

9″

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss Standard Speed / Zeiss Regular Speed

Zeiss Standard Speed 16mm Distagon T* T2.1

Zeiss Standard Speed 16mm Distagon T* T2.1

Weight: 1.49 lbs • T-Stop: T2.1 • Close Focus: 8" • Outer Diameter: 80mm • Zeiss Regular Speed

Zeiss Standard Speed / Zeiss Regular Speed

1.25

0.57

2.12

53.848

Arri PL

T2.1

T22

10″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss Standard Speed / Zeiss Regular Speed

Zeiss Standard Speed 20mm Distagon T* T2.1

Zeiss Standard Speed 20mm Distagon T* T2.1

Weight: 1.25 lbs • T-Stop: T2.1 • Close Focus: 14" • Outer Diameter: 80mm • Zeiss Regular Speed

Zeiss Standard Speed / Zeiss Regular Speed

1.49

0.68

2.24

56.896

Arri PL

T2.1

T22

8″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss Standard Speed / Zeiss Regular Speed

Zeiss Standard Speed 24mm Distagon T* T2.1

Zeiss Standard Speed 24mm Distagon T* T2.1

Weight: 2.25 lbs • T-Stop: T2.1 • Close Focus: 11" • Outer Diameter: 80mm • Zeiss Regular Speed

Zeiss Standard Speed / Zeiss Regular Speed

1.25

0.57

2.12

53.848

Arri PL

T2.1

T22

14″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss Standard Speed / Zeiss Regular Speed

Zeiss Standard Speed 28mm Distagon T* T2.1

Zeiss Standard Speed 28mm Distagon T* T2.1

Weight: 1 lbs • T-Stop: T2.1 • Close Focus: 2' • Outer Diameter: 80mm • Zeiss Regular Speed

Zeiss Standard Speed / Zeiss Regular Speed

2.25

1.02

3.1

78.74

Arri PL

T2.1

T22

11″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss Standard Speed / Zeiss Regular Speed

Zeiss Standard Speed 32mm Planar T* T2.1

Zeiss Standard Speed 32mm Planar T* T2.1

Weight: 1 lbs • T-Stop: T2.1 • Close Focus: 16" • Outer Diameter: 80mm • Zeiss Regular Speed

Zeiss Standard Speed / Zeiss Regular Speed

0.45

2.12

53.848

Arri PL

T2.1

T22

2′

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss Standard Speed / Zeiss Regular Speed

Zeiss Standard Speed 40mm Planar T* T2.1

Zeiss Standard Speed 40mm Planar T* T2.1

Weight: 1.25 lbs • T-Stop: T2.1 • Close Focus: 18" • Outer Diameter: 80mm • Zeiss Regular Speed

Zeiss Standard Speed / Zeiss Regular Speed

0.45

2.24

56.896

Arri PL

T2.1

T22

16″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss Standard Speed / Zeiss Regular Speed

Zeiss Standard Speed 50mm Planar T* T2.1

Zeiss Standard Speed 50mm Planar T* T2.1

Weight: 1.49 lbs • T-Stop: T2.1 • Close Focus: 3' • Outer Diameter: 80mm • Zeiss Regular Speed

Zeiss Standard Speed / Zeiss Regular Speed

1.25

0.57

2.12

53.848

Arri PL

T2.1

T22

18″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss Standard Speed / Zeiss Regular Speed

Zeiss Standard Speed 85mm Planar T* T2.1

Zeiss Standard Speed 85mm Planar T* T2.1

Weight: 1.75 lbs • T-Stop: T2.1 • Close Focus: 3'4" • Outer Diameter: 80mm • Zeiss Regular Speed

Zeiss Standard Speed / Zeiss Regular Speed

1.49

0.68

2.12

53.848

Arri PL

T2.1

T22

3′

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss Standard Speed / Zeiss Regular Speed

Zeiss Standard Speed 100mm Planar T* T2.1

Zeiss Standard Speed 100mm Planar T* T2.1

Weight: 2.25 lbs • T-Stop: T2.1 • Close Focus: 5' • Outer Diameter: 80mm • Zeiss Regular Speed

Zeiss Standard Speed / Zeiss Regular Speed

1.75

0.79

2.99

75.946

Arri PL

T2.1

T22

3’4″

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss Standard Speed / Zeiss Regular Speed

Zeiss Standard Speed 135mm Planar T* T2.1

Zeiss Standard Speed 135mm Planar T* T2.1

Weight: 2.94 lbs • T-Stop: T3 • Close Focus: 5' • Outer Diameter: 80mm • Zeiss Regular Speed

Zeiss Standard Speed / Zeiss Regular Speed

2.25

1.02

4.01

101.854

Arri PL

T2.1

T22

5′

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss Standard Speed / Zeiss Regular Speed

Zeiss Standard Speed 180mm Sonnar T* T3

Zeiss Standard Speed 180mm Sonnar T* T3

Full Frame • Weight: 1.9 lbs • T-Stop: T2.9 • Close Focus: 12" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount • ZEISS xD /i Lens Protocol

Zeiss Standard Speed / Zeiss Regular Speed

2.94

1.33

127

Arri PL

T32

5′

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Zeiss Standard Speed / Zeiss Regular Speed

Zeiss CP.3

Zeiss CP.3 XD 15mm Compact Prime Distagon T* T2.9

Full Frame • Weight: 1.9 lbs • T-Stop: T2.9 • Close Focus: 12" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount • ZEISS xD /i Lens Protocol

Zeiss CP.3 XD 15mm Compact Prime Distagon T* T2.9

1.9

0.86

3.3

83.82

Arri PL, Canon EF

/i eXtended Data

T2.9

T22

12″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss CP.3 XD 18mm Compact Prime Distagon T* T2.9

Full Frame • Weight: 1.6 lbs • T-Stop: T2.9 • Close Focus: 10" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount • ZEISS xD /i Lens Protocol

Zeiss CP.3 XD 18mm Compact Prime Distagon T* T2.9

1.9

0.86

3.3

83.82

Arri PL, Canon EF

/i eXtended Data

T2.9

T22

12″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss CP.3 XD 21mm Compact Prime Distagon T* T2.9

Full Frame • Weight: 1.6 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount • ZEISS xD /i Lens Protocol

Zeiss CP.3 XD 21mm Compact Prime Distagon T* T2.9

1.6

0.73

3.25

82.55

Arri PL, Canon EF

/i eXtended Data

T2.9

T22

10″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss CP.3 XD 25mm Compact Prime Distagon T* T2.1

Full Frame • Weight: 1.9 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount • ZEISS xD /i Lens Protocol

Zeiss CP.3 XD 25mm Compact Prime Distagon T* T2.1

1.6

0.73

3.75

95.25

Arri PL, Canon EF

/i eXtended Data

T2.1

T22

11″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss CP.3 XD 28mm Compact Prime Distagon T* T2.1

Full Frame • Weight: 1.7 lbs • T-Stop: T2.1 • Close Focus: 12" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount • ZEISS xD /i Lens Protocol

Zeiss CP.3 XD 28mm Compact Prime Distagon T* T2.1

1.9

0.86

3.3

83.82

Arri PL, Canon EF

/i eXtended Data

T2.1

T22

10″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss CP.3 XD 35mm Compact Prime Distagon T* T2.1

Full Frame • Weight: 1.7 lbs • T-Stop: T2.1 • Close Focus: 18" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount • ZEISS xD /i Lens Protocol

Zeiss CP.3 XD 35mm Compact Prime Distagon T* T2.1

1.7

0.77

3.25

82.55

Arri PL, Canon EF

/i eXtended Data

T2.1

T22

12″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss CP.3 XD 50mm Compact Prime Planar T* T2.1

Full Frame • Weight: 1.9 lbs • T-Stop: T2.1 • Close Focus: 3'3" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount • ZEISS xD /i Lens Protocol

Zeiss CP.3 XD 50mm Compact Prime Planar T* T2.1

1.7

0.77

3.3

83.82

Arri PL, Canon EF

/i eXtended Data

T2.1

T22

18″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss CP.3 XD 85mm Compact Prime Planar T* T2.1

Full Frame • Weight: 2.2 lbs • T-Stop: T2.1 • Close Focus: 2'6" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount • ZEISS xD /i Lens Protocol

Zeiss CP.3 XD 85mm Compact Prime Planar T* T2.1

1.9

0.86

3.3

83.82

Arri PL, Canon EF

/i eXtended Data

T2.1

T22

3’3″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss CP.3 XD 100mm Compact Prime CF Planar T* T2.1

Full Frame • Weight: 2.5 lbs • T-Stop: T2.1 • Close Focus: 3'3" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount • ZEISS xD /i Lens Protocol

Zeiss CP.3 XD 100mm Compact Prime CF Planar T* T2.1

2.2

1.00

127

Arri PL, Canon EF

/i eXtended Data

T2.1

T22

2’6″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Zeiss CP.3 XD 135mm Compact Prime Sonnar T* T2.1

Full Frame+ • Weight: 7.7 lbs • T-Stop: T2 • Close Focus: 16" • Outer Diameter: 136mm

Zeiss CP.3 XD 135mm Compact Prime Sonnar T* T2.1

2.5

1.13

4.98

126.492

Arri PL, Canon EF

/i eXtended Data

T2.1

T22

3’3″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Cooke S7/i

Cooke S7/i 16mm T2

Full Frame+ • Weight: 7.7 lbs • T-Stop: T2 • Close Focus: 16" • Outer Diameter: 110mm

Cooke S7/i 16mm T2

7.7

3.5

7.87

200

Arri PL

T22

16″

N/A

136mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Cooke S7/i 18mm T2

Full Frame+ • Weight: 7.7 lbs • T-Stop: T2 • Close Focus: 16" • Outer Diameter: 110mm

Cooke S7/i 18mm T2

7.7

3.5

7.87

200

Arri PL

T22

16″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Cooke S7/i 21mm T2

Full Frame+ • Weight: 7.28 lbs • T-Stop: T2 • Close Focus: 14" • Outer Diameter: 110mm

Cooke S7/i 21mm T2

7.7

3.5

7.87

200

Arri PL

T22

16″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Cooke S7/i 25mm T2

Full Frame+ • Weight: 7.28 lbs • T-Stop: T2 • Close Focus: 14" • Outer Diameter: 110mm

Cooke S7/i 25mm T2

7.28

3.30

7.44

188.976

Arri PL

T22

14″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Cooke S7/i 27mm T2

Full Frame+ • Weight: 7.5 lbs • T-Stop: T2 • Close Focus: 14" • Outer Diameter: 110mm

Cooke S7/i 27mm T2

7.28

3.30

7.44

188.976

Arri PL

T22

14″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Cooke S7/i 32mm T2

Full Frame+ • Weight: 7.72 lbs • T-Stop: T2 • Close Focus: 18" • Outer Diameter: 110mm

Cooke S7/i 32mm T2

7.5

3.40

7.44

188.976

Arri PL

T22

14″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Cooke S7/i 40mm T2

Full Frame+ • Weight: 7.5 lbs • T-Stop: T2 • Close Focus: 20" • Outer Diameter: 110mm

Cooke S7/i 40mm T2

7.72

3.50

7.44

188.976

Arri PL

T22

18″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Cooke S7/i 50mm T2

Full Frame+ • Weight: 4.7lbs • T-Stop: T2.5 • Close Focus: 10" • Outer Diameter: 87mm • 1:1 macro focusing

Cooke S7/i 50mm T2

7.5

3.40

7.44

188.976

Arri PL

T22

20″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Cooke S7/i 60mm Macro T2.5

Cooke S7/i 60mm Macro T2.5

4.7

3.17

7.5

190.5

Arri PL

T2.5

T22

10″

1:1

10″

Full Frame+ • Weight: 6.61 lbs • T-Stop: T2 • Close Focus: 20" • Outer Diameter: 110mm

1/4 stop at CF

N/A

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Cooke S7/i 65mm T2

Full Frame+ • Weight: 6.61 lbs • T-Stop: T2 • Close Focus: 19" • Outer Diameter: 110mm

Cooke S7/i 65mm T2

6.61

7.44

188.976

Arri PL

T22

20″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Cooke S7/i 75mm T2

Full Frame+ • Weight: 5.5 lbs • T-Stop: T2.5 • Close Focus: 12" • Outer Diameter: 87mm • 1:1 Macro Focusing

Cooke S7/i 75mm T2

6.61

3.00

7.44

188.976

Arri PL

T22

19″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Cooke S7/i 90mm Macro T2.5

Cooke S7/i 90mm Macro T2.5

5.5

2.49

6.8

172.72

Arri PL

T2.5

T22

12″

Yes

1:1

12″

Full Frame+ • Weight: 7.28 lbs • T-Stop: T2 • Close Focus: 2'6" • Outer Diameter: 110mm

1/8 stop at 1:1

N/A

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2022

Cooke S7/i 100mm T2

Full Frame+ • Weight: 8.16 lbs • T-Stop: T2 • Close Focus: 3'3" • Outer Diameter: 110mm

Cooke S7/i 100mm T2

7.28

3.30

7.44

188.976

Arri PL

T22

2’6″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Cooke S7/i 135mm T2

Full Frame+ • Weight: 7.94 lbs • T-Stop: T2 • Close Focus: 4'3" • Outer Diameter: 110mm

Cooke S7/i 135mm T2

8.16

3.70

7.44

188.976

Arri PL

T22

3’3″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Cooke S7/i 180mm T2

Full Frame+ • Weight: 9.7 lbs • T-Stop: T3.3 • Close Focus: 7' • Outer Diameter: 110mm

Cooke S7/i 180mm T2

7.94

3.6

7.44

198

Arri PL

T22

4’3″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Cooke S7/i 300mm T3.3

Weight: 6.67 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 110mm

Cooke S7/i 300mm T3.3

9.7

4.4

10.08

256

Arri PL

T3.3

T22

7′

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Cooke 5/i

Cooke 5/i 18mm T1.4

Weight: 6.56 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 110mm

Cooke 5/i 18mm T1.4

6.67

3.03

6.73

170.942

Arri PL

T1.4

T22

14″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke 5/i 25mm T1.4

Weight: 6.12 lbs • T-Stop: T1.4 • Close Focus: 14" • Outer Diameter: 110mm

Cooke 5/i 25mm T1.4

6.56

2.98

6.97

177.038

Arri PL

T1.4

T22

14″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke 5/i 32mm T1.4

Weight: 6.07 lbs • T-Stop: T1.4 • Close Focus: 16" • Outer Diameter: 110mm

Cooke 5/i 32mm T1.4

6.12

2.78

6.97

177.038

Arri PL

T1.4

T22

14″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke 5/i 40mm T1.4

Weight: 7.11 lbs • T-Stop: T1.4 • Close Focus: 20" • Outer Diameter: 110mm

Cooke 5/i 40mm T1.4

6.07

2.75

6.97

177.038

Arri PL

T1.4

T22

16″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke 5/i 50mm T1.4

Weight: 6.78 lbs • T-Stop: T1.4 • Close Focus: 24" • Outer Diameter: 110mm

Cooke 5/i 50mm T1.4

7.11

3.23

6.97

177.038

Arri PL

T1.4

T22

20″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke 5/i 65mm T1.4

Weight: 6.58 lbs • T-Stop: T1.4 • Close Focus: 27" • Outer Diameter: 110mm

Cooke 5/i 65mm T1.4

6.78

3.08

6.97

177.038

Arri PL

T1.4

T22

24″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke 5/i 75mm T1.4

Weight: 6.36 lbs • T-Stop: T1.4 • Close Focus: 30" • Outer Diameter: 110mm

Cooke 5/i 75mm T1.4

6.58

2.98

6.97

177.038

Arri PL

T1.4

T22

27″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke 5/i 100mm T1.4

Weight: 11.2 lbs • T-Stop: T1.4 • Close Focus: 31" • Outer Diameter: 136mm

Cooke 5/i 100mm T1.4

6.36

2.88

6.97

177.038

Arri PL

T1.4

T22

30″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke 5/i 135mm T1.4

Weight: 6.5 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 156mm

Cooke 5/i 135mm T1.4

11.2

5.08

8.6

218.44

Arri PL

T1.4

T22

31″

136mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i

Cooke S4/i 12mm T2

Weight: 4.8 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

Cooke S4/i 12mm T2

6.5

2.95

127

Arri PL

T22

9″

156mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 14mm T2

Weight: 5.4 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

Cooke S4/i 14mm T2

4.8

2.18

127

Arri PL

T22

9″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 16mm T2

Weight: 3.85 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

Cooke S4/i 16mm T2

5.4

2.45

127

Arri PL

Front

T22

9″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 18mm T2

Weight: 4.4 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

Cooke S4/i 18mm T2

3.85

1.75

4.5

114.3

Arri PL

Front

T22

9″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 21mm T2

Weight: 3.5 lbs • T-Stop: T2 • Close Focus: 9" • Outer Diameter: 110mm

Cooke S4/i 21mm T2

4.4

2.00

4.5

114.3

Arri PL

Front

T22

9″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 25mm T2

Weight: 3.55 lbs • T-Stop: T2 • Close Focus: 10" • Outer Diameter: 110mm

Cooke S4/i 25mm T2

3.5

1.59

4.5

114.3

Arri PL

Front

T22

9″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 27mm T2

Weight: 4 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 110mm

Cooke S4/i 27mm T2

3.55

1.61

4.5

114.3

Arri PL

Front

T22

10″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 32mm T2

Weight: 4.2 lbs • T-Stop: T2 • Close Focus: 14" • Outer Diameter: 110mm

Cooke S4/i 32mm T2

1.81

127

Arri PL

Front

T22

12″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 35mm T2

Weight: 4.4 lbs • T-Stop: T2 • Close Focus: 16" • Outer Diameter: 110mm

Cooke S4/i 35mm T2

4.2

1.91

127

Arri PL

Front

T22

14″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 40mm T2

Weight: 3.3 lbs • T-Stop: T2 • Close Focus: 20" • Outer Diameter: 110mm

Cooke S4/i 40mm T2

4.4

2.00

5.5

139.7

Arri PL

Front

T22

16″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 50mm T2

Weight: 3.55 lbs • T-Stop: T2 • Close Focus: 27" • Outer Diameter: 110mm

Cooke S4/i 50mm T2

3.3

1.50

4.9

124.46

Arri PL

Front

T22

20″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 65mm T2

Weight: 3.85 lbs • T-Stop: T2 • Close Focus: 30" • Outer Diameter: 110mm

Cooke S4/i 65mm T2

3.55

1.61

4.9

124.46

Arri PL

Front

T22

27″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 75mm T2

Weight: 4.4 lbs • T-Stop: T2 • Close Focus: 36" • Outer Diameter: 110mm

Cooke S4/i 75mm T2

3.85

1.75

4.9

124.46

Arri PL

Front

T22

30″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 100mm T2

Weight: 4.95 lbs • T-Stop: T2 • Close Focus: 33" • Outer Diameter: 110mm

Cooke S4/i 100mm T2

4.4

2.00

5.5

139.7

Arri PL

Front

T22

36″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 135mm T2

Weight: 7.7 lbs • T-Stop: T2 • Close Focus: 42" • Outer Diameter: 125mm

Cooke S4/i 135mm T2

4.95

2.25

7.3

185.42

Arri PL

Front

T22

33″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 150mm T2

Weight: 9.45 lbs • T-Stop: T2 • Close Focus: 51" • Outer Diameter: 136mm

Cooke S4/i 150mm T2

7.7

3.49

6.2

157.48

Arri PL

Front

T22

42″

125mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i 180mm T2

Weight: 5.4 lbs • T-Stop: T2.2 • Close Focus: 9" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

Cooke S4/i 180mm T2

9.45

4.29

7.3

185.42

Arri PL

T22

51″

136mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i Uncoated

Cooke S4/i Uncoated FE 16mm T2.2

Weight: 3.85 lbs • T-Stop: T2.2 • Close Focus: 9" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

Cooke S4/i Uncoated FE 16mm T2.2

5.4

2.45

127

Arri PL

Front

T2.2

T22

9″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i Uncoated FE 18mm T2.2

Weight: 4.4 lbs • T-Stop: T2.2 • Close Focus: 9" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

Cooke S4/i Uncoated FE 18mm T2.2

3.85

1.75

4.5

114.3

Arri PL

Front

T22

9″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i Uncoated FE 21mm T2.2

Weight: 3.5 lbs • T-Stop: T2.2 • Close Focus: 9" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

Cooke S4/i Uncoated FE 21mm T2.2

4.4

2.00

4.5

114.3

Arri PL

Front

T22

9″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i Uncoated FE 25mm T2.2

Weight: 3.55 lbs • T-Stop: T2.2 • Close Focus: 10" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

Cooke S4/i Uncoated FE 25mm T2.2

3.5

1.59

4.5

114.3

Arri PL

Front

T22

9″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i Uncoated FE 27mm T2.2

Weight: 4 lbs • T-Stop: T2.2 • Close Focus: 12" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

Cooke S4/i Uncoated FE 27mm T2.2

3.55

1.61

4.5

114.3

Arri PL

Front

T22

10″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i Uncoated FE 32mm T2.2

Weight: 4.2 lbs • T-Stop: T2.2 • Close Focus: 14" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

Cooke S4/i Uncoated FE 32mm T2.2

1.81

127

Arri PL

Front

T22

12″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i Uncoated FE 35mm T2.2

Weight: 4.4 lbs • T-Stop: T2.2 • Close Focus: 16" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

Cooke S4/i Uncoated FE 35mm T2.2

4.2

1.91

127

Arri PL

Front

T2.2

T22

14″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i Uncoated FE 40mm T2.2

Weight: 3.3 lbs • T-Stop: T2.2 • Close Focus: 20" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

Cooke S4/i Uncoated FE 40mm T2.2

4.4

2.00

5.5

139.7

Arri PL

Front

T2.2

T22

16″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i Uncoated FE 50mm T2.2

Weight: 3.55 lbs • T-Stop: T2.2 • Close Focus: 27" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

Cooke S4/i Uncoated FE 50mm T2.2

3.3

1.50

4.9

124.46

Arri PL

Front

T2.2

T22

20″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i Uncoated FE 65mm T2.2

Weight: 3.85 lbs • T-Stop: T2.2 • Close Focus: 30" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

Cooke S4/i Uncoated FE 65mm T2.2

3.55

1.61

4.9

124.46

Arri PL

Front

T2.2

T22

27″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i Uncoated FE 75mm T2.2

Weight: 4.4 lbs • T-Stop: T2.2 • Close Focus: 36" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

Cooke S4/i Uncoated FE 75mm T2.2

3.85

1.75

4.9

124.46

Arri PL

Front

T2.2

T22

30″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i Uncoated FE 100mm T2.2

Weight: 4.95 lbs • T-Stop: T2.2 • Close Focus: 33" • Outer Diameter: 110mm • Uncoated front element for unique flare characteristics

Cooke S4/i Uncoated FE 100mm T2.2

4.4

2.00

5.5

139.7

Arri PL

Front

T2.2

T22

36″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke S4/i Uncoated FE 135mm T2.2

Weight: 3.5 lbs • T-Stop: T2.2 • Close Focus: 8" • Outer Diameter: 110mm

Cooke S4/i Uncoated FE 135mm T2.2

4.95

2.25

7.3

185.42

Arri PL

Front

T2.2

T22

33″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini s4/i

Cooke Speed Panchro/i 18mm T2.2 (Panchro Classic)

Cooke Speed Panchro/i 18mm T2.2 (Panchro Classic)

3.5

1.6

3.4

Arri PL

T2.2

T22

8″

N/A

110mm

105mm

0.8 mod (cine pitch)

Weight: 3.3 lbs • T-Stop: T2.2 • Close Focus: 8" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Cooke Speed Panchro/i 21mm T2.2 (Panchro Classic)

Cooke Speed Panchro/i 21mm T2.2 (Panchro Classic)

3.3

1.5

3.6

Arri PL

T2.2

T22

8″

N/A

110mm

105mm

0.8 mod (cine pitch)

Weight: 3.3 lbs • T-Stop: T2.2 • Close Focus: 8" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Cooke Speed Panchro/i 25mm T2.2 (Panchro Classic)

Cooke Speed Panchro/i 25mm T2.2 (Panchro Classic)

3.3

1.5

3.6

Arri PL

T2.2

T22

8″

N/A

110mm

105mm

0.8 mod (cine pitch)

Weight: 3.3 lbs • T-Stop: T2.2 • Close Focus: 8" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Cooke Speed Panchro/i 27mm T2.2 (Panchro Classic)

Cooke Speed Panchro/i 27mm T2.2 (Panchro Classic)

3.3

1.5

3.6

Arri PL

T2.2

T22

8″

N/A

110mm

105mm

0.8 mod (cine pitch)

Weight: 2.6 lbs • T-Stop: T2.2 • Close Focus: 12" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Cooke Speed Panchro/i 32mm T2.2 (Panchro Classic)

Cooke Speed Panchro/i 32mm T2.2 (Panchro Classic)

2.6

1.2

3.6

Arri PL

T2.2

T22

12″

N/A

110mm

105mm

0.8 mod (cine pitch)

Weight: 3.1 lbs • T-Stop: T2.2 • Close Focus: 16" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Cooke Speed Panchro/i 40mm T2.2 (Panchro Classic)

Cooke Speed Panchro/i 40mm T2.2 (Panchro Classic)

3.1

1.4

4.6

118

Arri PL

T2.2

T22

16″

N/A

110mm

105mm

0.8 mod (cine pitch)

Weight: 3.3 lbs • T-Stop: T2.2 • Close Focus: 20" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Cooke Speed Panchro/i 50mm T2.2 (Panchro Classic)

Cooke Speed Panchro/i 50mm T2.2 (Panchro Classic)

3.3

1.5

4.6

118

Arri PL

T2.2

T22

20″

N/A

110mm

105mm

0.8 mod (cine pitch)

Weight: 6.1 lbs • T-Stop: T2.4 • Close Focus: 13" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Cooke Speed Panchro/i 65mm MACRO T2.4 (Panchro Classic)

Cooke Speed Panchro/i 65mm MACRO T2.4 (Panchro Classic)

6.1

2.8

7.7

197

Arri PL

T2.2

T22

13″

N/A

110mm

105mm

0.8 mod (cine pitch)

Weight: 4.0 lbs • T-Stop: T2.2 • Close Focus: 2'6" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Cooke Speed Panchro/i 75mm T2.2 (Panchro Classic)

Cooke Speed Panchro/i 75mm T2.2 (Panchro Classic)

1.8

6.1

155mm

Arri PL

T2.2

T22

2’6″

N/A

110mm

105mm

0.8 mod (cine pitch)

Weight: 3.9 lbs • T-Stop: T2.6 • Close Focus: 3' • Outer Diameter: 110mm

0.8 mod (cine pitch)

Cooke Speed Panchro/i 100mm T2.6 (Panchro Classic)

Cooke Speed Panchro/i 100mm T2.6 (Panchro Classic)

3.9

1.8

6.1

155

Arri PL

T2.6

T22

3′

N/A

110mm

105mm

0.8 mod (cine pitch)

Weight: 4.6 lbs • T-Stop: T2.8 • Close Focus: 2'9" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Cooke Speed Panchro/i 135mm T2.8 (Panchro Classic)

Cooke Speed Panchro/i 135mm T2.8 (Panchro Classic)

4.6

2.1

6.6

167

Arri PL

T2.2

T22

2’9″

N/A

110mm

105mm

0.8 mod (cine pitch)

Weight: 4.6 lbs • T-Stop: T3 • Close Focus: 3'6" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Cooke Speed Panchro/i 152mm T3 (Panchro Classic)

Cooke Speed Panchro/i 152mm T3 (Panchro Classic)

4.6

2.1

6.6

167

Arri PL

T22

3’6″

N/A

110mm

105mm

0.8 mod (cine pitch)

Full Frame • Weight: 4.6 lbs • T-Stop: T2.2 • Close Focus: 11" • Outer Diameter: 110mm • original look of the Speed Panchro but with all the benefits of contemporary glass and technology

0.8 mod (cine pitch)

Cooke Panchro/i Classic FF

Cooke FF Speed Panchro/i 21mm T2.2 (Panchro/i Classic FF)

Cooke FF Speed Panchro/i 21mm T2.2 (Panchro/i Classic FF)

4.2

1.9

127

Arri PL

T2.2

T22

11″

N/A

110mm

105mm

0.8 mod (cine pitch)

Full Frame • Weight: 4.41 lbs • T-Stop: T2.2 • Close Focus: 13" • Outer Diameter: 110mm • original look of the Speed Panchro but with all the benefits of contemporary glass and technology

0.8 mod (cine pitch)

Cooke FF Speed Panchro/i 25mm T2.2 (Panchro/i Classic FF)

Cooke FF Speed Panchro/i 25mm T2.2 (Panchro/i Classic FF)

4.41

4.92

125

Arri PL

T2.2

T22

13″

N/A

110mm

105mm

0.8 mod (cine pitch)

Full Frame • Weight: 4.62 lbs • T-Stop: T2.2 • Close Focus: 13" • Outer Diameter: 110mm • original look of the Speed Panchro but with all the benefits of contemporary glass and technology

0.8 mod (cine pitch)

Cooke FF Speed Panchro/i 27mm T2.2 (Panchro/i Classic FF)

Cooke FF Speed Panchro/i 27mm T2.2 (Panchro/i Classic FF)

4.62

2.1

4.92

125

Arri PL

T2.2

T22

13″

N/A

110mm

105mm

0.8 mod (cine pitch)

Full Frame • Weight: 4.19 lbs • T-Stop: T2.2 • Close Focus: 13" • Outer Diameter: 110mm • original look of the Speed Panchro but with all the benefits of contemporary glass and technology

0.8 mod (cine pitch)

Cooke FF Speed Panchro/i 32mm T2.2 (Panchro/i Classic FF)

Cooke FF Speed Panchro/i 32mm T2.2 (Panchro/i Classic FF)

4.19

1.9

4.33

110

Arri PL

T2.2

T22

13″

N/A

110mm

105mm

0.8 mod (cine pitch)

Full Frame • Weight: 3.31 lbs • T-Stop: T2.2 • Close Focus: 13" • Outer Diameter: 110mm • original look of the Speed Panchro but with all the benefits of contemporary glass and technology

0.8 mod (cine pitch)

Cooke FF Speed Panchro/i 40mm T2.2 (Panchro/i Classic FF)

Cooke FF Speed Panchro/i 40mm T2.2 (Panchro/i Classic FF)

3.31

1.5

3.62

Arri PL

T2.2

T22

13″

N/A

110mm

105mm

0.8 mod (cine pitch)

Full Frame • Weight: 3.08 lbs • T-Stop: T2.2 • Close Focus: 16" • Outer Diameter: 110mm • original look of the Speed Panchro but with all the benefits of contemporary glass and technology

0.8 mod (cine pitch)

Cooke FF Speed Panchro/i 50mm T2.2 (Panchro/i Classic FF)

Cooke FF Speed Panchro/i 50mm T2.2 (Panchro/i Classic FF)

3.08

1.4

4.45

113

Arri PL

T2.2

T22

16″

N/A

110mm

105mm

0.8 mod (cine pitch)

Full Frame • Weight: 6.17 lbs • T-Stop: T2.2 • Close Focus: 13" • Outer Diameter: 110mm • original look of the Speed Panchro but with all the benefits of contemporary glass and technology

0.8 mod (cine pitch)

Cooke FF Speed Panchro/i 65mm MACRO T2.2 (Panchro/i Classic FF)

Cooke FF Speed Panchro/i 65mm MACRO T2.2 (Panchro/i Classic FF)

6.17

2.8

7.75

197

Arri PL

T2.2

T22

13″

110mm

105mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Full Frame • Weight: 3.97 lbs • T-Stop: T2.2 • Close Focus: 2'6" • Outer Diameter: 110mm • original look of the Speed Panchro but with all the benefits of contemporary glass and technology

2022

Cooke FF Speed Panchro/i 75mm T2.2 (Panchro/i Classic FF)

Cooke FF Speed Panchro/i 75mm T2.2 (Panchro/i Classic FF)

3.97

1.8

6.10

155

Arri PL

T2.2

T22

2’6″

N/A

110mm

105mm

0.8 mod (cine pitch)

Full Frame • Weight: 3.97 lbs • T-Stop: T2.6 • Close Focus: 3" • Outer Diameter: 110mm • original look of the Speed Panchro but with all the benefits of contemporary glass and technology

0.8 mod (cine pitch)

Cooke FF Speed Panchro/i 100mm T2.6 (Panchro/i Classic FF)

Cooke FF Speed Panchro/i 100mm T2.6 (Panchro/i Classic FF)

3.97

1.8

6.10

155

Arri PL

T2.6

T22

3′

N/A

110mm

105mm

0.8 mod (cine pitch)

Full Frame • Weight: 4.63 lbs • T-Stop: T2.6 • Close Focus: 2'9" • Outer Diameter: 110mm • original look of the Speed Panchro but with all the benefits of contemporary glass and technology

0.8 mod (cine pitch)

Cooke FF Speed Panchro/i 135mm T2.6 (Panchro/i Classic FF)

Cooke FF Speed Panchro/i 135mm T2.6 (Panchro/i Classic FF)

4.63

2.1

6.57

167

Arri PL

T2.6

T22

2’9″

N/A

110mm

105mm

0.8 mod (cine pitch)

Full Frame • Weight: 4.63 lbs • T-Stop: T3 • Close Focus: 3'6" • Outer Diameter: 110mm • original look of the Speed Panchro but with all the benefits of contemporary glass and technology

0.8 mod (cine pitch)

Cooke FF Speed Panchro/i 152mm T3 (Panchro/i Classic FF)

Cooke FF Speed Panchro/i 152mm T3 (Panchro/i Classic FF)

4.63

2.1

6.57

167

Arri PL

T22

3’6″

N/A

110mm

105mm

0.8 mod (cine pitch)

Weight: 2.86 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Cooke mini s4/i

Cooke mini S4/i 18mm T2.8

Weight: 3.44 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 87mm

Cooke mini S4/i 18mm T2.8

2.86

1.30

4.72

119.888

Arri PL

Front & Rear

T2.8

T22

10″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i 21mm T2.8

Weight: 3.08 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 87mm

Cooke mini S4/i 21mm T2.8

3.44

1.56

4.33

109.982

Arri PL

Front & Rear

T2.8

T22

10″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i 25mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 12" • Outer Diameter: 87mm

Cooke mini S4/i 25mm T2.8

3.08

1.40

4.17

105.918

Arri PL

Front & Rear

T2.8

T22

10″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i 32mm T2.8

Weight: 3.74 lbs • T-Stop: T2.8 • Close Focus: 16" • Outer Diameter: 87mm

Cooke mini S4/i 32mm T2.8

3.52

1.60

4.33

109.982

Arri PL

Front & Rear

T2.8

T22

12″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i 40mm T2.8

Weight: 3.3 lbs • T-Stop: T2.8 • Close Focus: 20" • Outer Diameter: 87mm

Cooke mini S4/i 40mm T2.8

3.74

1.70

4.33

109.982

Arri PL

Front & Rear

T2.8

T22

16″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i 50mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 27" • Outer Diameter: 87mm

Cooke mini S4/i 50mm T2.8

3.3

1.50

5.39

136.906

Arri PL

Front & Rear

T2.8

T22

20″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i 65mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 30" • Outer Diameter: 87mm

Cooke mini S4/i 65mm T2.8

3.52

1.60

5.32

135.128

Arri PL

Front & Rear

T2.8

T22

27″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i 75mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 36" • Outer Diameter: 87mm

Cooke mini S4/i 75mm T2.8

3.52

1.60

5.39

136.906

Arri PL

Front & Rear

T2.8

T22

30″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i 100mm T2.8

Weight: 3.96 lbs • T-Stop: T2.8 • Close Focus: 39" • Outer Diameter: 87mm

Cooke mini S4/i 100mm T2.8

3.52

1.60

5.39

136.906

Arri PL

Front & Rear

T2.8

T22

36″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i 135mm T2.8

Weight: 2.86 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 110mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

Cooke mini S4/i 135mm T2.8

3.96

1.80

6.21

157.734

Arri PL

Front & Rear

T2.8

T22

39″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini s4/i Uncoated

Cooke mini S4/i Uncoated 18mm T2.8

Weight: 3.44 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

Cooke mini S4/i Uncoated 18mm T2.8

2.86

1.30

4.72

119.888

Arri PL

Front & Rear

T2.8

T22

10″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i Uncoated 21mm T2.8

Weight: 3.08 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

Cooke mini S4/i Uncoated 21mm T2.8

3.44

1.56

4.33

109.982

Arri PL

Front & Rear

T2.8

T22

10″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i Uncoated 25mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 12" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

Cooke mini S4/i Uncoated 25mm T2.8

3.08

1.40

4.17

105.918

Arri PL

Front & Rear

T2.8

T22

10″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i Uncoated 32mm T2.8

Weight: 3.74 lbs • T-Stop: T2.8 • Close Focus: 16" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

Cooke mini S4/i Uncoated 32mm T2.8

3.52

1.60

4.33

109.982

Arri PL

Front & Rear

T2.8

T22

12″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i Uncoated 40mm T2.8

Weight: 3.3 lbs • T-Stop: T2.8 • Close Focus: 20" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

Cooke mini S4/i Uncoated 40mm T2.8

3.74

1.70

4.33

109.982

Arri PL

Front & Rear

T2.8

T22

16″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i Uncoated 50mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 27" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

Cooke mini S4/i Uncoated 50mm T2.8

3.3

1.50

5.39

136.906

Arri PL

Front & Rear

T2.8

T22

20″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i Uncoated 65mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 30" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

Cooke mini S4/i Uncoated 65mm T2.8

3.52

1.60

5.32

135.128

Arri PL

Front & Rear

T2.8

T22

27″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i Uncoated 75mm T2.8

Weight: 3.52 lbs • T-Stop: T2.8 • Close Focus: 36" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

Cooke mini S4/i Uncoated 75mm T2.8

3.52

1.60

5.39

136.906

Arri PL

Front & Rear

T2.8

T22

30″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i Uncoated 100mm T2.8

Weight: 3.96 lbs • T-Stop: T2.8 • Close Focus: 39" • Outer Diameter: 87mm • Uncoated front and rear elements available separate or as a pair for unique flare characteristics

Cooke mini S4/i Uncoated 100mm T2.8

3.52

1.60

5.39

136.906

Arri PL

Front & Rear

T2.8

T22

36″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke mini S4/i Uncoated 135mm T2.8

Full Frame • Weight: 4.28lbs • T-Stop: T1.5 • Close Focus: 5'6" • Outer Diameter: 95mm

Cooke mini S4/i Uncoated 135mm T2.8

3.96

1.80

6.21

157.734

Arri PL

Front & Rear

T2.8

T22

39″

87mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Celere HS

Vivitar 135mm T1.5

Weight: 4.3 lbs • T-Stop: T1.8• Close Focus: 4'3" • Outer Diameter: 95mm • Zero Optik Rehousing

Vivitar 135mm T1.5

4.28

1.94

6.45

163.82

Arri PL, Canon EF

T1.5

T22

5’6″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1967

Vivitar Titans

Vivitar Titan 135mm T1.8 // ZO

Full Frame • Weight: 2.95 lbs • T-Stop: T2 • Close Focus: 11" • Outer Diameter: 95mm

Vivitar Titan 135mm T1.8 // ZO

4.3

1.95

5.25

133.35

Arri PL

T1.8

T22

4’3″

N/A

95mm

1967

Sigma FF High Speed

Sigma 14mm FF T2

Full Frame • Weight: 2.72 lbs • T-Stop: T1.5 • Close Focus: 11" • Outer Diameter: 95mm

Sigma 14mm FF T2

2.95

1.34

4.38

111.252

Arri PL

T16

11″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Sigma 20mm FF T1.5

Full Frame • Weight: 2.25 lbs • T-Stop: T1.5 • Close Focus: 10" • Outer Diameter: 95mm

Sigma 20mm FF T1.5

2.72

1.23

4.33

109.982

Arri PL

T1.5

T16

11″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Sigma 24mm FF T1.5

Full Frame • Weight: 2.66 lbs • T-Stop: T1.5 • Close Focus: 12" • Outer Diameter: 95mm

Sigma 24mm FF T1.5

2.25

1.02

3.42

86.868

Arri PL

T1.5

T16

10″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Sigma 28mm FF T1.5

Full Frame • Weight: 2.3 lbs • T-Stop: T1.5 • Close Focus: 12" • Outer Diameter: 95mm

Sigma 28mm FF T1.5

2.66

1.21

3.92

99.7

Arri PL

T1.5

T16

12″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Sigma 35mm FF T1.5

Full Frame • Weight: 3.3 lbs • T-Stop: T1.5 • Close Focus: 16" • Outer Diameter: 95mm

Sigma 35mm FF T1.5

2.3

1.04

3.42

86.868

Arri PL

T1.5

T16

12″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Sigma 40mm FF T1.5

Full Frame • Weight: 2.66 lbs • T-Stop: T1.5 • Close Focus: 16" • Outer Diameter: 95mm

Sigma 40mm FF T1.5

3.3

1.5

4.8

124

Arri PL

T1.5

T16

16″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Sigma 50mm FF T1.5

Full Frame • Weight: 2.96 lbs • T-Stop: T1.5 • Close Focus: 2'10" • Outer Diameter: 95mm

Sigma 50mm FF T1.5

2.66

1.21

3.7

93.98

Arri PL

T1.5

T16

16″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Sigma 85mm FF T1.5

Full Frame • Weight:4.61 lbs • T-Stop: T1.5 • Close Focus: 3'4" • Outer Diameter: 95mm

Sigma 85mm FF T1.5

2.96

1.34

4.68

118.872

Arri PL

T1.5

T16

2’10”

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Sigma 105mm FF T1.5

Full Frame • Weight: 3.14 lbs • T-Stop: T2 • Close Focus: 2'11" • Outer Diameter: 95mm

Sigma 105mm FF T1.5

4.615

2.09

4.97

126.2

Arri PL

T1.5

T16

2’10”

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Sigma 135mm FF T2

Full Frame • T-Stop: T1.9 • Close Focus: 7.5"• Outer Diameter: 104mm • T-tuned characteristics with exaggerated flaring.

Sigma 135mm FF T2

3.14

1.42

4.2

106.68

Arri PL

T16

2’11”

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Tribe7 Blackwing7 Binary 20.7mm T1.9

Full Frame • T-Stop: T1.8 • Close Focus: 13"• Outer Diameter: 104mm • T-tuned characteristics with exaggerated flaring.

Tribe7 Blackwing7 Binary 20.7mm T1.9

2.3

1.04

Arri PL

T1.9

T22

7.50″

N/A

104mm

0.8 mod (cine pitch)

2021

Tribe7 Blackwing7 Binary 27mm T1.8

Full Frame, 65mm • T-Stop: T1.8 • Close Focus: 18 "• Outer Diameter: 104mm • T-tuned characteristics with exaggerated flaring.

Tribe7 Blackwing7 Binary 27mm T1.8

4.3

1.95

Arri PL

T1.8

T22

13.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Binary 37mm T1.8

Full Frame, 65mm • T-Stop: T1.8 • Close Focus: 18 "• Outer Diameter: 104mm • T-tuned characteristics with exaggerated flaring.

Tribe7 Blackwing7 Binary 37mm T1.8

4.1

1.85

Arri PL

T1.8

T22

18.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Binary 47mm T1.8

Full Frame, 65mm • T-Stop: T1.8 • Close Focus: 19.5" • Outer Diameter: 104mm • T-tuned characteristics with exaggerated flaring.

Tribe7 Blackwing7 Binary 47mm T1.8

3.8

1.72

Arri PL

T1.8

T22

18.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Binary 57mm T1.8

Full Frame, 65mm • T-Stop: T1.8 • Close Focus: 2'2"• Outer Diameter: 104mm • T-tuned characteristics with exaggerated flaring.

Tribe7 Blackwing7 Binary 57mm T1.8

3.8

1.72

Arri PL

T1.8

T22

19.5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Binary 77mm T1.8

Full Frame, 65mm • T-Stop: T1.8 • Close Focus: 2'5"• Outer Diameter: 104mm • T-tuned characteristics with exaggerated flaring.

Tribe7 Blackwing7 Binary 77mm T1.8

3.6

1.63

Arri PL

T1.8

T22

2’2″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Binary 107mm T1.8

Full Frame, 65mm • T-Stop: T2• Close Focus: 2'8" • Outer Diameter: 104mm • T-tuned characteristics with exaggerated flaring.

Tribe7 Blackwing7 Binary 107mm T1.8

3.6

1.63

Arri PL

T1.8

T22

2’5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Binary 137mm T2

Full Frame • T-Stop: T1.9 • Close Focus: 7.5"• Outer Diameter: 104mm • S-Tuned with medium focus roll-off and soft flare.

Tribe7 Blackwing7 Binary 137mm T2

3.8

1.72

Arri PL

T22

2’8″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 S-Tuned 20.7mm T1.9

Full Frame • T-Stop: T1.9 • Close Focus: 14"• Outer Diameter: 104mm • S-Tuned with medium focus roll-off and soft flare.

Tribe7 Blackwing7 S-Tuned 20.7mm T1.9

2.3

1.04

Arri PL

T1.9

T22

7.50″

N/A

104mm

0.8 mod (cine pitch)

2021

Tribe7 Blackwing7 S-Tuned 27mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 18 "• Outer Diameter: 104mm • S-Tuned with medium focus roll-off and soft flare.

Tribe7 Blackwing7 S-Tuned 27mm T1.9

4.3

1.95

Arri PL

T1.9

T22

14.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 S-Tuned 37mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 18 "• Outer Diameter: 104mm • S-Tuned with medium focus roll-off and soft flare.

Tribe7 Blackwing7 S-Tuned 37mm T1.9

4.1

1.85

Arri PL

T1.9

T22

18.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 S-Tuned 47mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 19.5" • Outer Diameter: 104mm • S-Tuned with medium focus roll-off and soft flare.

Tribe7 Blackwing7 S-Tuned 47mm T1.9

3.8

1.72

Arri PL

T1.9

T22

18.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 S-Tuned 57mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 2'2"• Outer Diameter: 104mm • S-Tuned with medium focus roll-off and soft flare.

Tribe7 Blackwing7 S-Tuned 57mm T1.9

3.8

1.72

Arri PL

T1.9

T22

19.5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 S-Tuned 77mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 2'5"• Outer Diameter: 104mm • S-Tuned with medium focus roll-off and soft flare.

Tribe7 Blackwing7 S-Tuned 77mm T1.9

3.6

1.63

Arri PL

T1.9

T22

2’2″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 S-Tuned 107mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 3'4" • Outer Diameter: 104mm • S-Tuned with medium focus roll-off and soft flare.

Tribe7 Blackwing7 S-Tuned 107mm T1.9

3.6

1.63

Arri PL

T1.8

T22

2’5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 S-Tuned 137mm T1.9

Full Frame • T-Stop: T1.9 • Close Focus: 7.5"• Outer Diameter: 104mm • T-Tuned with heavy focus roll-off and soft flare.

Tribe7 Blackwing7 S-Tuned 137mm T1.9

3.8

1.72

Arri PL

T1.9

T22

3’4″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 T-Tuned 20.7mm T1.9

Full Frame • T-Stop: T1.9 • Close Focus: 14"• Outer Diameter: 104mm • T-Tuned with heavy focus roll-off and soft flare.

Tribe7 Blackwing7 T-Tuned 20.7mm T1.9

2.3

1.04

Arri PL

T1.9

T22

7.50″

N/A

104mm

0.8 mod (cine pitch)

2021

Tribe7 Blackwing7 T-Tuned 27mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 18 "• Outer Diameter: 104mm • T-Tuned with heavy focus roll-off and soft flare.

Tribe7 Blackwing7 T-Tuned 27mm T1.9

4.3

1.95

Arri PL

T1.9

T22

14.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 T-Tuned 37mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 18 "• Outer Diameter: 104mm • T-Tuned with heavy focus roll-off and soft flare.

Tribe7 Blackwing7 T-Tuned 37mm T1.9

4.1

1.85

Arri PL

T1.9

T22

18.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 T-Tuned 47mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 19.5" • Outer Diameter: 104mm • T-Tuned with heavy focus roll-off and soft flare.

Tribe7 Blackwing7 T-Tuned 47mm T1.9

3.8

1.72

Arri PL

T1.9

T22

18.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 T-Tuned 57mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 2'2"• Outer Diameter: 104mm • T-Tuned with heavy focus roll-off and soft flare.

Tribe7 Blackwing7 T-Tuned 57mm T1.9

3.8

1.72

Arri PL

T1.9

T22

19.5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 T-Tuned 77mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 2'5"• Outer Diameter: 104mm • T-Tuned with heavy focus roll-off and soft flare.

Tribe7 Blackwing7 T-Tuned 77mm T1.9

3.6

1.63

Arri PL

T1.9

T22

2’2″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 T-Tuned 107mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 3'4" • Outer Diameter: 104mm • T-Tuned with heavy focus roll-off and soft flare.

Tribe7 Blackwing7 T-Tuned 107mm T1.9

3.6

1.63

Arri PL

T1.8

T22

2’5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 T-Tuned 137mm T1.9

Full Frame • T-Stop: T1.9 • Close Focus: 8.5"• Outer Diameter: 104mm • Bespoke-tuning: S Tuned with X flare, no rainbow. They have multi-coated elements from the S-tuned program, with selective edge uncoating from the X-tuned program. They also have the Blackwing7 rainbow flare tuned out.

Tribe7 Blackwing7 T-Tuned 137mm T1.9

3.8

1.72

Arri PL

T1.9

T22

3’4″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke 20.7mm T1.9

Full Frame • T-Stop: T1.9 • Close Focus: 14"• Outer Diameter: 104mm • Bespoke-tuning: S Tuned with X flare, no rainbow. They have multi-coated elements from the S-tuned program, with selective edge uncoating from the X-tuned program. They also have the Blackwing7 rainbow flare tuned out.

Tribe7 Blackwing7 Bespoke 20.7mm T1.9

2.3

1.04

Arri PL

T1.9

T22

8.5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke 27mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 18 "• Outer Diameter: 104mm • Bespoke-tuning: S Tuned with X flare, no rainbow. They have multi-coated elements from the S-tuned program, with selective edge uncoating from the X-tuned program. They also have the Blackwing7 rainbow flare tuned out.

Tribe7 Blackwing7 Bespoke 27mm T1.9

4.3

1.95

Arri PL

T1.9

T22

14.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke 37mm T1.9

Tribe7 Blackwing7 Bespoke 37mm T1.9

4.1

1.85

Arri PL

T1.9

T22

18.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke 47mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 19.5"• Outer Diameter: 104mm • Bespoke-tuning: S Tuned with X flare, no rainbow. They have multi-coated elements from the S-tuned program, with selective edge uncoating from the X-tuned program. They also have the Blackwing7 rainbow flare tuned out.

Tribe7 Blackwing7 Bespoke 47mm T1.9

3.8

1.72

Arri PL

T1.9

T22

18.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke 57mm T1.9

Full Frame, 65mm • T-Stop: T1.8 • Close Focus: 2'2"• Outer Diameter: 104mm • Bespoke-tuning: S Tuned with X flare, no rainbow. They have multi-coated elements from the S-tuned program, with selective edge uncoating from the X-tuned program. They also have the Blackwing7 rainbow flare tuned out.

Tribe7 Blackwing7 Bespoke 57mm T1.9

3.6

1.63

Arri PL

T1.9

T22

19.5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke 77mm T1.8

Full Frame, 65mm • T-Stop: T1.8 • Close Focus: 2'5" • Outer Diameter: 104mm • Bespoke-tuning: S Tuned with X flare, no rainbow. They have multi-coated elements from the S-tuned program, with selective edge uncoating from the X-tuned program. They also have the Blackwing7 rainbow flare tuned out.

Tribe7 Blackwing7 Bespoke 77mm T1.8

3.6

1.63

Arri PL

T1.8

T22

2’2″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke 107mm T1.8

Full Frame, 65mm • T-Stop: T2 • Close Focus: 3'4"• Outer Diameter: 104mm • Bespoke-tuning: S Tuned with X flare, no rainbow. They have multi-coated elements from the S-tuned program, with selective edge uncoating from the X-tuned program. They also have the Blackwing7 rainbow flare tuned out.

Tribe7 Blackwing7 Bespoke 107mm T1.8

3.6

1.63

Arri PL

T1.8

T22

2’5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke 137mm T2

Full Frame • T-Stop: T1.9 • Close Focus: 14"• Outer Diameter: 104mm • S-Tuned with medium focus roll-off and soft flare. • Amber SKIN for warm hues and gold/red flares reminiscent of thorium lenses.

Tribe7 Blackwing7 Bespoke 137mm T2

3.6

1.63

Arri PL

T22

3’4″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 S-Tuned Amber 27mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 18 "• Outer Diameter: 104mm • S-Tuned with medium focus roll-off and soft flare. • Amber SKIN for warm hues and gold/red flares reminiscent of thorium lenses.

Tribe7 Blackwing7 S-Tuned Amber 27mm T1.9

4.3

1.95

Arri PL

T1.9

T22

14.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 S-Tuned Amber 37mm T1.9

Tribe7 Blackwing7 S-Tuned Amber 37mm T1.9

4.1

1.85

Arri PL

T1.9

T22

18.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 S-Tuned Amber 47mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 19.5" • Outer Diameter: 104mm • S-Tuned with medium focus roll-off and soft flare. • Amber SKIN for warm hues and gold/red flares reminiscent of thorium lenses.

Tribe7 Blackwing7 S-Tuned Amber 47mm T1.9

3.8

1.72

Arri PL

T1.9

T22

18.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 S-Tuned Amber 57mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 2'2"• Outer Diameter: 104mm • S-Tuned with medium focus roll-off and soft flare. • Amber SKIN for warm hues and gold/red flares reminiscent of thorium lenses.

Tribe7 Blackwing7 S-Tuned Amber 57mm T1.9

3.8

1.72

Arri PL

T1.9

T22

19.5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 S-Tuned Amber 77mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 2'5"• Outer Diameter: 104mm • S-Tuned with medium focus roll-off and soft flare. • Amber SKIN for warm hues and gold/red flares reminiscent of thorium lenses.

Tribe7 Blackwing7 S-Tuned Amber 77mm T1.9

3.6

1.63

Arri PL

T1.9

T22

2’2″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 S-Tuned Amber 107mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 3'4" • Outer Diameter: 104mm • S-Tuned with medium focus roll-off and soft flare. • Amber SKIN for warm hues and gold/red flares reminiscent of thorium lenses.

Tribe7 Blackwing7 S-Tuned Amber 107mm T1.9

3.6

1.63

Arri PL

T1.8

T22

2’5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 S-Tuned Amber 137mm T1.9

Full Frame • T-Stop: T1.9 • Close Focus: 14"• Outer Diameter: 104mm • T-Tuned with heavy focus roll-off and soft flare. • Amber SKIN for warm hues and gold/red flares reminiscent of thorium lenses.

Tribe7 Blackwing7 S-Tuned Amber 137mm T1.9

3.8

1.72

Arri PL

T1.9

T22

3’4″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 T-Tuned Amber 27mm T1.9

Tribe7 Blackwing7 T-Tuned Amber 27mm T1.9

4.3

1.95

Arri PL

T1.9

T22

14.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke Amber 27mm T1.9

Tribe7 Blackwing7 Bespoke Amber 27mm T1.9

4.3

1.95

Arri PL

T1.9

T22

14.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke Amber 37mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 18 "• Outer Diameter: 104mm • T-Tuned with heavy focus roll-off and soft flare. • Amber SKIN for warm hues and gold/red flares reminiscent of thorium lenses.

Tribe7 Blackwing7 Bespoke Amber 37mm T1.9

4.1

1.85

Arri PL

T1.9

T22

18.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 T-Tuned Amber 37mm T1.9

Tribe7 Blackwing7 T-Tuned Amber 37mm T1.9

4.1

1.85

Arri PL

T1.9

T22

18.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 T-Tuned Amber 47mm T1.9

Tribe7 Blackwing7 T-Tuned Amber 47mm T1.9

3.8

1.72

Arri PL

T1.9

T22

18.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke 47mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 19.5" • Outer Diameter: 104mm • T-Tuned with heavy focus roll-off and soft flare. • Amber SKIN for warm hues and gold/red flares reminiscent of thorium lenses.

Tribe7 Blackwing7 Bespoke 47mm T1.9

3.8

1.72

Arri PL

T1.9

T22

18.00″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 T-Tuned Amber 57mm T1.9

Tribe7 Blackwing7 T-Tuned Amber 57mm T1.9

3.8

1.72

Arri PL

T1.9

T22

19.5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke Amber 57mm T1.9

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 2'2"• Outer Diameter: 104mm • T-Tuned with heavy focus roll-off and soft flare. • Amber SKIN for warm hues and gold/red flares reminiscent of thorium lenses.

Tribe7 Blackwing7 Bespoke Amber 57mm T1.9

3.6

1.63

Arri PL

T1.9

T22

19.5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 T-Tuned Amber 77mm T1.9

Tribe7 Blackwing7 T-Tuned Amber 77mm T1.9

3.6

1.63

Arri PL

T1.9

T22

2’2″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke Amber 77mm T1.8

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 2'5"• Outer Diameter: 104mm • T-Tuned with heavy focus roll-off and soft flare. • Amber SKIN for warm hues and gold/red flares reminiscent of thorium lenses.

Tribe7 Blackwing7 Bespoke Amber 77mm T1.8

3.6

1.63

Arri PL

T1.8

T22

2’2″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 T-Tuned Amber 107mm T1.9

Tribe7 Blackwing7 T-Tuned Amber 107mm T1.9

3.6

1.63

Arri PL

T1.8

T22

2’5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke Amber 107mm T1.8

Full Frame, 65mm • T-Stop: T1.9 • Close Focus: 3'4" • Outer Diameter: 104mm • T-Tuned with heavy focus roll-off and soft flare. • Amber SKIN for warm hues and gold/red flares reminiscent of thorium lenses.

Tribe7 Blackwing7 Bespoke Amber 107mm T1.8

3.6

1.63

Arri PL

T1.8

T22

2’5″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 T-Tuned Amber 137mm T1.9

Tribe7 Blackwing7 T-Tuned Amber 137mm T1.9

3.8

1.72

Arri PL

T1.9

T22

3’4″

N/A

104mm

0.8 mod (cine pitch)

2019

Tribe7 Blackwing7 Bespoke Amber 137mm T2

Full Frame • Weight: 2.83 lbs • T-Stop: T1.5 • Close Focus: 9.06" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount

Tribe7 Blackwing7 Bespoke Amber 137mm T2

3.6

1.63

Arri PL

T22

3’4″

N/A

104mm

0.8 mod (cine pitch)

2019

Celere HS

Celere HS 18.5mm T1.5

Celere HS 18.5mm T1.5

2.83

1.28

4.96

125.984

Arri PL, Canon EF

T1.5

T16

9.06″

N/A

95mm

Full Frame • Weight: 2.31 lbs • T-Stop: T1.5 • Close Focus: 9.8" • Outer Diameter: 85mm • Screw-in Filters: 77mm • Available in Arri PL Mount or Canon EF Mount

M86x1 (C86)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2016

Celere HS 25mm T1.5

Celere HS 25mm T1.5

2.31

1.05

4.65

118

Arri PL, Canon EF

T1.5

T22

9.8″

N/A

85mm

Full Frame • Weight: 2.31 lbs • T-Stop: T1.5 • Close Focus: 13" • Outer Diameter: 85mm • Screw-in Filters: 77mm • Available in Arri PL Mount or Canon EF Mount

77mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2015

Celere HS 36mm T1.5

Celere HS 36mm T1.5

2.31

1.05

4.65

118

Arri PL, Canon EF

T1.5

T22

13″

N/A

85mm

Full Frame • Weight: 2.31 lbs • T-Stop: T1.5 • Close Focus: 17" • Outer Diameter: 85mm • Screw-in Filters: 77mm • Available in Arri PL Mount or Canon EF Mount

77mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2015

Celere HS 50mm T1.5

Celere HS 50mm T1.5

2.31

1.05

4.65

118

Arri PL, Canon EF

T1.5

T22

17″

N/A

85mm

Full Frame • Weight: 2.31 lbs • T-Stop: T1.5 • Close Focus: 3'9" • Outer Diameter: 85mm • Screw-in Filters: 77mm • Available in Arri PL Mount or Canon EF Mount

77mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2015

Celere HS 85mm T1.5

Celere HS 85mm T1.5

2.31

1.05

4.65

118

Arri PL, Canon EF

T1.5

T22

3’9″

N/A

85mm

Weight: 3.3 lbs • T-Stop: T2.8 • Close Focus: 10" • Outer Diameter: 123mm • Nikon-produced lens

77mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2015

Century Primes

Nikkor 8mm Fisheye T2.8 // Century

Full Frame • Weight: 2.3 lbs • T-Stop: T1.3 • f-stop: f/1.2 • Close Focus: 13" • Outer Diameter: 95mm • Based off the classic Nikon AI-S lens • Produced between 1977 and 1997 • Aspheric front element helps prevent aberrations that plague other high-speed lenses • Cam-driven focus system • Nikon-produced lens • Zero Optik Rehousing

Nikkor 8mm Fisheye T2.8 // Century

3.3

1.50

2.25

57.15

Arri PL

T2.8

T32

10″

N/A

123mm

40.5mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Nikon Primes

Noct-NIKKOR 58mm T1.3 // ZO

Noct-NIKKOR 58mm T1.3 // ZO

Full Frame • Weight: 6.7 lbs • T-Stop: T2 • Close Focus: 9' • Outer Diameter: 127mm • Nikon-produced lens

The 58mm f/1.2 Noct-Nikkor is the crown jewel of Nikon’s AI-S line of lenses.

Produced between 1977 and 1997, the Noct earned a legendary reputation among astrophotographers for its extraordinary performance when shot wide-open.

The aspheric front element does a brilliant job of preventing the kind of aberrations that plague other high-speed lenses, especially in the corners.

Rehousing features a 95mm front diameter, improved close focus at approximately 1’, and a cam-driven focus system that is as buttery smooth as the images produced by this storied lens.

2.3

1.043

3.5

88.9

Arri PL

T1.3

T16

13″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

The 58mm f/1.2 Noct-Nikkor is the crown jewel of Nikon’s AI-S line of lenses.
Produced between 1977 and 1997, the Noct earned a legendary reputation among astrophotographers for its extraordinary performance when shot wide-open.
The aspheric front element does a brilliant job of preventing the kind of aberrations that plague other high-speed lenses, especially in the corners.
Rehousing features a 95mm front diameter, improved close focus at approximately 1’, and a cam-driven focus system that is as buttery smooth as the images produced by this storied lens.

Century Primes

Nikkor 200mm T2 // Century

Full Frame • Weight: 12.5 lbs • T-Stop: T2 • Close Focus: 13' • Outer Diameter: 177mm • Nikon-produced lens

Nikkor 200mm T2 // Century

6.7

3.04

9.12

231.648

Arri PL

T16

9′

N/A

127mm

40.5mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Nikkor 300mm T2 // Century

Weight: 7.9 lbs • T-Stop: T2.8 • Close Focus: 10' • Outer Diameter: 123mm

Nikkor 300mm T2 // Century

12.5

5.67

13.5

342.9

Arri PL

T2.8

T16

13′

N/A

177mm

48mm

0.8 mod (cine pitch)

Canon 300mm T2.8 // Century

Weight: 11.5 lbs • T-Stop: T2.8 • Close Focus: 15' • Outer Diameter: 164mm

Canon 300mm T2.8 // Century

7.9

3.58

9.38

238.252

Arri PL

T22

10′

N/A

123mm

40.5mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Canon 400mm T2.8 // Century

Full Frame+ • Weight: 4.4lbs • T-Stop: T2 • Close Focus: 14" • Outer Diameter: 95mm

Canon 400mm T2.8 // Century

11.5

5.22

13.75

349.25

Arri PL

T2.8

T22

15′

164mm

40.5mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Optimo Prime 18mm T2

Optimo Prime 18mm T2

4.4

7.5″

190.5

14″

N/A

95mm

Full Frame+ • Weight: 3.96lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 95mm

n/a

40.5

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Optimo Prime 21mm T1.8

Optimo Prime 21mm T1.8

3.96

1.8

128

14″

N/A

95mm

Full Frame+ • Weight: 3.6lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 95mm

n/a

40.5

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Optimo Prime 24mm T1.8

Optimo Prime 24mm T1.8

3.6

1.63

128

T1.8

14″

N/A

95mm

Full Frame+ • Weight: 3.75lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 95mm

n/a

40.5

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Optimo Prime 28mm T1.8

Optimo Prime 28mm T1.8

3.75

1.7

128

14″

N/A

95mm

Full Frame+ • Weight: 3.75lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 95mm

n/a

40.5

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Optimo Prime 32mm T1.8

Optimo Prime 32mm T1.8

3.5

1.7

128

T1.8

14″

N/A

95mm

Full Frame+ • Weight: 3.75lbs • T-Stop: T1.8 • Close Focus: 14" • Outer Diameter: 95mm

n/a

40.5

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Optimo Prime 40mm T1.8

Optimo Prime 40mm T1.8

3.75

1.7

128

T1.8

14″

N/A

95mm

Full Frame+ • Weight: 3.75lbs • T-Stop: T1.8 • Close Focus: 16" • Outer Diameter: 95mm

n/a

40.5

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Optimo Prime 50mm T1.8

Optimo Prime 50mm T1.8

3.75

1.7

128

T1.8

16″

N/A

95mm

Full Frame+ • Weight: 3.1lbs • T-Stop: T1.8 • Close Focus: 20" • Outer Diameter: 95mm

n/a

40.5

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Optimo Prime 60mm T1.8

Optimo Prime 60mm T1.8

3.1

1.4

152.4

T1.8

20″

N/A

95mm

Full Frame+ • Weight: 3.75lbs • T-Stop: T1.8 • Close Focus: 2' • Outer Diameter: 95mm

n/a

40.5

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Optimo Prime 75mm T1.8

Optimo Prime 75mm T1.8

3.75

1.7

128

T1.8

24″

N/A

95mm

Full Frame+ • Weight: 3.3lbs • T-Stop: T1.8 • Close Focus: 2'6" • Outer Diameter: 95mm

n/a

40.5

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Optimo Prime 100mm T1.8

Optimo Prime 100mm T1.8

3.3

1.7

6.25

158.75

T1.8

30″

N/A

95mm

Full Frame+ • Weight: 4.4lbs • T-Stop: T1.8 • Close Focus: 3'3" • Outer Diameter: 95mm

n/a

40.5

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Optimo Prime 135mm T1.8

Optimo Prime 135mm T1.8

4.4

5.5

140

T1.8

39″

N/A

95mm

Full Frame+ • Weight: 5.7lbs • T-Stop: T2.2 • Close Focus: 4' • Outer Diameter: 114mm

n/a

40.5

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Optimo Prime 200mm T2.2

Optimo Prime 200mm T2.2

5.7

2.58

7.5

190.5

T2.2

3’7″

N/A

114mm

Full Frame • Weight: 4.32 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 110mm • GL Optics Rehoused • Interchangeable mount: PL

Front: 111mm, Rear: 45.5mm

42mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Angenieux Optimos

Leica R / Angenieux 45-90mm T2.8 // GL Optics

Leica R / Angenieux 45-90mm T2.8 // GL Optics

4.2

/i w/ ASU

T2.8

T22

2′

N/A

110mm

Weight: 4.2 lbs • T-Stop: T2.6 • Close Focus: 2' • Outer Diameter: 114mm • Available in Arri PL Mount or Canon EF Mount

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Optimo 15-40mm T2.6

Angenieux Optimo 15-40mm T2.6

4.2

1.91

7.3

185.42

Arri PL, Canon EF, Panavision

/i w/ ASU

T2.6

T22

2′

N/A

114mm

Weight: 4.2 lbs • T-Stop: T2.6 • Close Focus: 2' • Outer Diameter: 114mm • Available in Arri PL Mount or Canon EF Mount • Uncoated front element for unique flare characteristics

2.7x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Uncoated Angenieux Optimo 15-40mm T2.6

Uncoated Angenieux Optimo 15-40mm T2.6

4.2

1.91

7.3

185.42

Arri PL, Canon EF, Panavision

/i w/ ASU

Yes, Front Element

T2.6

T22

2′

N/A

114mm

Weight: 4.2 lbs • T-Stop: T2.6 • Close Focus: 2' • Outer Diameter: 114mm • Available in Arri PL Mount or Canon EF Mount

2.7x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Optimo 28-76mm T2.6

Angenieux Optimo 28-76mm T2.6

4.2

1.91

8.03

203.962

Arri PL, Canon EF, Panavision

/i w/ ASU

T2.6

T22

2′

N/A

114mm

Weight: 4.2 lbs • T-Stop: T2.6 • Close Focus: 2' • Outer Diameter: 114mm • Available in Arri PL Mount or Canon EF Mount • Uncoated front element for unique flare characteristics

2.7x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Uncoated Angenieux Optimo 28-76mm T2.6

Uncoated Angenieux Optimo 28-76mm T2.6

4.2

1.91

8.03

203.962

Arri PL, Canon EF, Panavision

/i w/ ASU

Yes, Front Element

T2.6

T22

2′

N/A

114mm

Weight: 12.1 lbs • T-Stop: T2.2 • Close Focus: 21" • Outer Diameter: 136mm

2.7x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Optimo 17-80mm T2.2

Angenieux Optimo 17-80mm T2.2

12.1

5.49

12.8

325.12

Arri PL, Panavision

T2.2

T22

21″

N/A

136mm

Weight: 12.3 lbs • T-Stop: T2.6 • Close Focus: 24.5" • Outer Diameter: 136mm

4.7x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Optimo 19.5-94mm T2.6

Angenieux Optimo 19.5-94mm T2.6

12.3

5.58

13.19

335.026

Arri PL, Panavision

T2.6

T22

24.5″

136mm

Full Frame+ • Weight: 5.5 lbs • T-Stop: T2.9 • Close Focus: 2' • Outer Diameter: 114mm • covers Full Frame and VistaVision

4.7x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Optimo Ultra Compact

Angenieux Optimo Ultra Compact Zoom 37-102mm T2.9

Angenieux Optimo Ultra Compact Zoom 37-102mm T2.9

5.5

2.49

9.5

241.3

Arri PL

2.9

2′

N/A

114mm

110mm

Weight: 4.3 lbs • T-Stop: T2.8 • Close Focus: 3'1" • Outer Diameter: 114mm • Available in Arri PL Mount or Canon EF Mount

2.7x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2022

Angenieux Optimos

Angenieux Optimo 45-120mm T2.8

Angenieux Optimo 45-120mm T2.8

4.3

1.95

7.9

200.66

Arri PL, Canon EF, Panavision

/i w/ ASU

T2.8

T22

3’1″

N/A

114mm

Weight: 4.3 lbs • T-Stop: T2.8 • Close Focus: 3'1" • Outer Diameter: 114mm • Available in Arri PL Mount or Canon EF Mount • Uncoated front element for unique flare characteristics

2.7x

ASU

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Uncoated Angenieux Optimo 45-120mm T2.8

Uncoated Angenieux Optimo 45-120mm T2.8

4.3

1.95

7.9

200.66

Arri PL, Canon EF, Panavision

/i w/ ASU

T2.8

T22

3’1″

N/A

114mm

Weight: 27.7 lbs • T-Stop: T2.8 • Close Focus: 4' • Outer Diameter: 162mm

2.7x

ASU

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Ultra Optimo 24-290mm S35 T2.8

Angenieux Ultra Optimo 24-290mm S35 T2.8

27.7

12.6

18.6

472

Arri PL

2.8

4′

162mm

Weight: 28.1 lbs • T-Stop: T3.1 • Close Focus: 4'1" • Outer Diameter: 162mm

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Angenieux Ultra Optimo 26-320mm U35 T3.1 (Open Gate)

Angenieux Ultra Optimo 26-320mm U35 T3.1 (Open Gate)

28.1

12.75

18.9

481

Arri PL

3.1

049.0″

162mm

Full Frame • Weight: 28.1 lbs • T-Stop: T4.2 • Close Focus: 4'2" • Outer Diameter: 162mm

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Angenieux Ultra Optimo 36-435mm FF/VV T4.2

Angenieux Ultra Optimo 36-435mm FF/VV T4.2

28.1

12.75

20.6

523

Arri PL

4.2

4’2″

162mmm

Weight: 24.2 lbs • T-Stop: T2.8 • Close Focus: 4' • Outer Diameter: 162mm

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Angenieux Optimo 24-290mm T2.8

Angenieux Optimo 24-290mm T2.8

24.2

10.98

17.32

439.928

Arri PL

Front Element

T2.8

T22

4′

162mm

Weight: 24.2 lbs • T-Stop: T3.5 • Close Focus: 4' • Outer Diameter: 162mm • Covers Alexa LF 16:9 4K (⌀ 36.35 mm image circle) • includes Optica Magnus expander • Uncoated front element option available

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Optimo 30-360mm U35+ T3.5

Angenieux Optimo 30-360mm U35+ T3.5

24.2

10.98

17.32

439.928

Arri PL

Front Element

T3.5

T22

4′

N/A

162mm

Full Frame • Weight: 24.2 lbs • T-Stop: T4.8 • Close Focus: 4' • Outer Diameter: 162mm • covers ⌀ 43.27mm image circle • includes Optica Magnus Full Frame expander • Uncoated front element option available

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Angenieux Optimo 40-480mm FF/VV T4.8

Angenieux Optimo 40-480mm FF/VV T4.8

24.2

10.98

17.32

439.928

Arri PL

Front Element

T4.8

T22

4′

N/A

162mm

Weight: 24.4 lbs • T-Stop: T3.2 • Close Focus: 4'6" • Outer Diameter: 162mm • Covers Alexa Open Gate 3.4K (⌀ 33.59 mm image circle)

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Angenieux Optimo 28-340mm U35 T3.2 (Open Gate)

Angenieux Optimo 28-340mm U35 T3.2 (Open Gate)

24.4

11.07

17.87

453.898

Arri PL, Canon EF, Panavision

T3.2

T22

4’0.5″

N/A

162mm

Super 35mm • Weight: 4.6 lbs • T-Stop: T2 • Close Focus: 2' • Outer Diameter: 114mm

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux EZ-2 15-40mm T2 (S35mm)

Angenieux EZ-2 15-40mm T2 (S35mm)

4.6

2.09

8.27

210.058

Arri PL, Canon EF, Sony E-Mount

T22

2′

N/A

114mm

Full Frame • Weight: 4.6 lbs • T-Stop: T3 • Close Focus: 2' • Outer Diameter: 114mm

2.67x

MSU-1 or MSU-1A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux EZ-2 22-60mm T3 (VistaVision)

Angenieux EZ-2 22-60mm T3 (VistaVision)

4.6

2.09

8.27

210.058

Arri PL, Canon EF, Sony E-Mount

T22

2′

N/A

114mm

Super 35mm • Weight: 4.7 lbs • T-Stop: T2 • Close Focus: 2' • Outer Diameter: 114mm

2.67x

MSU-1 or MSU-1A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux EZ-1 30-90mm T2 (S35mm)

Angenieux EZ-1 30-90mm T2 (S35mm)

4.7

2.13

8.9

226.06

Arri PL, Canon EF, Sony E-Mount

T22

2′

N/A

114mm

Full Frame • Weight: 4.7 lbs • T-Stop: T3 • Close Focus: 2' • Outer Diameter: 114mm • covers VistaVision format

MSU-1 or MSU-1A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux EZ-1 45-135mm T3 (VistaVision)

Angenieux EZ-1 45-135mm T3 (VistaVision)

4.7

2.13

8.9

226.06

Arri PL, Canon EF, Sony E-Mount

T22

2′

N/A

114mm

Weight: 16 lbs • T-Stop: T3.5 • Close Focus: 4' • Outer Diameter: 136mm

MSU-1 or MSU-1A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Optimo Style 25-250mm T3.5

Angenieux Optimo Style 25-250mm T3.5

7.26

14.86

377.444

Arri PL, Canon EF, Panavision

T3.5

T22

4′

136mm

10x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 24.2 lbs • T-Stop: T2.8 • Close Focus: 4' • Outer Diameter: 162mm • Classic-X detuning for unique flare characteristics

0.8 mod (cine pitch)

Angenieux Classic-X Optimo 24-290mm T2.8

Angenieux Classic-X Optimo 24-290mm T2.8

24.2

10.98

17.32

439.928

Arri PL

Front Element

T2.8

T22

4′

N/A

162mm

Weight: 27.7 lbs • T-Stop: T2.8 • Close Focus: 4' • Outer Diameter: 162mm • Classic-X detuning for unique flare characteristics

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Classic-X Ultra Optimo 24-290mm S35 T2.8

Angenieux Classic-X Ultra Optimo 24-290mm S35 T2.8

27.7

12.6

18.6

472

Arri PL

2.8

4′

162mm

Weight: 28.1 lbs • T-Stop: T3.1 • Close Focus: 4'1" • Outer Diameter: 162mm • Classic-X detuning for unique flare characteristics

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Angenieux Classic-X Ultra Optimo 26-320mm U35 T3.1 (Open Gate)

Angenieux Classic-X Ultra Optimo 26-320mm U35 T3.1 (Open Gate)

28.1

12.75

18.9

481

Arri PL

3.1

049.0″

162mm

Weight: 24.4 lbs • T-Stop: T3.2 • Close Focus: 4'6" • Outer Diameter: 162mm • Covers Alexa Open Gate 3.4K (⌀ 33.59 mm image circle) • Classic-X detuning for unique flare characteristics

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Angenieux Classic-X Optimo 28-340mm U35 T3.2 (Open Gate)

Angenieux Classic-X Optimo 28-340mm U35 T3.2 (Open Gate)

24.4

11.07

17.87

453.898

Arri PL, Canon EF, Panavision

T3.2

T22

4’0.5″

N/A

162mm

Full Frame • Weight: 28.1 lbs • T-Stop: T4.2 • Close Focus: 4'2" • Outer Diameter: 162mm • Classic-X detuning for unique flare characteristics

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Classic-X Ultra Optimo 36-435mm FF/VV T4.2

Angenieux Classic-X Ultra Optimo 36-435mm FF/VV T4.2

28.1

12.75

20.6

523

Arri PL

4.2

4’2″

162mmm

Weight: 24.2 lbs • T-Stop: T3.5 • Close Focus: 4' • Outer Diameter: 162mm • Covers Alexa LF 16:9 4K (⌀ 36.35 mm image circle) • includes Optica Magnus expander • Classic-X detuning for unique flare characteristics

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Angenieux Classic-X Optimo 30-360mm U35+ T3.5

Angenieux Classic-X Optimo 30-360mm U35+ T3.5

24.2

10.98

17.32

439.928

Arri PL

Front Element

T3.5

T22

4′

N/A

162mm

Full Frame • Weight: 24.2 lbs • T-Stop: T4.8 • Close Focus: 4' • Outer Diameter: 162mm • covers ⌀ 43.27mm image circle • includes Optica Magnus Full Frame expander • Classic-X detuning for unique flare characteristics

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Angenieux Classic-X Optimo 40-480mm FF/VV T4.8

Angenieux Classic-X Optimo 40-480mm FF/VV T4.8

24.2

10.98

17.32

439.928

Arri PL

Front Element

T4.8

T22

4′

N/A

162mm

Weight: 24.2 lbs • T-Stop: T2.8 • Close Focus: 4' • Outer Diameter: 162mm • Classic Blue detuning for unique blue flare characteristics

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Angenieux Classic Blue Optimo 24-290mm T2.8

Angenieux Classic Blue Optimo 24-290mm T2.8

24.2

10.98

17.32

439.928

Arri PL

Front Element

T2.8

T22

4′

N/A

162mm

Weight: 24.4 lbs • T-Stop: T3.2 • Close Focus: 4'6" • Outer Diameter: 162mm • Covers Alexa Open Gate 3.4K (⌀ 33.59 mm image circle) • Classic Blue detuning for unique blue flare characteristics

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Classic Blue Optimo 28-340mm U35 T3.2 (Open Gate)

Angenieux Classic Blue Optimo 28-340mm U35 T3.2 (Open Gate)

24.4

11.07

17.87

453.898

Arri PL, Canon EF, Panavision

T3.2

T22

4’0.5″

N/A

162mm

Weight: 24.2 lbs • T-Stop: T3.5 • Close Focus: 4' • Outer Diameter: 162mm • Covers Alexa LF 16:9 4K (⌀ 36.35 mm image circle) • includes Optica Magnus expander • Classic Blue detuning for unique flare blue characteristics

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Classic Blue Optimo 30-360mm U35+ T3.5

Angenieux Classic Blue Optimo 30-360mm U35+ T3.5

24.2

10.98

17.32

439.928

Arri PL

Front Element

T3.5

T22

4′

N/A

162mm

Full Frame • Weight: 24.2 lbs • T-Stop: T4.8 • Close Focus: 4' • Outer Diameter: 162mm • covers ⌀ 43.27mm image circle • includes Optica Magnus Full Frame expander • Classic Blue detuning for unique blue flare characteristics

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Angenieux Classic Blue Optimo 40-480mm FF/VV T4.8

Angenieux Classic Blue Optimo 40-480mm FF/VV T4.8

24.2

10.98

17.32

439.928

Arri PL

Front Element

T4.8

T22

4′

N/A

162mm

Weight: 4.2 lbs • T-Stop: T2.6 • Close Focus: 2' • Outer Diameter: 114mm • Available in Arri PL Mount or Canon EF Mount • Amber detuning for warm hues and gold/red flares.

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Vintage Angenieux Optimo 15-40mm T2.6

Vintage Angenieux Optimo 15-40mm T2.6

4.2

1.91

7.3

185.42

Arri PL, Canon EF, Panavision

/i w/ ASU

T2.6

T22

2′

N/A

114mm

Weight: 4.2 lbs • T-Stop: T2.6 • Close Focus: 2' • Outer Diameter: 114mm • Available in Arri PL Mount or Canon EF Mount • Amber detuning for warm hues and gold/red flares.

2.7x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Vintage Angenieux Optimo 28-76mm T2.6

Vintage Angenieux Optimo 28-76mm T2.6

4.2

1.91

8.03

203.962

Arri PL, Canon EF, Panavision

/i w/ ASU

T2.6

T22

2′

N/A

114mm

Weight: 12.1 lbs • T-Stop: T2.2 • Close Focus: 21" • Outer Diameter: 136mm • Amber detuning for warm hues and gold/red flares.

2.7x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Vintage Angenieux Optimo 17-80mm T2.2

Vintage Angenieux Optimo 17-80mm T2.2

12.1

5.49

12.8

325.12

Arri PL, Panavision

T2.2

T22

21″

N/A

136mm

Weight: 12.3 lbs • T-Stop: T2.6 • Close Focus: 24.5" • Outer Diameter: 136mm • Amber detuning for warm hues and gold/red flares.

4.7x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Vintage Angenieux Optimo 19.5-94mm T2.6

Vintage Angenieux Optimo 19.5-94mm T2.6

12.3

5.58

13.19

335.026

Arri PL, Panavision

T2.6

T22

24.5″

N/A

136mm

Weight: 4.3 lbs • T-Stop: T2.8 • Close Focus: 3'1" • Outer Diameter: 114mm • Available in Arri PL Mount or Canon EF Mount • Amber detuning for warm hues and gold/red flares.

4.7x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Vintage Angenieux Optimo 45-120mm T2.8

Vintage Angenieux Optimo 45-120mm T2.8

4.3

1.95

7.9

200.66

Arri PL, Canon EF, Panavision

/i w/ ASU

T2.8

T22

3’1″

N/A

114mm

Weight: 5.3 lbs • T-Stop: T4 • Close Focus: 2'1" • Outer Diameter: 114mm • Amber detuning for warm hues and gold/red flares. • Member of the A2S Angenieux family of zooms.

2.7x

ASU

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Anamorphic Zooms

Vintage Angenieux Optimo Anamorphic Zoom 30-72mm T4 (2x)

Vintage Angenieux Optimo Anamorphic Zoom 30-72mm T4 (2x)

5.3

2.40

8.93

226.822

Arri PL, Panavision

T22

2’1″

N/A

114mm

Weight: 4.8 lbs • T-Stop: T4 • Close Focus: 2'1" • Outer Diameter: 114mm • Amber detuning for warm hues and gold/red flares. • Member of the A2S Angenieux family of zooms.

2.4x

Vintage Angenieux Optimo Anamorphic Zoom 56-152mm T4 (2x)

Vintage Angenieux Optimo Anamorphic Zoom 56-152mm T4 (2x)

4.8

2.18

8.26

209.804

Arri PL, Panavision

Front Element

T22

2’1″

N/A

114mm

Weight: 4.8 lbs • T-Stop: T2.8 • Close Focus: 20" • Outer Diameter: 114mm

2.7x

Canon Zooms

Canon Cinema Zoom 15.5-47mm T2.8

Canon Cinema Zoom 15.5-47mm T2.8

4.8

2.18

8.42

213.868

Arri PL, Canon EF

T2.8

T22

20″

114mm

Weight: 4.8 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Canon Cinema Zoom 30-105mm T2.8

Canon Cinema Zoom 30-105mm T2.8

4.8

2.18

8.26

209.804

Arri PL, Canon EF

T2.8

T22

2′

114mm

Weight: 12.79 lbs • T-Stop: T2.95 - 3.7 • Close Focus: 5' • Outer Diameter: 136mm

3.5x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Canon Cinema Zoom 30-300mm T2.95 - 3.7

Canon Cinema Zoom 30-300mm T2.95 - 3.7

12.79

5.80

13.47

342.138

Arri PL, Canon EF

T2.95 – 3.7

T22

5′

136mm

10x

T2.95

30-240mm

T3.7

Weight: 6.39 lbs • T-Stop: T2.95 - 3.9 • Close Focus: 2.8' • Outer Diameter: 114mm

241-300mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Canon Cine-Servo Zoom 17-120mm T2.95 - 3.9

Canon Cine-Servo Zoom 17-120mm T2.95 - 3.9

6.39

2.90

10.04

255.016

Arri PL, Canon EF

/i, Active Canon EF

T2.95 – 3.9

T22

2.8′

114mm

T2.95

17-91mm

T3.9

92-120mm

Yes

0.8 mod (cine pitch)

0.4 mod (Fujinon iris pitch)

Weight: 14.55 lbs • T-Stop: T5 - 8.9 • Close Focus: 11'5" • Outer Diameter: 136mm • 75-1500mm focal length with built-in 1.5x extender (T7.5 - T13.35 in this mode)

0.5 mod (Canon / Angenieux pitch)

Canon Cine-Servo Zoom 50-1000mm T5-8.9

Canon Cine-Servo Zoom 50-1000mm T5-8.9

Built-in 1.5x extender
75-1500mm focal length when using extender
When using extender, T-stop is T7.5 (75 to 840mm) and T 13.35 at 1500mm

14.55

6.60

431.8

Arri PL, Canon EF

/i, Active Canon EF

T5 – 8.9

T22

11’5″

136mm

20x

50-560mm

T8.9

561-1000mm

Servo Option?:

Yes

0.8 mod (cine pitch) and 0.5 mod (Canon / Angenieux pitch) dual design

0.5 mod (Canon / Angenieux pitch)

0.5 mod (Canon / Angenieux pitch)

Product Highlights

Built-in 1.5x extender
75-1500mm focal length when using extender
When using extender, T-stop is T7.5 (75 to 840mm) and T 13.35 at 1500mm

Canon 150-600mm T6.7 // Century

T-Stop: T6.7

Canon 150-600mm T6.7 // Century

Arri PL, Arri Bayonet

T6.7

N/A

Full Frame+ • Weight: 8.2 lbs • T-Stop: T2.8 • Close Focus: 3' • Outer Diameter: 114mm • Integrated Rear Net Ring

Arri Zooms

Leitz 25-75mm T2.8

Leitz 25-75mm T2.8

8.2

3.72

10.5

266.7

Arri PL LDS

LDS

T2.8

T22

3′

N/A

114mm

112mm

Full Frame+ • Weight: 10.4 lbs • T-Stop: T2.8 • Close Focus: 3'5" • Outer Diameter: 114mm • Integrated Rear Net Ring

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Leitz 55-125mm T2.8

Leitz 55-125mm T2.8

10.4

4.7

11.02

279.9

Arri PL LDS

LDS

T2.8

T22

3’5″

N/A

114mm

112mm

Weight: 4.9 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 114mm

2.27x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Arri Alura 15.5-45mm T2.8

Arri Alura 15.5-45mm T2.8

4.9

2.22

228.6

Arri PL LDS

LDS

T2.8

T22

2′

114mm

Weight: 10.4 lbs • T-Stop: T2.6 • Close Focus: 2' • Outer Diameter: 134mm

2.9x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Arri Alura 18-80mm T2.6

Arri Alura 18-80mm T2.6

10.4

4.72

11.2

284.48

Arri PL

T2.6

T22

2′

134mm

Weight: 4.9 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 114mm

4.4x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Arri Alura 30-80mm T2.8

Arri Alura 30-80mm T2.8

4.9

2.22

228.6

Arri PL LDS

LDS

T2.8

T22

2′

114mm

Weight: 16.5 lbs • T-Stop: T2.6 • Close Focus: 3'11" • Outer Diameter: 134mm

2.7x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Arri Alura 45-250mm T2.6

Arri Alura 45-250mm T2.6

16.5

7.48

14.6

370.84

Arri PL

T2.6

T22

3’11”

134mm

Weight: 9.9 lbs • T-Stop: T2.9 • Close Focus: 1.8' • Outer Diameter: 156mm • Very low image distortion, even at 9.5 mm • Uniform field illumination, even at close focus • Available in Arri PL Mount or Canon EF Mount

5.5x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Arri Ultra Wide Zoom 9.5mm-18mm T2.9

Arri Ultra Wide Zoom 9.5mm-18mm T2.9

Zoom index marker
Virtually no image breathing
Uniform field illumination, even at close focus
Fixed entrance pupil position over the entire zoom range
Exchangeable matte box interfaces (dia. 134 mm and 156 mm)
Rectilinear wide-angle zoom

9.9

4.49

13.2

335.28

Arri PL LDS, Canon EF

LDS

T2.9

T22

1.8′

N/A

156mm

1.8x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Full Frame+ • Weight: 7.7 lbs • T-Stop: T2.9 • Close Focus: 2' • Outer Diameter: 114mm • ZEISS xD /i Lens Protocol • Color Matched w/ Fujifilm Cine Lenses

0.8 mod (cine pitch)

Product Highlights

Zoom index marker
Virtually no image breathing
Uniform field illumination, even at close focus
Fixed entrance pupil position over the entire zoom range
Exchangeable matte box interfaces (dia. 134 mm and 156 mm)
Rectilinear wide-angle zoom

Fujinon Premista

Fujinon Premista 19-45mm T2.9

Fujinon Premista 19-45mm T2.9

7.7

3.49

279.4

Arri PL

/i, LDS

T2.9

T22

2′

N/A

114mm

Full Frame+ • Weight: 8.4 lbs • T-Stop: T2.9 • Close Focus: 2'8" • Outer Diameter: 114mm • ZEISS xD /i Lens Protocol • Color Matched w/ Fujifilm Cine Lenses

2.37x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Fujinon Premista 28-100mm T2.9

Fujinon Premista 28-100mm T2.9

8.4

3.8

255

Arri PL

/i, LDS

T2.9

T22

2’8″

N/A

114mm

Full Frame+ • Weight: 8.4 lbs • T-Stop: T2.9-3.5 • Close Focus: 5' • Outer Diameter: 114mm • ZEISS xD /i Lens Protocol

3.57x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Fujinon Premista 80-250mm T2.9-T3.5

Fujinon Premista 80-250mm T2.9-T3.5

8.4

3.8

255

Arri PL

/i, LDS

T2.9-T3.5

T22

5′

N/A

114mm

Weight: 6.39 lbs • T-Stop: T2.9 • Close Focus: 2' • Outer Diameter: 114mm • Available in Arri PL Mount, Canon EF Mount or Sony E-Mount • Member of the ZK Cabrio Series family of zooms

3.12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Fujinon Cabrio

Fujinon Cabrio 14-35mm Macro T2.9 (ZK2.5x14)

Fujinon Cabrio 14-35mm Macro T2.9 (ZK2.5x14)

6.39

2.90

9.09

230.886

Arri PL LDS

/i, LDS

T2.9

T22

2′

Yes

1:5.26 at 14mm; 1:5.81 at 35mm

At 14mm: 13.09″ (1’1″), at 35mm: 18.09″ (1’6″)

N/A

114mm

Weight: 6.28 lbs • T-Stop: T2.9 • Close Focus: 2'10" • Outer Diameter: 114mm • ZK4.7x19 • Available in Arri PL Mount, Canon EF Mount or Sony E-Mount • Member of the ZK Cabrio Series family of zooms

2.5x

Cabrio

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Fujinon Cabrio 19-90mm Macro T2.9 (ZK4.7x19)

Fujinon Cabrio 19-90mm Macro T2.9 (ZK4.7x19)

6.28

2.85

8.8

223.52

Arri PL LDS

/i, LDS

T2.9

T22

2’10”

Yes

1:6.89 at 19mm; 1:5.89 at 90mm

At 19mm: 14.05″ (1’2″), at 90mm: 25.55″ (2’1 1/2″)

N/A

114mm

Weight: 6.61 lbs (7.1 lbs with servo) • T-Stop: T2.9 - 4 • Close Focus: 3' 11" • Outer Diameter: 114mm • Available in Arri PL Mount, Canon EF Mount or Sony E-Mount • Member of the ZK Cabrio Series family of zooms

4.7x

Cabrio

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Fujinon Cabrio 85-300mm Macro T2.9 - T4 (ZK3.5x85)

Fujinon Cabrio 85-300mm Macro T2.9 - T4 (ZK3.5x85)

6.61

3.00

9.8

248.92

Arri PL LDS

/i, LDS

T2.9 – T4

T22

4′

Yes

1:7.4 at 85mm; 1:2.74 at 300mm

At 85mm: 37.05″ (3’1″), at 300mm: 45.3″ (3’9″)

N/A

114mm

3.7x

T2.9

85-218mm

Weight: 18.5 lbs • T-Stop: T3.5 - 3.85 • Close Focus: 4' • Outer Diameter: 136mm • Member of the ZK Cabrio Series family of zooms

219-300mm

Cabrio

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Fujinon Cabrio 25-300mm T3.5 - 3.85 (ZK12x25)

Fujinon Cabrio 25-300mm T3.5 - 3.85 (ZK12x25)

18.5

8.39

15.8

401.32

Arri PL LDS

/i, LDS

T3.5 – 3.85

T22

4′

Yes

1:7.5 at 25mm; 1:2.75 at 300mm

At 25mm: 21.5″ (2’9 1/2″), at 300mm: 46.25″ (3’10 1/4″)

N/A

136mm

12x

T3.5

25-273mm

T3.85

Weight: 14.33 lbs • T-Stop: T2 • Close Focus: 2'4" • Outer Diameter: 136mm • Member of the HK Premier Series family of zooms

274-300mm

Cabrio

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Fujinon Premier

Fujinon Premier 14.5-45mm T2 (HK3.1x14.5)

Fujinon Premier 14.5-45mm T2 (HK3.1x14.5)

14.33

6.50

12.2

309.88

Arri PL

T22

2’4″

N/A

136mm

Weight: 15.21 lbs • T-Stop: T2 • Close Focus: 2'9" • Outer Diameter: 136mm • Member of the HK Premier Series family of zooms

3.1x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Fujinon Premier 18-85mm T2 (HK4.7x18)

Fujinon Premier 18-85mm T2 (HK4.7x18)

15.21

6.90

13.86

352.044

Arri PL

T22

2’9″

N/A

136mm

Weight: 19.62 lbs • T-Stop: T2.6 • Close Focus: 4'1" • Outer Diameter: 136mm • Member of the HK Premier Series family of zooms

4.7x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Fujinon Premier 24-180mm T2.6 (HK7.5x24)

Fujinon Premier 24-180mm T2.6 (HK7.5x24)

19.62

8.90

15.94

404.876

Arri PL

T2.6

T22

4’1″

N/A

136mm

Weight: 19.84 lbs • T-Stop: T2.8 - 3.8 • Close Focus: 6'9" • Outer Diameter: 136mm • Member of the HK Premier Series family of zooms

7.5x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Fujinon Premier 75-400mm T2.8 - 3.8 (HK5.3x75)

Fujinon Premier 75-400mm T2.8 - 3.8 (HK5.3x75)

19.84

9.00

17.48

443.992

Arri PL

T2.8 – 3.8

T22

6’9″

N/A

136mm

5.3x

T2.8

75-270mm

T3.8

Compact Zoom CZ.2 • Full Frame • Weight: 5.7 lbs • T-Stop: T2.9 • Close Focus: 21" • Outer Diameter: 114mm • Available in Arri PL Mount or Canon EF Mount

271-400 mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Zooms

Zeiss Cinema Zoom 15-30mm T* T2.9

Zeiss Cinema Zoom 15-30mm T* T2.9

5.7

2.59

9.92

251.968

Arri PL / EF

T2.9

T22

21″

N/A

114mm

Compact Zoom CZ.2 • Full Frame • Weight: 5.5 lbs • T-Stop: T2.9 • Close Focus: 2'8" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Cinema Zoom 28-80mm T* T2.9

Zeiss Cinema Zoom 28-80mm T* T2.9

5.5

2.49

7.72

196.088

Arri PL, Canon EF

T2.9

T22

2’8″

N/A

95mm

Compact Zoom CZ.2 • Full Frame • Weight: 6.17 lbs • T-Stop: T2.9 • Close Focus: 5' • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount

2.85x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Cinema Zoom 70-200mm T* T2.9

Zeiss Cinema Zoom 70-200mm T* T2.9

6.17

2.80

9.84

249.936

Arri PL, Canon EF

T2.9

T22

5′

N/A

95mm

Full Frame+ • Weight: 7.56lbs • T-Stop: T2.8 • Close Focus: 1'6" • Outer Diameter: 156mm • LPL Mount

2.8x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Arri Signature Zoom 16-32mm T2.8

Arri Signature Zoom 16-32mm T2.8

7.56

3.42

8.35

212

LPL

T2.8

T22

1’6″

N/A

156mm

N/A

N/A

Full Frame+ • Weight: 8lbs • T-Stop: T2.8 • Close Focus: 2'6" • Outer Diameter: 114mm • LPL Mount

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2023

Arri Signature Zoom 24-75mm T2.8

Arri Signature Zoom 24-75mm T2.8

3.6

12.5

317.5

LPL

T2.8

T22

2’6″

N/A

114mm

N/A

N/A

Full Frame+ • Weight: 8lbs • T-Stop: T2.8 • Close Focus: 3'4" • Outer Diameter: 114mm • LPL Mount

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Arri Signature Zoom 45-135mm T2.8

Arri Signature Zoom 45-135mm T2.8

3.6

12.5

317.5

LPL

T2.8

T22

3’4″

N/A

114mm

N/A

N/A

Full Frame+ • Weight: 17lbs • T-Stop: T2.8 • Close Focus: 6' • Outer Diameter: 156mm • LPL Mount

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Arri Signature Zoom 65-300mm T2.8

Arri Signature Zoom 65-300mm T2.8

17.85

8.1

16.54

420

LPL

T2.8

T22

6′

N/A

156mm

N/A

N/A

Full Frame • Weight: 4.2 lbs • T-Stop: T3 • Close Focus: 5'4" • Outer Diameter: 95mm or 80mm • Available in Arri PL Mount or Canon EF Mount

4.6x

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2021

Leica Zooms

Leica R 70-180mm T3 | Duclos

Leica R 70-180mm T3 | Duclos

4.2

1.91

8.5

215.9

Arri PL, Canon EF

T32

5’4″

N/A

95mm or 80mm

85mm or 77mm

Full Frame • Weight: 9lbs • T-Stop: T2.3 • Close Focus: 3' • Outer Diameter: 136mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

2.57x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke Anamorphic /i SF 1.8x

Cooke Anamorphic /I SF 32mm T2.3 (1.8x)

Full Frame • Weight: 10.5lbs • T-Stop: T2.3 • Close Focus: 3' • Outer Diameter: 136mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /I SF 32mm T2.3 (1.8x)

4.08

8.25

209.6

Arri PL

/I Squared

T2.3

T22

36″

N/A

136mm

2021

Cooke Anamorphic /I SF 40mm T2.3 (1.8x)

Full Frame • Weight: 9.75lbs • T-Stop: T2.3 • Close Focus: 2'9" • Outer Diameter: 110mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /I SF 40mm T2.3 (1.8x)

10.5

4.76

9.25″

234.9

Arri PL

/I Squared

T2.3

T22

36″

136mm

2021

Cooke Anamorphic /I SF 50mm T2.3 (1.8x)

Full Frame • Weight: 8.5lbs • T-Stop: T2.3 • Close Focus: 3'3" • Outer Diameter: 110mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /I SF 50mm T2.3 (1.8x)

9.75

4.42

228.6

Arri PL

/I Squared

T2.3

T22

33″

110mm

2021

Cooke Anamorphic /I SF 75mm T2.3 (1.8x)

Full Frame • Weight: 12.3lbs • T-Stop: T2.8 • Close Focus: 22" • Outer Diameter: 136mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /I SF 75mm T2.3 (1.8x)

8.5

3,85

228.6

Arri PL

/I Squared

T2.3

T22

39″

110mm

2021

Cooke Anamorphic /I SF 85mm Macro T2.8 (1.8x)

Full Frame • Weight: 9.2lbs • T-Stop: T2.3 • Close Focus: 4' • Outer Diameter: 110mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /I SF 85mm Macro T2.8 (1.8x)

12.3

5.57

11.5

292.1

Arri PL

/I Squared

T2.8

T22

22″

136mm

2021

Cooke Anamorphic /I SF 100mm T2.3 (1.8x)

Full Frame • Weight: 6.47 lbs • T-Stop: T2.3 • Close Focus: 5' • Outer Diameter: 110mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /I SF 100mm T2.3 (1.8x)

9.2

4.17

9.75

247.65

Arri PL

/I Squared

T2.3

T22

48″

110mm

2021

Cooke Anamorphic /I SF 135mm T2.3 (1.8x)

Full Frame • Weight: 13.7lbs • T-Stop: T2.9 • Close Focus: 7' • Outer Diameter: 110mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /I SF 135mm T2.3 (1.8x)

12.2

5.5

11.5

292.1

Arri PL

/I Squared

T2.3

T22

110mm

2021

Cooke Anamorphic /I SF 180mm T2.9 (1.8x)

Weight: 3.10lbs • T-Stop: T2 • Close Focus: 11" • Outer Diameter: 95mm • 82mm Filter Thread

Cooke Anamorphic /I SF 180mm T2.9 (1.8x)

13.7

6.21

304.8

Arri PL

/I Squared

T2.9

T22

7′

N/A

110mm

2021

Sigma Zooms

Sigma 18-35mm T2

Sigma 18-35mm T2

3.1

1.41

4.78

121.412

Arri PL, Canon EF

T16

11″

N/A

95mm

82mm

Weight: 4.03lbs • T-Stop: T2 • Close Focus: 3'2" • Outer Diameter: 95mm • 82mm Filter Thread

1.94x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Sigma 50-100mm T2

Sigma 50-100mm T2

4.03

1.83

6.58

167.2

Arri PL, Canon EF

T16

3’2″

N/A

95mm

82mm

Weight: 6lbs • T-Stop: T2.9 • Close Focus: 2' • Outer Diameter: 100mm • 95mm Filter Thread

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2017

Laowa Zooms

Laowa OOOM 25-100MM T2.9

Full Frame • Weight: 6lbs • T-Stop: T4 • Close Focus: 2' • Outer Diameter: 100mm • 95mm Filter Thread

Laowa OOOM 25-100MM T2.9

2.72

9.5

241.3

Arri Pl, Canon EF, Sony E

2′

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Laowa OOOM 35-140MM T4

Weight: 6.8lbs • T-Stop: T2 • Close Focus: 18" • Outer Diameter: 136mm

Laowa OOOM 35-140MM T4

2.72

9.5

241.3

2′

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Atlas Orion Anamorphic

Atlas Orion Anamorphic 21mm T2 (2x)

Weight: 5lbs • T-Stop: T2 • Close Focus: 18" • Outer Diameter: 114mm

Atlas Orion Anamorphic 21mm T2 (2x)

6.9

3.1

7.4

187

Arri PL

T16

18″

N/A

136mm

0.8

0.8

Atlas Orion Anamorphic 25mm T2 (2x)

Weight: 5lbs • T-Stop: T2 • Close Focus: 21" • Outer Diameter: 114mm

Atlas Orion Anamorphic 25mm T2 (2x)

2.26

177.8

Arri PL

T16

18″

N/A

114mm

0.8

0.8

Atlas Orion Anamorphic 32mm T2 (2x)

Weight: 5.2lbs • T-Stop: T2 • Close Focus: 2' • Outer Diameter: 114mm

Atlas Orion Anamorphic 32mm T2 (2x)

2.26

177.8

Arri PL

T16

21″

N/A

114mm

0.8

0.8

Atlas Orion Anamorphic 40mm T2 (2x)

Weight: 5.4lbs • T-Stop: T2 • Close Focus: 2'6" • Outer Diameter: 114mm

Atlas Orion Anamorphic 40mm T2 (2x)

5.2

2.4

7.4″

189

Arri PL

T16

2′

N/A

114mm

0.8

0.8

Atlas Orion Anamorphic 50mm T2 (2x)

Weight: 5lbs • T-Stop: T2 • Close Focus: 2'9" • Outer Diameter: 114mm

Atlas Orion Anamorphic 50mm T2 (2x)

5.4

2.45

177.8

Arri PL

T16

30″

N/A

114mm

0.8

0.8

Atlas Orion Anamorphic 65mm T2 (2x)

Weight: 8.5lbs • T-Stop: T2 • Close Focus: 3' • Outer Diameter: 114mm

Atlas Orion Anamorphic 65mm T2 (2x)

2.26

7″

177.8

Arri PL

T16

2’9″

N/A

114mm

0.8

0.8

Atlas Orion Anamorphic 80mm T2 (2x)

Weight: 6.7lbs • T-Stop: T2 • Close Focus: 3'6" • Outer Diameter: 114mm

Atlas Orion Anamorphic 80mm T2 (2x)

5.8

2.63

8.5

215.9

Arri PL

T16

36″

N/A

114mm

0.8

0.8

Atlas Orion Anamorphic 100mm T2 (2x)

Full Frame+ • T-Stop: T3 • Close Focus: 11" • Front Diameter: 114mm • Mk II Lens

Atlas Orion Anamorphic 100mm T2 (2x)

6.7

3.03

10″

254

Arri PL

T16

42″

N/A

114mm

0.8

0.8

Duclos Zooms

Tokina Vista 16-28mm T3

Tokina Vista 16-28mm T3

3.8 lbs

6″

Arri PL

T22

11″

N/A

114mm

112mm

Weight: 6.11 lbs • T-Stop: T2.3 • Close Focus: 36" • Outer Diameter: 136mm

1.4x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke Anamorphic /i

Cooke Anamorphic /i 25mm T2.3 (2x)

Weight: 5.9 lbs • T-Stop: T2.3 • Close Focus: 33" • Outer Diameter: 110mm

Cooke Anamorphic /i 25mm T2.3 (2x)

6.11

2.77

7.68

195.072

Arri PL

/I Squared

T2.3

T22

36″

N/A

136mm

Cooke Anamorphic /i 32mm T2.3 (2x)

Weight: 6.47 lbs • T-Stop: T2.3 • Close Focus: 33" • Outer Diameter: 110mm

Cooke Anamorphic /i 32mm T2.3 (2x)

5.9

2.68

7.68

195.072

Arri PL

/I Squared

T2.3

T22

33″

110mm

Cooke Anamorphic /i 40mm T2.3 (2x)

Weight: 6.03 lbs • T-Stop: T2.3 • Close Focus: 33" • Outer Diameter: 110mm

Cooke Anamorphic /i 40mm T2.3 (2x)

6.47

2.93

7.68

195.072

Arri PL

/I Squared

T2.3

T22

33″

110mm

Cooke Anamorphic /i 50mm T2.3 (2x)

Weight: 11.5 lbs • T-Stop: T2.6 • Close Focus: 18" • Outer Diameter: 136mm

Cooke Anamorphic /i 50mm T2.3 (2x)

6.03

2.74

7.68

195.072

Arri PL

/I Squared

T2.3

T22

33″

110mm

Cooke Anamorphic /i 65mm Macro T2.6 (2x)

Weight: 5.81 lbs • T-Stop: T2.3 • Close Focus: 3'3" • Outer Diameter: 110mm

Cooke Anamorphic /i 65mm Macro T2.6 (2x)

11.5

5.22

10.1

256.54

Arri PL

/I Squared

T2.6

T22

18″

136mm

Cooke Anamorphic /i 75mm T2.3 (2x)

Weight: 6.47 lbs • T-Stop: T2.3 • Close Focus: 3'9" • Outer Diameter: 110mm

Cooke Anamorphic /i 75mm T2.3 (2x)

5.81

2.64

7.68

195.072

Arri PL

/I Squared

T2.3

T22

3’3″

N/A

110mm

Cooke Anamorphic /i 100mm T2.3 (2x)

Weight: 9.06 lbs • T-Stop: T2.3 • Close Focus: 5' • Outer Diameter: 110mm

Cooke Anamorphic /i 100mm T2.3 (2x)

6.47

2.93

7.68

195.072

Arri PL

/I Squared

T2.3

T22

3’9″

N/A

110mm

Cooke Anamorphic /i 135mm T2.3 (2x)

Weight: 13.62 lbs • T-Stop: T2.8 • Close Focus: 6'6" • Outer Diameter: 110mm

Cooke Anamorphic /i 135mm T2.3 (2x)

9.06

4.11

9.5

241.3

Arri PL

/I Squared

T2.3

T22

60″

110mm

Cooke Anamorphic /i 180mm T2.8 (2x)

Weight: 20 lbs • T-Stop: T3.4 • Close Focus: 10' • Outer Diameter: 136mm

Cooke Anamorphic /i 180mm T2.8 (2x)

13.62

6.18

304.8

Arri PL

/I Squared

T2.8

T22

78″

110mm

Cooke Anamorphic /i 300mm T3.4 (2x)

Weight: 6.11 lbs • T-Stop: T2.3 • Close Focus: 36" • Outer Diameter: 136mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /i 300mm T3.4 (2x)

9.07

381

Arri PL

/I Squared

T3.4

T22

10′

136mm

Cooke Anamorphic /i SF 25mm T2.3 (2x)

Weight: 5.9 lbs • T-Stop: T2.3 • Close Focus: 33" • Outer Diameter: 110mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /i SF 25mm T2.3 (2x)

6.11

2.77

7.68

195.072

Arri PL

/I Squared

T2.3

T22

36″

136mm

Cooke Anamorphic /i SF 32mm T2.3 (2x)

Weight: 6.47 lbs • T-Stop: T2.3 • Close Focus: 33" • Outer Diameter: 110mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /i SF 32mm T2.3 (2x)

5.9

2.68

7.68

195.072

Arri PL

/I Squared

T2.3

T22

33″

110mm

Cooke Anamorphic /I SF 40mm T2.3 (2x)

Weight: 6.03 lbs • T-Stop: T2.3 • Close Focus: 33" • Outer Diameter: 110mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /I SF 40mm T2.3 (2x)

6.47

2.93

7.68

195.072

Arri PL

/I Squared

T2.3

T22

33″

110mm

Cooke Anamorphic /I SF 50mm T2.3 (2x)

Weight: 11.5 lbs • T-Stop: T2.6 • Close Focus: 18" • Outer Diameter: 136mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /I SF 50mm T2.3 (2x)

6.03

2.74

7.68

195.072

Arri PL

/I Squared

T2.3

T22

33″

110mm

Cooke Anamorphic /i SF 65mm Macro T2.6 (2x)

Weight: 5.81 lbs • T-Stop: T2.3 • Close Focus: 3'3" • Outer Diameter: 110mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /i SF 65mm Macro T2.6 (2x)

11.5

5.22

10.1

256.54

Arri PL

/I Squared

T2.6

T2.6

18″

136mm

Cooke Anamorphic /I SF 75mm T2.3 (2x)

Weight: 6.47 lbs • T-Stop: T2.3 • Close Focus: 3'9" • Outer Diameter: 110mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /I SF 75mm T2.3 (2x)

5.81

2.64

7.68

195.072

Arri PL

/I Squared

T2.3

T22

3’3″

110mm

Cooke Anamorphic /I SF 100mm T2.3 (2x)

Weight: 9.06 lbs • T-Stop: T2.3 • Close Focus: 5' • Outer Diameter: 110mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /I SF 100mm T2.3 (2x)

6.47

2.93

7.68

195.072

Arri PL

/I Squared

T2.3

T22

3’9″

110mm

Cooke Anamorphic /i SF 135mm T2.3 (2x)

Weight: 13 lbs • T-Stop: T2.8 • Close Focus: 6'6" • Outer Diameter: 110mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /i SF 135mm T2.3 (2x)

9.06

4.11

9.5

241.3

Arri PL

/I Squared

T2.3

T22

60″

110mm

Cooke Anamorphic /i SF 180mm T2.8 (2x)

Weight: 19.7 lbs • T-Stop: T3.5 • Close Focus: 10' • Outer Diameter: 136mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

Cooke Anamorphic /i SF 180mm T2.8 (2x)

5.9

330.2

Arri PL

/I Squared

T2.8

T22

6’6″

110mm

Cooke Anamorphic /i SF 300mm T3.5 (2x)

Weight: 5.5 lbs • T-Stop: T1.9 • Close Focus: 2'3" • Outer Diameter: 114mm • Master Diopters +0.5, 1 and 2 available

Cooke Anamorphic /i SF 300mm T3.5 (2x)

19.7

8.94

406.40

Arri PL

/I Squared

T3.5

T22

10′

136mm

Zeiss Master Anamorphic

Master Anamorphic 28mm T* XP T1.9 (2x)

Weight: 5.7 lbs • T-Stop: T1.9 • Close Focus: 2'6" • Outer Diameter: 95mm • Master Diopters +0.5, 1 and 2 available

Master Anamorphic 28mm T* XP T1.9 (2x)

5.5

2.49

7.75

196.85

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

2’3″

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic 35mm T* XP T1.9 (2x)

Weight: 6 lbs • T-Stop: T1.9 • Close Focus: 2'4" • Outer Diameter: 95mm • Master Diopters +0.5, 1 and 2 available

Master Anamorphic 35mm T* XP T1.9 (2x)

5.7

2.59

7.2

182.88

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

2’6″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic 40mm T* XP T1.9 (2x)

Weight: 5.7 lbs • T-Stop: T1.9 • Close Focus: 2'6" • Outer Diameter: 95mm • Master Diopters +0.5, 1 and 2 available

Master Anamorphic 40mm T* XP T1.9 (2x)

2.72

7.2

182.88

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

2’4″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic 50mm T* XP T1.9 (2x)

Weight: 6 lbs • T-Stop: T1.9 • Close Focus: 3' • Outer Diameter: 95mm • Master Diopters +0.5, 1 and 2 available

Master Anamorphic 50mm T* XP T1.9 (2x)

5.7

2.59

7.2

182.88

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

2’6″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic 60mm T* XP T1.9 (2x)

Weight: 5.7 lbs • T-Stop: T1.9 • Close Focus: 3' • Outer Diameter: 95mm • Master Diopters +0.5, 1 and 2 available

Master Anamorphic 60mm T* XP T1.9 (2x)

2.72

7.2

182.88

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

3′

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic 75mm T* XP T1.9 (2x)

Weight: 6.8 lbs • T-Stop: T1.9 • Close Focus: 3'1" • Outer Diameter: 95mm • Master Diopters +0.5, 1 and 2 available

Master Anamorphic 75mm T* XP T1.9 (2x)

5.7

2.59

7.2

182.88

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

3′

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic 100mm T* XP T1.9 (2x)

Weight: 8.4 lbs • T-Stop: T1.9 • Close Focus: 3'11" • Outer Diameter: 95mm • Master Diopters +0.5, 1 and 2 available

Master Anamorphic 100mm T* XP T1.9 (2x)

6.8

3.08

8.1

205.74

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

3’1″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic 135mm T* XP T1.9 (2x)

Weight: 7.2 lbs • T-Stop: T2.8 • Close Focus: 5' • Outer Diameter: 95mm • Master Diopters +0.5, 1 and 2 available

Master Anamorphic 135mm T* XP T1.9 (2x)

8.4

3.81

9.1

231.14

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

3’11”

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic 180mm T* XP T1.9 (2x)

Weight: 5.5 lbs • T-Stop: T1.9 • Close Focus: 2'3" • Outer Diameter: 114mm • Front and Rear Flare Lenses available allowing for four total configurations • Master Diopters +0.5, 1 and 2 available

Master Anamorphic 180mm T* XP T1.9 (2x)

7.2

3.27

9.5

241.3

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T2.8

T22

5′

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Anamorphic w/ Flare Set

Master Anamorphic Flare 28mm T* XP T1.9 (2x)

Weight: 5.7 lbs • T-Stop: T1.9 • Close Focus: 2'6" • Outer Diameter: 95mm • Front and Rear Flare Lenses available allowing for four total configurations • Master Diopters +0.5, 1 and 2 available

Master Anamorphic Flare 28mm T* XP T1.9 (2x)

5.5

2.49

7.75

196.85

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

2’3″

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic Flare 35mm T* XP T1.9 (2x)

Weight: 6 lbs • T-Stop: T1.9 • Close Focus: 2'4" • Outer Diameter: 95mm • Front and Rear Flare Lenses available allowing for four total configurations • Master Diopters +0.5, 1 and 2 available

Master Anamorphic Flare 35mm T* XP T1.9 (2x)

5.7

2.59

7.2

182.88

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

2’6″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic Flare 40mm T* XP T1.9 (2x)

Master Anamorphic Flare 40mm T* XP T1.9 (2x)

2.72

7.2

182.88

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

2’4″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic Flare 50mm T* XP T1.9 (2x)

Weight: 6 lbs • T-Stop: T1.9 • Close Focus: 3' • Outer Diameter: 95mm • Front and Rear Flare Lenses available allowing for four total configurations • Master Diopters +0.5, 1 and 2 available

Master Anamorphic Flare 50mm T* XP T1.9 (2x)

5.7

2.59

7.2

182.88

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

2’6″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic Flare 60mm T* XP T1.9 (2x)

Weight: 5.7 lbs • T-Stop: T1.9 • Close Focus: 3' • Outer Diameter: 95mm • Front and Rear Flare Lenses available allowing for four total configurations • Master Diopters +0.5, 1 and 2 available

Master Anamorphic Flare 60mm T* XP T1.9 (2x)

2.72

7.2

182.88

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

3′

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic Flare 75mm T* XP T1.9 (2x)

Weight: 6.8 lbs • T-Stop: T1.9 • Close Focus: 3'1" • Outer Diameter: 95mm • Front and Rear Flare Lenses available allowing for four total configurations • Master Diopters +0.5, 1 and 2 available

Master Anamorphic Flare 75mm T* XP T1.9 (2x)

5.7

2.59

7.2

182.88

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

3′

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic Flare 100mm T* XP T1.9 (2x)

Weight: 8.4 lbs • T-Stop: T1.9 • Close Focus: 3'11" • Outer Diameter: 95mm • Front and Rear Flare Lenses available allowing for four total configurations

Master Anamorphic Flare 100mm T* XP T1.9 (2x)

6.8

3.08

8.1

205.74

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

3’1″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic Flare 135mm T* XP T1.9 (2x)

Weight: 7.2 lbs • T-Stop: T2.8 • Close Focus: 5' • Outer Diameter: 95mm • Front and Rear Flare Lenses available allowing for four total configurations

Master Anamorphic Flare 135mm T* XP T1.9 (2x)

8.4

3.81

9.1

231.14

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T1.9

T22

3’11”

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Master Anamorphic Flare 180mm T* XP T1.9 (2x)

Weight: 5.3 lbs • T-Stop: T2.2 • Close Focus: 2'9" • Outer Diameter: 125mm • Hawk Class X Anamorphics manufactured by Vantage Germany

Master Anamorphic Flare 180mm T* XP T1.9 (2x)

7.2

3.27

9.5

241.3

Arri PL LDS

LDS

Front and Rear Flare Lenses available

T2.8

T22

5′

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Vantage Hawk V-Lite

Hawk Class-X Anamorphic 28mm T2.2 (2x)

Weight: 6.5lbs • T-Stop: T2.2 • Close Focus: 2'6"• Outer Diameter: 125mm • Hawk Class X Anamorphics manufactured by Vantage Germany

Hawk Class-X Anamorphic 28mm T2.2 (2x)

5.3

2.4

5.39

137mm

Arri PL

T2.2

T16

2’9″

N/A

125mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Hawk Class-X Anamorphic 35mm T2.2 (2x)

Weight: 5.2lbs • T-Stop: T2.2 • Close Focus: 2'6" • Outer Diameter: 125mm • Hawk Class X Anamorphics manufactured by Vantage Germany

Hawk Class-X Anamorphic 35mm T2.2 (2x)

6.5

2.9

7.01

178mm

Arri PL

T2.2

T16

2’6″

N/A

125mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Hawk Class-X Anamorphic 45mm T2.2 (2x)

Weight: 4.9lbs • T-Stop: T2.2 • Close Focus: 2'6" • Outer Diameter: 114mm • Hawk Class X Anamorphics manufactured by Vantage Germany

Hawk Class-X Anamorphic 45mm T2.2 (2x)

5.2

2.3

6.46

164mm

Arri PL

T2.2

T16

2’6″

N/A

125mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Hawk Class-X Anamorphic 55mm T2.2 (2x)

Hawk Class-X Anamorphic 55mm T2.2 (2x)

Weight: 5 lbs • T-Stop: T2.2 • Close Focus: 21" • Outer Diameter: 114mm • Hawk Class X Anamorphics manufactured by Vantage Germany

Hawk Class X Anamorphics manufactured by Vantage Germany

5.3

2.4

5.39

137mm

Arri PL

T2.2

T16

2′

N/A

120mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Product Highlights

Hawk Class X Anamorphics manufactured by Vantage Germany

Hawk Class-X Anamorphic 65mm T2.2 (2x)

Weight: 5.5 lbs • T-Stop: T2.2 • Close Focus: 2'6" • Outer Diameter: 114mm • Hawk Class X Anamorphics manufactured by Vantage Germany

Hawk Class-X Anamorphic 65mm T2.2 (2x)

2.3

7.09

180mm

Arri PL

T2.2

T16

21″

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Hawk Class-X Anamorphic 80mm T2.2 (2x)

Weight: 6.2 lbs • T-Stop: T3 • Close Focus: 2'6" • Outer Diameter: 114mm • Hawk Class X Anamorphics manufactured by Vantage Germany

Hawk Class-X Anamorphic 80mm T2.2 (2x)

5.5

2.495

7.40

137

Arri PL

T2.2

T16

2’6″

N/A

120mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Hawk Class-X Anamorphic 110mm T3(2x)

Weight: 6.4 lbs • T-Stop: T3.5 • Close Focus: 2'6" • Outer Diameter: 114mm • Hawk Class X Anamorphics manufactured by Vantage Germany

Hawk Class-X Anamorphic 110mm T3(2x)

6.2

2.8

9.5″

241.3

Arri PL

T16

2’6″

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Hawk Class-X Anamorphic 140mm T3.5 (2x)

Weight: 4.6 lbs • T-Stop: T2.2 • Close Focus: 2'9" • Outer Diameter: 120mm • manufactured by Vantage Germany

Hawk Class-X Anamorphic 140mm T3.5 (2x)

5.3

2.4

5.39

137mm

Arri PL

T2.2

T16

2′

N/A

120mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Hawk V-Lite Anamorphic 28mm T2.2 (2x)

Weight: 6.4 lbs • T-Stop: T2.2 • Close Focus: 3'6" • Outer Diameter: 120mm • manufactured by Vantage Germany

Hawk V-Lite Anamorphic 28mm T2.2 (2x)

4.6

2.09

5.39

137mm

Arri PL

T2.2

T16

2’9″

N/A

120mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Hawk V-Lite Anamorphic 35mm T2.2 (2x)

Weight: 4.2 lbs • T-Stop: T2.2 • Close Focus: 3'6" • Outer Diameter: 104mm • manufactured by Vantage Germany

Hawk V-Lite Anamorphic 35mm T2.2 (2x)

6.4

2.90

6.69

170mm

Arri PL

T2.2

T16

3’6″

N/A

120mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Hawk V-Lite Anamorphic 45mm T2.2 (2x)

Weight: 4.4 lbs • T-Stop: T2.2 • Close Focus: 3'6" • Outer Diameter: 104mm • manufactured by Vantage Germany

Hawk V-Lite Anamorphic 45mm T2.2 (2x)

4.2

1.91

6.06

154mm

Arri PL

T2.2

T16

3’6″

N/A

104mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Hawk V-Lite Anamorphic 55mm T2.2 (2x)

Weight: 4.4 lbs • T-Stop: T2.2 • Close Focus: 3'6" • Outer Diameter: 104mm • manufactured by Vantage Germany

Hawk V-Lite Anamorphic 55mm T2.2 (2x)

4.4

2.00

6.14

156mm

Arri PL

T2.2

T16

3’6″

N/A

104mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Hawk V-Lite Anamorphic 65mm T2.2 (2x)

Weight: 5 lbs • T-Stop: T2.2 • Close Focus: 3'6" • Outer Diameter: 104mm • manufactured by Vantage Germany

Hawk V-Lite Anamorphic 65mm T2.2 (2x)

4.4

2.00

6.3

160mm

Arri PL

T2.2

T16

3’6″

N/A

104mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Hawk V-Lite Anamorphic 80mm T2.2 (2x)

Weight: 5.7 lbs • T-Stop: T3 • Close Focus: 3'6" • Outer Diameter: 104mm • manufactured by Vantage Germany

Hawk V-Lite Anamorphic 80mm T2.2 (2x)

2.27

7.28

185mm

Arri PL

T2.2

T16

3’6″

N/A

104mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Hawk V-Lite Anamorphic 110mm T3 (2x)

Weight: 5.9 lbs • T-Stop: T3.5 • Close Focus: 3'6" • Outer Diameter: 104mm • manufactured by Vantage Germany

Hawk V-Lite Anamorphic 110mm T3 (2x)

5.7

2.59

7.87

200mm

Arri PL

T16

3’6″

N/A

104mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Hawk V-Lite Anamorphic 140mm T3.5 (2x)

Weight: 11.7 lbs • T-Stop: T2.8 • Close Focus: 2'6" • Outer Diameter: 125mm

Hawk V-Lite Anamorphic 140mm T3.5 (2x)

5.9

2.68

8.66

220mm

Arri PL

T3.5

T22

3’6″

N/A

104mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Vantage Hawk V-Plus Zooms

Hawk V-Plus Anamorphic Zoom 45-90mm T2.8 (2x)

Hawk V-Plus Anamorphic Zoom 45-90mm T2.8 (2x)

11.7

5.31

Arri PL

T2.8

T16

2’6″

N/A

125mm

0.8 mod (cine pitch)

Weight: 16.8 lbs • T-Stop: T2.8 • Close Focus: 3'3" • Outer Diameter: 125mm

0.8 mod (cine pitch)

Hawk V-Plus Anamorphic Zoom 80-180mm T2.8 (2x)

Hawk V-Plus Anamorphic Zoom 80-180mm T2.8 (2x)

16.8

7.62

Arri PL

T2.8

T16

3’3″

N/A

125mm

2.25x

0.8 mod (cine pitch)

Super 35mm • T-Stop: T2.8 • Close Focus: 16" • Outer Diameter: 95mm

0.8 mod (cine pitch)

Servicevision scorpiolens

Scorpio Anamorphic 20mm T2.8 (2x)

Super 35mm • T-Stop: T2 • Close Focus: 18" • Outer Diameter: 95mm

Scorpio Anamorphic 20mm T2.8 (2x)

4.9

2.22

8.5

215.9

Arri PL

T2.8

T16

16″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Scorpio Anamorphic 25mm T2.2 (2x)

Full Frame • Weight: 3.96 lbs • T-Stop: T2.2 • Close Focus: 18" • Outer Diameter: 95mm

Scorpio Anamorphic 25mm T2.2 (2x)

7.5

190.5

Arri PL

T2.2

T22

18″

N/A

95mm

scorpio FFA Anamorphic 35mm T2.2 (2x)

Full Frame • Weight: 3.96 lbs • T-Stop: T2.2 • Close Focus: 20" • Outer Diameter: 95mm

scorpio FFA Anamorphic 35mm T2.2 (2x)

3.96

1.80

6.3

160.02

Arri PL

T2.2

T22

18″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

scorpio FFA Anamorphic 40mm T2.2 (2x)

Full Frame • Weight: 3.96 lbs • T-Stop: T2.2 • Close Focus: 22" • Outer Diameter: 95mm

scorpio FFA Anamorphic 40mm T2.2 (2x)

3.96

1.80

6.3

160.02

Arri PL

T2.2

T22

20″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

scorpio FFA Anamorphic 50mm T2.2 (2x)

Full Frame • Weight: 5.7 lbs • T-Stop: T2.8 • Close Focus: 12" • Outer Diameter: 95mm

scorpio FFA Anamorphic 50mm T2.2 (2x)

3.96

1.80

6.3

160.02

Arri PL

T2.2

T22

22″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

scorpio FFA Anamorphic 60mm Macro T2.8 (2x)

Full Frame • Weight: 3.96 lbs • T-Stop: T2.2 • Close Focus: 2'6" • Outer Diameter: 95mm

scorpio FFA Anamorphic 60mm Macro T2.8 (2x)

5.7

2.58

254

Arri PL

T2.8

T22

12″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

scorpio FFA Anamorphic 75mm T2.2 (2x)

Full Frame • Weight: 3.96 lbs • T-Stop: T2.2 • Close Focus: 3'3" • Outer Diameter: 95mm

scorpio FFA Anamorphic 75mm T2.2 (2x)

3.96

1.80

6.3

160.02

Arri PL

T2.2

T22

2’6″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

scorpio FFA Anamorphic 100mm T2.2 (2x)

Full Frame • T-Stop: T2.8 • Close Focus: 3'3" • Outer Diameter: 95mm

scorpio FFA Anamorphic 100mm T2.2 (2x)

3.96

1.80

6.3

160.02

Arri PL

T2.2

T22

3’3″

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

scorpio FFA Anamorphic 150mm T2.8 (2x)

Full Frame • Weight: 8.5 lbs • T-Stop: T4.3 • Close Focus: 5'3" • Outer Diameter: 95mm • Covers 8K 6:5 on Red Weapon Monstro sensor

scorpio FFA Anamorphic 150mm T2.8 (2x)

7.5

190.5

Arri PL

T2.8

T22

3’3″

95mm

scorpio FFA Anamorphic Zoom 138-405mm T4.3 (2x)

scorpio FFA Anamorphic Zoom 138-405mm T4.3 (2x)

Weight: 2.32 lbs • T-Stop: T2.3 • Close Focus: 3' • Outer Diameter: 80mm

*** FFA denotes 8K 6:5 anamorphic mode coverage on Weapon Monstro sensor.

8.5

3.86

11.25

285.75

Arri PL

T4.3

T22

5’3″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

*** FFA denotes 8K 6:5 anamorphic mode coverage on Weapon Monstro sensor.

Kowa Prominar Anamorphic

Kowa Prominar Anamorphic 40mm T2.3 (2x)

Weight: 2.13 lbs • T-Stop: T2.3 • Close Focus: 3' • Outer Diameter: 80mm

Kowa Prominar Anamorphic 40mm T2.3 (2x)

2.31

1.05

101.6

Arri PL

T2.3

3′

80mm

Kowa Prominar Anamorphic 50mm T2.3 (2x)

Weight: 2.75 lbs • T-Stop: T2.8 • Close Focus: 3' • Outer Diameter: 80mm

Kowa Prominar Anamorphic 50mm T2.3 (2x)

2.125

0.96

4.25

107.95

Arri PL

T2.3

3′

80mm

Kowa Prominar Anamorphic 75mm T2.8 (2x)

Weight: 3.25 lbs • T-Stop: T3.4 • Close Focus: 5' • Outer Diameter: 80mm

Kowa Prominar Anamorphic 75mm T2.8 (2x)

2.75

1.25

2.75

69.85

Arri PL

T2.8

3′

80mm

Kowa Prominar Anamorphic 100mm T3.4 (2x)

Angenieux 25-250mm HR T3.5 w/ Duclos 2x Anamorphic Rear Adapter • Weight: 10.5 lbs • T-Stop: T5.6 • Close Focus: 5'7" • Outer Diameter: 136mm

Kowa Prominar Anamorphic 100mm T3.4 (2x)

3.25

1.47

3.25

82.55

Arri PL

T3.4

5′

80mm

Angenieux Anamorphic Zooms

Angenieux HR Anamorphic Zoom 50-500mm T5.6 (2x)

Angenieux HR Anamorphic Zoom 50-500mm T5.6 (2x)

4.99

Arri PL

T5.6

T32

5’7″

N/A

136mm

Weight: 5.3 lbs • T-Stop: T4 • Close Focus: 2'1" • Outer Diameter: 114mm • Member of the A2S Angenieux family of zooms.

10x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Optimo Anamorphic Zoom 30-72mm T4 (2x)

Angenieux Optimo Anamorphic Zoom 30-72mm T4 (2x)

5.3

2.40

8.93

226.822

Arri PL, Panavision

T22

2’1″

N/A

114mm

Weight: 5.3 lbs • T-Stop: T4 • Close Focus: 2'1" • Outer Diameter: 114mm • Uncoated front element for unique flare characteristics • Member of the A2S Angenieux family of zooms.

2.4x

Uncoated Angenieux Optimo Anamorphic Zoom 30-72mm T4 (2x)

Uncoated Angenieux Optimo Anamorphic Zoom 30-72mm T4 (2x)

5.3

2.40

8.93

226.822

Arri PL, Panavision

Yes, Front Element

T22

2’1″

N/A

114mm

Weight: 25 lbs • T-Stop: T3.1 • Close Focus: 4' • Outer Diameter: 136mm

2.4x

Cooke Anamorphic Zooms

Cooke Anamorphic /I Zoom 35-140mm T3.1 (2x)

Cooke Anamorphic /I Zoom 35-140mm T3.1 (2x)

11.34

431.8

Arri PL

/I Squared

T3.1

T22

4′

136mm

Weight: 25 lbs • T-Stop: T3.1 • Close Focus: 4' • Outer Diameter: 136mm • Manufactured with "Special Flare" coating for more distinct flares, bokeh and other aberrations

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke SF Anamorphic /I Zoom 35-140mm T3.1 (2x)

Cooke SF Anamorphic /I Zoom 35-140mm T3.1 (2x)

11.34

431.8

Arri PL

/I Squared

T3.1

T22

4′

N/A

136mm

Weight: 4.8 lbs • T-Stop: T4 • Close Focus: 2'1" • Outer Diameter: 114mm • Member of the A2S Angenieux family of zooms.

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Anamorphic Zooms

Angenieux Optimo Anamorphic Zoom 56-152mm T4 (2x)

Angenieux Optimo Anamorphic Zoom 56-152mm T4 (2x)

4.8

2.18

8.26

209.804

Arri PL, Panavision

T22

2’1″

N/A

114mm

Weight: 16.6 lbs • T-Stop: T4.5 • Close Focus: 4'1" • Outer Diameter: 136mm • Member of the A2S Angenieux family of zooms.

2.7x

Angenieux Optimo Anamorphic Zoom 44-440mm T4.5 (2x)

Angenieux Optimo Anamorphic Zoom 44-440mm T4.5 (2x)

16.6

7.53

16.2

411.48

Arri PL, Panavision

/i port, LDS

T4.5

T22

4’1″

N/A

136mm

10x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Blue Flare rear element option • Weight: 16.6 lbs • T-Stop: T4.5 • Close Focus: 4'1" • Outer Diameter: 136mm • Member of the A2S Angenieux family of zooms.

0.8 mod (cine pitch)

Blue Flare Angenieux Optimo Anamorphic Zoom 44-440mm T4.5 (2x)

Blue Flare Angenieux Optimo Anamorphic Zoom 44-440mm T4.5 (2x)

16.6

7.53

16.2

411.48

Arri PL, Panavision

/i port, LDS

T4.5

T22

4’1″

N/A

136mm

10x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Optimo 24-290mm T2.8 w/ Duclos 2x Anamorphic Rear Adapter • Weight: 24.2 lbs • T-Stop: T4.5 • Close Focus: 4' • Outer Diameter: 162mm

0.8 mod (cine pitch)

Angenieux Optimo Anamorphic Zoom 48-580mm T4.5 (2x)

Angenieux Optimo Anamorphic Zoom 48-580mm T4.5 (2x)

24.7

11.20

Arri PL

Front Element

T4.5

T32

4′

N/A

162mm

Cooke Varotal 18-100mm T3 w/ Duclos 2x Anamorphic Rear Adapter • Weight: 13.75 lbs • T-Stop: T4.5 • Close Focus: 2'6" • Outer Diameter: 150mm

12x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Cooke Anamorphic Zooms

Cooke Varotal Anamorphic Zoom 36-200mm T4.5 (2x)

Cooke Varotal Anamorphic Zoom 36-200mm T4.5 (2x)

13.15

5.96

Arri PL

T4.5

T32

2’6″

N/A

150mm

Cooke Varopanchro 20-60mm T3.1 w/ Duclos 2x Anamorphic Rear Adapter • T-Stop: T5 • Close Focus: 2'4" • Outer Diameter: 121mm

5.5x

Cooke Varopanchro Anamorphic Zoom 40-120mm T5 (2x)

Cooke Varopanchro Anamorphic Zoom 40-120mm T5 (2x)

Arri PL

T32

2’4″

N/A

121mm

Cooke Cinetal 25-250mm T3.7 w/ Duclos 2x Anamorphic Rear Adapter • Weight: 18 lbs • T-Stop: T5.6 • Close Focus: 5'6" • Outer Diameter: 150mm

Cooke Cinetal Anamorphic Zoom 50-500mm Mk. III T5.6 (2x)

Cooke Cinetal Anamorphic Zoom 50-500mm Mk. III T5.6 (2x)

18.5

8.39

Arri PL

T5.6

T32

5’6″

N/A

150mm

Weight: 6lbs • T-Stop: T3.4 • Close Focus: 2' • Outer Diameter: 100mm • 95mm Filter Thread

10x

Laowa Zooms

Laowa OOOM 33-133MM Anamorphic Zoom T3.4 (1.33x)

Weight: 1.38 lbs • T-Stop: T2.2 • Close Focus: 8" • Outer Diameter: 110mm

Laowa OOOM 33-133MM Anamorphic Zoom T3.4 (1.33x)

2.72

9.5

241.3

2′

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Cooke Panchros

Cooke Speed Panchro 18mm T2.2 (Series III) // TLS

Weight: 1.8 lbs • T-Stop: T2.2 • Close Focus: 8" • Outer Diameter: 110mm

Cooke Speed Panchro 18mm T2.2 (Series III) // TLS

1.38

0.63

3.63

92.202

Arri PL

T2.2

T22

8″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1954

Cooke Speed Panchro 25mm T2.2 (Series III) // TLS

Weight: 1.43 lbs • T-Stop: T2.3 • Close Focus: 9" • Outer Diameter: 110mm

Cooke Speed Panchro 25mm T2.2 (Series III) // TLS

1.8

0.82

3.75

95.25

Arri PL

T2.2

T22

8″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1954

Cooke Speed Panchro 32mm T2.3 (Series II) // TLS

Weight: 1.48 lbs • T-Stop: T2.3 • Close Focus: 13" • Outer Diameter: 110mm

Cooke Speed Panchro 32mm T2.3 (Series II) // TLS

1.43

0.65

3.75

95.25

Arri PL

T2.3

T22

9″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1945

Cooke Speed Panchro 40mm T2.3 (Series II) // TLS

Weight: 1.84 lbs • T-Stop: T2.3 • Close Focus: 15" • Outer Diameter: 110mm

Cooke Speed Panchro 40mm T2.3 (Series II) // TLS

1.48

0.67

3.75

95.25

Arri PL

T2.3

T22

13″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1945

Cooke Speed Panchro 50mm T2.3 (Series II) // TLS

Weight: 2.35 lbs • T-Stop: T2.3 • Close Focus: 2'4" • Outer Diameter: 110mm

Cooke Speed Panchro 50mm T2.3 (Series II) // TLS

1.84

0.83

101.6

Arri PL

T2.3

T22

15″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1945

Cooke Speed Panchro 75mm T2.3 (Series II) // TLS

Matches Series I Panchro lenses • Uncoated front element • Weight: 1.38 lbs • T-Stop: T2.2 • Close Focus: 8" • Outer Diameter: 110mm

Cooke Speed Panchro 75mm T2.3 (Series II) // TLS

2.35

1.07

4.38

111.252

Arri PL

T2.3

T22

2’4″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1945

Cooke Speed Panchro 18mm T2.2 (Series III) (Uncoated) // TLS

Weight: 1.8 lbs • T-Stop: T2.2 • Close Focus: 8" • Outer Diameter: 110mm

Cooke Speed Panchro 18mm T2.2 (Series III) (Uncoated) // TLS

1.38

0.63

3.63

92.202

Arri PL

Yes, front element only

T2.2

T22

8″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1954

Cooke Speed Panchro 28mm T2.2 (Series I) // TLS

Weight: 1.9 lbs • T-Stop: T2.3 • Close Focus: 11" • Outer Diameter: 110mm

Cooke Speed Panchro 28mm T2.2 (Series I) // TLS

1.8

0.82

2.62

66.548

Arri PL

T2.2

T22

8″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Cooke Speed Panchro 35mm T2.3 (Series I) // TLS

T-Stop: T2.3 • Close Focus: 16" • Outer Diameter: 110mm

Cooke Speed Panchro 35mm T2.3 (Series I) // TLS

1.9

0.86

2.62

66.548

Arri PL

T2.3

T22

11″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Cooke Speed Panchro 50mm T2.3 (Series I) // TLS

T-Stop: T2.3 • Close Focus: 2'4" • Outer Diameter: 110mm

Cooke Speed Panchro 50mm T2.3 (Series I) // TLS

Arri PL

T2.3

T22

16″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Cooke Speed Panchro 75mm T2.3 (Series I) // TLS

Weight: 3.5 lbs • T-Stop: T2.8 • Close Focus: 2' • Outer Diameter: 110mm

Cooke Speed Panchro 75mm T2.3 (Series I) // TLS

3.125

1.42

3.5

88.9

Arri PL

T2.3

T22

2’4″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Cooke Deep Field Panchro 100mm T2.8 // TLS

Weight: 6.4 lbs • T-Stop: T2.2 • Close Focus: 2'4" • Outer Diameter: 110mm • 2x Anamorphic

Cooke Deep Field Panchro 100mm T2.8 // TLS

3.5

1.59

6.5

165.1

Arri PL

T2.8

T22

2′

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1946

Optica Elite Anamorphic S7 40mm T2.2 (2x)

Weight: 6.4 lbs • T-Stop: T1.9 • Close Focus: 3'3" • Outer Diameter: 110mm • 2x Anamorphic

Optica Elite Anamorphic S7 40mm T2.2 (2x)

6.4

2.90

7.7

195.58

Arri PL

T2.2

T22

2’4″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Optica Elite Anamorphic S7 50mm T1.9 (2x)

Weight: 6.4 lbs • T-Stop: T1.9 • Close Focus: 3'3" • Outer Diameter: 110mm • 2x Anamorphic

Optica Elite Anamorphic S7 50mm T1.9 (2x)

6.6

2.99

8.2

210

Arri PL

T1.3

T22

3’3″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Optica Elite Anamorphic S7 75mm T1.9 (2x)

Weight: 7.1 lbs • T-Stop: T2.3 • Close Focus: 3'3" • Outer Diameter: 110mm • 2x Anamorphic

Optica Elite Anamorphic S7 75mm T1.9 (2x)

6.9

3.1

8.2

210

Arri PL

T1.9

T22

3’3″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Optica Elite Anamorphic S7 100mm T2.3 (2x)

Weight: 7.9 lbs • T-Stop: T2.8 • Close Focus: 3'4" • Outer Diameter: 110mm • 2x Anamorphic

Optica Elite Anamorphic S7 100mm T2.3 (2x)

7.1

3.2

8.2

210

Arri PL

T2.3

T22

3’3″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Optica Elite Anamorphic S7 135mm T2.8 (2x)

Weight: 5.31 lbs • T-Stop: T3.2 • Close Focus: 4'9" • Outer Diameter: 110mm

Optica Elite Anamorphic S7 135mm T2.8 (2x)

7.9

3.6

8.2

210

Arri PL

T2.8

T22

3’3″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2019

Cooke Panchros

Cooke Telepanchro 152mm T3.2 // TLS

Weight: 4.7lbs • T-Stop: T4.5 • Close Focus: 8'6" • Outer Diameter: 110mm

Cooke Telepanchro 152mm T3.2 // TLS

5.31

2.41

7.25

184.15

Arri PL

T3.2

T22

4’9″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1959

Cooke Telepanchro 203mm T3.2 // TLS

Weight: 3.5 lbs • T-Stop: T4 • Close Focus: 4'2" • Outer Diameter: 110mm

Cooke Telepanchro 203mm T3.2 // TLS

4.7

2.13

177.8

Arri PL

T4.5

T22

8’6″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1958

Other Cookes

Cooke Kinetal 150mm T4 // TLS

Cooke Kinetal 150mm T4 // TLS

Weight: 18 lbs • T-Stop: T3.7 • Close Focus: 5'6" • Outer Diameter: 150mm

Originally designed for Super 16mm, but also covers Super 35mm

3.5

1.59

152.4

Arri PL

T22

4’2″

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1959

Product Highlights

Originally designed for Super 16mm, but also covers Super 35mm

Vintage Cooke Zooms

Cooke Cinetal 25-250mm Mk. III T3.7

Cooke Cinetal 25-250mm Mk. III T3.7

8.16

Arri PL

T3.7

5’6″

150mm

10x

Weight: 18 lbs • T-Stop: T4.5 • Close Focus: 5'6" • Outer Diameter: 150mm • covers Alexa Open Gate 3.4K (⌀ 33.59 mm image circle) • includes Optica Magnus expander

1992

Cooke Cinetal 29-290mm Mk. III U35 T4.5 (Open Gate)

Cooke Cinetal 29-290mm Mk. III U35 T4.5 (Open Gate)

8.16

Arri PL

T4.5

5’6″

N/A

150mm

10x

Weight: 18 lbs • T-Stop: T5 • Close Focus: 5'6" • Outer Diameter: 150mm • Covers Alexa LF 16:9 4K (⌀ 36.35 mm image circle) • includes Optica Magnus expander

1992

Cooke Cinetal 31-310mm Mk. III U35+ T5

Cooke Cinetal 31-310mm Mk. III U35+ T5

8.16

Arri PL

5’6″

N/A

150mm

10x

Weight: 18 lbs • T-Stop: T6.5 • Close Focus: 5'6" • Outer Diameter: 150mm • covers ⌀ 43.27mm image circle • includes Optica Magnus Full Frame expander

1992

Cooke Cinetal 42-420mm Mk. III FF/VV T6.5

Cooke Cinetal 42-420mm Mk. III FF/VV T6.5

8.16

Arri PL

T6.5

5’6″

N/A

150mm

10x

Weight: 13.75 lbs • T-Stop: T3 • Close Focus: 2'6" • Outer Diameter: 150mm

1992

Cooke Varotal 18-100mm T3

Cooke Varotal 18-100mm T3

13.75

6.24

Arri PL

2’6″

150mm

5.5x

Weight: 13.75 lbs • T-Stop: T3.5 • Close Focus: 2'6" • Outer Diameter: 150mm • covers Alexa Open Gate 3.4K (⌀ 33.59 mm image circle) • includes Optica Magnus expander

1987

Cooke Varotal 21-115mm U35 T3.5 (Open Gate)

Cooke Varotal 21-115mm U35 T3.5 (Open Gate)

13.75

6.24

Arri PL

T3.5

2’6″

N/A

150mm

5.5x

Weight: 13.75 lbs • T-Stop: T4 • Close Focus: 2'6" • Outer Diameter: 150mm • Covers Alexa LF 16:9 4K (⌀ 36.35 mm image circle) • includes Optica Magnus expander

1987

Cooke Varotal 22-120mm U35+ T4

Cooke Varotal 22-120mm U35+ T4

13.75

6.24

Arri PL

2’6″

N/A

150mm

5.5x

Weight: 13.75 lbs • T-Stop: T5 • Close Focus: 2'6" • Outer Diameter: 150mm • covers ⌀ 43.27mm image circle • includes Optica Magnus Full Frame expander

1987

Cooke Varotal 30-165mm FF/VV T5

Cooke Varotal 30-165mm FF/VV T5

13.75

6.24

Arri PL

2’6″

N/A

150mm

5.5x

Weight: 6.13 lbs • T-Stop: T3.1 • Close Focus: 2'4" • Outer Diameter: 121mm

1987

Cooke Varopanchro 20-60mm T3.1

Cooke Varopanchro 20-60mm T3.1

6.13

2.78

Arri PL

T3.1

2’4″

121mm

Weight: 6.13 lbs • T-Stop: T3.5 • Close Focus: 2'4" • Outer Diameter: 121mm • covers Alexa Open Gate 3.4K (⌀ 33.59 mm image circle) • includes Optica Magnus expander

1981

Cooke Varopanchro 23-69mm U35 T3.5 (Open Gate)

Cooke Varopanchro 23-69mm U35 T3.5 (Open Gate)

6.13

2.78

Arri PL

T3.5

2’4″

N/A

121mm

Weight: 6.13 lbs • T-Stop: T4 • Close Focus: 2'4" • Outer Diameter: 121mm • covers Alexa LF 16:9 4K (⌀ 36.35mm Image Circle) • includes Optica Magnus expander

1981

Cooke Varopanchro 24-73mm U35+ T4

Cooke Varopanchro 24-73mm U35+ T4

6.13

2.78

Arri PL

2’4″

N/A

121mm

Weight: 6.13 lbs • T-Stop: T5.6 • Close Focus: 2'4" • Outer Diameter: 121mm • covers ⌀ 43.27mm image circle • includes Optica Magnus Full Frame expander

1981

Cooke Varopanchro 33-100mm FF/VV T5.6

Cooke Varopanchro 33-100mm FF/VV T5.6

6.13

2.78

Arri PL

T5.6

2’4″

N/A

121mm

T-Stop: T2.3 • Close Focus: 18" • Outer Diameter: 110mm

1981

Bausch & Lomb Super Baltars

Bausch & Lomb Super Baltar 20mm T2.3 // TLS

T-Stop: T2.3 • Close Focus: 18" • Outer Diameter: 110mm

Bausch & Lomb Super Baltar 20mm T2.3 // TLS

Arri PL

T2.3

T22

18″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Bausch & Lomb Super Baltar 25mm T2.3 // TLS

T-Stop: T2.3 • Close Focus: 18" • Outer Diameter: 110mm

Bausch & Lomb Super Baltar 25mm T2.3 // TLS

Arri PL

T2.3

T22

18″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Bausch & Lomb Super Baltar 35mm T2.3 // TLS

Full Frame • T-Stop: T2.3 • Close Focus: 18" • Outer Diameter: 110mm • Designed for 35mm Film

Bausch & Lomb Super Baltar 35mm T2.3 // TLS

Arri PL

T2.3

T22

18″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Bausch & Lomb Super Baltar 50mm T2.3 // TLS

Full Frame • T-Stop: T2.3 • Close Focus: 3' • Outer Diameter: 110mm • Designed for 35mm Film

Bausch & Lomb Super Baltar 50mm T2.3 // TLS

Arri PL

T2.3

T22

18″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Bausch & Lomb Super Baltar 75mm T2.3 // TLS

Full Frame • T-Stop: T2.3 • Close Focus: 3' • Outer Diameter: 110mm • Designed for 35mm Film

Bausch & Lomb Super Baltar 75mm T2.3 // TLS

Arri PL

T2.3

T22

3′

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Bausch & Lomb Super Baltar 100mm T2.3 // TLS

Full Frame • Weight: 5 lbs • T-Stop: T3 • Close Focus: 5' • Outer Diameter: 110mm • Designed for 35mm Film

Bausch & Lomb Super Baltar 100mm T2.3 // TLS

Arri PL

T2.3

T22

3′

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Bausch & Lomb Super Baltar 152mm T3 // TLS

Full Frame • Weight: 5 lbs • T-Stop: T4.4 • Close Focus: 9'6" • Outer Diameter: 110mm • Designed for 35mm Film

Bausch & Lomb Super Baltar 152mm T3 // TLS

2.27

7.5

190.5

Arri PL

T22

5′

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Bausch & Lomb Super Baltar 228mm T4.4 // TLS

Matches well with Baltar primes • Super 35mm • Weight: 1.2 lbs • T-Stop: T2.4 • Close Focus: 8" • Outer Diameter: 95mm • Zero Optik Rehousing

Bausch & Lomb Super Baltar 228mm T4.4 // TLS

2.27

8.25

209.55

Arri PL

T4.4

T22

9’6″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux Type R2

Angenieux Type R2 18.5mm T2.4 // ZO

Full Frame • Weight: 1.34 lbs • T-Stop: T2.2 • Close Focus: 7 3/4" • Outer Diameter: 95mm • Zero Optik Rehousing • with new round iris • matches original Baltar character and performance • Designed for 35mm Film

Angenieux Type R2 18.5mm T2.4 // ZO

1.2

0.54

3″

76.2

Arri PL

T2.5

T22

12″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Canon K35 Primes

Bausch & Lomb Ultra Baltar 21mm T2.2 // ZO

Bausch & Lomb Ultra Baltar 21mm T2.2 // ZO

1.34

.61

Arri PL

T2.2

T22

7 3/4″

N/A

95mm

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Weight: 1.1 lbs • T-Stop: T2.2 • Close Focus: 12" • Outer Diameter: 95mm • Zero Optik Rehousing

1978

Bausch & Lomb Ultra Baltar 24mm T2.2 // ZO

Weight: 1.2 lbs • T-Stop: T2.2 • Close Focus: 10" • Outer Diameter: 95mm • Zero Optik Rehousing

Bausch & Lomb Ultra Baltar 24mm T2.2 // ZO

1.10

.50

2.88

71.12

Arri PL

Bausch & Lomb Baltars

Bausch & Lomb Ultra Baltar 28mm T2.2 // ZO

Weight: 1.1 lbs • T-Stop: T2.5 • Close Focus: 18" • Outer Diameter: 95mm • Zero Optik Rehousing

Bausch & Lomb Ultra Baltar 28mm T2.2 // ZO

1.12

.54

3.25

82.55

95mm

Arri PL

Bausch & Lomb Baltar 30mm T2.5 // ZO

Weight: 1.3 lbs • T-Stop: T2.5 • Close Focus: 14" • Outer Diameter: 95mm • Zero Optik Rehousing

Bausch & Lomb Baltar 30mm T2.5 // ZO

1.1

0.50

2.25

57.15

Arri PL

T2.5

T22

18″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Bausch & Lomb Baltar 35mm T2.5 // ZO

Full Frame • Weight: 1.3 lbs • T-Stop: T2.5 • Close Focus: 11" • Outer Diameter: 95mm • Zero Optik Rehousing • Designed for 35mm Film

Bausch & Lomb Baltar 35mm T2.5 // ZO

1.3

0.59

2.5

63.5

Arri PL

T2.5

T22

14″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Bausch & Lomb Baltar 40mm T2.5 // ZO

Full Frame • Weight: 1.4 lbs • T-Stop: T2.5 • Close Focus: 15" • Outer Diameter: 95mm • Zero Optik Rehousing • Designed for 35mm Film

Bausch & Lomb Baltar 40mm T2.5 // ZO

1.3

0.59

2.5

63.5

Arri PL

T2.5

T22

11″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Bausch & Lomb Baltar 50mm T2.5 // ZO

Full Frame • Weight: 1.6 lbs • T-Stop: T2.5 • Close Focus: 2'5" • Outer Diameter: 95mm • Zero Optik Rehousing • Designed for 35mm Film

Bausch & Lomb Baltar 50mm T2.5 // ZO

1.4

0.64

2.5

63.5

Arri PL

T2.5

T22

15″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Bausch & Lomb Baltar 75mm T2.5 // ZO

Full Frame • Weight: 3.25lbs • T-Stop: T2.5 • Close Focus: 23" • Outer Diameter: 95mm • Zero Optik Rehousing • Designed for 35mm Film

Bausch & Lomb Baltar 75mm T2.5 // ZO

1.6

0.73

2.5

63.5

Arri PL

T2.5

T22

2’5″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Bausch & Lomb Baltar 100mm T2.5 // ZO

Full Frame • Weight: 3.47 lbs • T-Stop: T2.8 • Close Focus: 3'11" • Outer Diameter: 95mm • Zero Optik Rehousing • Designed for 35mm Film

Bausch & Lomb Baltar 100mm T2.5 // ZO

3.25

1.47

5.37

136.5

Arri PL

T2.5

T22

23″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Bausch & Lomb Baltar 152mm T2.8 // ZO

Weight: 1.2 lbs • T-Stop: T2.8 • Close Focus: 11" • Outer Diameter: 95mm • Uncoated Optics • Zero Optik Rehousing

Bausch & Lomb Baltar 152mm T2.8 // ZO

3.47

1.57

6.86

174.31

Arri PL

T2.8

T22

3’11”

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Harris Savides Collection: Bausch & Lomb Baltar 25mm T2.8 // ZO

Harris Savides Collection: Bausch & Lomb Baltar 25mm T2.8 // ZO

Weight: 1.3 lbs • T-Stop: T2.5 • Close Focus: 9" • Outer Diameter: 95mm • Zero Optik Rehousing

A unique set of Bausch & Lomb Baltar lenses owned and used by the legendary late cinematographer Harris Savides over his years of filmmaking have joined the rental inventory of Technological Cinevideo Services (TCS). The four focal lengths available are the 25mm T2.8, 35mm T2.5, 50mm T2.8, and 100mm T2.5. Savides kept these lenses with his personal 35mm Arriflex IIC cine camera and brought them to each of his film sets. The lenses have been generously loaned to TCS by Harris Savides’s daughter, director and actress Sophie Savides. The lenses join TCS’s lineup of original Baltars, including a 30mm T2.5, 40mm T2.5, 75mm T2.5, and 152mm T2.8.

While many lenses from this time varied with manufacturing from lens to lens, the original Baltars typically display a consistent look from lens to lens. Uniquely, the 25 and 50mm in this particular set are uncoated first generation lenses from Bausch & Lomb, while the 35 and 100mm have single-coated optics just as all later Baltars were manufactured. All lenses have good sharpness and contrast with the wide lenses showing gentle corner fall-off.

1.2

0.54

2.25

57.15

Arri PL

T2.5

T22

12″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Product Highlights

A unique set of Bausch & Lomb Baltar lenses owned and used by the legendary late cinematographer Harris Savides over his years of filmmaking have joined the rental inventory of Technological Cinevideo Services (TCS). The four focal lengths available are the 25mm T2.8, 35mm T2.5, 50mm T2.8, and 100mm T2.5. Savides kept these lenses with his personal 35mm Arriflex IIC cine camera and brought them to each of his film sets. The lenses have been generously loaned to TCS by Harris Savides’s daughter, director and actress Sophie Savides. The lenses join TCS’s lineup of original Baltars, including a 30mm T2.5, 40mm T2.5, 75mm T2.5, and 152mm T2.8.
While many lenses from this time varied with manufacturing from lens to lens, the original Baltars typically display a consistent look from lens to lens. Uniquely, the 25 and 50mm in this particular set are uncoated first generation lenses from Bausch & Lomb, while the 35 and 100mm have single-coated optics just as all later Baltars were manufactured. All lenses have good sharpness and contrast with the wide lenses showing gentle corner fall-off.

Harris Savides Collection: Bausch & Lomb Baltar 35mm T2.5 // ZO

Full Frame • Weight: 1.4 lbs • T-Stop: T2.8 • Close Focus: 15" • Outer Diameter: 95mm • Uncoated Optics • Zero Optik Rehousing • Designed for 35mm Film

Harris Savides Collection: Bausch & Lomb Baltar 35mm T2.5 // ZO

1.3

0.59

2.5

63.5

Arri PL

T2.5

T22

14″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Product Highlights

A unique set of Bausch & Lomb Baltar lenses owned and used by the legendary late cinematographer Harris Savides over his years of filmmaking have joined the rental inventory of Technological Cinevideo Services (TCS). The four focal lengths available are the 25mm T2.8, 35mm T2.5, 50mm T2.8, and 100mm T2.5. Savides kept these lenses with his personal 35mm Arriflex IIC cine camera and brought them to each of his film sets. The lenses have been generously loaned to TCS by Harris Savides’s daughter, director and actress Sophie Savides. The lenses join TCS’s lineup of original Baltars, including a 30mm T2.5, 40mm T2.5, 75mm T2.5, and 152mm T2.8.
While many lenses from this time varied with manufacturing from lens to lens, the original Baltars typically display a consistent look from lens to lens. Uniquely, the 25 and 50mm in this particular set are uncoated first generation lenses from Bausch & Lomb, while the 35 and 100mm have single-coated optics just as all later Baltars were manufactured. All lenses have good sharpness and contrast with the wide lenses showing gentle corner fall-off.

Harris Savides Collection: Bausch & Lomb Baltar 50mm T2.8 // ZO

Full Frame • Weight: 3.25lbs • T-Stop: T2.5 • Close Focus: 23" • Outer Diameter: 95mm • Zero Optik Rehousing • Designed for 35mm Film

Harris Savides Collection: Bausch & Lomb Baltar 50mm T2.8 // ZO

1.4

0.64

2.5

63.5

Arri PL

T2.5

T22

15″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Product Highlights

A unique set of Bausch & Lomb Baltar lenses owned and used by the legendary late cinematographer Harris Savides over his years of filmmaking have joined the rental inventory of Technological Cinevideo Services (TCS). The four focal lengths available are the 25mm T2.8, 35mm T2.5, 50mm T2.8, and 100mm T2.5. Savides kept these lenses with his personal 35mm Arriflex IIC cine camera and brought them to each of his film sets. The lenses have been generously loaned to TCS by Harris Savides’s daughter, director and actress Sophie Savides. The lenses join TCS’s lineup of original Baltars, including a 30mm T2.5, 40mm T2.5, 75mm T2.5, and 152mm T2.8.
While many lenses from this time varied with manufacturing from lens to lens, the original Baltars typically display a consistent look from lens to lens. Uniquely, the 25 and 50mm in this particular set are uncoated first generation lenses from Bausch & Lomb, while the 35 and 100mm have single-coated optics just as all later Baltars were manufactured. All lenses have good sharpness and contrast with the wide lenses showing gentle corner fall-off.

Harris Savides Collection: Bausch & Lomb Baltar 100mm T2.5 // ZO

Weight: 3 lbs • T-Stop: T3.1 • Close Focus: 9.5'' • Outer Diameter: 136mm • Canon Full Frame, FD/K-35 Match • LIMITED RUN • Zero Optik Rehousing

Harris Savides Collection: Bausch & Lomb Baltar 100mm T2.5 // ZO

3.25

1.47

5.37

136.5

Arri PL

T2.5

T22

23″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1935

Product Highlights

A unique set of Bausch & Lomb Baltar lenses owned and used by the legendary late cinematographer Harris Savides over his years of filmmaking have joined the rental inventory of Technological Cinevideo Services (TCS). The four focal lengths available are the 25mm T2.8, 35mm T2.5, 50mm T2.8, and 100mm T2.5. Savides kept these lenses with his personal 35mm Arriflex IIC cine camera and brought them to each of his film sets. The lenses have been generously loaned to TCS by Harris Savides’s daughter, director and actress Sophie Savides. The lenses join TCS’s lineup of original Baltars, including a 30mm T2.5, 40mm T2.5, 75mm T2.5, and 152mm T2.8.
While many lenses from this time varied with manufacturing from lens to lens, the original Baltars typically display a consistent look from lens to lens. Uniquely, the 25 and 50mm in this particular set are uncoated first generation lenses from Bausch & Lomb, while the 35 and 100mm have single-coated optics just as all later Baltars were manufactured. All lenses have good sharpness and contrast with the wide lenses showing gentle corner fall-off.

Canon 10mm T3.1 // ZO

Full Frame • Weight: 2 lbs • T-Stop: T2.8 • Close Focus: 8" • Outer Diameter: 110mm • with new round iris to match Canon K-35 series

Canon 10mm T3.1 // ZO

1.36

4.13

104.91

136.00

Arri PL

3.1

9.5″

N/A

136mm

1991

Canon K35 Primes

Canon FD 14mm T2.8 // TLS (K-35 Match)

Canon FD 14mm T2.8 // TLS (K-35 Match)

1.33

Arri PL

T2.8

T22

8″

N/A

110mm

105mm

0.8 mod (cine pitch)

Full Frame • Weight: 5.9lbs • T-Stop: T1.5 • Close Focus: 12" • Outer Diameter: 134mm

0.8 mod (cine pitch)

K35 TLS

Scorpio NEW Canon K-35 18mm T1.5 (K-35 match)

Super 35mm • Weight: 3.8 lbs • T-Stop: T1.5 • Close Focus: 12" • Outer Diameter: 110mm

Scorpio NEW Canon K-35 18mm T1.5 (K-35 match)

B series

5.9

2.67

152.4

Arri PL

T1.5

T16

12″

N/A

134mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Product Highlights

B series

Canon K-35 18mm T1.5 // TLS

Full Frame • Weight: 1.6 lbs • T-Stop: T2.9 • Close Focus: 10" • Outer Diameter: 110mm • new round iris • extended focal length option for Canon K-35 set

Canon K-35 18mm T1.5 // TLS

B series

3.8

1.72

4.25

107.95

Arri PL

T1.5

T22

12″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

B series

Canon K35 Primes

Canon FD SSC 20mm T2.9 // TLS (K-35 Match)

Full Frame • Weight: 2.7 lbs • T-Stop: T1.5 • Close Focus: 12" • Outer Diameter: 110mm

Canon FD SSC 20mm T2.9 // TLS (K-35 Match)

1.6

.72

76.2

Arri PL

T2.9

T22

10″

N/A

1973

K35 TLS

Canon K-35 24mm T1.5 // TLS

Full Frame • Weight: 1.14 lbs • T-Stop: T2.9 • Close Focus: 8" • Outer Diameter: 110mm

Canon K-35 24mm T1.5 // TLS

B series

2.7

1.22

3.25

82.55

Arri PL

T1.5

T22

12″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

B series

Canon K35 Primes

Canon FD 15mm T2.9 Fisheye // TLS

Full Frame • Weight: 2.4 lbs • T-Stop: T2 • Close Focus: 12" • Outer Diameter: 110mm • new round iris • extended focal length option for Canon K-35 set

Canon FD 15mm T2.9 Fisheye // TLS

1.14

.52

110

Arri PL

T16

8″

N/A

N/A

110mm

0.8

0.8

1989

Canon FD 28mm T2 // TLS (K-35 Match)

Full Frame • Weight: 3.14 lbs • T-Stop: T1.3 • Close Focus: 12" • Outer Diameter: 110mm

Canon FD 28mm T2 // TLS (K-35 Match)

2.40

1.09

76.2

Arri PL

T22

12″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

K35 TLS

Canon K-35 35mm T1.3 // TLS

Full Frame • T-Stop: T2.1 • Close Focus: 12" • Outer Diameter: 110mm • new round iris • extended focal length option for Canon K-35 set

Canon K-35 35mm T1.3 // TLS

3.14

1.42

3.25

82.55

Arri PL

T1.3

T22

12″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Canon K35 Primes

Canon FD S.S.C Concave 35mm T2.1 // TLS (K-35 Match)

Full Frame • T-Stop: T1.3 • Close Focus: 13" • Outer Diameter: 110mm• new round iris • extended focal length option for Canon K-35 set

Canon FD S.S.C Concave 35mm T2.1 // TLS (K-35 Match)

Arri PL

T2.1

T22

12″

N/A

110mm

1973

Yashica 45mm T1.5 // TLS (K-35 Match)

Full Frame • Weight: 2.6 lbs • T-Stop: T1.3 • Close Focus: 17" • Outer Diameter: 110mm

Yashica 45mm T1.5 // TLS (K-35 Match)

T1.5

13″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1965

K35 TLS

Canon K-35 50mm T1.3 // TLS

Full Frame • Weight: 2.6 lbs • T-Stop: T1.4 • Close Focus: 22" • Outer Diameter: 110mm

Canon K-35 50mm T1.3 // TLS

B series

2.6

1.18

2.75

69.85

Arri PL

T1.3

T22

17″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

B series

Canon K-35 55mm T1.4 // TLS

Full Frame • Weight: 3.12 lbs • T-Stop: T1.3 • Close Focus: 2'4" • Outer Diameter: 110mm • new round iris • Bespoke focal length based on Canon FD SSC Aspherical 85mm • extended focal length option for Canon K-35 set

Canon K-35 55mm T1.4 // TLS

A series

2.6

1.18

2.75

69.85

Arri PL

T1.4

T22

22″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

A series

Canon K35 Primes

Canon FD-X 70mm T1.3 // TLS (K-35 Match)

Full Frame • Weight: 2.4 lbs • T-Stop: T1.3 • Close Focus: 2'10" • Outer Diameter: 110mm

Canon FD-X 70mm T1.3 // TLS (K-35 Match)

3.12

1.42

101.6

Arri PL

T1.3

T22

2.4′

N/A

110mm

K35 TLS

Canon K-35 85mm T1.3 // TLS

Full Frame • Weight: 3.12 lbs • T-Stop: T2 • Close Focus: 2'2" • Outer Diameter: 110mm • new round iris • extended focal length option for Canon K-35 set

Canon K-35 85mm T1.3 // TLS

B series

2.4

1.09

3.5

88.9

Arri PL

T1.3

T22

2’10”

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

B series

Canon K35 Primes

Canon FD 100mm T2 // TLS (K-35 Match)

Full Frame • 3.3 lbs • T-Stop: T2.1 • Close Focus: 2'2" • Outer Diameter: 110mm • new round iris • extended focal length option for Canon K-35 set

Canon FD 100mm T2 // TLS (K-35 Match)

3.12

1.42

101.6

Arri PL

T22

2’2″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Canon R 100mm T2.1 // TLS (K-35 Match)

Full Frame • T-Stop: T2.8 • Close Focus: 3'8" • Outer Diameter: 110mm • new round iris • extended focal length option for Canon K-35 set

Canon R 100mm T2.1 // TLS (K-35 Match)

3.3

1.49

127

Arri PL

T2.2

T22

2’2″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Canon FD SC 135mm T2.8 // TLS (K-35 Match)

Full Frame • Weight: 3.68 lbs • T-Stop: T2 • Close Focus: 3'8" • Outer Diameter: 110mm • new round iris • extended focal length option for Canon K-35 set

Canon FD SC 135mm T2.8 // TLS (K-35 Match)

Arri PL

T2.8

T22

3’8″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Canon FD 135mm T2 // TLS (K-35 Match)

Full Frame • Weight: 4.1 lbs • T-Stop: T2 • Close Focus: 6' • Outer Diameter: 110mm • new round iris • extended focal length option for Canon K-35 set

Canon FD 135mm T2 // TLS (K-35 Match)

3.68

1.67

4.69

119

Arri PL

T22

3’8″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Canon FD SSC 200mm T2.9 // TLS (K-35 Match)

Full Frame • Weight: 1.6 lbs • T-Stop: T3.1 • Close Focus: 10" • Outer Diameter: 95mm • Zero Optik Rehousing • with new round iris to match Canon K-35 series

Canon FD SSC 200mm T2.9 // TLS (K-35 Match)

4.1

1.85

7.5

190.5

Arri PL

T2.9

T22

72″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1975

Canon FD SSC 20mm // ZO (K-35 MATCH)

Canon FD SSC 20mm // ZO (K-35 MATCH)

1.6

.72

76.2

Arri PL

T3.1

T22

10″

N/A

95mm

Full Frame • Weight: 2.3 lbs • T-Stop: T2.1 • Close Focus: 2'4" • Outer Diameter: 95mm • Zero Optik Rehousing • with new round iris to match Canon K-35 series

N/A

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1973

Canon FD 100mm // ZO (K-35 MATCH)

Canon FD 100mm // ZO (K-35 MATCH)

2.3

1.04

127

Arri PL

T2.1

T22

2’4″

N/A

95mm

Full Frame • Weight: 2.4 lbs • T-Stop: T2.1 • Close Focus: 4' • Outer Diameter: 95mm • Zero Optik Rehousing • with new round iris to match Canon K-35 series

N/A

16 (not original)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1980, rehoused 2021

Canon FD 135mm // ZO (K-35 MATCH)

Canon FD 135mm // ZO (K-35 MATCH)

2.4

1.08

127

Arri PL

T2.1

T22

4′

N/A

95mm

N/A

16 (not original)

0.8 mod (cine pitch)

Super 35mm • Weight: 11.1 lbs • T-Stop: T2.8 • Close Focus: 4' • Outer Diameter: 136mm

0.8 mod (cine pitch)

Canon K35 Zooms

Canon K-35 25-120mm Macro T2.8

Canon K-35 25-120mm Macro T2.8

11.1

5.03

228.6

Arri PL

T2.8

T22

4′

1’1″ at 25mm, 3’1″ @ 120mm

N/A

136mm

Full Frame • T-Stop: T4 • Close Focus: 8" • Outer Diameter: 110mm • Single-coated 1960's optics • LPL Mount • Circular Iris • TLS Rehousing • Canon Rangefinder-X series

4.8x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Canon 19mm "Dream" T4 // TLS

Canon 19mm "Dream" T4 // TLS

LPL

8″

N/A

110

104

Full Frame • T-Stop: T1.8 • Close Focus: 8" • Outer Diameter: 110mm • Single-coated 1960's optics • LPL Mount • Circular Iris • TLS Rehousing • Canon Rangefinder series

Canon 25mm "Dream" Soft Focus T1.8 // TLS

Full Frame • T-Stop: T2.1 • Close Focus: 8" • Outer Diameter: 110mm • Single-coated 1960's optics • LPL Mount • Circular Iris • TLS Rehousing • Canon Rangefinder series

Canon 25mm "Dream" Soft Focus T1.8 // TLS

LPL

8″

N/A

110

300

1958

Canon 25mm "Dream" T2.1 // TLS

Canon 25mm "Dream" T2.1 // TLS

2.75

1.25

3.75″

95.25

LPL

8″

N/A

110

Full Frame • T-Stop: T2.1 • Close Focus: 8" • Outer Diameter: 110mm • Single-coated 1960's optics • LPL Mount • Circular Iris • TLS Rehousing • Canon Rangefinder series

104

1958

Canon 28mm "Dream" T2.1 // TLS

Canon 28mm "Dream" T2.1 // TLS

LPL

8″

N/A

110

104

Full Frame • Weight: 1.7 lbs • T-Stop: T1.6 • Close Focus: 13" • Outer Diameter: 110mm • Single-coated 1960's optics • LPL Mount • Circular Iris • TLS Rehousing • Canon Rangefinder series

1958

Canon 35MM "Dream" T1.6 // TLS

Full Frame • Weight: 2.2 lbs • T-Stop: T1.6 • Close Focus: 11" • Outer Diameter: 110mm • Single-coated 1960's optics • LPL Mount • Circular Iris • TLS Rehousing • Canon Rangefinder-X series

Canon 35MM "Dream" T1.6 // TLS

1.7

.77

2.5

63.5

LPL

13″

N/A

110

1958

Canon 40mm "Dream" T1.8 // TLS

Full Frame • Weight: 2.2 lbs • T-Stop: T1.1 (f/0.95) • Close Focus: 16" • Outer Diameter: 110mm • Single-coated 1960's optics • LPL Mount • Circular Iris • TLS Rehousing • Canon Rangefinder series

Canon 40mm "Dream" T1.8 // TLS

2.2

3.75

95.25

LPL

1.8

11″

N/A

110

1961

Canon 50MM "Dream" T1.1 // TLS

Full Frame • Weight: 2.5 lbs • T-Stop: T1.4 • Close Focus: 19" • Outer Diameter: 110mm • Single-coated 1960's optics • LPL Mount • Circular Iris • TLS Rehousing • Canon Rangefinder-X series

Canon 50MM "Dream" T1.1 // TLS

2.2

2.6

66.05

16″

N/A

110

1961

Canon 58mm "Dream" T1.4 // TLS

Canon 58mm "Dream" T1.4 // TLS

2.75

1.25

3.5

88.9

1.4

19″

N/A

110

Full Frame • Weight: 3lbs • T-Stop: T1.9 • Close Focus: 2'3" • Outer Diameter: 110mm • Single-coated 1960's optics • LPL Mount • Circular Iris • TLS Rehousing • Canon Rangefinder series

104

1961

Canon 85mm "Dream" T1.9 // TLS

Full Frame • Weight: 3.3lbs • T-Stop: T2.1 • Close Focus: 2'2" • Outer Diameter: 110mm • Single-coated 1960's optics • LPL Mount • Circular Iris • TLS Rehousing • Canon Rangefinder series

Canon 85mm "Dream" T1.9 // TLS

1.36

3.5

88.9

2’3″

N/A

110

1961

Canon 100mm "Dream" T2.1 // TLS

Full Frame • T-Stop: T2.6 • Close Focus: 3'6" • Outer Diameter: 110mm • Single-coated 1960's optics • LPL Mount • Circular Iris • TLS Rehousing • Canon Rangefinder-X series

Canon 100mm "Dream" T2.1 // TLS

3.3

1.49

127

LPL

2.1

T16

26″

N/A

110

1959

Canon 135mm "Dream" T2.6 // TLS

Canon 135mm "Dream" T2.6 // TLS

LPL

3’6″

N/A

110

104

Full Frame • Weight: 2.31 lbs • T-Stop: T1.6 • Close Focus: 9" • Outer Diameter: 114mm • Single-coated 1960's optics • PL Mount • Circular Iris • based upon vintage 1960s Canon rangefinder lenses • medium contrast and golden lens flares • Slight corner vignette on open gate Mini LF 36.7x25.5 but cover completely 16x9 Mini LF as well as the larger 5.7k 17:9 on the Venice and 16:9 8k on Venice 2

1958

Canon Type SK 25mm T1.6

Full Frame • Weight: 1.68lbs • T-Stop: T1.6 • Close Focus: 12" • Outer Diameter: 110mm • Single-coated 1960's optics • PL Mount • Circular Iris • based upon vintage 1960s Canon rangefinder lenses • medium contrast and golden lens flares • Slight corner vignette on open gate Mini LF 36.7x25.5 but cover completely 16x9 Mini LF as well as the larger 5.7k 17:9 on the Venice and 16:9 8k on Venice 2

Canon Type SK 25mm T1.6

2.31

1.04

102

T1.6

T16

9″

N/A

110

N/A

Canon Type SK 35mm T1.6

Full Frame • Weight: 2.08lbs • T-Stop: T1.6 • Close Focus: 12" • Outer Diameter: 110mm • Single-coated 1960's optics • PL Mount • Circular Iris • based upon vintage 1960s Canon rangefinder lenses • medium contrast and golden lens flares

Canon Type SK 35mm T1.6

1.68

.76

102

T1.6

T16

12″

N/A

110

N/A

Canon Type SK 50mm T1.6

Full Frame + • Weight: 2.87lbs • T-Stop: T1.6 • Close Focus: 20" • Outer Diameter: 110mm • Single-coated 1960's optics • PL Mount • Circular Iris • based upon vintage 1960s Canon rangefinder lenses • medium contrast and golden lens flares

Canon Type SK 50mm T1.6

2.08

.94

102

T1.6

T16

12″

N/A

110

N/A

Canon Type SK 85mm T1.6

Full Frame + • Weight: 2.62lbs • T-Stop: T2.1 • Close Focus: 2'3" • Outer Diameter: 110mm • Single-coated 1960's optics • PL Mount • Circular Iris • based upon vintage 1960s Canon rangefinder lenses • medium contrast and golden lens flares

Canon Type SK 85mm T1.6

2.87

1.31

102

T1.6

T16

20″

N/A

110

N/A

Canon Type SK 100mm T1.6

Full Frame • Weight: 1.34 lbs • T-Stop: T2.2 • Close Focus: 7 3/4" • Outer Diameter: 95mm • Zero Optik Rehousing • warm, gentle flares • with new round iris

Canon Type SK 100mm T1.6

2.62

1.18

102

T2.1

T16

2’3″

N/A

110

N/A

Canon K35 Primes

Olympus Zuiko 21mm T2.2 // ZO

Olympus Zuiko 21mm T2.2 // ZO

1.34

.61

Arri PL

T2.2

T22

7 3/4″

N/A

95mm

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Full Frame • T-Stop: T2.1 • Close Focus: 15" • Outer Diameter: 95mm • Famous swirly bokeh from East Germany/DDR • Portrait Lens • T coating • with new round iris

1978

Carl Zeiss Jena Biotar 58mm T2.1 // GLO

Carl Zeiss Jena Biotar 58mm T2.1 // GLO

Arri PL

T2.1

T22

15″

N/A

95mm

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Full Frame • T-Stop: T1.6 • Close Focus: 17" • Outer Diameter: 95mm • Famous swirly bokeh from East Germany/DDR • Portrait Lens • T coating • with new round iris

1950

Carl Zeiss Jena Biotar 75mm T1.6 // GLO

Carl Zeiss Jena Biotar 75mm T1.6 // GLO

Arri PL

T1.6

T22

17″

N/A

95mm

N/A

0.8 mod (cine pitch)

0.8 mod (cine pitch)

T-Stop: T4 • Close Focus: 6" • Outer Diameter: 125mm

1950

Kowa Cine Prominar

Kowa Cine Prominar 15mm T4 // TLS

T-Stop: T2.6 • Close Focus: 10" • Outer Diameter: 110mm

Kowa Cine Prominar 15mm T4 // TLS

1.8

0.82

3.25

82.55

Arri PL

T22

6″

125mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Kowa Cine Prominar 20mm T2.6 // TLS

Kowa Cine Prominar 20mm T2.6 // TLS

3.3

1.50

4.25

107.95

Arri PL

T2.6

T22

10″

110mm

105mm

0.8 mod (cine pitch)

T-Stop: T2.3 • Close Focus: 11" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Kowa Cine Prominar 25mm T2.3 // TLS

Kowa Cine Prominar 25mm T2.3 // TLS

4.2

1.91

5.5

139.7

Arri PL

T2.3

T22

11″

110mm

105mm

0.8 mod (cine pitch)

T-Stop: T2.3 • Close Focus: 10" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Kowa Cine Prominar 32mm T2.3 // TLS

Kowa Cine Prominar 32mm T2.3 // TLS

2.1

0.95

2.6

66.04

Arri PL

T2.3

T22

10″

110mm

105mm

0.8 mod (cine pitch)

T-Stop: T2.3 • Close Focus: 13" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Kowa Cine Prominar 40mm T2.3 // TLS

Kowa Cine Prominar 40mm T2.3 // TLS

1.9

0.86

2.75

69.85

Arri PL

T2.3

T22

13″

110mm

105mm

0.8 mod (cine pitch)

T-Stop: T2.3 • Close Focus: 19" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Kowa Cine Prominar 50mm T2.3 // TLS

Kowa Cine Prominar 50mm T2.3 // TLS

1.9

0.86

2.75

69.85

Arri PL

T2.3

T32

19″

110mm

105mm

0.8 mod (cine pitch)

T-Stop: T2.3 • Close Focus: 2'4" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Kowa Cine Prominar 75mm T2.3 // TLS

Kowa Cine Prominar 75mm T2.3 // TLS

2.75

1.25

3.5

88.9

Arri PL

T2.3

T22

2’4″

110mm

105mm

0.8 mod (cine pitch)

T-Stop: T2.6 • Close Focus: 3'3" • Outer Diameter: 110mm

0.8 mod (cine pitch)

Kowa Cine Prominar 100mm T2.6 // TLS

Kowa Cine Prominar 100mm T2.6 // TLS

3.75

1.70

127

Arri PL

T2.6

T22

3’3″

110mm

105mm

0.8 mod (cine pitch)

Full Frame+ • Weight:2.8lb • T-Stop: T4 • Close Focus: 12" • Outer Diameter: 95mm • PL Mount • TLS Rehousing

0.8 mod (cine pitch)

Mamiya Sekor

Mamiya 645 Sekor C 35mm T4 // TLS

Mamiya 645 Sekor C 35mm T4 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

2.8

1.27

4.75

120.6

T22

12″

N/A

95mm

Full Frame+ • Weight:3.3lbs • T-Stop: T3 • Close Focus: 14" • Outer Diameter: 95mm • PL Mount • TLS Rehousing

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field

Mamiya 645 Sekor C 45mm T3 // TLS

Mamiya 645 Sekor C 45mm T3 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

3.3

1.49685

5.25″

133.35

T22

14″

N/A

95mm

Full Frame+ • Weight:3.1lbs • T-Stop: T2.9 • Close Focus: 16" • Outer Diameter: 95mm • PL Mount • TLS Rehousing

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field

Mamiya 645 Sekor C 55mm T3 // TLS

Mamiya 645 Sekor C 55mm T3 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

3.1

1.4

5.25

133.3

2.9

T22

14″

N/A

95mm

Full Frame+ • Weight:2.75lbs • T-Stop: T3 • Close Focus: 21" • Outer Diameter: 95mm • PL Mount • TLS Rehousing

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field

Mamiya 645 Sekor C 70mm T3 // TLS

Mamiya 645 Sekor C 70mm T3 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

2.75

1.25

4.62

117.3

T22

21″

N/A

95mm

Full Frame+ • Weight:2.9lbs • T-Stop: T2 • Close Focus: 2'1" • Outer Diameter: 95mm • PL Mount • TLS Rehousing

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field

Mamiya 645 Sekor CN 80mm T2 // TLS

Mamiya 645 Sekor CN 80mm T2 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

2.9

1.31

4.62

117.3

T22

2’1″

N/A

95mm

Full Frame+ • Weight:2.81lbs • T-Stop: T2.9 • Close Focus: 3'7" • Outer Diameter: 95mm • PL Mount • TLS Rehousing

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field

Mamiya 645 Sekor C 110mm T2.9 // TLS

Mamiya 645 Sekor C 110mm T2.9 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

2.81

1.27

4.75″

120.6

2.9

T22

3’7″

N/A

95mm

Full Frame+ • Weight:3.1lbs • T-Stop: T3.6 • Close Focus: 4' • Outer Diameter: 95mm • PL Mount • TLS Rehousing

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field

Mamiya 645 Sekor C 150mm T3.6 // TLS

Mamiya 645 Sekor C 150mm T3.6 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

3.1

1,4

5.5″

139.7

3.6

T22

4′

N/A

95mm

Full Frame+ • Weight:2.8lb • T-Stop: T2.8 • Close Focus: 12" • Outer Diameter: 95mm • PL Mount • TLS Rehousing

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field

Mamiya Speed 25mm T2.8 // TLS

Mamiya Speed 25mm T2.8 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

2.8

1.27

4.75

120.6

2.8

T22

12″

N/A

95mm

Full Frame+ • Weight:3.3lbs • T-Stop: T2.3 • Close Focus: 14" • Outer Diameter: 95mm • PL Mount • TLS Rehousing

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field
Our Kit Includes

This lens is equipped with a 0.7x Speed Booster from Kipon Baveyes, converting M645 to PL mount. 1 stop light gain 0.7x wider FOV.

Mamiya Speed 32mm T2.3 // TLS

Mamiya Speed 32mm T2.3 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

3.3

1.49685

5.25″

133.35

2.3

T22

14″

N/A

95mm

Full Frame+ • Weight:3.1lbs • T-Stop: T2.3 • Close Focus: 16" • Outer Diameter: 95mm • PL Mount • TLS Rehousing

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field
Our Kit Includes

This lens is equipped with a 0.7x Speed Booster from Kipon Baveyes, converting M645 to PL mount. 1 stop light gain 0.7x wider FOV.

Mamiya Speed 39mm T2.3 // TLS

Mamiya Speed 39mm T2.3 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

3.1

1.4

5.25

133.3

2.3

T22

14″

N/A

95mm

Full Frame+ • Weight:2.75lbs • T-Stop: T2.3 • Close Focus: 21" • Outer Diameter: 95mm • PL Mount • TLS Rehousing

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field
Our Kit Includes

This lens is equipped with a 0.7x Speed Booster from Kipon Baveyes, converting M645 to PL mount. 1 stop light gain 0.7x wider FOV.

Mamiya Speed 50mm T2.3 // TLS

Mamiya Speed 50mm T2.3 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

2.75

1.25

4.62

117.3

T2.3

T22

21″

N/A

95mm

Full Frame+ • Weight:2.9lbs • T-Stop: T1.6 • Close Focus: 2'1" • Outer Diameter: 95mm • PL Mount • TLS Rehousing

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field
Our Kit Includes

This lens is equipped with a 0.7x Speed Booster from Kipon Baveyes, converting M645 to PL mount. 1 stop light gain 0.7x wider FOV.

Mamiya Speed 57mm T1.6 // TLS

Mamiya Speed 57mm T1.6 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

2.9

1.31

4.62

117.3

1.6

T22

2’1″

N/A

95mm

Full Frame+ • Weight:2.81lbs • T-Stop: T2.3 • Close Focus: 3'7" • Outer Diameter: 95mm • PL Mount • TLS Rehousing

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field
Our Kit Includes

This lens is equipped with a 0.7x Speed Booster from Kipon Baveyes, converting M645 to PL mount. 1 stop light gain 0.7x wider FOV.

Mamiya Speed 78mm T2.3 // TLS

Mamiya Speed 78mm T2.3 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

2.81

1.27

4.75

120.6

LPL

2.3

T22

3’7″

N/A

95mm

Full Frame+ • Weight:2.81lbs • T-Stop: T2.3 • Close Focus: 3'7" • Outer Diameter: 95mm • PL Mount • TLS Rehousing

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field
Our Kit Includes

This lens is equipped with a 0.7x Speed Booster from Kipon Baveyes, converting M645 to PL mount. 1 stop light gain 0.7x wider FOV.

Mamiya Speed 107mm T2.3 // TLS

Mamiya Speed 107mm T2.3 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

2.81

1.27

4.75″

120.6

2.3

T22

3’7″

N/A

95mm

Full Frame+ • Weight:3.1lbs • T-Stop: T3.6 • Close Focus: 4' • Outer Diameter: 95mm • PL Mount to supplement Mamiya Sekor Speed set • TLS Rehousing

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field
Our Kit Includes

This lens is equipped with a 0.7x Speed Booster from Kipon Baveyes, converting M645 to PL mount. 1 stop light gain 0.7x wider FOV.

Mamiya 645 Sekor C 150mm T3.6 // TLS

Mamiya 645 Sekor C 150mm T3.6 // TLS

C Generation has multilayer Lens coating

CN generation has a more even field

3.1

1,4

5.5″

139.7

3.6

T22

4′

N/A

95mm

Soviet-era Helios optics • Full Frame+ • Weight: 2.75lbs • T-Stop: T2.3 • Close Focus: 15" • Outer Diameter: 95mm • PL Mount • RGO Rehousing • Swirly bokeh

77mm

1975-1985

Product Highlights

C Generation has multilayer Lens coating
CN generation has a more even field
Our Kit Includes

This lens is equipped with a 0.7x Speed Booster from Kipon Baveyes, converting M645 to PL mount. 1 stop light gain 0.7x wider FOV.

RGO Clavius

Clavius 28mm T2.3 // RGO

Clavius 28mm T2.3 // RGO

Single Layer MgF2 Coated Primary Elements

Pronounced lens flares

Classical lower contrast rendering

2.75

1.25

2.3

T16

15″

N/A

95mm

86mm

Soviet-era Helios optics • Full Frame+ • Weight: 2.5lbs • T-Stop: T2.3 • Close Focus: 13" • Outer Diameter: 95mm • PL Mount • RGO Rehousing • Swirly bokeh

1951

Product Highlights

Single Layer MgF2 Coated Primary Elements
Pronounced lens flares
Classical lower contrast rendering

Clavius 38mm T2.3 // RGO

Clavius 38mm T2.3 // RGO

Single Layer MgF2 Coated Primary Elements

Pronounced lens flares

Classical lower contrast rendering

2.5

1.13

2.3

T16

13″

N/A

95mm

86mm

Soviet-era Helios optics • Full Frame+ • Weight: 2lbs • T-Stop: T2.3 • Close Focus: 20" • Outer Diameter: 95mm • PL Mount • RGO Rehousing • Swirly bokeh • Based on Russian Helios 58mm f2 prime

1951

Product Highlights

Single Layer MgF2 Coated Primary Elements
Pronounced lens flares
Classical lower contrast rendering

Clavius 58mm T2.3 // RGO

Clavius 58mm T2.3 // RGO

Single Layer MgF2 Coated Primary Elements

Pronounced lens flares

Classical lower contrast rendering

2.3

T16

20″

N/A

95mm

86mm

Soviet-era Helios optics • Full Frame+ • Weight: 2.75lbs • T-Stop: T2.3 • Close Focus: 3'4" • Outer Diameter: 95mm • PL Mount • RGO Rehousing • Swirly bokeh

1951

Product Highlights

Single Layer MgF2 Coated Primary Elements
Pronounced lens flares
Classical lower contrast rendering

Clavius 88mm T2.3 // RGO

Clavius 88mm T2.3 // RGO

Single Layer MgF2 Coated Primary Elements

Pronounced lens flares

Classical lower contrast rendering

2.75

1.25

2.3

T16

3’4″

N/A

95mm

86mm

Portrait Lens • Full Frame • Weight: 3.5 lbs • T-Stop: T3.5 • Close Focus: 2'4" • Outer Diameter: 110mm

1951

Product Highlights

Single Layer MgF2 Coated Primary Elements
Pronounced lens flares
Classical lower contrast rendering

Other Cookes

Cooke Anastigmat 105mm T3.5 // TLS

Cooke Anastigmat 105mm T3.5 // TLS

Portrait Lens • Full Frame • f-Stop: T2.1 • Close Focus: 2'2" • Based on original 1840 Petzval design

• Portrait Lens

• Introducted in 1905

3.5

1.59

5.25

133.35

Arri PL

T3.5

T22

2’4″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1905

Product Highlights

• Portrait Lens
• Introducted in 1905

Lomography

Petzval 58mm Portrait Lens T2.1 (TLS)

Portrait Lens • Full Frame • f-Stop: T2.3 • Close Focus: 3'

Petzval 58mm Portrait Lens T2.1 (TLS)

• Portrait Lens

1.9

0.86

3.5

88.9

Canon EF

T2.1

2’2″

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2013, based on original 1840 optical design

Product Highlights

• Portrait Lens

Petzval 85mm Portrait Lens T2.3 (TLS)

Full Frame+ • T-Stop: T1.4 • Close Focus: 19" • Outer Diameter: 95mm • Swirly Bokeh • Green Flare

Petzval 85mm Portrait Lens T2.3 (TLS)

• Portrait Lens

1.9

0.86

3.5

88.9

Arri PL

T2.3

3′

N/A

110mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Product Highlights

• Portrait Lens

Nikon Primes

MasterBuilt 55mm T1.4 Portrait Lens

Full Frame • Weight: 1.48 lbs • T-Stop: T2.9 • Close Focus: 7" • Outer Diameter: 114mm • Close to zero distortion (Zero-D) • 122 degrees AoV

MasterBuilt 55mm T1.4 Portrait Lens

Arri PL

T1.4

19″

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1975

Laowa 12mm Zero-D T2.9

Full Frame • Weight: 2 lbs • T-Stop: T1.4 • Close Focus: 13" • Outer Diameter: 95mm • Zero Optik Rehousing

Laowa 12mm Zero-D T2.9

1.48

.68

3.43

Arri PL

T2.9

T22

7″

N/A

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2020

Minolta Rokkor 58mm T1.4 // ZO

Full Frame • Weight: 1.54 lbs • f-stop: f/0.95 • Close Focus: 3.3' • Screw-in Filters: 60mm

Minolta Rokkor 58mm T1.4 // ZO

76.2

Arri PL

T1.4

T16

13″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1975

Leica M

Leica Noctilux-M 50mm f/0.95 (Leica M Mount)

Leica Noctilux-M 50mm f/0.95 (Leica M Mount)

1.54

0.70

2.9

73.66

Leica M

f0.95

f16

3’4″

N/A

80mm (w/ step-up ring)

60mm

0.8 mod (cine pitch)

U35 • Weight: 2.7 • T-Stop: T1 • f-stop: f/0.95 • Close Focus: 10" • Outer Diameter: 95mm • Optics manufactured in France between 1960 and 1980 • New design for optical cell, including brand-new 16-blade iris • Zero Optik Rehousing

0.8 mod (cine pitch)

Vintage Angenieux Zooms

Angenieux Type M1 50mm T1 // ZO

Angenieux Type M1 50mm T1 // ZO

Portrait Lens • Full Frame • f-Stop: f2.9 • Close Focus: 1.64' • Waterhouse aperture plates, up to f/16 • Canon EF mount • Alternate between razor-sharp images, or silky soft focus

Optics were manufactured in France between 1960 and 1980 for surveillance applications where light was in short supply.

This lens actually predates Canon’s 50mm f/0.95 “Dream Lens” by six years, but because the Angenieux wasn’t available to the public, few knew of its existence.

Rebuild required a totally new design for the optical cell itself, including a brand-new 16-blade iris.

2.7

1.22

12.2

88.9

3.5

Arri PL

T11

10″

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Optics were manufactured in France between 1960 and 1980 for surveillance applications where light was in short supply.
This lens actually predates Canon’s 50mm f/0.95 “Dream Lens” by six years, but because the Angenieux wasn’t available to the public, few knew of its existence.
Rebuild required a totally new design for the optical cell itself, including a brand-new 16-blade iris.

Lomography

Daguerreotype 64mm Achromat Art Lens f/2.9 | Lomography

Daguerreotype 64mm Achromat Art Lens f/2.9 | Lomography

• Portrait Lens

1.5

0.68

101.6

Canon EF

f/2.9

f/16

1.64′

N/A

40.5mm

No cine focus ring

No cine focus ring

Weight: 10.5 lbs • T-Stop: T3.5 • Close Focus: 5'7" • Outer Diameter: 136mm

2016

Product Highlights

• Portrait Lens

Vintage Angenieux Zooms

Angenieux HR 25-250mm T3.5

Angenieux HR 25-250mm T3.5

10.5

4.76

12.2

309.88

Arri PL

T3.5

5’7″

N/A

136mm

Weight: 10.5 lbs • T-Stop: T4 • Close Focus: 5'7" • Outer Diameter: 136mm • covers Alexa Open Gate 3.4K (⌀ 33.59 mm image circle) • includes Optica Magnus expander

10x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1991

Angenieux HR 29-290mm U35 T4 (Open Gate)

Angenieux HR 29-290mm U35 T4 (Open Gate)

10.5

4.76

12.2

309.88

Arri PL

5’7″

N/A

136mm

Weight: 10.5 lbs • T-Stop: T4.5 • Close Focus: 5'7" • Outer Diameter: 136mm • Covers Alexa LF 16:9 4K (⌀ 36.35 mm image circle) • includes Optica Magnus expander

10x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1991

Angenieux HR 31-310mm U35+ T4.5

Angenieux HR 31-310mm U35+ T4.5

10.5

4.76

12.2

309.88

Arri PL

T4.5

5’7″

N/A

136mm

Weight: 10.5 lbs • T-Stop: T6.3 • Close Focus: 5'7" • Outer Diameter: 136mm • covers ⌀ 43.27mm image circle • includes Optica Magnus Full Frame expander

10x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1991

Angenieux HR 42-420mm FF/VV T6.3

Angenieux HR 42-420mm FF/VV T6.3

10.5

4.76

12.2

309.88

Arri PL

T6.3

5’7″

N/A

136mm

Weight: 8.4 lbs • T-Stop: T3.7 • Close Focus: 5'7" • Outer Diameter: 125mm

10x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

1991

Angenieux HP 25-250mm T3.7

Angenieux HP 25-250mm T3.7

8.4

3.81

304.88

Arri PL

T3.7

5’7″

N/A

125mm

Weight: 8.4 lbs • T-Stop: T4.5 • Close Focus: 5'7" • Outer Diameter: 125mm • covers Alexa Open Gate 3.4K (⌀ 33.59 mm image circle) • includes Optica Magnus expander

10x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux HP 29-290mm U35 T4.5 (Open Gate)

Angenieux HP 29-290mm U35 T4.5 (Open Gate)

8.4

3.81

304.88

Arri PL

T3.7

5’7″

N/A

125mm

Weight: 8.4 lbs • T-Stop: T5 • Close Focus: 5'7" • Outer Diameter: 125mm • Covers Alexa LF 16:9 4K (⌀ 36.35 mm image circle) • includes Optica Magnus expander

10x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux HP 31-310mm U35+ T5

Angenieux HP 31-310mm U35+ T5

8.4

3.81

304.88

Arri PL

T3.7

5’7″

N/A

125mm

Weight: 8.4 lbs • T-Stop: T6.5 • Close Focus: 5'7" • Outer Diameter: 125mm • includes Optica Magnus expander

10x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux HP 42-420mm FF/VV T6.5

Angenieux HP 42-420mm FF/VV T6.5

8.4

3.81

304.88

Arri PL

T6.5

5’7″

N/A

125mm

T-Stop: T3.9 • Close Focus: 6'

10x

0.8 mod (cine pitch)

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Angenieux 25-250mm T3.9

Angenieux 25-250mm T3.9

Arri PL, Arri Standard

T3.9

6′

N/A

10x

Weight: 2.5 lbs • T-Stop: T2.1 • Close Focus: 6" • Outer Diameter: 80mm

1962

Macro Lenses

Arri 16mm Macro T2.1

Arri 16mm Macro T2.1

2.5

1.13

3.26

82.804

Arri PL

T2.1

T22

6″

Yes

1:4

5-3/4″

Weight: 2.5 lbs • T-Stop: T2.1 • Close Focus: 7" • Outer Diameter: 80mm

2/3 stop

Yes

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Arri 24mm Macro T2.1

Arri 24mm Macro T2.1

2.5

1.13

3.26

82.804

Arri PL

T2.1

T22

7″

Yes

1:4

6-3/4″

Weight: 2 lbs • T-Stop: T2.1 • Close Focus: 9" • Outer Diameter: 80mm

2/3 stop

Yes

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Arri 32mm Macro T2.1

Arri 32mm Macro T2.1

0.91

3.26

82.804

Arri PL

T2.1

T22

9″

Yes

1:4

7-3/4″

Weight: 2 lbs • T-Stop: T2.1 • Close Focus: 10" • Outer Diameter: 80mm

2/3 stop

Yes

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Arri 40mm Macro T2.1

Arri 40mm Macro T2.1

0.91

3.26

82.804

Arri PL

T2.1

T22

10″

Yes

1:4

9-3/4″

Full Frame in Macro Close Focus up to 6' • Weight: 2.9 lbs • T-Stop: T3 • Close Focus: 14" • Outer Diameter: 80mm

2/3 stop

Yes

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Arri 50mm Macro 1:1 T3

Arri 50mm Macro 1:1 T3

2.9

1.32

3.62

91.948

Arri PL

T64

14″

Yes

1:1

1’2″

Full Frame+ • Weight: 1.75 lbs • T-Stop: T3 • Macro lens • Close Focus: 11" • Outer Diameter: 80mm

1-1/2 stops

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Planar 60mm Makro T3

Zeiss Planar 60mm Makro T3

1.75

0.79

5.5

139.7

Arri PL

T32

11″

Yes

1:2

10-3/4″

Full Frame+ • Weight: 3.4 lbs • T-Stop: T3 • Close Focus: 14" • Outer Diameter: 80mm

1 stop

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Arri 100mm Macro 1:1 T3

Arri 100mm Macro 1:1 T3

3.4

1.54

5.5

139.7

Arri PL

T64

14″

Yes

1:1

13-1/2″

Weight: 3.9 lbs • T-Stop: T4.3 • Close Focus: 23" • Outer Diameter: 80mm

1-1/2 stops

N/A

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Arri 200mm Macro 1:1 T4.3

Arri 200mm Macro 1:1 T4.3

3.9

1.77

9.25

234.95

Arri PL

T4.3

T32

23″

Yes

1:1

1′ 11″

Weight: 5.7 lbs • T-Stop: T2 • Close Focus: 13-3/4" • Outer Diameter: 114mm

2-1/2 stops

80mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Zeiss Master Macro 100mm 1:1 T*XP T2

Zeiss Master Macro 100mm 1:1 T*XP T2

Makro-Planar

5.7

2.59

203.2

Arri PL LDS

LDS

T32

13-3/4″

Yes

1:1

13-3/4″

Full Frame • Weight: 2.5 lbs • T-Stop: T2.9 • Close Focus: 7.5" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount

2.2 stops

114mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

Makro-Planar

IB/E Raptor 60mm Macro 1:1 T2.9 (FF)

IB/E Raptor 60mm Macro 1:1 T2.9 (FF)

APO extended color correction
Internal focus
Consistent distance from flange to iris and focus ring

2.5

1.13

4.5

114.3

Arri PL, Nikon F, Canon EF, Sony E-Mount

T2.9

T22

7.5″

Yes

1:1

7.5″

Full Frame • Weight: 2.53 lbs • T-Stop: T2.9 • Close Focus: 12.2" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount

T5.3

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

APO extended color correction
Internal focus
Consistent distance from flange to iris and focus ring

IB/E Raptor 100mm Macro 1:1 T2.9 (FF)

IB/E Raptor 100mm Macro 1:1 T2.9 (FF)

APO extended color correction
Internal focus
Consistent distance from flange to iris and focus ring

2.53

1.15

5.7

144.78

Arri PL, Nikon F, Canon EF, Sony E-Mount

T2.9

T22

12.2″

Yes

1:1

1.02′

Full Frame • Weight: 3.88 lbs • T-Stop: T2.9 • Close Focus: 15" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount

T5.3

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

APO extended color correction
Internal focus
Consistent distance from flange to iris and focus ring

IB/E Raptor 150mm Macro 1:1 T2.9 (FF)

IB/E Raptor 150mm Macro 1:1 T2.9 (FF)

APO extended color correction
Internal focus
Consistent distance from flange to iris and focus ring

3.88

1.76

5.7

144.78

Arri PL, Nikon F, Canon EF, Sony E-Mount

T2.9

T22

15″

Yes

1:1

1.25′

Full Frame • Weight: 6.39 lbs • T-Stop: T2.9 • Close Focus: 18.5" • Outer Diameter: 95mm • Available in Arri PL Mount or Canon EF Mount

T5.3

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

APO extended color correction
Internal focus
Consistent distance from flange to iris and focus ring

IB/E Raptor 180mm Macro 1:1 T2.9 (FF)

IB/E Raptor 180mm Macro 1:1 T2.9 (FF)

APO extended color correction
Internal focus
Consistent distance from flange to iris and focus ring

6.39

2.90

7.9

200.66

Arri PL, Nikon F, Canon EF, Sony E-Mount

T2.9

T22

18.5″

Yes

1:1

1.54′

T5.3

N/A

95mm

0.8 mod (cine pitch)

0.8 mod (cine pitch)

Product Highlights

APO extended color correction
Internal focus
Consistent distance from flange to iris and focus ring

Shift and Tilt Lenses

Arri Shift & Tilt Bellows

Weight: 2.5 lbs

Arri Shift & Tilt Bellows

2.5

1.13

Weight: 0.72 lbs • T-Stop: T3.8 • Close Focus: 5" • Outer Diameter: 95mm

Arri PL

Arri Shift & Tilt 18mm T3.8

Weight: 1 lbs • T-Stop: T4 • Close Focus: 7" • Outer Diameter: 87mm

Arri Shift & Tilt 18mm T3.8

0.72

0.33

3.5

88.9

Bayonet

T3.8

T22

5″

N/A

95mm

Arri Shift & Tilt 24mm T4

Weight: 1.1 lbs • T-Stop: T2.8 • Close Focus: 8" • Outer Diameter: 87mm

Arri Shift & Tilt 24mm T4

0.45

101.6

Bayonet

T22

7″

N/A

87mm

Arri Shift & Tilt 45mm T2.8

Weight: 1.3 lbs • T-Stop: T3.5 • Close Focus: 12" • Outer Diameter: 87mm

Arri Shift & Tilt 45mm T2.8

1.1

0.50

4.13

104.902

Bayonet

T2.8

T22

8″

N/A

87mm

Arri Shift & Tilt 60mm T3.5

Weight: 0.9 lbs • T-Stop: T2.8 • Close Focus: 16.5" • Outer Diameter: 87mm

Arri Shift & Tilt 60mm T3.5

1.3

0.59

3.75

95.25

Bayonet

T3.5

T22

12″

N/A

87mm

Arri Shift & Tilt 90mm T2.8

Weight: 1.75 lbs • T-Stop: T2 • Close Focus: 23" • Outer Diameter: 87mm

Arri Shift & Tilt 90mm T2.8

0.9

0.41

3.75

95.25

Bayonet

T2.8

T22

16.5″

N/A

87mm

Arri Shift & Tilt 110mm T2

Weight: 1.5 lbs • T-Stop: T2.8 • Close Focus: 3'4" • Outer Diameter: 87mm

Arri Shift & Tilt 110mm T2

1.75

0.79

3.38

85.852

Bayonet

T16

23″

N/A

87mm

Arri Shift & Tilt 150mm T2.8

Arri Shift & Tilt 150mm T2.8

1.5

0.68

3.62

91.948

Bayonet

T2.8

T22

3’4″

N/A

87mm

Clairmont Swing/Shift Bellows

Weight: 2.5 lbs

Clairmont Swing/Shift Bellows

2.5

1.13

Arri PL

N/A

Clairmont Swing/Shift 17mm T4

0.59

0.27

Arri PL

Full Frame • Weight: 0.30 lbs • T-Stop: F2.5 • CF 7.5" • Works with Composer II • Screw-in Filters: 46mm • Arri PL

46mm

Product Highlights

Arri PL mount
Four interchangeable optics available
APS-C and Full Frame
15° angle of tilt
46mm filter thread

Sweet 35 Optic for Lensbaby Composer II f2.5 CF 7.5"

Sweet 35 Optic for Lensbaby Composer II f2.5 CF 7.5"

35mm focal length
Creates “Sweet Spot” of focus
4 Elements/ 3 Groups

0.3

0.14

Arri PL

f2.5

7.5″

46mm

Full Frame • T-Stop: F2.8 • CF 22" • Works with Composer II • Screw-in Filters: 46mm • Arri PL

Product Highlights

35mm focal length
Creates “Sweet Spot” of focus
4 Elements/ 3 Groups

Sweet 80 Optic for Lensbaby Composer II f2.8 CF 22"

Sweet 80 Optic for Lensbaby Composer II f2.8 CF 22"

50mm focal length
Creates “Sweet Spot” of focus
Full Frame
T-Stop: F2.8
CF 22″
2 Elements/ 1 Group

Arri PL

f2.8

22″

N/A

46mm

Full Frame • Weight: 0.23 lbs • T-Stop: F2.5 • CF 15" • Works with Composer II • Screw-in Filters: 46mm • Arri PL

Product Highlights

50mm focal length
Creates “Sweet Spot” of focus
Full Frame
T-Stop: F2.8
CF 22″
2 Elements/ 1 Group

Sweet 50 Optic for Lensbaby Composer II f2.5 CF 15"

Sweet 50 Optic for Lensbaby Composer II f2.5 CF 15"

50mm focal length
Creates “Sweet Spot” of focus
2 Elements/ 1 Group

0.225

0.10

Arri PL

f2.5

15″

46mm

Full Frame • T-Stop: F3.5 • CF 7" • Works with Composer II • Screw-in Filters: 46mm • Arri PL

Product Highlights

50mm focal length
Creates “Sweet Spot” of focus
2 Elements/ 1 Group

Edge 35 Optic for Lensbaby Composer II f3.5 CF 7"

Edge 35 Optic for Lensbaby Composer II f3.5 CF 7"

35mm focal length
Creates “Slice of focus”
T-stop: 3.5
CF: 7″
8 Elements / 6 Groups

Arri PL

f3.5

7″

N/A

46mm

Full Frame • Weight: 0.34 lbs • T-Stop: F3.2 • CF 8" • Works with Composer II • Screw-in Filters: 46mm • Arri PL

Product Highlights

35mm focal length
Creates “Slice of focus”
T-stop: 3.5
CF: 7″
8 Elements / 6 Groups

Edge 50 Optic for Lensbaby Composer II f3.2 CF 8"

Edge 50 Optic for Lensbaby Composer II f3.2 CF 8"

50mm focal length
Creates “Slice of focus”
8 Elements/ 6 Groups

0.34

0.15

Arri PL

f3.2

8″

46mm

Full Frame • Weight: 0.61 lbs • T-Stop: F2.5 • CF 17" • Works with Composer II • Screw-in Filters: 46mm • Arri PL

Product Highlights

50mm focal length
Creates “Slice of focus”
8 Elements/ 6 Groups

Edge 80 Optic for Lensbaby Composer II f2.5 CF 17"

Edge 80 Optic for Lensbaby Composer II f2.5 CF 17"

80mm focal length
Creates “Slice of focus”
5 Elements/ 4 Groups

0.61

0.28

Arri PL

f2.5

17″

46mm

Full Frame • Weight: 0.6 lbs • T-Stop: F2 • Screw-in Filters: 38mm • 50mm • Arri PL

Product Highlights

80mm focal length
Creates “Slice of focus”
5 Elements/ 4 Groups

Lensbaby 3G Shift & Tilt Lens f2

Lensbaby 3G Shift & Tilt Lens f2

PL mount
Interchangeable apertures
Focal length: About 50mm
Minimum focus: 12 inches
Apertures: f2(default) , f2.8, f4, f5.6, f8, f11, f16, f22
Aperture type: Interchangeable levitating aperture disks

0.6

0.27

Arri PL

N/A

Full Frame • Weight: 0.43 lbs • T-Stop: F2.5 • CF 18" • Screw-in Filters: 46mm • Arri PL • Lens design based on the original Joseph Petzval lens

38mm

Product Highlights

PL mount
Interchangeable apertures
Focal length: About 50mm
Minimum focus: 12 inches
Apertures: f2(default) , f2.8, f4, f5.6, f8, f11, f16, f22
Aperture type: Interchangeable levitating aperture disks

Lensbaby Twist 60mm Lens f2.5 CF 18"

Lensbaby Twist 60mm Lens f2.5 CF 18"

60mm focal length
Elements/Groups: 4 elements / 3 groups Coating: Broadband multi coated anti-reflective

0.43

0.20

Arri PL

f2.5

18″

N/A

46mm

T-Stop: T7.2 • Includes 9.8mm, 12mm, 16mm, 20mm, 24mm, 32mm, 40mm, and 60mm Objective Lenses • Horizon Tracker module allows desired position and locked so snorkel can be panned while the horizon remains in the level or dutched position chosen. • Dual Swivel module available for second pan axis. • Interchangeable “PL” mount for use with selected “PL” mounted prime and zoom lenses.

Product Highlights

60mm focal length
Elements/Groups: 4 elements / 3 groups Coating: Broadband multi coated anti-reflective

Scope Lenses

CineMagic Revolution Lens System

CineMagic Revolution Lens System

Includes 9.8mm, 12mm, 16mm, 20mm, 24mm, 32mm, 40mm, and 60mm Objective Lenses.

“T” stop range is T7.5 to T64.

Interchangeable “PL” mount for use with selected “PL” mounted prime and zoom lenses.

When using the Horizon Tracker module, the horizon can be set to the desired position and locked. This innovation allows the objective lens of the snorkel to be panned while the horizon remains in the level or dutched position that you have chosen. A six or seven inch diameter is all that is needed to achieve the 360 degree pan making this device ideal for tabletop or miniature shots!

The Dual Swivel module adds a second pan axis to the lens system. In this case, the horizon lock is not used. The horizon can be adjusted manually or electronically.

Arri PL, Mini PL, Canon EF, Nikon G, Panavision

T7.5

T-Stop (Closed):

T64

N/A

40.5mm (w/ PL mount)

Full Frame • Cine-modded with 0.8 mod pitch focus and iris gears • f/14 • 85° angle of view • 27 elements in 19 groups • 2:1 macro • Waterproof front barrel • LED ring light mounted at tip of lens

40.5mm (w/ PL mount)

Product Highlights

Includes 9.8mm, 12mm, 16mm, 20mm, 24mm, 32mm, 40mm, and 60mm Objective Lenses.
“T” stop range is T7.5 to T64.
Interchangeable “PL” mount for use with selected “PL” mounted prime and zoom lenses.
When using the Horizon Tracker module, the horizon can be set to the desired position and locked. This innovation allows the objective lens of the snorkel to be panned while the horizon remains in the level or dutched position that you have chosen. A six or seven inch diameter is all that is needed to achieve the 360 degree pan making this device ideal for tabletop or miniature shots!
The Dual Swivel module adds a second pan axis to the lens system. In this case, the horizon lock is not used. The horizon can be adjusted manually or electronically.
Our Kit Includes

CineMagic Revolution Main Module
CineMagic Revolution Mini PL Horizon Tracker
CineMagic Revolution Mini PL Dual Swivel Module
CineMagic Revolution Mini PL 9.8mm Lens
CineMagic Revolution Mini PL 12mm Lens
CineMagic Revolution Mini PL 16mm Lens
CineMagic Revolution Mini PL 20mm Lens
CineMagic Revolution Mini PL 24mm Lens
CineMagic Revolution Mini PL 32mm Lens
CineMagic Revolution Mini PL 40mm Lens
CineMagic Revolution Mini PL 60mm Lens
CineMagic Revolution Multi-Mount Horizon Tracker
CineMagic Revolution Multi-Mount Dual Swivel Module
Panavision Mount for CineMagic Revolution
Nikon Mount for CineMagic Revolution
Canon Tilt Shift module With Nikon Mount
Fotodiox PL to EOS Lens Mount Pro Adapter

Laowa 24mm f/14 Probe Lens (PL Mount)

Laowa 24mm f/14 Probe Lens (PL Mount)

27 elements in 19 groups

85° angle of view

Wide-angle “Bug Eye” perspective

Waterproof front barrel

2:1 magnification ratio

Built-in LED ring light

1.045

.474

16.06

408

Arri PL, Canon EF

f/14

18.5″

2:1

N/A

Weight: 7.28 lbs • T-Stop: T5.6 • The SKATER Scope is the first truly compact periscope/ snorkel lens system. It can be used as a straight version (borescope) and as a bent version (periscope) with any desired angle.

No filter thread

0.8 mod (cine pitch)

0.8 mod (cine pitch)

2018

Product Highlights

27 elements in 19 groups
85° angle of view
Wide-angle “Bug Eye” perspective
Waterproof front barrel
2:1 magnification ratio
Built-in LED ring light

P+S Technik SKATER Scope

P+S Technik SKATER Scope

Weight: 15.5 lbs • Widest Low-Angle Prism Available • Point of View as low as 2.5” • Specially Coated, High-Density Glass • Precision Construction • Housing Includes Adapter for 4”x4” filter holders • Less than ½ T-stop Light Loss

Tilt module can be adjusted from -105 to +105 degrees.
Lens block pivots full 360 degrees.
Macro function extends close focus to macro.
Covers S35

7.28

3.30

12.27

311.658

Arri PL

T5.6

N/A

N/A

N/A

Product Highlights

Tilt module can be adjusted from -105 to +105 degrees.
Lens block pivots full 360 degrees.
Macro function extends close focus to macro.
Covers S35

Century Super Wide Low Angle Prism

Century Super Wide Low Angle Prism

Weight: 0.57 lbs • 1 Stop Loss

Tilt module can be adjusted from -105 to +105 degrees.
Lens block pivots full 360 degrees.
Macro function extends close focus to macro.
Covers S35

15.5

7kg

7.5

190.5

9.75

247

152.4

Arri PL

N/A

N/A

N/A

Product Highlights

Tilt module can be adjusted from -105 to +105 degrees.
Lens block pivots full 360 degrees.
Macro function extends close focus to macro.
Covers S35
Our Kit Includes

The Century Super-Wide Low-Angle Prism allows for shooting down to a point of view of 2.5” (6.35 cm) off the floor and supports lenses as wide as 16 mm. The unit can be inverted to provide for high-angle shots as well. Lenses up to 5” (127 mm) may be installed directly behind the prism without filters for the widest view possible. It couples directly to standard bridgeplate rods and accepts two 4”x5.65” filters, and an adapter accommodates two 4”x4” filters or Chrosziel holders. The addition of filters increases the distance between the back of the prism and lens by ¾”, which may limit the coverage of certain wideangle lenses

Extenders

Schneider-Century 1.4X Extender

Weight: 0.85 lbs • 2 Stop Loss

Schneider-Century 1.4X Extender

1 Stop Loss

0.57

0.26

1.675

42.545

Arri PL

Product Highlights

1 Stop Loss

Schneider-Century 2X Extender Mk. I

Schneider-Century 2X Extender Mk. I

2 Stop Loss

0.85

0.39

2.675

67.945

Arri PL

Product Highlights

2 Stop Loss

Schneider-Century 2X Extender Mk. II

2 Stop Loss

Schneider-Century 2X Extender Mk. II

2 Stop Loss

Weight: 0.443 lbs • 1 Stop Loss • Works with 17-80 or 24-290mm Optimos

Arri PL

Product Highlights

2 Stop Loss

Angenieux Optimo 1.4X Extender Mk. I

Angenieux Optimo 1.4X Extender Mk. I

Weight: 0.443 lbs • 1 Stop Loss • Works with all Film Optimos

1 Stop Loss, works with 17-80 or 24-290mm Optimos

0.443

0.20

2.125

53.975

Arri PL

N/A

Product Highlights

1 Stop Loss, works with 17-80 or 24-290mm Optimos

Angenieux Optimo 1.4X Extender Mk. II

Angenieux Optimo 1.4X Extender Mk. II

Weight: 0.575 lbs • 2 Stop Loss

1 Stop Loss, works with all Film Optimos

0.443

0.20

2.125

53.975

Arri PL

N/A

Product Highlights

1 Stop Loss, works with all Film Optimos

Angenieux Optimo 2X Extender Mk. I

Weight: 0.562 lbs • 2 Stop Loss

Angenieux Optimo 2X Extender Mk. I

2 Stop Loss

0.575

0.26

2.375

60.325

Arri PL

Product Highlights

2 Stop Loss

Angenieux Optimo 2X Extender Mk. II

For Signature Zoom 65-300mm & Signature Prime 280mm • T-stop Loss: 1.6 stops • LDS-2 lens data passed through • LPL-LPL only

Angenieux Optimo 2X Extender Mk. II

2 Stop Loss

0.562

0.25

2.375

60.325

Arri PL

Product Highlights

2 Stop Loss

Arri Signature Zoom 1.7x Extender (LPL-LPL)

Arri Signature Zoom 1.7x Extender (LPL-LPL)

For Signature Zoom 65-300mm & Signature Prime 280mm
T-stop Loss: 1.6 stops
LDS-2 lens data passed through
LPL-LPL only

LPL

Weight: 0.593 lbs • 2 Stop Loss

N/A

Product Highlights

For Signature Zoom 65-300mm & Signature Prime 280mm
T-stop Loss: 1.6 stops
LDS-2 lens data passed through
LPL-LPL only

Angenieux Optimo 2X Extender Mk. 2.5

Covers S35 format • Weight: 1.1lbs • 1.4x Magnification • 1 stop light loss • Max input T-stop 1.6 • PL to PL extender

Angenieux Optimo 2X Extender Mk. 2.5

2 Stop Loss

0.593

0.27

2.5

63.5

Arri PL

Product Highlights

2 Stop Loss

Expanders

IB/E S35 1.4x Extender MK II (PL to PL)

IB/E S35 1.4x Extender MK II (PL to PL)

Full Frame+ • Weight: 1.1lbs • 2x Magnification • 2-stop Light-Loss • Covers VistaVision format • Max input T-stop of T1.9 • UMS PL to PL adapter on the camera side.

1.45x Magnification, 1-stop Light-Loss

.88

.40

.75

19.3

Arri PL

N/A

78mm

Product Highlights

1.45x Magnification, 1-stop Light-Loss

IB/E VV 2x Extender (UMS PL to PL)

IB/E VV 2x Extender (UMS PL to PL)

Covers S35 format • Weight: 1.1lbs • 2x Magnification • 2 stops light loss • Max input T-stop 1.9 • PL to PL extender

1.45x Magnification, 1-stop Light-Loss

1.1

0.50

1.37

34.8

Arri PL

N/A

78mm

Product Highlights

1.45x Magnification, 1-stop Light-Loss

IB/E S35 2x Extender (PL to PL)

IB/E S35 2x Extender (PL to PL)

Full Frame • Weight: 1.1 lbs • Outer Diameter: 78mm • 1.6x Magnification • Approximately 1.5-stop Light-Loss • Not compatible with mirror shutter • expands Super-35 lens up to 44.6 mm

1.45x Magnification, 1-stop Light-Loss

1.21

.55

1.89

48.2

Arri PL

N/A

78mm

Product Highlights

1.45x Magnification, 1-stop Light-Loss

IB/E S35 to FF Lens Expander (1.6x)

IB/E S35 to FF Lens Expander (1.6x)

1.45x Magnification, 1-stop Light-Loss

1.1

0.50

0.82

20.828

Arri PL, Canon EF, Sony E-Mount

N/A

Full Frame • Weight: 1.1 lbs • Outer Diameter: 78mm • 1.66x Magnification • 1.3-stop Light-Loss • expands Super-35 lens up to 43.4mm

78mm

Product Highlights

1.45x Magnification, 1-stop Light-Loss

IB/E S35 to VV Lens Expander (1.66x)

IB/E S35 to VV Lens Expander (1.66x)

1.45x Magnification, 1-stop Light-Loss

1.1

0.50

0.82

20.828

Arri PL, Canon EF, Sony E-Mount

N/A

Full Frame • Weight: .7 lbs • 3.6x Magnification • 2.5-stop Light-Loss • Sony B4 to Arri PL • Gen 1

78mm

Product Highlights

1.45x Magnification, 1-stop Light-Loss
Our Kit Includes

IB(E S35xVV Expander compatibility:
Angenieux Optimo 17-80 mm
Angenieux Optimo 24-290 mm
Angenieux Compact Optimo Zooms
Angenieux 17-102 mm
Angenieux 25-250 mm
HR-Zoom Fuji
Canon Lenses from T 2.8
Leica Summicron from T 2.8

IB/E B4 to S35 Lens Expander (2.6x)

IB/E B4 to S35 Lens Expander (2.6x)

Allows you to decrease the minimum focus of your PL mount lens • Set features three lengths; 15mm, 20mm, and 35mm • Stack-able up to 70mm of extension for the most dramatic close-up effect with even the longest focal length lenses • Works with S35 and 35FF format lenses and cameras • For spherical lenses only

2.6x Magnification, 2.5-stop Light-Loss

Arri PL, Sony B4

N/A

68mm

Product Highlights

2.6x Magnification, 2.5-stop Light-Loss

Duclos 15mm Extension Tube (Arri PL)

Duclos 15mm Extension Tube (Arri PL)

1.45x Magnification, 1-stop Light-Loss

Arri PL

N/A

Product Highlights

1.45x Magnification, 1-stop Light-Loss

Duclos 20mm Extension Tube (Arri PL)

Duclos 20mm Extension Tube (Arri PL)

1.45x Magnification, 1-stop Light-Loss

Arri PL

N/A

Product Highlights

1.45x Magnification, 1-stop Light-Loss

Duclos 35mm Extension Tube (Arri PL)

Duclos 35mm Extension Tube (Arri PL)

1.45x Magnification, 1-stop Light-Loss

Arri PL

Super 16mm • Weight: 3.5 lbs • T-Stop: T2 • Close Focus: 8" • Outer Diameter: 110mm

N/A

Product Highlights

1.45x Magnification, 1-stop Light-Loss

Cooke SK4

Cooke SK4 6mm T2 (S16)

Super 16mm • Weight: 3.1 lbs • T-Stop: T2 • Close Focus: 8" • Outer Diameter: 110mm •

Cooke SK4 6mm T2 (S16)

3.5

1.59

6.5

165.1

Arri PL

8″

N/A

110mm

Cooke SK4 9.5mm T2 (S16)

Super 16mm • Weight: 3.3 lbs • T-Stop: T2 • Close Focus: 8" • Outer Diameter: 110mm

Cooke SK4 9.5mm T2 (S16)

3.1

1.41

6.5

165.1

Arri PL

8″

N/A

110mm

Cooke SK4 12mm T2 (S16)

Super 16mm • Weight: 2.2 lbs • T-Stop: T1.3 • Close Focus: 8" • Outer Diameter: 95mm

Cooke SK4 12mm T2 (S16)

3.3

1.50

6.5

165.1

Arri PL

8″

N/A

110mm

Zeiss Ultra16

Zeiss Ultra16 6mm Distagon T* XP T1.3 (S16)

Super 16mm • Weight: 2.2 lbs • T-Stop: T1.3 • Close Focus: 12" • Outer Diameter: 95mm

Zeiss Ultra16 6mm Distagon T* XP T1.3 (S16)

2.2

1.00

3.6

91.44

Arri PL

T1.3

T16

8″

N/A

95mm

Zeiss Ultra16 8mm Distagon T* XP T1.3 (S16)

Super 16mm • Weight: 2.2 lbs • T-Stop: T1.3 • Close Focus: 12" • Outer Diameter: 95mm

Zeiss Ultra16 8mm Distagon T* XP T1.3 (S16)

2.2

1.00

3.6

91.44

Arri PL

T1.3

T16

12″

N/A

95mm

Zeiss Ultra16 9.5mm Distagon T* XP T1.3 (S16)

Super 16mm • Weight: 2.2 lbs • T-Stop: T1.3 • Close Focus: 12" • Outer Diameter: 95mm

Zeiss Ultra16 9.5mm Distagon T* XP T1.3 (S16)

2.2

1.00

3.6

91.44

Arri PL

T1.3

T16

12″

N/A

95mm

Zeiss Ultra16 12mm Distagon T* XP T1.3 (S16)

Super 16mm • Weight: 2.2 lbs • T-Stop: T1.3 • Close Focus: 12" • Outer Diameter: 95mm

Zeiss Ultra16 12mm Distagon T* XP T1.3 (S16)

2.2

1.00

3.6

91.44

Arri PL

T1.3

T16

12″

N/A

95mm

Zeiss Ultra16 14mm Distagon T* XP T1.3 (S16)

Super 16mm • Weight: 2.6 lbs • T-Stop: T1.3 • Close Focus: 12" • Outer Diameter: 95mm

Zeiss Ultra16 14mm Distagon T* XP T1.3 (S16)

2.2

1.00

3.6

91.44

Arri PL

T1.3

T16

12″

N/A

95mm

Zeiss Ultra16 18mm Distagon T* XP T1.3 (S16)

Super 16mm • Weight: 2.6 lbs • T-Stop: T1.3 • Close Focus: 12" • Outer Diameter: 95mm

Zeiss Ultra16 18mm Distagon T* XP T1.3 (S16)

2.6

1.18

3.6

91.44

Arri PL

T1.3

T16

12″

N/A

95mm

Zeiss Ultra16 25mm Distagon T* XP T1.3 (S16)

Super 16mm • Weight: 2.4 lbs • T-Stop: T1.3 • Close Focus: 14" • Outer Diameter: 95mm

Zeiss Ultra16 25mm Distagon T* XP T1.3 (S16)

2.6

1.18

3.6

91.44

Arri PL

T1.3

T16

12″

N/A

95mm

Zeiss Ultra16 35mm Planar T* XP T1.3 (S16)

Super 16mm • Weight: 2.6 lbs • T-Stop: T1.3 • Close Focus: 16" • Outer Diameter: 95mm

Zeiss Ultra16 35mm Planar T* XP T1.3 (S16)

2.4

1.09

3.6

91.44

Arri PL

T1.3

T16

14″

N/A

95mm

Zeiss Ultra16 50mm Planar T* XP T1.3 (S16)

Super 16mm • Weight: 1.4 lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 80mm • Zeiss High Speed

Zeiss Ultra16 50mm Planar T* XP T1.3 (S16)

2.6

1.18

3.6

91.44

Arri PL

T1.3

T16

16″

N/A

95mm

Zeiss 16mm Superspeed

Zeiss Super Speed 9.5mm Distagon T1.3 (S16)

Super 16mm • Weight: 1.4 lbs • T-Stop: T1.3 • Close Focus: 8" • Outer Diameter: 80mm • Zeiss High Speed

Zeiss Super Speed 9.5mm Distagon T1.3 (S16)

1.4

0.64

2.52

64.008

Arri PL

T1.3

T16

10″

N/A

80mm

Zeiss Super Speed 12mm Distagon T1.3 (S16)

Super 16mm • Weight: 1.4 lbs • T-Stop: T1.3 • Close Focus: 8" • Outer Diameter: 80mm • Zeiss High Speed

Zeiss Super Speed 12mm Distagon T1.3 (S16)

1.4

0.64

2.52

64.008

Arri PL

T1.3

T16

8″

N/A

80mm

Zeiss Super Speed 16mm Distagon T1.3 (S16)

Super 16mm • Weight: 1.98 lbs • T-Stop: T1.3 • Close Focus: 10" • Outer Diameter: 80mm • Zeiss High Speed

Zeiss Super Speed 16mm Distagon T1.3 (S16)

1.4

0.64

2.52

64.008

Arri PL

T1.3

T16

8″

N/A

80mm

Zeiss Super Speed 25mm Distagon T1.3 (S16)

Super 16mm • Weight: 1.98 lbs • T-Stop: T1.3 • Close Focus: 2'4" • Outer Diameter: 80mm • Zeiss High Speed

Zeiss Super Speed 25mm Distagon T1.3 (S16)

1.98

0.90

2.75

69.85

Arri PL

T1.3

T16

10″

N/A

80mm

Zeiss Super Speed 50mm Planar T1.3 (S16)

Super 16mm when using IB/E HDx1.4 B4>PL Adapter • Weight: 3.42 lbs • T-Stop: T2.2 • Close Focus: 19.7" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Super Speed 50mm Planar T1.3 (S16)

1.98

0.90

2.75

69.85

Arri PL

T1.3

T16

2’4″

N/A

80mm

Zeiss Digiprimes

Zeiss Digiprime 9.8mm T2.2 (S16)

Super 16mm when using IB/E HDx1.4 B4>PL Adapter • Weight: 3.33 lbs • T-Stop: T2.2 • Close Focus: 19.7" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Digiprime 9.8mm T2.2 (S16)

3.42

1.55

6.5

165.1

Arri PL

T2.2

19.7″

N/A

95mm

Zeiss Digiprime 14mm T2.2 (S16)

Super 16mm when using IB/E HDx1.4 B4>PL Adapter • Weight: 2.93 lbs • T-Stop: T2.2 • Close Focus: 19.7" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Digiprime 14mm T2.2 (S16)

3.33

1.51

6.5

165.1

Arri PL

T2.2

19.7″

N/A

95mm

Zeiss Digiprime 19.5mm T2.2 (S16)

Super 16mm when using IB/E HDx1.4 B4>PL Adapter • Weight: 2.98 lbs • T-Stop: T2.2 • Close Focus: 19.7" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Digiprime 19.5mm T2.2 (S16)

2.93

1.33

6.5

165.1

Arri PL

T2.2

19.7″

N/A

95mm

Zeiss Digiprime 32mm T2.2 (S16)

Super 16mm when using IB/E HDx1.4 B4>PL Adapter • Weight: 3.13 lbs • T-Stop: T2.2 • Close Focus: 19.7" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Digiprime 32mm T2.2 (S16)

2.98

1.35

6.5

165.1

Arri PL

T2.2

19.7″

N/A

95mm

Zeiss Digiprime 39mm T2.2 (S16)

Super 16mm when using IB/E HDx1.4 B4>PL Adapter • Weight: 3.17 lbs • T-Stop: T2.2 • Close Focus: 19.7" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Digiprime 39mm T2.2 (S16)

3.13

1.42

6.5

165.1

Arri PL

T2.2

19.7″

N/A

95mm

Zeiss Digiprime 64mm T2.2 (S16)

Super 16mm when using IB/E HDx1.4 B4>PL Adapter • Weight: 3.97 lbs • T-Stop: T2.2 • Close Focus: 12.6" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Digiprime 64mm T2.2 (S16)

3.17

1.44

6.5

165.1

Arri PL

T2.2

19.7″

N/A

95mm

Zeiss Digiprime 112mm T2.2 (S16)

Super 16mm • T-Stop: T1.9 • Close Focus: 12" • Outer Diameter: 87mm • 4.5mm Wide Angle Adapter available a la carte

Zeiss Digiprime 112mm T2.2 (S16)

3.97

1.80

7.6

193.04

Arri PL

T2.2

12.6″

N/A

95mm

Century 16mm Primes and Extenders

Century S2000 6mm T1.9 (S16)

Super 16mm • Fisheye attachment for Century S2000 6mm T1.9 • Includes 4x5.65" Filter Tray

Century S2000 6mm T1.9 (S16)

0.00

Arri PL

T1.9

12″

N/A

87mm

Century Aspheron 4.5mm Wide Angle Adapter for 6mm (S16)

Century Aspheron 4.5mm Wide Angle Adapter for 6mm (S16)

0.00

Arri PL

Super 16mm • Weight: 0.693 lbs • 2 Stop Loss

N/A

Century 2X Extender (S16)

Century 2X Extender (S16)

2 Stop Loss

0.693

0.31

2.675

67.945

Arri PL

n/a

N/A

Weight: 0.7 lbs • T-Stop: T2 • Close Focus: Fixed Focus • * Slight optical vignetting

Product Highlights

2 Stop Loss

Bolex Lenses

Century 1.9mm T2 (S16*)

Super 16mm • Weight: 0.35 lbs • T-Stop: T1.6 • Close Focus: 8"

Century 1.9mm T2 (S16*)

0.7

0.32

2.25

57.15

C-Mount

Fixed Focus

N/A

Kern-Paillard Switar 10mm T1.6 (S16)

Super 16mm • T-Stop: T2.5

Kern-Paillard Switar 10mm T1.6 (S16)

0.35

0.16

2.675

67.945

C-Mount

T1.6

T22

8″

N/A

Kinotel 16mm T2.5 (S16)

Super 16mm • Weight: 0.41 lbs • T-Stop: T1.8 • Close Focus: 8"

Kinotel 16mm T2.5 (S16)

0.00

C-Mount

T2.5

N/A

Kern-Paillard Switar 16mm T1.8 (S16)

Super 16mm • Weight: 0.3 lbs • T-Stop: T1.4 • Close Focus: 18"

Kern-Paillard Switar 16mm T1.8 (S16)

0.41

0.19

1.5

38.1

C-Mount

T1.8

T22

8″

N/A

Kern-Paillard Switar 25mm T1.4 (S16)

Super 16mm • Weight: 0.56 lbs • T-Stop: T1.4 • Close Focus: 2'1"

Kern-Paillard Switar 25mm T1.4 (S16)

0.3

0.14

1.125

28.575

C-Mount

0.37

0.17

1.375

34.925

C-Mount

T1.1

T22

19″

N/A

Kern-Paillard Macro Switar 50mm T1.4 (S16)

Super 16mm • Weight: 0.61 lbs • T-Stop: T1.9 • Close Focus: 5'

Kern-Paillard Macro Switar 50mm T1.4 (S16)

0.56

0.25

2.5

63.5

C-Mount

T1.4

T22

2’1″

N/A

Kern-Paillard Macro Switar 75mm T1.9 (S16)

Super 16mm • Weight: 0.78 lbs • T-Stop: T3.3 • Close Focus: 15'

Kern-Paillard Macro Switar 75mm T1.9 (S16)

0.61

0.28

3.75

95.25

0.4

0.18

4.25

107.95

C-Mount

T3.3

T22

8′

N/A

Kern-Paillard Macro Yvar 150mm T3.3 (S16)

Super 16mm • Weight: 1.96 lbs • T-Stop: T2.5 • Close Focus: 5'4"

Kern-Paillard Macro Yvar 150mm T3.3 (S16)

0.78

0.35

6.5

165.1

C-Mount

T3.3

T22

15′

N/A

Kern-Paillard 18-86mm T2.5 (S16)

Kern-Paillard 18-86mm T2.5 (S16)

1.96

0.89

228.6

C-Mount

T2.5

T22

5’4″

N/A

Super 16mm • T-Stop: T1.9

4.7x

Kern-Paillard 16-100mm T1.9 (Bolex Bayo Mount) (S16)

Kern-Paillard 16-100mm T1.9 (Bolex Bayo Mount) (S16)

0.00

Bolex Bayonet

T1.9

N/A

Super 16mm • Weight: 4.69 lbs • T-Stop: T2.7 - 3.3 • Close Focus: 2' • Outer Diameter: 110mm

6.25x

16mm PL Zooms

Canon 6.6-66mm T2.7 - 3.3 (S16)

Canon 6.6-66mm T2.7 - 3.3 (S16)

4.69

2.13

7.75

196.85

Arri PL

T2.7 – 3.3

2′

N/A

110mm

10x

T2.7

Super 16mm • Weight: 5 lbs • T-Stop: T2.5 • Close Focus: 3'5" • Outer Diameter: 95mm

T3.3

Canon 11-165mm T2.5 (S16)

Canon 11-165mm T2.5 (S16)

2.27

7.48

189.992

Arri PL

T2.5

3’5″

N/A

95mm

Super 16mm w/ IB/E HDx1.4 B4>PL Adapter • Weight: 8.82 lbs • T-Stop: T2.7 • Close Focus: 29.5" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

15x

Zeiss Digizooms

Zeiss DigiZoom 24-157mm T2.7 (S16)

Zeiss DigiZoom 24-157mm T2.7 (S16)

8.82

4.00

11.8

299.72

Arri PL

T2.7

29.5″

N/A

95mm

6.5x

Super 16mm • Weight: 4.6 lbs • T-Stop: T2.4 • Close Focus: 2' • Outer Diameter: 100mm

16mm PL Zooms

Angenieux HR 7-81mm T2.4 (S16)

Angenieux HR 7-81mm T2.4 (S16)

4.6

2.09

9.48

240.792

Arri PL, B4

T2.4

T22

2′

N/A

100mm

Full Frame • Weight: 1.42 lbs • f-stop: f2.8 • Close Focus: 7.9"

11.5x

Canon EF L-series Primes

Canon L 14mm F2.8

Full Frame • Weight: 1.43 lbs • f-stop: f1.4 • Close Focus: 3' • Screw-in Filters: 77mm

Canon L 14mm F2.8

1.42

0.64

3.7

93.98

Canon EF

Active Canon EF

f2.8

f22

7.9″

Canon L 24mm II F1.4

Canon L 24mm II F1.4

1.43

0.65

3.42

86.868

Canon EF

Active Canon EF

f1.4

f22

3′

77mm

Full Frame • Weight: 1.27 lbs • f-stop: f1.4 • Close Focus: 12" • Screw-in Filters: 72mm

Canon L 35mm F1.4

Canon L 35mm F1.4

1.27

0.58

3.4

86.36

Canon EF

Active Canon EF

f1.4

f22

12″

72mm

Full Frame • Weight: 1.3 lbs • f-stop: f1.2 • Close Focus: 18" • Screw-in Filters: 72mm

Canon L 50mm F1.2

Canon L 50mm F1.2

1.3

0.59

2.58

65.532

Canon EF

Active Canon EF

f1.2

f22

18″

72mm

Full Frame • Weight: 2.26 lbs • f-stop: f1.2 • Close Focus: 3.12' • Screw-in Filters: 72mm

Canon L 85mm II F1.2

Canon L 85mm II F1.2

2.26

1.03

3.3

83.82

Canon EF

Active Canon EF

f1.2

f16

3.12′

72mm

Full Frame • Weight: 1.38 lbs • f-stop: f2.8 • Screw-in Filters: 67mm

Canon L 100mm Macro IS USM F2.8

Canon L 100mm Macro IS USM F2.8

1.38

0.63

4.84

122.936

Canon EF

Active Canon EF w/ IS

f2.8

Full Frame • Weight: 2.56 lbs • f-stop: f4 • Close Focus: 12"

67mm

Canon EF L-series Zooms

Canon L 11-24mm USM F4

Canon L 11-24mm USM F4

2.56

1.16

5.2

132.08

Canon EF

Active Canon EF

f22

12″

108mm

N/A

Full Frame • Weight: 1.41 lbs • f-stop: f2.8 • Close Focus: 11.2" • Screw-in Filters: 82mm

Canon L 16-35mm II USM F2.8

Canon L 16-35mm II USM F2.8

1.41

0.64

4.39

111.506

Canon EF

Active Canon EF

f2.8

f22

11.2″

82mm

Full Frame • Weight: 1.77 lbs • f-stop: f2.8 • Close Focus: 15" • Screw-in Filters: 82mm

Canon L 24-70mm II USM F2.8

Canon L 24-70mm II USM F2.8

1.77

0.80

4.45

113.03

Canon EF

Active EF

f2.8

f22

15″

82mm

Full Frame • Weight: 1.75 lbs • f-stop: f4 • Close Focus: 17.76" • Screw-in Filters: 77mm

Canon L 24-105mm II IS USM F4

Canon L 24-105mm II IS USM F4

1.75

.79

4.65

118.11

Canon EF

Active Canon EF w/ IS

f22

17.76″

N/A

77mm

Full Frame • Weight: 3.3 lbs • f-stop: f2.8 • Close Focus: 3.94' • Screw-in Filters: 77mm • Focus Limiter switch lets you constrain the focusing to two different ranges to suit different applications: 3.9'-infinity or 8.2'-infinity • One fluorite element and five ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations

Canon L 70-200mm III IS USM F2.8

Canon L 70-200mm III IS USM F2.8

3.3

1.48

7.835

199

Canon EF

Active Canon EF w/ IS

f2.8

f32

3.94′

N/A

77mm

Full Frame • Weight: 3.625 lbs • f-stop: f4.5-5.6 • Close Focus: 3.5' • Screw-in Filters: 77mm

Canon L 100-400mm IS II USM F4.5-5.6

Canon L 100-400mm IS II USM F4.5-5.6

3.625

1.64

203.2

Canon EF

Active Canon EF w/ IS

f4.5 – 5.6

T-Stop (Closed):

f32

3.2′

77mm

Full Frame • Weight: 0.49 lbs

Canon EF L-series Extenders

Canon L 1.4X Extender III

Full Frame • Weight: 0.71 lbs

Canon L 1.4X Extender III

0.49

0.22

1.1

27.94

Canon EF

Active Canon EF

Canon L 2X Extender III

Weight: .121 lbs • f-stop: f2.5 • Close Focus: 7.09" • Screw-in Filters: 46mm • 28mm (35mm Equivalent)

Canon L 2X Extender III

0.71

0.32

2.1

53.34

Canon EF

Active Canon EF

Panasonic LUMIX

Panasonic LUMIX G 14mm f/2.5 ASPH II

Panasonic LUMIX G 14mm f/2.5 ASPH II

0.121

0.05

0.81

20.574

Micro 4/3, Active Micro 4/3

Active Micro 4/3

f2.5

f22

7.09″

46mm

Weight: .67 lbs • f-stop: f2.8 • Close Focus: 9.84" • Screw-in Filters: 58mm • Nano Surface Coating Reduces Flare/Ghost • POWER O.I.S. Image Stabilization • 24-70mm (35mm Equivalent)

Panasonic Lumix G X Vario 12-35mm f/2.8 Asph.

Panasonic Lumix G X Vario 12-35mm f/2.8 Asph.

0.67

0.30

2.91

73.914

Micro 4/3, Active Micro 4/3

Lens Data:

Active Micro 4/3, Power O.I.S. Image Stabilization

f2.8

T-Stop (Closed):

f22

9.84″

Weight: 2.11 lbs • f-stop: f1.4 • Close Focus: 18" • Screw-in Filters 77mm

58mm

Panasonic Lumix S PRO 50mm f/1.4

Panasonic Lumix S PRO 50mm f/1.4

2.11

.955

5.12

130

Micro 4/3, Active Micro 4/3

f1.4

f16

18″

N/A

46mm

Weight: 0.15 lbs • f-stop: f2.8 • Close Focus: 9.4" • Screw-in Filters: 49mm

Sony E-Mount

Sony Alpha E-Mount 16mm f2.8

Sony Alpha E-Mount 16mm f2.8

0.15

0.07

0.8

20.32

Sony E-Mount

Active Sony E-Mount

f2.8

f22

9.4″

N/A

Weight: 0.15 lbs • f-stop: f2.8 • Close Focus: 7.8" • Screw-in Filters: 49mm

49mm

Sony Alpha E-Mount 20mm f2.8

Sony Alpha E-Mount 20mm f2.8

0.15

0.07

Sony E-Mount

Active Sony E-Mount

f2.8

f22

7.8″

49mm

Weight: 1.9 lbs • f-stop: f1.4 • Close Focus: 10.9"

Sigma Art Primes (E-Mount)

Sigma 20mm f/1.4 DG HSM Art Prime (E-Mount)

Weight: 1.9 lbs • f-stop: f1.4 • Close Focus: 11" • Screw-in Filters: 77mm

Sigma 20mm f/1.4 DG HSM Art Prime (E-Mount)

2.09

.95

5.1

129.8

Sony E-Mount

Active Sony E-Mount

f1.4

f16

10.9″

N/A

2018

Sigma 28mm f/1.4 DG HSM Art Prime (E-Mount)

Sigma 28mm f/1.4 DG HSM Art Prime (E-Mount)

1.9

.86

4.2

107.7

Sony E-Mount

Active Sony E-Mount

f1.4

f16

11″

N/A

77mm

Weight: 1.47 lbs • f-stop: f1.4 • Close Focus: 11.8" • Screw-in Filters: 67mm

2018

Sigma 35mm f/1.4 DG HSM Art Prime (E-Mount)

Sigma 35mm f/1.4 DG HSM Art Prime (E-Mount)

1.47

.66

3.7

Sony E-Mount

Active Sony E-Mount

f1.4

f16

11.8″

N/A

67mm

Weight: 3.04 lbs • T-Stop: T1.9 • Close Focus: 19.7" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

2018

Zeiss Digiprimes

Zeiss Digiprime 5mm T1.9

Weight: 3.42 lbs • T-Stop: T1.6 • Close Focus: 19.7" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Digiprime 5mm T1.9

3.04

1.38

6.5

165.1

T1.9

19.7″

95mm

Zeiss Digiprime 7mm T1.6

Weight: 3.33 lbs • T-Stop: T1.6 • Close Focus: 19.7" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Digiprime 7mm T1.6

3.42

1.55

6.5

165.1

T1.6

19.7″

95mm

Zeiss Digiprime 10mm T1.6

Weight: 2.93 lbs • T-Stop: T1.6 • Close Focus: 19.7" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Digiprime 10mm T1.6

3.33

1.51

6.5

165.1

T1.6

19.7″

95mm

Zeiss Digiprime 14mm T1.6

Weight: 2.98 lbs • T-Stop: T1.6 • Close Focus: 19.7" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Digiprime 14mm T1.6

2.93

1.33

6.5

165.1

T1.6

19.7″

95mm

Zeiss Digiprime 20mm T1.6

Weight: 3.13 lbs • T-Stop: T1.6 • Close Focus: 19.7" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Digiprime 20mm T1.6

2.98

1.35

6.5

165.1

T1.6

19.7″

95mm

Zeiss Digiprime 28mm T1.6

Weight: 3.17 lbs • T-Stop: T1.6 • Close Focus: 19.7" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Digiprime 28mm T1.6

3.13

1.42

6.5

165.1

T1.6

19.7″

95mm

Zeiss Digiprime 40mm T1.6

Weight: 3.97 lbs • T-Stop: T1.6 • Close Focus: 12.6" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Digiprime 40mm T1.6

3.17

1.44

6.5

165.1

T1.6

19.7″

95mm

Zeiss Digiprime 70mm T1.6

Weight: 6.08 lbs • T-Stop: T1.9 • Close Focus: 21.6" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss Digiprime 70mm T1.6

3.97

1.80

7.6

193.04

T1.6

12.6″

95mm

2/3" Zooms Cine-style

Zeiss DigiZoom 6-24mm T1.9

Zeiss DigiZoom 6-24mm T1.9

6.08

2.76

9.8

248.92

T1.9

21.6″

N/A

95mm

Weight: 8.82 lbs • T-Stop: T1.9 • Close Focus: 29.5" • Outer Diameter: 95mm • Digi Diopters +0.5, 1 and 2 available

Zeiss DigiZoom 17-112mm T1.9

Zeiss DigiZoom 17-112mm T1.9

8.82

4.00

11.8

299.72

T1.9

29.5″

N/A

95mm

6.5x

Weight: 5.9 lbs • T-Stop: T2.1 - 2.9 • Close Focus: 3' • Outer Diameter: 130mm

Canon HJ21x7.5B-II 21X7.5 (7.5-158mm) T2.1 - 2.9

Canon HJ21x7.5B-II 21X7.5 (7.5-158mm) T2.1 - 2.9

5.9

2.68

10.2

259.08

T2.1 – 2.9

3′

130mm

21x

T2.1

Weight: lbs • T-Stop: T2.1 - 2.7 • Close Focus: 23.6" • Outer Diameter: 95mm

T2.9

Canon HJ11x4.7B-III 11X4.7 (4.7-52mm) T2.1 - 2.7

Canon HJ11x4.7B-III 11X4.7 (4.7-52mm) T2.1 - 2.7

0.00

T2.1 – 2.7

23.6″

95mm

11x

T2.1

Weight: 4.3 lbs • T-Stop: T1.9 - 2.5 • Close Focus: 2' • Outer Diameter: 95mm

T2.7

2/3" Zooms ENG-style

Canon 11X4.7 (4.7-52mm)(HJ11ex4.7B IRSE) T1.9 - 2.5

Canon 11X4.7 (4.7-52mm)(HJ11ex4.7B IRSE) T1.9 - 2.5

Built-in 2x extender

4.3

1.95

9.4

238.76

Active B4

T1.9 – 2.5

2′

95mm

11x

T1.9

Weight: 3.24 lbs • T-Stop: T1.8 - 2.4 • Close Focus: 2' • Outer Diameter: 98mm

T2.5

Servo Option?:

Yes

Product Highlights

Built-in 2x extender

Canon 17X7.7 (7.7-131mm)(HJ17ex7.7B IRSE) T1.8 - 2.4

Canon 17X7.7 (7.7-131mm)(HJ17ex7.7B IRSE) T1.8 - 2.4

Built-in 2x extender

3.24

1.47

8.1

205.74

Active B4

T1.8 – 2.4

2′

98mm

17x

T1.8

Records 4K ProRes via SDI or HDMI, as well as 2K/1080p DPX, ARRIRAW, 4K/2K Canon RAW to 2.5" Odyssey SSDs via SDI or HDMI • 1280 x 800 7.7" OLED display

T2.4

Servo Option?:

Yes

Product Highlights

Built-in 2x extender

Convergent Design

Convergent Design Odyssey 7Q+

Convergent Design Odyssey 7Q+

1.2

0.54

Apple ProRes 422 HQ
DPX
ARRIRAW ***
Canon RAW ***

*** Optional license required.

12-bit or 10-bit depending on format

4:4:4 or 4:2:2 depending on format

DPX (Uncompressed HD)
.MOV (ProRes 422 HQ)
Assorted RAW formats

Convergent Design 2.5” Odyssey SSD

Compressed: Apple ProRes 422 HQ, 10-bit, 4K/UHD or 1080p/psf 23, 24, 25, 29; 1080i 50, 60; 720p 50, 60

Uncompressed: DPX stacks, 4:4:4, 12-Bit/10-Bit, 4:2:2 video signals are up-converted to 4:4:4.

2K/1080p Support: 12-bit 23.98, 24, 25, 29.97 & 10-bit in DPX

ARRIRAW 16:9 frame rates: 23.98, 24, 25, 29.97, 30, 48*, 50*, 59.97*, 60*

ARRIRAW 4:3 frame rates: 23.98, 24, 25, 29.97, 30, 48*

NOTE: ARRIRAW above 30fps requires two SSDs to simultaneously record. In a future firmware update only one SSD will be required for all frame rates.

CANON CINEMA 4K RAW (4096×2160) frame rates: 23.98, 24, 25, 29.97, 50*, 59.94*

CANON CINEMA 2K/1080p 12-bit support: 23.98, 24, 25, 29.97 & 10-bit

NOTE: CANON RAW 50-60p requires two SSDs to simultaneously record.

HD-SDI/3G support: Single/Dual link, 2-inputs, 2-outputs, 2 Bi-Directional (can be inputs or outputs), Full-size BNCs

HDMI I/O up to 4K

OLED, 7.7″, RGB 8-bit panel

Records 1080p ProRes via HDMI or SDI • Records 2K/1080p DPX, ARRIRAW, or 4K/2K Canon RAW to 2.5" Odyssey SSDs via SDI • 1280 x 800 7.7" OLED display

1280×800

Product Highlights

4K/UHD capture over HDMI (works with Panasonic GH4 or Sony a7S)
4K Supersample recording mode for shooting better, sharper 1080p using full sensor downsample.
Remote trigger support (in HD ProRes recording mode only)
OLED display with ~ 16 million colors, wide gamut, 3400:1 contrast, 176° viewing angle
Dual SSD slots
Touchscreen interface
2-channel embedded audio (48 kHz, 24-bit)
Built-in SDI-HDMI Converter
Monitoring Tools: Focus Assist, Zebras, False Color, Waveform, Histogram, Image Flip
LUT Support ARRI Log-C, Canon C-Log, Sony S-Log, S-Log2, S-Log3 LUTs
Our Kit Includes

QRC-Digital Gold Mount Battery Plate
Sunshade
Mounting Arm
Camera specific power cables and SDI or HDMI cables
Seagate GoFlex Reader w/ USB 3.0 Adapter

Convergent Design Odyssey 7Q

Convergent Design Odyssey 7Q

1.2

0.54

Apple ProRes 422 HQ
DPX
ARRIRAW ***
Canon RAW ***

*** Optional license required.

12-bit or 10-bit depending on format

4:4:4 or 4:2:2 depending on format

DPX (Uncompressed HD)
.MOV (ProRes 422 HQ)
Assorted RAW formats

Convergent Design 2.5” Odyssey SSD

Compressed: Apple ProRes 422 HQ, 10-bit, 1080p/psf 23, 24, 25, 29; 1080i 50, 60; 720p 50, 60

Uncompressed: DPX stacks, 4:4:4, 12-Bit/10-Bit, 4:2:2 video signals are up-converted to 4:4:4.

2K/1080p Support: 12-bit 23.98, 24, 25, 29.97 & 10-bit in DPX

ARRIRAW 16:9 frame rates: 23.98, 24, 25, 29.97, 30, 48*, 50*, 59.97*, 60*

ARRIRAW 4:3 frame rates: 23.98, 24, 25, 29.97, 30, 48*

NOTE: ARRIRAW above 30fps requires two SSDs to simultaneously record. In a future firmware update only one SSD will be required for all frame rates.

CANON CINEMA 4K RAW (4096×2160) frame rates: 23.98, 24, 25, 29.97, 50*, 59.94*

CANON CINEMA 2K/1080p 12-bit support: 23.98, 24, 25, 29.97 & 10-bit

NOTE: CANON RAW 50-60p requires two SSDs to simultaneously record.

HD-SDI/3G support: Single/Dual link, 2-inputs, 2-outputs, 2 Bi-Directional (can be inputs or outputs), Full-size BNCs

HDMI I/O Version 1.4a support, up to 1080p30 422 8-bit

OLED, 7.7″, RGB 8-bit panel

Records 1080p DPX, ARRIRAW, or Canon RAW to 2.5" Gemini SSDs via SDI • 800 x 400 5" LCD display

1280×800

Product Highlights

OLED display with ~ 16 million colors, wide gamut, 3400:1 contrast, 176° viewing angle
Dual SSD slots
Touchscreen interface
2-channel embedded audio (48 kHz, 24-bit)
Built-in SDI-HDMI Converter
Monitoring Tools: Focus Assist, Zebras, False Color, Waveform, Histogram, Image Flip
LUT Support ARRI Log-C, Canon C-Log, Sony S-Log, S-Log2, S-Log3 LUTs
Our Kit Includes

QRC-Digital Gold Mount Battery Plate
Sunshade
Mounting Arm
Camera specific power cables and SDI or HDMI cables
Seagate GoFlex Reader w/ USB 3.0 Adapter

Convergent Design Gemini 4:4:4

Convergent Design Gemini 4:4:4

1.5

0.68

DPX
ARRIRAW ***
Canon RAW ***

*** Optional license required.

12-bit or 10-bit depending on format

4:4:4

DPX (Uncompressed HD)
ARRIRAW
Canon RAW

Convergent Design 2.5” Gemini SSD

Uncompressed RGB 10-Bit 4:4:4
1080p23.98, 24, 25, 29.97, 30, 50, 59.94, 60;
720p50, 59.94/60

ARRIRAW, 1-60fps. Framerates of 48fps and above require usage of two SSD’s.

Canon RAW, 1-60fps. Requires using dual SSD’s. Framerates above 30fps require using two Gemini 4:4:4’s with a total of 4 SSD’s.

Four HD-SDI BNCs, (2 Input, 2 output, with individual power-down options)

LCD, 5″, RGB 8-bit panel

Records 1080p ProRes or DNxHD to industry standard 2.5" SSDs via SDI or HDMI • 800 x 400 5" LCD display

800×400

Product Highlights

LCD display, 900:1 contrast, 170° viewing angle
Dual SSD slots
Touchscreen interface
Support for S-Log, Log-C
HD-SDI Embedded uncompressed audio, 24-Bit, 48K; 2-channels, stored in WAV format.
Our Kit Includes

AC Supply
Stylus
Universal Transfer Station
Seagate GoFlex Adapter (Thunderbolt)
Mounting Arm
Camera specific power cables and SDI or HDMI cable

Sound Devices

Sound Devices PIX-240i

Sound Devices PIX-240i

1.5

0.68

Apple ProRes 4444, 330 Mb/s, 12-bit
Apple ProRes 36, 100, 145, 220 Mb/s, 8 and 10-bit
Avid DNxHD 36, 145, 220 and 220x

12-bit, 10-bit or 8-bit depending on format

4:4:4 or 4:2:2 depending on format

.MOV

Standard 2.5″ SSD’s

1080p23.976/24/25/29.97/30
1080i50/59.94/60
1080PsF23.976/24/25/29.97/30
720p23.976/24/25/29.97/30 (SDI Only)
720p50/59.94/60
576i50 (PAL)
480i59.94 (NTSC)

N/A

– SDI Input and Output 4:4:4 or 4:2:2; 12, 10, or 8-bit

– HDMI Input: v1.4a, 4:4:4 or 4:2:2, RGB or YCbCr, 10 or 8-bit, HDCP-enabled

– HDMI Output: v1.3, 4:2:2 8-bit, RGB and YCbCr

LCD w/ IPS, 5″

Records 1080p ProRes or DNxHD to industry standard 2.5" SSDs via SDI or HDMI • 800 x 400 5" LCD display

800×480

Product Highlights

Built-in 5-inch LCD IPS (In-Plane Switching), glossy, 800×480 pixel LCD display with ultra wide viewing angle and color accuracy
Monitoring functions including False Color, Zebra Stripes, 1:1 Pixel Mapping, Peaking Filter
Our Kit Includes

(2) Drive Caddy
LCD Screen Cover
AC Supply
Sun Shield
Mounting Arm
Camera specific power cables
SDI cables

Sound Devices PIX-240

Sound Devices PIX-240

1.5

0.68

Apple ProRes 4444, 330 Mb/s, 12-bit
Apple ProRes 36, 100, 145, 220 Mb/s, 8 and 10-bit
Avid DNxHD 36, 145, 220 and 220x

12-bit, 10-bit or 8-bit depending on format

4:4:4 or 4:2:2 depending on format

.MOV

Standard 2.5″ SSD’s

1080p23.976/24/25/29.97/30
1080i50/59.94/60
1080PsF23.976/24/25/29.97/30
720p23.976/24/25/29.97/30 (SDI Only)
720p50/59.94/60
576i50 (PAL)
480i59.94 (NTSC)

N/A

– SDI Input and Output 4:4:4 or 4:2:2; 12, 10, or 8-bit

– HDMI Input: v1.4a, 4:4:4 or 4:2:2, RGB or YCbCr, 10 or 8-bit, HDCP-enabled

– HDMI Output: v1.3, 4:2:2 8-bit, RGB and YCbCr

LCD, 5″

Records 1080p ProRes to Compact Flash cards via SDI or HDMI

800×480

Product Highlights

Built-in 5-inch LCD
Monitoring functions including False Color, Zebra Stripes, 1:1 Pixel Mapping, Peaking Filter
Our Kit Includes

(2) Drive Caddy
LCD Screen Cover
AC Supply
Sun Shield
Mounting Arm
Camera specific power cables
SDI cables

Aja

Aja Ki Pro Mini

Aja Ki Pro Mini

1.262

0.57

Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes LT, Apple ProRes (Proxy)

10-bit or 8-bit

4:2:2

.MOV

Compact Flash Cards

– 1080p 23.98, 24, 25, 29.97

– 1080i 25, 29.97, 30
– 1080PsF 23.98, 24, 25*, 29.97*
(Note: 25 and 29.97 require a valid camera source and the use of the Record Type>PsF selection)

– 525i 29.97
– 625i 25
– 720P 23.98, 25, 29.97, 50, 59.94, 60
(Note: 720p 23.98 (24), 720p 25 and 720p 29.97 require a valid camera source and the use of the Record Type>VFR selection)

N/A

– 1x HD/SD-SDI input/output w/24-bit Embedded Audio

– 1x HDMI input/output w/24-bit Embedded Audio: SMPTE-259/292/296

N/A

Follow focus system for use with film and cine-style lenses • Gear ratio of 1:2 is appropriate for a wide range of lens barrel sizes • Choice of three different focusing knobs (standard, hard stop, 2-speed) • Compatible with ARRI lightweight support as a slide-on unit

N/A

Product Highlights

2 Compact Flash Card recording slots
Our Kit Includes

AC Supply Universal Mounting Plate
Mounting Arm
Camera specific power cables
SDI cables

Studio Follow-Focuses

Arri FF-4 Studio Follow-Focus

Cine style • Unique space-saving, snap-on bridge mechanism (lightweight or studio) for fast unlock • Compatible with ARRI lightweight support as a snap-on unit • With adapter, compatible with studio rods system 15 and 19mm • Choice of three different focusing knobs (standard, hard stop, 2-speed)

Arri FF-4 Studio Follow-Focus

Product Highlights

Follow focus system for use with film and cine-style lenses
Gear ratio of 1:2 is appropriate for a wide range of lens barrel sizes
Choice of three different focusing knobs (standard, hard stop, 2-speed)
Compatible with ARRI lightweight support as a slide-on unit
With adapter, compatible with studio rods systems 15 and 19mm
Compatible with a wide range of ARRI driver gears and knob accessories
ARRI reversing gear set available for use with Nikon and Leica lenses
Economical and robust
Our Kit Includes

Arri FF-4 Studio Follow-Focus
FF-3 / FF-4 / FF-5 Main Control Knob
FF-3 / FF-4 / FF-5 Right Side Control Knob
19mm Studio Base for FF-4 (BA-2)
2x Flat Marking Disc for FF-3 / FF-4 / FF-5 / WCU-3
Arri Focus Gear .8 pitch
Follow Focus Whip (12″) f/ Arri FF3/FF4/FF5
Speed Crank for Arri Follow-Focus

Arri FF-5 Studio Follow-Focus

14+ stops dynamic range • 1-24fps Full Frame 6K • 1-60fps Super 35mm 4K • Internal 4:2:2 10-bit recording • Native Leica L-Mount • Dual native ISOs of 640 and 4000 in V-Log • 5-axis Sensor-Shift IBIS • Raw video output over HDMI in resolutions up to 5.9K at 29.97 fps or DCI 4K at 59.94 fps

Arri FF-5 Studio Follow-Focus

Product Highlights

Cine style
Unique space-saving, snap-on bridge mechanism (lightweight or studio) for fast unlock
Compatible with ARRI lightweight support as a snap-on unit
With adapter, compatible with studio rods system 15 and 19mm
Choice of three different focusing knobs (standard, hard stop, 2-speed)
Compatible with a wide range of ARRI driver gears and knob accessories
ARRI reversing gear set available for use with Nikon and Leica lenses
Reversing feature for Nikon and Leica lenses
Compatible with a wide range of ARRI driver gears and knob accessories
Economical and robust
Our Kit Includes

Arri FF-5 Cine Studio Follow-Focus
FF-3 / FF-4 / FF-5 Main Control Knob
FF-3 / FF-4 / FF-5 Right Side Control Knob
19mm Studio Base for FF-4 (BA-2)
2x Flat Marking Disc for FF-3 / FF-4 / FF-5 / WCU-3
Arri Focus Gear .8 pitch
Follow Focus Whip (12″) f/ Arri FF3/FF4/FF5
Speed Crank for Arri Follow-Focus

Panasonic Cameras

Panasonic S1H Mirrorless Digital Camera

Panasonic S1H Mirrorless Digital Camera

2.56

1.16

Body, Battery, Memory Card

Leica L, Arri PL, Canon EF

Full Frame

Rolling Shutter, 29.7ms in 6K 3:2 mode, 24.2ms in 4K DCI mode

Electronic shutter, 1/16000 to 1/125 Second in Movie Mode, Mechanical shutter 1/8000 to 60 sec in Photography mode

24.20 megapixel 35mm full-frame (35.6mm x 23.8mm) CMOS sensor

3:2, 1.90:1, 16:9

SDHC/SDXC UHS-I/UHS-II UHS Speed Class 3
SDHC/SDXC UHS-II Video Speed Class 90

Internal // MOV/H.265 4:2:0 10-Bit
- 6K 3:2 (5952 x 3968) at 23.976p/24.00p [200 Mb/s]
- 5.4K 3:2 (5376 x 3584) at 25p/29.97p [200 Mb/s]
- 5.9K (5888 x 3312) at 23.976p/24.00p/25p/29.97p [200 Mb/s]
- DCI 4K (4096 x 2160) at 47.95p/48.00p/50p/59.94p [200 Mb/s]
- UHD 4K (3840 x 2160) at 47.95p/48.00p/50p/59.94p [200 Mb/s]
- 4K Anamorphic (3328 x 2496) at 47.95p/48.00p/50p [200 Mb/s]
- Full HD (1920 x 1080) at 47.95p/48.00p/100p/119.88p [100 to 150 Mb/s]
Internal // MOV/H.264 4:2:2 10-Bit
- DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
- UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
- 4K Anamorphic (3328 x 2496) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
- Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50i/50p/59.94i/59.94p [50 to 200 Mb/s]
Internal // MOV/H.264 4:2:0 8-Bit
- DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
- UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
- 4K Anamorphic (3328 x 2496) at 23.976p/24.00p/25p/29.97p/50p [100 to 150 Mb/s]
- Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 Mb/s]
External // 12-bit ProRes RAW 4:2:2 10-Bit (requires HDMI recorder)
- DCI 4K (4096 x 2160) up to 24.00p/50p/59.94p
- UHD 4K (3840 x 2160) up to 24.00p/50p/59.94p
Internal // MP4/H.265 4:2:0 10-Bit
- UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [72 to 100 Mb/s]
Internal // MP4/H.264 4:2:0 8-Bit
- UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [100 Mb/s]
  Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [20 to 28 Mb/s]
Internal // AVCHD 4:2:0 8-Bit
- Full HD (1920 x 1080) at 23.976p/50i/50p/59.94i/59.94p [17 to 28 Mb/s]

MOV/H.265 4:2:0 10-Bit
MOV/H.264 4:2:2 10-Bit
MOV/H.264 4:2:0 8-Bit
MP4/H.265 4:2:0 10-Bit
MP4/H.264 4:2:0 8-Bit
AVCHD 4:2:0 8-Bit
ProRes RAW (via external recorder)

4:2:2 10-bit, 4:2:0 10-bit or 4:2:0 8-bit internal
4:2:2 12-bit external ProRes RAW via HDMI

4:2:2 or 4:2:0

V-Log
Cinelike D2
Cinelike V2
Like 709
HLG

Yes, via external HDMI recorder (12-bit ProRes RAW)

640 (or 4000)

14+ stops

Product Highlights
- 14+ stops dynamic range
- 1-24fps Full Frame 6K
- 1-60fps Super 35mm 4K
- Internal 4:2:2 10-bit recording
- Native Leica L Mount
- Dual native ISOs of 640 and 4000 in V-Log
- 5-axis Sensor-Shift IBIS
- Raw video output over HDMI in resolutions up to 5.9K at 29.97 fps or DCI 4K at 59.94 fps
Our Kit Includes
- Tilta Full Cage for S1H
- (4) Panasonic DMW-BLJ31 Rechargeable Lithium-Ion Battery (7.2V, 3100mAh) (f/ S1H)
- (4) Panasonic DMW-BTC14 Battery Charger (f/ Panasonic S1H)
- DMW-DCC16 Coupler for Panasonic S1H (incl. DMW-BLJ31 dummy battery)
- DMW-DCC16 Coupler to P-Tap Cable (w/ Regulator)
- A.B. Flat Gold Mount Battery Plate
- Arri PL and Canon EF adapters available upon request.
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Product Highlights

Compact and lightweight modular follow focus for hand held use.
Specifically designed for small and lightweight cameras like the 235 or ARRICAM Lite, but great with any camera when weight and size are an issue.
Swing arm can be rotated a full 360 degrees.
Gear play has been minimized for a secure feel when pulling focus.
Attaches to a single 19mm support rod via the Rod Mounting Bracket (RMB-1) or to a 15mm support rod via the RMB-1 and the 15mm Rod Reducer Sleeve set.
Compatibility with the focus knobs from the Lightweight Focus Drive (LFD) system open up all the existing follow focus accessories to the LFF-1, like a left and right focus knob, flat and beveled marking disks, the “L” shaped focus crank, short or long focus whips and more.
A large selection of precision focus gears for many cine and video lenses is also available, including a special gear for lenses with axial movement of the focus ring.
Our Kit Includes

Arri LFF-1 Lightweight Follow-Focus
RMB-1 19mm Rod Bracket for LFF-1
Right Knob for LFF-1
Flat Marking Disc for MFF-1 / LFF-1
Arri Focus Gear .8 pitch
Follow Focus Whip (12″) f/ Arri FF3/FF4/FF5
Speed Crank for Arri Follow-Focus

Product Highlights

Filter Sizes: 4″ x 4″, 4″ x 5.65″, 5.65″x5.65″
Designed for film and digital cameras
Modular construction allows all mounting options
Offers up to three independently rotating filter stages
Accommodates a wide range of filter sizes
All filters can be individually rotated and locked off
Can be equipped with top, bottom, side flags and masks
Provides an upgrade path as wider HD lenses come to market
Locking swing-away lens access
New patent-pending cage
Our Kit Includes

Arri MB-20 I Studio Matte-Box
19mm Studio Adapter for MB-19/MB-20
3 stg. Fllter Holder for MB-20
3x 4×5.65 Horizontal Tray for MB-20
2x Eyebrow for MB-19/MB-20
Sidebrow for MB-20 I
MB-20 Mask 16mm (35 format)
MB-20 Mask 25mm (35 format)
MB-20 Mask 32mm (35 format)
MB-20 Mask 40mm (35 format)
MB-20 Mask 50mm (35 format)
Specific bellows and/or step-down rings are available and can be supplied upon request.

Arri MB-20 II Wide-Angle 4x5.65" Studio Matte-Box

Clamp-on, 15mm lightweight and 15 and 19mm Studio Rod Support Options • Tilting option • Filter Sizes: 4" x 4", 4" x 5.65" • 2- or 3-filter metal filter stages (one rotatable) • Compatible with all Clamp Adapters • Hood easily removable on set with captive screws

Arri MB-20 II Wide-Angle 4x5.65" Studio Matte-Box

Product Highlights

Filter Sizes: 4″ x 4″, 4″ x 5.65″, 5.65″x5.65″
Designed for film and digital cameras
Works with wide-angle HD zooms
Modular construction allows all mounting options
Offers up to three independently rotating filter stages
Accommodates a wide range of filter sizes
All filters can be individually rotated and locked off
Can be equipped with top, bottom, side flags and masks
Provides an upgrade path as wider HD lenses come to market
Locking swing-away lens access
New patent-pending cage
Our Kit Includes

Arri MB-20 II WA 4×5.6 Studio Matte-Box (3 stg.)
19mm Studio Adapter for MB-19/MB-20
3 stg. Fllter Holder for MB-20
3x 4×5.65 Horizontal Tray for MB-20
Eyebrow for MB-20 II
2x Sidebrow for MB-20 II
MB-20 Wide-Angle 16X9 HD Mask 5mm (35 equiv. 12.5mm)
MB-20 Wide-Angle 16X9 HD Mask 7mm (35 equiv. 17.5mm)
MB-20 Wide-Angle 16X9 HD Mask 10mm (35 equiv. 25mm)
MB-20 Wide-Angle 16X9 HD Mask 20mm (35 equiv. 50mm)
Specific bellows and/or step-down rings are available and can be supplied upon request.

4x5.65" Clip-On Matte-Boxes

Arri LMB Pro 4x5.65" Clip-On Matte-Box

for 4x5.65" filters • 2 or 3 stage options • Ideal for lightweight set-ups • Convertible between Clip-on, 15mm LWS, 15mm Studio and 19mm Studio • Switching from two stage to three stage only requires twist of screw and adding third filter tray -- no complicated conversion process • Carbon-fiber construction

Arri LMB Pro 4x5.65" Clip-On Matte-Box

Product Highlights

One product covering a wide range of applications
Filter Sizes: 4″ x 4″, 4″ x 5.65″
2- or 3-filter metal filter stages (one rotatable)
Compatible with all Clamp Adapters
Hood easily removable on set with captive screws
Clamp-on, 15mm lightweight and 15 and 19mm Studio Rod Support Options
Offers quick and easy set up without tools
Tilting option
Safety gear such as a tray catcher and securing loop
Accessory mount for ultrasonic or other devices
Removable sunshade with captive screws
Our Kit Includes

Arri LMB Pro 4X5.65 Clip-On Matte-Box
114mm Back
Tray Catcher
3/8″ Accessory Holder
15mm LWS Console
Swing-Away Tilt Module
Tilt and Flex Adapter
Top Shade
Standard 2-stage Filter Assembly
Clamp-on +1 Rotatable Stage
Clamp-on +1 Non-Rotatable Stage
3x 4X5.65/4X4 Combo Filter Tray
Standard Matte Set
Specific backs and/or step-down rings are available and can be supplied upon request.
19mm Studio adapter or Anamorphic hard matte set available and can be supplied upon request.

4x5.65" Studio Matte-Boxes

Bright Tangerine Misfit 4x5.65" Clip-On/Studio Hybrid Matte-Box

Bright Tangerine Misfit 4x5.65" Clip-On/Studio Hybrid Matte-Box

.85

.388

Product Highlights

for 4×5.65″ filters
2 or 3 stage options
Ideal for lightweight set-ups
Convertible between Clip-on, 15mm LWS, 15mm Studio and 19mm Studio
Switching from two stage to three stage only requires twist of screw and adding third filter tray — no complicated conversion process • Carbon-fiber construction
Our Kit Includes

4×5.65 3-Stage Matte Box
3x 4×5.65 Filter Tray Horizontal
Top Flag with Variable Sides
Super Lightweight Glide Rail with 3/8″ Cinetape Mount Point
Filter Guard Safety Lock for Misfit
Production Swing Away Core
15mm Lightweight Rod Arm Type 2 for Swing Away Core
Dovetail for Swing Away Core
19mm Studio Strummer Bracket
Misfit Matte Set 18-20. 24-28. 32-40. 50-75. 85-180

Bright Tangerine Misfit Kick 4x5.65 Clip-On Matte Box

Bright Tangerine Misfit Kick 4x5.65 Clip-On Matte Box

.85

.388

Product Highlights

for 4×5.65″ filters
2 or 3 stage options
Ideal for lightweight set-ups
Convertible between Clip-on, 15mm LWS, 15mm Studio and 19mm Studio
Switching from two stage to three stage only requires twist of screw and adding third filter tray — no complicated conversion process • Carbon-fiber construction
Our Kit Includes

4×5.65 3-Stage Matte Box
3x 4×5.65 Filter Tray Horizontal
Top Flag with Variable Sides
Super Lightweight Glide Rail with 3/8″ Cinetape Mount Point
Filter Guard Safety Lock for Misfit
Production Swing Away Core
15mm Lightweight Rod Arm Type 2 for Swing Away Core
Dovetail for Swing Away Core
19mm Studio Strummer Bracket
Misfit Matte Set 18-20. 24-28. 32-40. 50-75. 85-180

0.216

Filter Sizes: 6.6“x6.6“, 5.65“x5.65“, 5“x6“, 4x5.65" • 19mm Studio • 2,3,4 and 6 filter stage options • Swing-away design • Anti-reflective filter tray available

0.10

Product Highlights

For 4×5.65″ filters
Single-stage
Ideal for gimbals or extremely lightweight set-ups
Weighs just 98g/.216lbs without the shade or 195g/.429lbs with shade
Retractable Top Flag
Tilting filter trays to help prevent reflections
Our Kit Includes

Bright Tangerine Misfit Atom 1-Stage Matte Box
114mm Clamp
Rubber Sunshade
Anti-Reflection (A.R.F.) bracket

6x6" Studio Matte-Boxes

Arri MB-14 6.6x6.6" Studio Matte-Box

Filter Sizes: 6.6“x6.6“, 5.65“x5.65“, 5“x6“, 4x5.65" • Built-in tilt module to assist in preventing unwanted reflections • Stackable filter stages • Anamorphic conversion set available • Special donuts optimized for tilt available

Arri MB-14 6.6x6.6" Studio Matte-Box

Product Highlights

Filter Sizes: 6.6“x6.6“, 5.65“x5.65“, 5“x6“
Use 4×5.65″ filters w/ step-down trays
19mm Studio
2,3,4 and 6 filter stage options
Swing-away design
Anti-reflective filter tray available
Our Kit Includes

Arri MB-14 6×6 Studio Swing Away Matte-Box
MB-14 4 stg. Filter Holder
2x MB-14 6X6 Geared Filter Frame
2x MB-14 6X6 Filter Frame
MB-14 Left Side Shade
MB-14 Right Side Shade
MB-14 Top Shade
MB-14/18 Grad Whip
MB-14 French Flag Holder
MB-14 Mask 18-20mm (35 format)
MB-14 Mask 24-28mm (35 format)
MB-14 Mask 32mm (35 format)
MB-14 Mask 35-40mm (35 format)
MB-14 Mask 50-65mm (35 format)
MB-14 Mask 85-180mm (35 format)
Specific bellows and/or step-down rings and trays are available and can be supplied upon request.

Arri SMB-1 6.6x6.6" Studio Matte-Box

Filter Size: 6.6“x6.6“ • Use 4x5.65" filters w/ step-down trays • Large range of clamp adapters up to 162mm for Optimo 24-290 / 28-340 • Compatible with all LMB-4 / MB-28 / MB14 non geared filter frames • Compatible with all LMB-4 / 4A clamp-on rings (with ∅156mm clamp adapter) • Hood easily removable on set with captive screws

Arri SMB-1 6.6x6.6" Studio Matte-Box

Product Highlights

Filter Sizes: 6.6“x6.6“, 5.65“x5.65“, 5“x6“
Use 4×5.65″ filters w/ step-down trays
Built-in tilt module to assist in preventing unwanted reflections
Stackable filter stages
Anamorphic conversion set available
Ready for ALEXA and 12 mm Master Prime
Ready for ALEXA and Angenieux Optimo 24-290
Special donuts optimized for tilt available
Our Kit Includes

Arri SMB-1 6×6 Studio Swing Away Matte-Box
Arri SMB-1 Spherical Sunshade
Arri SMB-1 19mm Swing Arm (W/2-5″ Ext. Rods)
Arri SMB-1 Rear Bellows Holder
Arri SMB-1 2-Filter Stage
MB-14/SMB-1 6X6 Filter Frame
MB-14/SMB-1 6X6 Geared Filter Frame
Arri SMB-1 Side Flag (Left)
Arri SMB-1 Side Flag (Right)
Arri SMB-1 Top/Bottom Flag
MB-14/18 Grad Whip
Arri SMB-1 Flexible Shaft For Tilt and Grad
Arri SMB-1-Accessory Adapter
Arri SMB-1 Spherical Matte #0
Arri SMB-1 Spherical Matte #1
Arri SMB-1 Spherical Matte #2
Arri SMB-1 Spherical Matte #3
Arri SMB-1 Spherical Matte #4
Arri SMB-1 Spherical Matte #5
Case for Arri SMB-1 Studio Matte-Box (Z17-753)
Other tilting and anamorphic aks. available upon request.
Specific bellows and/or step-down rings and trays are available and can be supplied upon request.

6x6" Clip-On Matte-Boxes

Arri LMB-4 6.6x6.6" Clip-On Matte-Box

Arri LMB-4 6.6x6.6" Clip-On Matte-Box

Product Highlights

Filter Size: 6.6“x6.6“
Use 4×5.65″ filters w/ step-down trays
Large range of clamp adapters up to 162mm for Optimo 24-290 / 28-340
Compatible with all LMB-4 / MB-28 / MB14 non geared filter frames
Compatible with all LMB-4 / 4A clamp-on rings (with ∅156mm clamp adapter)
Hood easily removable on set with captive screws
Our Kit Includes

Arri LMB-4 6.6×6.6″ Clip-On Matte-Box
2x 6.6×6.6″ Filter Trays
162mm Optimo 24-290mm Back
Standard LMB-4 back
Specific step-down rings and trays are available and can be supplied upon request.

Arri LMB-4A 6.6x6.6" Clip-On Matte-Box

Filter Size: 6.6“x6.6“ • Use 4x5.65" filters w/ step-down trays • 2 Filter metal stage guides • Dedicated carbon fiber top / bottom flag • Large range of clamp adapters up to 162mm • Compatible with all LMB-4 / MB-28 / MB14 non geared filter frames • Compatible with all LMB-4 / 4A clamp-on rings (with ∅156mm clamp adapter) • Hood easily removable on set with captive screws

Arri LMB-4A 6.6x6.6" Clip-On Matte-Box

Product Highlights

Filter Size: 6.6“x6.6“
Use 4×5.65″ filters w/ step-down trays
Large range of clamp adapters up to 162mm for Optimo 24-290 / 28-340
Compatible with all LMB-4 / MB-28 / MB14 non geared filter frames
Compatible with all LMB-4 / 4A clamp-on rings (with ∅156mm clamp adapter)
Hood easily removable on set with captive screws
Our Kit Includes

Arri LMB-4A 6.6×6.6″ Clip-On Matte-Box
2x 6.6×6.6″ Filter Trays
162mm Optimo 24-290mm Back
Standard LMB-4 back
Specific step-down rings and trays are available and can be supplied upon request.

Arri LMB-6 6.6x6.6" Clip-On Matte-Box

Ideal for cameras up to 100 lbs • Tilt +60° / -60° • Low Profile

Arri LMB-6 6.6x6.6" Clip-On Matte-Box

Product Highlights

Filter Size: 6.6“x6.6“
Use 4×5.65″ filters w/ step-down trays
2 Filter metal stage guides
Hood ready for wide angle lenses up to Ultra Prime 8R (Ansi 35mm)
Dedicated carbon fiber top / bottom flag
Large range of clamp adapters up to 162mm for Optimo 24-290 / 28-340
Compatible with all LMB-4 / MB-28 / MB14 non geared filter frames
Compatible with all LMB-4 / 4A clamp-on rings (with ∅156mm clamp adapter)
Hood easily removable on set with captive screws
Securing loop on main frame for crane and vehicle use
Our Kit Includes

Arri LMB-6 6.6×6.6″ Clip-On Matte-Box
3 stg. Filter Holder
Top Shade
Tray Catcher
3x 6.6×6.6″ Filter Trays
162mm Optimo 24-290mm Back
Standard LMB-6 back
3/8″ Accessory Shoe
LMB-6 Mask #1 (35 format)
LMB-6 Mask #2 (35 format)
LMB-6 Mask #3 (35 format)
LMB-6 Mask #4 (35 format)
LMB-6 Mask #5 (35 format)
Specific backs, step-down rings and trays are available and can be supplied upon request.

Product Highlights

Single channel wireless lens control
Pre-Marked Focus Rings
F/I controller can be used with the FI+Z system to take over the Iris or Focus function from the FI+Z Hand unit
Used with DM-1X or DM-2 digital motors
Allows control of the iris either through the camera or through a choice of hard wire or wireless controls.
Our Kit Includes

Preston F/I Single-Channel Wireless Hand Unit for V+F Lens Control
OpTech Super Classic Strap
3x Preston F/I Marking Ring (4026)
V+F Controller for Single-Channel Lens Control
Mounting Clamp for Preston V+F Controller
Preston DM2 Digital Motor
19mm Swing Arm (Preston 4301)
15mm Step-Down Bushing (4320)
2x 24″ Motor Cable for Preston DM1X/DM2 Digital Motors straight to right angle (4412)
2x Power Cable V+F P-Tap (4641)
2x Cam Cable V+F 3p RS (4621)
2x Cam Cable V+F Red Epic Trigger (VLC-Epic, 4646)
3x Sony NP-FM50 (or equivalent) batteries
Sony NP-FM50 (or equivalent) charger

Product Highlights

Single Axis Lens Control
Backlit Focus Knob
Can be used along the WCU-4 for separate iris control
Alternatively it can be used with the SMC-1 single motor controller, providing a simple, low cost option to productions that do not need multi-axis wireless lens control.
Our Kit Includes

Arri SXU-1 Wireless Single Axis Unit (White Radio) 312870
Carry Strap for Arri FIZ
WCU-4 / SXU-1 Blank Marking Ring
Sony NP-FM50 (or equivalent) batteries
Sony NP-FM50 (or equivalent) charger
1x Arri CLM-4 Digital Motor
2x Motor Cable for CLM-4

Product Highlights

The ARRI Zoom Main Unit ZMU-3 is a hand grip zoom controller that can be mounted on tripod pan arms while being connected to camera and motor. It includes a force-sensitive zoom knob.
A large bar graph shows zoom position, zoom speed, and various status messages, and a ZAP button allows for a quick zoom-in focus check
ZMU-3 can be connected directly to an ARRI CLM-3 or-4 lens motor and power source. Alternatively, it can be connected with the UMC-4 motor controller or any ALEXA camera that includes the Plus module
Our Kit Includes

ZMU-3 Hand Unit
Pan Handle
CLM Motor and Y-Cables

Product Highlights

Reversible anamorphic / spherical
Available with PL- or Panavision-Mount
Snapable eyepiece with diopter adjustment ± 5.0
Prepared for ARRIFLEX-Groundglasses 435/535
Ergonomic universal handle made of cherrywood with DENZ-soft-touch coating
Integrated pivot-hinge with hirth gearing and eccentric-clamp for an ideal adjustment of the handle
¼“-thread at the handle’s bottom for monopods
Bracket for handle

54.43

Product Highlights

Ideal for cameras up to 120 lbs (240 lbs in extended mode)
Capacity @ 8 in. (203 mm) minimum – 30 lbs.
Capacity @ 8 in. (203 mm) ± 90° – 120 lbs.
Capacity @ 8 in. (203 mm) ± 80° – 147 lbs.
Capacity @ 8 in. (203 mm) ± 70° – 188 lbs.
Capacity @ 8 in. (203 mm) ± 60° – 240 lbs.
Tilt +90° / -90° (reduced to +60° / -60° in extended mode)

O'Connor 100 Fluid Head, Mitchell Base

Folds flat and locks for carrying or storage and is easily set up ready for use.

O'Connor 100 Fluid Head, Mitchell Base

7.71

100

45.36

Product Highlights

Ideal for cameras up to 100 lbs
Tilt +60° / -60°

2.04

Product Highlights

An infinitely adjustable spreader with a strong elastic clip-down device, which is secured in seconds.
Made from high tensile anodized aluminium with large diameter locking hand-wheels to adjust length of spread; steel parts hardened and heavily chromium plated.
Dimensions (center to foot) minimum 1’5” (43cm), maximum 2’1” (64cm).

Ronford-Baker Rolling-Spreader

Ronford-Baker Rolling-Spreader

15.5

Mitchell base • Aluminium • Capacity 309 lbs. (140 kg) • Maximum Height 69.2 in. (175.8 cm) • Minimum Height 33.6 in. (85.3 cm) • Collapsed Length 240.4 in. (103 cm) • Collapsed Width 11.1 in. (28.2 cm)

7.03

Product Highlights

Built from high tensile alloy box sections, satin anodised. This rolling spider will carry almost unlimited weight and any make of tripod, and remain absolutely rigid in operation. It folds flat and locks for carrying or storage and is easily set up ready for use.

O'Connor HD Tripod incl. Ground Spreader

O'Connor HD Tripod incl. Ground Spreader

29.3

Mitchell base • Aluminium • Capacity 309 lbs. (140 kg) • Maximum Height 34.6 in. (87.9 cm) • Minimum Height 4 in. (10.2 cm) • Collapsed Length 23.6 in. (60 cm) • Collapsed Width 11.1 in. (28.2 cm)

13.29

Product Highlights

Mitchell base
Aluminium
Capacity 309 lbs. (140 kg)
Maximum Height 69.2 in. (175.8 cm)
Minimum Height 33.6 in. (85.3 cm)
Collapsed Length 240.4 in. (103 cm)
Collapsed Width 11.1 in. (28.2 cm)

O'Connor HD Baby Tripod

O'Connor HD Baby Tripod

18.5

Floor spreader for O'Connor HD tripods.

8.39

Product Highlights

Mitchell base
Aluminium
Capacity 309 lbs. (140 kg)
Maximum Height 34.6 in. (87.9 cm)
Minimum Height 4 in. (10.2 cm)
Collapsed Length 23.6 in. (60 cm)
Collapsed Width 11.1 in. (28.2 cm)

O'Connor HD Ground Spreader

Rolling Spreader for O'Connor Legs • Aluminum • Doorway Width 33.0" • Folded Length 26.0" • Wheel Diameter 4.0" • Locking wheels

O'Connor HD Ground Spreader

Product Highlights

Floor spreader for O’Connor HD tripods.

Sachtler Dolly-S

Perfect for capturing extremely low camera angles.

Sachtler Dolly-S

Product Highlights

The Dolly S dolly provides smooth and stable dolly action for all 100 and 150mm tripods (except Hot-Pod, DA-100/150 Short, OB-2000/M and Cine 2000 tripods). Features fast-action foot-operated brakes, adjustable cable guards and is fitted with track locks to provide tricycle steering. A collapsed length of only 26.0″ enhances portability, while the ergonomically designed carry handle is molded into the dolly’s reinforced center bracket for optimum carriage strength.

Mitchell Hi-Hat

Perfect for capturing extremely low camera angles.

Mitchell Hi-Hat

Product Highlights

Perfect for capturing extremely low camera angles.
Machined aluminum casting, and finished with a sleek powder-coated hammertone black finish.

Mitchell Lo-Hat

Payload: 18-77 lbs • Tilt Range: +90º to -75º

Mitchell Lo-Hat

Product Highlights

Perfect for capturing extremely low camera angles.
Machined aluminum casting, and finished with a sleek powder-coated hammertone black finish.

150mm Bowl Fluid Heads + Tripods

Sachtler Video 25 Plus Fluid Head, 150mm Bowl Base incl. Tripod

Sachtler Video 25 Plus Fluid Head, 150mm Bowl Base incl. Tripod

9.92

4.50

34.93

Product Highlights

Payload: 18-77 lbs
Tilt Range: +90º to -75º

Sachtler 150mm Baby Tripod

3.95

Payload: 4.5-55 lbs • Tilt Range: +90º to -70º

18.60

Product Highlights

Ideal for cameras up to 41 lbs
Capacity @ 4 in. (102 mm) – 54 lbs.
Capacity @ 6 in. (152 mm) – 41 lbs.
Capacity @ 8 in. (203 mm) – 33 lbs.
Tilt +60° / -60°

Sachtler Video 20S1 Fluid Head, 100mm Bowl Base incl. Tripod

Payload: 4.5-55 lbs • Tilt Range: +90º to -70º

Sachtler Video 20S1 Fluid Head, 100mm Bowl Base incl. Tripod

7.49

3.40

24.95

Product Highlights

Payload: 4.5-55 lbs
Tilt Range: +90º to -70º

Sachtler Video 20SB Fluid Head, 100mm Bowl Base incl. Tripod

Max Payload: 22 lbs • Tilt Range: +90° To –75°

Sachtler Video 20SB Fluid Head, 100mm Bowl Base incl. Tripod

7.49

3.40

24.95

Product Highlights

Payload: 4.5-55 lbs
Tilt Range: +90º to -70º

Sachtler DV8 Fluid Head, 100mm Bowl Base incl. Tripod

Sachtler DV8 Fluid Head, 100mm Bowl Base incl. Tripod

6.4

2.90

9.98

Product Highlights

Max Payload: 22 lbs
Tilt Range: +90° To –75°

Sachtler 100mm Baby Tripod

2.18

16.2

Max Payload: 88 lbs • Tilt Range: +720° To –720° • Pan/Tilt speed: 180°/sec

7.35

Product Highlights

Max Payload: 16.2 lbs
Tilt Range: +60° To –60°

Mo-Sys L40 Camera Remote Head

Max load 110 lbs • Tilt angle +/- 30° without wedge plate; +/-90° with wedge plate • Selectable 3-speed gears, plus neutra • Standard Mitchell base • Set of reduction gears (ratio 1:5) available for tilt and pan

Mo-Sys L40 Camera Remote Head

Product Highlights

Max Payload: 88 lbs
Tilt Range: +720° To –720°
Pan/Tilt speed: 180°/sec

Specialty Heads

Arrihead 2 Geared Head

Max load 110 lbs • Swing Range: +/- 45º

Arrihead 2 Geared Head

14.97

110

49.90

Product Highlights

Max load 110 lbs
Tilt angle +/- 30° without wedge plate; +/-90° with wedge plate
Selectable 3-speed gears, plus neutral
Standard Mitchell base
Set of reduction gears (ratio 1:5) available for tilt and pan

Tango/Swing Head

Max load 110 lbs • Swing Range: +/- 45º • New quick release locking mechanism that prevent side to side play. • New brake lever accessible on either side of the head to clear long camera sliding base plates. • New flexible shaft adapter: with any ARRI flexible shaft (“whip”) you can roll the head. • Removable handle.

Tango/Swing Head

7.7

3.49

110

49.90

Product Highlights

Max load 110 lbs
Swing Range: +/- 45º

Tango II Swing Head

Max load 180 lbs • Pan Range: +/- 360º • Tilt Range: +/- 30º • Dutch Capabilities • 2 Camera/Fluid Head tie down knobs & pan brake • 30 degree tilt range from side to side & tilt brake • 3/8"-16 tapped holes for easy mounting • Combine w/fluid head to achieve straight down shot • Designed for extremely low shots, without taking away your ability to pan and tilt the camera. It is also used to achieve dutch angles when mounted to a fluid head, or shots designed to be pointed straight down off of a fluid head on a tripod or jib.

Tango II Swing Head

7.2

3.27

12.56

319.024

110

49.90

Product Highlights

Max load 110 lbs
Swing Range: +/- 45º
New quick release locking mechanism that prevent side to side play.
New brake lever accessible on either side of the head to clear long camera sliding base plates.
New flexible shaft adapter: with any ARRI flexible shaft (“whip”) you can roll the head from either the front or the back of the head.
New removable handle: to clear the long camera sliding base plates you can fit the handle at the front or the back of the head. The new handle has the ARRI flex shaft receptacle built-in.
New adapter to accept the mini Sachtler Touch & Go plate, ideal for small video cameras.

Matthews CAM Tank

Option to rent as fixed Right Angle Plate or Geared Wedge Plate. • Manually adjustable from 0 to 90 degrees

Matthews CAM Tank

4.5

180

Product Highlights

Max load 180 lbs
Pan Range: +/- 360º
Tilt Range: +/- 30º
Dutch Capabilities
2 Camera/Fluid Head tie down knobs & pan brake
30 degree tilt range from side to side & tilt brake
3/8″-16 tapped holes for easy mounting
Combine w/fluid head to achieve straight down shot
Designed for extremely low shots, without taking away your ability to pan and tilt the camera. It is also used to achieve dutch angles when mounted to a fluid head, or shots designed to be pointed straight down off of a fluid head on a tripod or jib.

90 Degree Plate

90 Degree Plate

110

Max load 66 lbs • Tilt range: +/- 65º

49.90

Product Highlights

Option to rent as fixed Right Angle Plate or Geared Wedge Plate.
Manually adjustable from 0 to 90 degrees

Cartoni C 20 S Dutch Head

Max load 99 lbs • Tilt range: +/- 65º

Cartoni C 20 S Dutch Head

6.35

29.94

Product Highlights

Max load 66 lbs
Tilt range: +/- 65º

Cartoni C 40 S Dutch Head

Max load 110 lbs • Tilt range: 360° • Standard Mitchell base

Cartoni C 40 S Dutch Head

7.71

44.91

Product Highlights

Max load 99 lbs
Tilt range: +/- 65º

Cartoni Lambda L50 Head

Max load 55 lbs • Tilt range: 360° • Standard Mitchell base

Cartoni Lambda L50 Head

46.3

110

Product Highlights

Max load 110 lbs
Tilt range: 360°
Standard Mitchell base

Cartoni Lambda L25 Head

Third Axis for Cartoni L50 Head • Max load 88lbs • Provides axial rotation of camera with fluid dampening

Cartoni Lambda L25 Head

26.5

Product Highlights

Max load 55 lbs
Tilt range: 360°
Standard Mitchell base

Cartoni Lambda 50 Third Axis

Cartoni Lambda 50 Third Axis

Third Axis for Cartoni L25 Head • Max Load 44 lbs • Provides axial rotation of camera with fluid dampening

15.88

Product Highlights

Provides axial rotation of camera with fluid dampening

Cartoni Lambda 25 Third Axis

Tilt range: 360° • Standard Mitchell base or 150mm Bowl Base

Cartoni Lambda 25 Third Axis

12.8

5.8

Product Highlights

Third Axis for Cartoni L25 Head
Max load 44 lbs
Provides axial rotation of camera with fluid dampening

Ronford-Baker Fluid 7 Fluid Head

Max. load 66 lbs • Allows precise movements in almost no prep time • Operator has full control over camera movement • Extremly low camera angles • Lightweight

Ronford-Baker Fluid 7 Fluid Head

17.25

7.82

24.95

Product Highlights

Tilt range: 360°
Standard Mitchell base or 150mm Bowl Base

P+S Technik

P+S Technik Skater Mini Dolly

P+S Technik Skater Mini Dolly

Max Capacity: 100 lbs • Max Capacity (w/ Extension): 41 lbs • Reach 57" • Boom 72" • Can hold 150mm, 100mm, Mitchell heads • Mounts On: Mitchell base legs only

29.94

Product Highlights

Max. load 66 lbs
Allows precise movements in almost no prep time
Operator has full control over camera movement
Extremly low camera angles
Lightweight

Product Highlights

Camera travel: 60”
Dry weight: 48 pounds
Dimensions: 72” x 12” x 2.5”
Shipping weight: 115 pounds
Shipping dimen.: 78” x 16” x 9”

Jibs

Losmandy Portajib

Max Capacity: 60 lbs • Reach 55" • Boom 6.5' • Can hold 150mm, 100mm heads • Mounts On: Mitchell base legs only

Losmandy Portajib

27.22

100

45.36

Product Highlights

Max Capacity: 100 lbs
Max Capacity (w/ Extension): 41 lbs
Reach 57″
Boom 72″
Can hold 150mm, 100mm, Mitchell heads
Mounts On: Mitchell base legs only

Seven Jib Compact XL

Seven Jib Compact XL

Designed for full body digital cameras; Alexa, F65, Phantom, Red Epic • Easily convertable from Beamsplitter mode to Side by Side mode • Rig weight without cameras: 36.6lbs. [16.6 kilos] • Side by Side Focal length tested to 2200mm • Over/Under Focal length range 15mm to 250mm

27.22

Product Highlights

Max Capacity: 60 lbs
Reach 55″
Boom 6.5′
Can hold 150mm, 100mm heads
Mounts On: Mitchell base legs only

3D

3ality Technica Quasar 3D Rig

3ality Technica Quasar 3D Rig

36.6

16.60

Product Highlights

Designed for full body digital cameras; Alexa, F65, Phantom, Red Epic
Easily convertable from Beamsplitter mode to Side by Side mode
Rig weight without cameras: 36.6lbs. [16.6 kilos]
Isolated mirror box provides exceptional rigidity and precise alignment
Wired/wireless remote hand unit for Interocular and Convergence control
Side by Side Focal length tested to 2200mm
Over/Under Focal length range 15mm to 250mm

Product Highlights

Including Backstage accessories to add top/bottom shelves, tripod hooks and Mitchell mounts.

Flowcine 2-axis Puppeteer Handlebar Grip (for Ronin 2 and other Gimbal rigs)

2.31

1.05

Product Highlights

The 2-axis Puppeteer is an anti-vibration mount made to eliminate the motion coming from the Easyrig cord while walking or running.
It stabilizes around two axis, roll and tilt, and at the same time allows you to easily tilt your gimbal when shooting in follow- or majestic mode, removing disturbing string force from the Easyrig cord.

2.07

Load Capacity: 13-44 lbs • Attaches at the end of Easyrig (2.5/3) arm • Stabilizes vibrations and motion errors on vertical axis when shooting with Easyrig

17.24

Product Highlights

Load Capacity: 38 lbs
Small lightweight external 2 axis Gimbal (works in conjunction with EasyRig, which serves as pan axis).
Allows the operator to tilt +/- 60 degrees and roll the camera 30 degrees CCW, and 60 degrees CW.

Flowcine Serene Arm 2-axis spring arm (Easyrig Y-axis stabilizer)

Creates camera moves that are inspired by the natural movement of the subject being filmed, providing an unusual sense of vertigo for the viewer. • Lightweight and easy to use. • Snaps on the person it’s shooting in seconds and adjustments are fast • Low mode shooting possible

Flowcine Serene Arm 2-axis spring arm (Easyrig Y-axis stabilizer)

2.97

1.35

19.96

Product Highlights

Load Capacity: 13-44 lbs
Attaches at the end of Easyrig (2.5/3) arm.
Stabilizes vibrations and motion errors on vertical axis when shooting with Easyrig.

SNORRICAM

Snorricam Pro 3.0

13" Diagonal IPS panel • 1920 x 1080 pixels (Full HD) • RGB 10-bit • 1500 nits brightness for usage in outdoor environments • Viewing Angle: 178 degrees • 1140:1 contrast ratio • Waveform and Vector Scope monitoring • Audio level monitoring • Waveform and Vector Scope monitoring • Focus Assist • Peaking • False Color • Zebra • Custom LUTS

Snorricam Pro 3.0

Our Kit Includes

Snorricam Pro 3.0
Snorricam Harness
Snorricam Swivel Arm
Snorricam Cheese Plate
Counter Weight Arm
(4) Counter weights (2.5 lbs.)
Benro B3 Triple Ball Head incl Arca QR Plate

smallHD Field Monitors

smallHD 1303 HDR 13" Field Monitor

smallHD 1303 HDR 13" Field Monitor

17" Diagonal IPS panel • 1920 x 1080 pixels (Full HD) • 128 PPI • RGB 8-bit • 1100 nits brightness • Viewing Angle: Left/Right: 70° Up: 50° Down: 70° • 700:1 contrast ratio • Waveform and Vector Scope monitoring • Audio level monitoring • Waveform and Vector Scope monitoring • Focus Assist • Peaking • False Color • Zebra • Custom LUTS

5.44

Product Highlights

13″ Diagonal IPS panel
1920 x 1080 pixels (Full HD)
RGB 10-bit
Viewing Angle: 178 degrees
1140:1 Contrast Ratio
1500 nits Brightness
Waveform and Vector Scope monitoring
Focus Assist, Peaking, False Color, Zebra, Custom LUTS
2x and 4x Zoom with Smooth Pan via joystick
Customizable frame guides
1.33x, 1.5x, 1.66x, 2.0x Anamorphic De-Squeeze
Cross Conversion HDMI → SDI & SDI → HDMI
Audio level monitoring up to 8 channels
3G/HD/SD-SDI Input BNC (x2)
HDMI Input HDMI (x1)
SDI Output BNC (x2)
HDMI Output HDMI (x1)

smallHD 1703 HDR 17" LCD Field Monitor

smallHD 1703 HDR 17" LCD Field Monitor

17.35

16.5" Diagonal OLED panel • 1920 x 1080 pixels (Full HD) • RGB 10-bit • Viewing Angle: 89/89/89/89 (typ)(U/D/L/R contrast > 10:1) • Waveform and Vector Scope monitoring • Time code display • Audio level monitoring

7.86

Product Highlights

13″ Diagonal IPS panel
1920 x 1080 pixels (Full HD)
RGB 10-bit
Viewing Angle: 178 degrees
1140:1 Contrast Ratio
1500 nits Brightness
Waveform and Vector Scope monitoring
Focus Assist, Peaking, False Color, Zebra, Custom LUTS
2x and 4x Zoom with Smooth Pan via joystick
Customizable frame guides
1.33x, 1.5x, 1.66x, 2.0x Anamorphic De-Squeeze
Cross Conversion HDMI → SDI & SDI → HDMI
Audio level monitoring up to 8 channels
3G/HD/SD-SDI Input BNC (x2)
HDMI Input HDMI (x1)
SDI Output BNC (x2)
HDMI Output HDMI (x1)

Sony HD Field Monitors

Sony PVM-1741 17" OLED Field Monitor

Sony PVM-1741 17" OLED Field Monitor

7.26

Product Highlights

16.5″ Diagonal OLED panel
1920 x 1080 pixels (Full HD)
RGB 10-bit
Viewing Angle: 89/89/89/89 (typ)(U/D/L/R contrast > 10:1)
Waveform and Vector Scope monitoring
Time code display
Audio level monitoring
Composite Input BNC (x1), 1.0 Vp-p ±3dB sync negative
3G/HD/SD-SDI Input BNC (x2)
HDMI Input HDMI (x1)
Composite Output BNC (x1)
SDI Output BNC (x1)

Sony PVM-1741A 17" OLED Field Monitor

Sony PVM-1741A 17" OLED Field Monitor

7.26

Product Highlights

16.5″ Diagonal OLED panel
1920 x 1080 pixels (Full HD)
RGB 10-bit
Viewing Angle: 89/89/89/89 (typ)(U/D/L/R contrast > 10:1)
Waveform and Vector Scope monitoring
Time code display
Audio level monitoring
Dramatically improved viewing angle
Composite Input BNC (x1), 1.0 Vp-p ±3dB sync negative
3G/HD/SD-SDI Input BNC (x2)
HDMI Input HDMI (x1)
Composite Output BNC (x1)
SDI Output BNC (x1)

Sony PVM-1741/A 17" OLED Field Monitor

Sony PVM-1741/A 17" OLED Field Monitor

7.26

Product Highlights

16.5″ Diagonal OLED panel
1920 x 1080 pixels (Full HD)
RGB 10-bit
Viewing Angle: 89/89/89/89 (typ)(U/D/L/R contrast > 10:1)
Waveform and Vector Scope monitoring
Time code display
Audio level monitoring
Dramatically improved viewing angle
Composite Input BNC (x1), 1.0 Vp-p ±3dB sync negative
3G/HD/SD-SDI Input BNC (x2)
HDMI Input HDMI (x1)
Composite Output BNC (x1)
SDI Output BNC (x1)

Sony PVM-1741/A 17" OLED Field Monitor

Sony PVM-1741/A 17" OLED Field Monitor

16.5" Diagonal OLED panel • 1920 x 1080 pixels (Full HD) • RGB 10-bit • Viewing Angle: 89/89/89/89 (typ)(U/D/L/R contrast > 10:1) • 2K (2048 x 1080) input and image-slide • Anamorphic image conversion, Picture & Picture function • Waveform and Vector Scope monitoring • Time code display • Audio level monitoring • Focus Peaking function • Grid Display, two Center Markers and Flip functions

7.26

Product Highlights

16.5″ Diagonal OLED panel
1920 x 1080 pixels (Full HD)
RGB 10-bit
Viewing Angle: 89/89/89/89 (typ)(U/D/L/R contrast > 10:1)
Waveform and Vector Scope monitoring
Time code display
Audio level monitoring
Dramatically improved viewing angle
Composite Input BNC (x1), 1.0 Vp-p ±3dB sync negative
3G/HD/SD-SDI Input BNC (x2)
HDMI Input HDMI (x1)
Composite Output BNC (x1)
SDI Output BNC (x1)

Sony PVM-A170 17" OLED Field Monitor

Sony PVM-A170 17" OLED Field Monitor

9.3

24 5/8" Diagonal OLED panel • 1920 x 1080 pixels (Full HD) • RGB 10-bit • Viewing Angle: 89/89/89/89 (typ)(U/D/L/R contrast > 10:1) • Waveform and Vector Scope monitoring • Time code display • Audio level monitoring

4.22

Product Highlights

16.5″ Diagonal OLED panel
1920 x 1080 pixels (Full HD)
RGB 10-bit
Viewing Angle: 89/89/89/89 (typ)(U/D/L/R contrast > 10:1)
2K (2048 x 1080) input and image-slide
Anamorphic image conversion, Picture & Picture function
Waveform and Vector Scope monitoring
Time code display
Audio level monitoring
Focus Peaking function
Grid Display, two Center Markers and Flip functions
Composite Input BNC (x1), 1.0 Vp-p ±3dB sync negative
3G/HD/SD-SDI Input BNC (x2)
HDMI Input HDMI (x1)
Composite Output BNC (x1)
SDI Output BNC (x2)

Sony PVM-2541 25" OLED Field Monitor

Sony PVM-2541 25" OLED Field Monitor

24.5" Diagonal OLED panel • 1920 x 1080 pixels (Full HD) • RGB 10-bit • Viewing Angle: 89/89/89/89 (typ)(U/D/L/R contrast > 10:1) • 2K (2048 x 1080) input and image-slide • Anamorphic image conversion, Picture & Picture function • Waveform and Vector Scope monitoring • Time code display • Audio level monitoring • Focus Peaking function • Grid Display, two Center Markers and Flip functions

7.26

Product Highlights

24 5/8″ Diagonal OLED panel
1920 x 1080 pixels (Full HD)
RGB 10-bit
Viewing Angle: 89/89/89/89 (typ)(U/D/L/R contrast > 10:1)
Waveform and Vector Scope monitoring
Time code display
Audio level monitoring
Composite Input BNC (x1), 1.0 Vp-p ±3dB sync negative
3G/HD/SD-SDI Input BNC (x2)
HDMI Input HDMI (x1)
Composite Output BNC (x1)
SDI Output BNC (x1)

Sony PVM-A250 24.5" OLED Field Monitor

Sony PVM-A250 24.5" OLED Field Monitor

13.5

15" OLED panel, 100,000:1 contrast ratio • 1366 x 768 pixels • True 8bit, Dither 9bit • Viewing Angle: 180 deg Horizontal / Vertical • Waveform and Vector Scope monitoring • Time code display (VITC/LTC) • Audio level monitoring • Focus Assist

6.12

Product Highlights

24.5″ Diagonal OLED panel
1920 x 1080 pixels (Full HD)
RGB 10-bit
Viewing Angle: 89/89/89/89 (typ)(U/D/L/R contrast > 10:1)
2K (2048 x 1080) input and image-slide
Anamorphic image conversion, Picture & Picture function
Waveform and Vector Scope monitoring
Time code display
Audio level monitoring
Focus Peaking function
Grid Display, two Center Markers and Flip functions
Composite Input BNC (x1), 1.0 Vp-p ±3dB sync negative
3G/HD/SD-SDI Input BNC (x2)
HDMI Input HDMI (x1)
Composite Output BNC (x1)
SDI Output BNC (x2)

TV Logic HD Field Monitors

TV Logic LEM-150 15" OLED Field Monitor

TV Logic LEM-150 15" OLED Field Monitor

7.71

3.50

Product Highlights

15″ OLED panel, 100,000:1 contrast ratio
1366 x 768 pixels
True 8bit, Dither 9bit
Viewing Angle: 180 deg Horizontal / Vertical
Waveform and Vector Scope monitoring
Time code display (VITC/LTC)
Audio level monitoring
Focus Assist
CVBS Input BNC (x3)
3G/HD/SD-SDI Input BNC (x2)
DVI-I input (x1)
HDMI Input HDMI (x1)
Composite Output BNC (x1)
SDI Output BNC (x2)

TV Logic LVM-173W-3G 17" 3G HD-SDI LCD Field Monitor

TV Logic LVM-173W-3G 17" 3G HD-SDI LCD Field Monitor

15.65

7.10

Product Highlights

17″ LCD panel, 900:1 contrast ratio
1366 x 768 pixels
True 8bit
Viewing Angle: 178 deg Horizontal / Vertical
Waveform and Vector Scope monitoring
Time code display
Audio level monitoring
Focus Assist
1:1 pixel mapping
16ch embedded audio
CVBS Input BNC (x3)
3G/HD/SD-SDI Input BNC (x2)
DVI-I input (x1) (Analog and Digital RGB)
HDMI Input HDMI 1.1 (x1)
Composite Output BNC (x1)
SDI Output BNC (x2)

TV Logic LVM-173W 17" 3G HD-SDI LCD Field Monitor

TV Logic LVM-173W 17" 3G HD-SDI LCD Field Monitor

15.65

17.3" LED panel, 1000:1 contrast ratio • 1920 X 1080 pixels • True 10bit • Viewing Angle: 178 deg Horizontal / Vertical • Waveform and Vector Scope monitoring • Time code display • Audio level monitoring • Focus Assist • 1:1 pixel mapping • False Color • 16ch embedded audio

7.10

Product Highlights

17″ LCD panel, 900:1 contrast ratio
1366 x 768 pixels
True 8bit
Viewing Angle: 178 deg Horizontal / Vertical
Waveform and Vector Scope monitoring
Time code display
Audio level monitoring
Focus Assist
1:1 pixel mapping
16ch embedded audio
CVBS Input BNC (x3)
HD/SD-SDI Input BNC (x2)
DVI-I input (x1) (Analog and Digital RGB)
HDMI Input HDMI 1.1 (x1)
Composite Output BNC (x1)
SDI Output BNC (x2)

FSI HD Field Monitors

FSI CM171 17.3" 3G HD-SDI LED Field Monitor

FSI CM171 17.3" 3G HD-SDI LED Field Monitor

6.4

17" LCD panel, 900:1 contrast ratio • 1366 x 768 pixels • True 8bit • Viewing Angle: 178 deg Horizontal / Vertical • Waveform and Vector Scope monitoring • Time code display • Audio level monitoring • Focus Assist • 1:1 pixel mapping • False Color • DSLR Zoom feature for full screen scaling of DSLR video source at both 480 and 1080 resolutions • 16ch embedded audio • SD Aspect Ratio Selection (Anamorphic/4:3)

2.90

Product Highlights

17.3″ LED panel, 1000:1 contrast ratio
1920 X 1080 pixels
True 10bit
Viewing Angle: 178 deg Horizontal / Vertical
Waveform and Vector Scope monitoring
Time code display
Audio level monitoring
Focus Assist
1:1 pixel mapping
False Color
16ch embedded audio
Composite Input BNC (x1)
Component Input BNC (x3)
3G/HD/SD-SDI Input BNC (x2)
DVI-I input (x1) (Analog and Digital RGB)
Composite Output BNC (x1)
Component Output BNC (x3)
SDI Output BNC (x2)

FSI LM-1760W 17" 3G HD-SDI LCD Field Monitor

FSI LM-1760W 17" 3G HD-SDI LCD Field Monitor

10.2

21.5" LCD panel, 1000:1 contrast ratio • 1920 x 1080 pixels • True 8bit • Viewing Angle: 178 deg Horizontal / Vertical • Waveform and Vector Scope monitoring • Time code display • Audio level monitoring • Focus Assist • 1:1 pixel mapping • False Color • DSLR Zoom feature for full screen scaling of DSLR video source at both 480 and 1080 resolutions • 16ch embedded audio • SD Aspect Ratio Selection (Anamorphic/4:3)

4.63

Product Highlights

17″ LCD panel, 900:1 contrast ratio
1366 x 768 pixels
True 8bit
Viewing Angle: 178 deg Horizontal / Vertical
Waveform and Vector Scope monitoring
Time code display
Audio level monitoring
Focus Assist
1:1 pixel mapping
False Color
DSLR Zoom feature for full screen scaling of DSLR video source at both 480 and 1080 resolutions
16ch embedded audio
SD Aspect Ratio Selection (Anamorphic/4:3)
Composite Input BNC (x1)
Component Input BNC (x3)
3G/HD/SD-SDI Input BNC (x2)
DVI-I input (x1) (Analog and Digital RGB)
Composite Output BNC (x1)
Component Output BNC (x3)
SDI Output BNC (x2)

FSI LM-2140W 21.5" 3G HD-SDI LCD Field Monitor

FSI LM-2140W 21.5" 3G HD-SDI LCD Field Monitor

24" LCD panel, 1100:1 contrast ratio • 1920 x 1200 pixels • 10-bit • Viewing Angle: 178 deg Horizontal / Vertical • Waveform and Vector Scope monitoring • Time code display • Audio level monitoring • Focus Assist • 1:1 pixel mapping • False Color • DSLR Zoom feature for full screen scaling of DSLR video source at both 480 and 1080 resolutions • 16ch embedded audio • SD Aspect Ratio Selection (Anamorphic/4:3)

4.08

Product Highlights

21.5″ LCD panel, 1000:1 contrast ratio
1920 x 1080 pixels
True 8bit
Viewing Angle: 178 deg Horizontal / Vertical
Waveform and Vector Scope monitoring
Time code display
Audio level monitoring
Focus Assist
1:1 pixel mapping
False Color
DSLR Zoom feature for full screen scaling of DSLR video source at both 480 and 1080 resolutions
16ch embedded audio
SD Aspect Ratio Selection (Anamorphic/4:3)
Composite Input BNC (x1)
Component Input BNC (x3)
3G/HD/SD-SDI Input BNC (x2)
DVI-I input (x1) (Analog and Digital RGB)
Composite Output BNC (x1)
Component Output BNC (x3)
SDI Output BNC (x2)

FSI LM-2461W 24" 3G HD-SDI LCD Field Monitor

FSI LM-2461W 24" 3G HD-SDI LCD Field Monitor

15.8

24" LCD panel • 1920x1200 • 10-bit Panasonic LCD Panel Native Color Gamut > larger than Rec709, SMPTE-C, DCI P3 • 3D LUT Color Space SMPTE C/ EBU/ REC709/ Rec2020 Emulation/ DCI-P3/ User • approx 87% of Rec2020 in emulator • CFE3 Color Fidelity Engine Live Side by Side • Color Temp: 3200/500/5600/6500/9300K • Wide Gamut W-LED Backlight, 450 nits; 1500:1 Contrast Ration • 179 degrees viewing angle 1:1 Pixel Mapping • Power: 12-24VDC 4pXLR, (100-240VAC)

7.17

Product Highlights

24″ LCD panel, 1100:1 contrast ratio
1920 x 1200 pixels
10-bit
Viewing Angle: 178 deg Horizontal / Vertical
Waveform and Vector Scope monitoring
Time code display
Audio level monitoring
Focus Assist
1:1 pixel mapping
False Color
DSLR Zoom feature for full screen scaling of DSLR video source at both 480 and 1080 resolutions
16ch embedded audio
SD Aspect Ratio Selection (Anamorphic/4:3)
Composite Input BNC (x1)
Component Input BNC (x3)
3G/HD/SD-SDI Input BNC (x2)
DVI-I input (x1) (Analog and Digital RGB)
Composite Output BNC (x1)
Component Output BNC (x3)
SDI Output BNC (x2)

FSI DM240 24" 3G HD-SDI LCD DIT Monitor

FSI DM240 24" 3G HD-SDI LCD DIT Monitor

13.4

17" LCD panel • 1280 x 768 pixels • 8-bit panel • Viewing Angle: 176 deg Horizontal / Vertical • Waveform and Vector Scope monitoring • Pixel-to-pixel display and split-screen display • Time code display • Audio level monitoring • 8ch embedded audio

Product Highlights

1920×1200, 10-bit Panasonic LCD Panel
Native Color Gamut > larger than Rec709, SMPTE-C, DCI P3
3D LUT Color Space SMPTE C/ EBU/ REC709/ Rec2020 Emulation/ DCI-P3/ User
* note: approx 87% of Rec2020 in emulator
CFE3 Color Fidelity Engine
Live Side by Side
Color Temp: 3200/500/5600/6500/9300K
Wide Gamut W-LED Backlight, 450 nits; 1500:1 Contrast Ration
179 degrees viewing angle
1:1 Pixel Mapping
Power: 12-24VDC 4pXLR, (100-240VAC)

Panasonic HD Field Monitors

Panasonic BT-LH1710P 17" LCD Field Monitor

Panasonic BT-LH1710P 17" LCD Field Monitor

13.7

17" LCD panel • 1280 x 768 pixels • 8-bit panel • Viewing Angle: 176 deg Horizontal / Vertical • Faster Refresh rate of 120Hz • Waveform and Vector Scope monitoring • Pixel-to-pixel display and split-screen display • Time code display • Audio level monitoring • 8ch embedded audio

6.21

Product Highlights

17″ LCD panel
1280 x 768 pixels
8-bit panel
Viewing Angle: 176 deg Horizontal / Vertical
Waveform and Vector Scope monitoring
Pixel-to-pixel display and split-screen display
Time code display
Audio level monitoring
8ch embedded audio
Video: BNC x 2 inputs (with through-out x 1)
YPBPR/RGB: BNC x 6 inputs (with through-out x 3)
SYNC/HD: BNC x 2 inputs (with through-out x 1)
VD:BNCx1 inputs
SDI: BNC x 3 inputs (with switched-out x 1) embedded audio supported
DVI-D: DVI-D x 1 inputs, (HDCP supported)

Panasonic BT-LH1760P 17" LCD Field Monitor

Panasonic BT-LH1760P 17" LCD Field Monitor

13.7

1920 × 1136 • 1000:1 contrast • 350 cd/m2 (typical) brightness • 8-bit RGB, 4:4:4 progressive scan (16.7 million colors) • ± 85° (min) all axes viewing angle

6.21

Product Highlights

17″ LCD panel
1280 x 768 pixels
8-bit panel
Viewing Angle: 176 deg Horizontal / Vertical
Faster Refresh rate of 120Hz
Waveform and Vector Scope monitoring
Pixel-to-pixel display and split-screen display
Time code display
Audio level monitoring
8ch embedded audio
Video: BNC x 2 inputs (with through-out x 1)
YPBPR/RGB: BNC x 6 inputs (with through-out x 3)
SYNC/HD: BNC x 2 inputs (with through-out x 1)
VD:BNCx1 inputs
SDI: BNC x 3 inputs (with switched-out x 1) embedded audio supported
DVI-D: DVI-D x 1 inputs, (HDCP supported)

Product Highlights

7″ LCD panel; contrast ratio 700:1
800 x 480 pixels
True 8-bit panel
Viewing Angle: 140 deg Horizontal / Vertical
Focus Assist
Luma(Y’) Zone Check
Timecode Display
User Defined Aspect Ratios
Waveform/Vector Monitoring
1:1 pixel mapping
16ch embedded audio
Audio Level meter Display
3 x BNC – Analog Video Input
1 x BNC – HD/SDI Channel Input
1 x DVI-I:
1x BNC – SDI Channel Output (Active Loop Through)

Red Digital HD Onboard Monitors

RED DSMC2 Touch 7" LCD

Resolution: 1920 × 1136 • RGB 4:4:4 Progressive Scan

RED DSMC2 Touch 7" LCD

Product Highlights

1920 × 1136
1000:1 contrast
350 cd/m2 (typical) brightness
8-bit RGB, 4:4:4 progressive scan (16.7 million colors)
± 85° (min) all axes viewing angle

Red Touch 7.0" LCD Monitor

Resolution: 1280 × 784 • RGB 4:4:4 Progressive Scan

Red Touch 7.0" LCD Monitor

Product Highlights

Resolution: 1920 × 1136
RGB 4:4:4 Progressive Scan

Product Highlights

7″ LCD panel; contrast ratio 1,000:1
1920 x 1080 pixels
24 Bit (8bpc) panel
Viewing Angle: 179º
85% NTSC (100% Rec 709) Color Gamut
1000 nits brightness
Waveform
Vectorscope
RGB Parade
Histogram
Focus Assist / Peaking
Zebra
False Color
Pixel Zoom
Anamorphic Desqueeze
Image Overlay
Image Flip
Audio Level meter Display
1 x SDI(BNC)
1 x HDMI
1 x SDI(BNC)
1 x HDMI
1/8in Mini Stereo Headphone audio input
Power via LP-E6 style / Sony L style batteries

Red Digital HD Onboard Monitors

Red Touch 9.0" LCD Monitor

7.7"" OLED panel; contrast ratio 10,000:1 • 1280 x 800 pixels • 10-bit panel • Viewing Angle: 160º + • Waveform/Vectorscope • RGB Parade • Histogram • Focus Assist / Peaking • Zebra • False Color • Pixel Zoom • Anamorphic Desqueeze • Image Overlay • Image Flip • Audio Level meter Display

Red Touch 9.0" LCD Monitor

Product Highlights

Resolution: 1280 × 784
RGB 4:4:4 Progressive Scan

smallHD HD Onboard Monitors

smallHD 702-OLED 7.7" HD-SDI & HDMI OLED Onboard Monitor

smallHD 702-OLED 7.7" HD-SDI & HDMI OLED Onboard Monitor

1.625

Portable All-in-one HDR Monitor • 7" 1080p High Brightness Touchscreen • Dual Media Recorders for Uninterrupted Recording • Advanced 3G-SDI and HDMI 2.0 Inputs and Outputs • Bright Wide Gamut LCD • Built In Scopes Ensure Compliance to Standards

0.74

Product Highlights

7.7″ OLED panel; contrast ratio 10,000:1
1280 x 800 pixels
10-bit panel
Viewing Angle: 160º +
Waveform
Vectorscope
RGB Parade
Histogram
Focus Assist / Peaking
Zebra
False Color
Pixel Zoom
Anamorphic Desqueeze
Image Overlay
Image Flip
Audio Level meter Display
1 x SDI(BNC)
1 x HDMI
1 x SDI(BNC)
1 x HDMI
1/8in Mini Stereo Headphone audio input
Power via LP-E6 style / Sony L style batteries

Red Digital HD Onboard Monitors

Blackmagic Design Video Assist 7" 3G-SDI LCD HDR Recording Monitor

Blackmagic Design Video Assist 7" 3G-SDI LCD HDR Recording Monitor

1.8185932

7.7" OLED panel; contrast ratio 10,000:1 • 1280 x 800 pixels • True 8-bit panel • Viewing Angle: 80º/80º/80º/80º • Waveform (PIP, Full Screen) • Vectorscope (PIP, Full Screen) • RGB Parade (Full Screen) • Histogram (PIP, Full Screen) • Focus Assist / Peaking • 2x User selectable zebra ranges • False Color • Pixel Zoom • Anamorphic Desqueeze • Image Overlay • Image Flip • 16ch embedded audio • Audio Level meter Display

0.82

Product Highlights

Portable All-in-one HDR Monitor
7″ 1080p High Brightness Touchscreen
Dual Media Recorders for Uninterrupted Recording
Record Direct to External USB-C Media Disks
Advanced 12G-SDI and HDMI 2.0 Inputs and Outputs
HDR Support with Bright Wide Gamut LCD
Built In Scopes Ensure Compliance to Standards

smallHD HD Onboard Monitors

smallHD DP7-PRO 7.7" HD-SDI & HDMI OLED Onboard Monitor

smallHD DP7-PRO 7.7" HD-SDI & HDMI OLED Onboard Monitor

1.2

7.7" OLED panel; contrast ratio 80:1 • 1280 x 800 pixels • Super Bright Display: 1500 cd/m2 • True 8-bit panel • Viewing Angle: 160º+ • Waveform (PIP, Full Screen) • Vectorscope (PIP, Full Screen) • RGB Parade (Full Screen) • Histogram (PIP, Full Screen) • Focus Assist / Peaking • 2x User selectable zebra ranges • False Color • Pixel Zoom • Anamorphic Desqueeze • Image Overlay • Image Flip • 16ch embedded audio • Audio Level meter Display

0.54

Product Highlights

7.7″ OLED panel; contrast ratio 10,000:1
1280 x 800 pixels
True 8-bit panel
Viewing Angle: 80º/80º/80º/80º
Waveform (PIP, Full Screen)
Vectorscope (PIP, Full Screen)
RGB Parade (Full Screen)
Histogram (PIP, Full Screen)
Focus Assist / Peaking
2x User selectable zebra ranges
False Color
Pixel Zoom
Anamorphic Desqueeze
Image Overlay
Image Flip
16ch embedded audio
Audio Level meter Display
2 x SDI(BNC)
1 x HDMI (With Lock)
1 x Composite(Hirose Breakout Cable to BNC)
1 x SDI(BNC)
1 x HDMI

smallHD DP7-PRO High Bright 7.7" HD-SDI & HDMI OLED Onboard Monitor

smallHD DP7-PRO High Bright 7.7" HD-SDI & HDMI OLED Onboard Monitor

1.2

6" LCD panel; contrast ratio 600:1 • Viewing Angle: ±80° H, +60°/-80° V • Super bright 1000Nits display • Waveforms • Histogram • Vectorscope • /i & LDS LensReader + Cine Tape reader • Focus helper • Zoom 1:1 • AvengerLeveler (horizon), optional VirtualHorizon2 (gyro stabilized) • Anamorphic Desqueeze • User Frameline • Timecode • SDI Audio Monitoring

0.54

Product Highlights

7.7″ OLED panel; contrast ratio 80:1
1280 x 800 pixels
Brightness: 1500 cd/m2
True 8-bit panel
Viewing Angle: 160º+
Waveform (PIP, Full Screen)
Vectorscope (PIP, Full Screen)
RGB Parade (Full Screen)
Histogram (PIP, Full Screen)
Focus Assist / Peaking
2x User selectable zebra ranges
False Color
Pixel Zoom
Anamorphic Desqueeze
Image Overlay
Image Flip
16ch embedded audio
Audio Level meter Display
2 x SDI(BNC)
1 x HDMI (With Lock)
1 x Composite(Hirose Breakout Cable to BNC)
1 x SDI(BNC)
1 x HDMI

Transvideo HD Onboard Monitors

Transvideo Cinemonitor HD6 SBL Evolution Super Bright 6" HD-SDI LCD Monitor

Transvideo Cinemonitor HD6 SBL Evolution Super Bright 6" HD-SDI LCD Monitor

3.1

8.4" LCD panel; contrast ratio 300:1 • 1024 x 768 resolution • Viewing Angle: 170 degrees • Brightness 300 cd/m2

1.41

Product Highlights

6″ LCD panel; contrast ratio 600:1
Viewing Angle: ±80° H, +60°/-80° V
Super bright 1000Nits display
Waveforms
Histogram
Vectorscope
/i & LDS LensReader + Cine Tape reader
Focus helper
Zoom 1:1
AvengerLeveler (horizon), optional VirtualHorizon2 (gyro stabilized)
Anamorphic Desqueeze
User Framelines
Timecode
SDI Audio Monitoring:
1 x 3G HD/SD SDI + 1 Rclk out (BNC)
1 x CVBS + Loop (BNC)
1 x ACCessory YPrPb / RGB / CVBS (Lemo8)
1 x mini HDMI

Red Digital HD Onboard Monitors

Panasonic BT-LH900 8.4" HD-SDI LCD Onboard Monitor

Panasonic BT-LH900 8.4" HD-SDI LCD Onboard Monitor

4.4

9" LCD panel; contrast ratio 300:1 • 1280 x 768 resolution • Viewing Angle: 176 ° up/down, 176 °, right/left (contrast > 10:1) • WFM • Vector • Pixel To Pixel • Pixel Position • Focus-In-Red • Zebra • Time Code

2.00

Product Highlights

8.4″ LCD panel; contrast ratio 300:1
1024 x 768 resolution
Viewing Angle: 170 degrees
Brightness 300 cd/m2
SDI x2 (auto HD/SD IN) switched OUT
Component x1 (Y/Pb/Pr or RGBS)
Composite x1

Panasonic HD Onboard Monitors

Panasonic BT-LH910G 9" HD-SDI LCD Onboard Monitor

Panasonic BT-LH910G 9" HD-SDI LCD Onboard Monitor

3.75

6.4" a-Si TFT LCD panel • 1024 x 768 resolution • Viewing Angle: Above: 60°, Below: 40°, Side: 120° • Supports tally signal 2-channel input • Brightness, contrast, and chroma-level adjustments • Marker display function (center, frame, 4:3, 13:9, 14:9, 2.35:1, 1.85:1, 1.66:1)

1.70

Product Highlights

9″ LCD panel; contrast ratio 300:1
1280 x 768 resolution
Viewing Angle: 176 ° up/down, 176 °, right/left (contrast > 10:1)
WFM
Vector
Pixel To Pixel
Pixel Position
Focus-In-Red
Zebra
Time Code
SDI input: 2 line, BNC × 2
VIDEO input: 1 line, BNC × 1 (Shared with the analog component Y input terminal)
Analog component (YPBPR) input: 1 line, BNC × 3
(Of these, the Y input terminal is shared with the VIDEO input terminal)
HDMI input: 1 line, HDMI × 1 (Type A) (HDCP supported)
SDI output (active through): 2 line, BNC × 2

Other HD Onboard Monitors

Astro DM-3106 6" Onboard Monitor

Astro DM-3106 6" Onboard Monitor

2.86

6" LCD panel • HD-SDI or YPbPr analog input supported

1.30

Product Highlights

6.4″ a-Si TFT LCD panel
1024 x 768 resolution
Viewing Angle: Above: 60°, Below: 40°, Side: 120°
Supports tally signal 2-channel input
Brightness, contrast, and chroma-level adjustments
Marker display function (center, frame, 4:3, 13:9, 14:9, 2.35:1, 1.85:1, 1.66:1)
Composite Video: BNC (x1 Input)
Component Video: BNC (x2 Input) HD-SDI (SDI): BNC (x2 Input)

Astro DM-3000 6" HD-SDI LCD Onboard Monitor

7" LCD panel • 800 x 400 resolution

Astro DM-3000 6" HD-SDI LCD Onboard Monitor

Product Highlights

6″ LCD panel
HD-SDI or YPbPr analog input supported
17 types of video formats supported
Accuracy and chroma adjustment
Cursor display
Tally signal 2-channel input supported
Field frequency rate of 60 Hz or 60/1.001 automatically identifiable
Input channel CRCC error detection (for SDI inputs)

Marshall V-R70P-HAD 6.5" RGB-only Onboard Monitor

Marshall V-R70P-HAD 6.5" RGB-only Onboard Monitor

1.8

3.2" TFT LCD IPS LED • Resolution - 800 x 480 • Viewing angle - H 170 degrees V 170 degrees • HDMI signal input • Rechargeable Battery • 2.5x Optical Loupe • Monochrome • False Color • Image Flip • Pixel to Pixel Zoom • Exposure Zebras • Focus Peaking • Anamorphic Desqueeze • Frame Lines for 1.33:1, 1.66:!, 1.78:1, 1.85:1, 2.35:1

0.82

Product Highlights

7″ LCD panel
800 x 400 resolution
Component Video: BNCx3 (x1 Input, x1 Output)
S-Video: 4-Pin (x1 Input, x1 Output)
Composite Video: BNC (x1 Input, x1 Output)
DC Power: 4-Pin XLR (x1 Input)

HD Viewfinders

Zacuto Z-Finder EVF Pro 3.2" HDMI LCD Electronic Viewfinder

3.54" LED Backlit LCD • 24-Bit RGB 960 x 640 Resolution • 500 Nit Brightness / 1000:1 Contrast • 160 x 160˚ Viewing Angle • SDI and Mini-HDMI Inputs and Outputs • Loop Out / Conversion Out • User Aspect Zom • Audio meter • Timecode • Zebras • Luma Y Zone Check • Focus Assist • Waveform and Vectorscope (via V0.6 firmware update)

Zacuto Z-Finder EVF Pro 3.2" HDMI LCD Electronic Viewfinder

Product Highlights

3.2″ TFT LCD IPS LED
Resolution – 800 x 480
Color – 16.7M
Viewing angle – H 170 degrees V 170 degrees
View area – 70.6 x 42.76
HDMI signal input
Rechargeable Battery
2.5x Optical Loupe
Monochrome
False Color
Image Flip
Pixel to Pixel Zoom
Exposure Zebras
Focus Peaking
Anamorphic Desqueeze
Frame Lines for 1.33:1, 1.66:!, 1.78:1, 1.85:1, 2.35:1

Alphatron EVF-035W-3G 3.54" miniHDMI and HD-SDI LCD Electronic Viewfinder

Alphatron EVF-035W-3G 3.54" miniHDMI and HD-SDI LCD Electronic Viewfinder

1.06

Compatible with 3rd generation Bolt 3000, Sidekick II, and 703 Bolt • 3D LUTs, 5GHz spectrum analyzer, manual channel selection • Dual input (SDI + HDMI) and SDI loop on the TX • HDMI and Dual 3G-SDI outputs on RX • Integrated, internally-wired battery plates with pass-through power • Smaller and lighter chassis design with robust mounting points (3/8” and ¼”-20)

0.48

Product Highlights

3.54″ LED Backlit LCD
24-Bit RGB 960 x 640 Resolution
500 Nit Brightness / 1000:1 Contrast
160 x 160˚ Viewing Angle
SDI and Mini-HDMI Inputs and Outputs
Loop Out / Conversion Out
User Aspect Zom
Audio meter
Timecode
Zebras
Luma Y Zone Check
Focus Assist
Waveform and Vectorscope (via V0.6 firmware update)

Teradek HD Wireless Video

Teradek Bolt Pro 3000 XT HDMI&SDI Transmitter and Receiver Set

Built-in receiver compatible with Bolt 500, 1000 or 3000 transmitters • 300ft range • Daylight viewable 3000 nits brightness • 7.02" IPS LCD panel; contrast ratio 1,150:1 • 1920 x 1080 pixels • 323 ppi • 10-bit panel

Teradek Bolt Pro 3000 XT HDMI&SDI Transmitter and Receiver Set

Product Highlights

Transmits to up to 4 Receivers
5GHz
Zero frame delay
Transmitter: uncompressed video using WSDI Pro
Input SD/HD/3G-SDI/HDMI Type-A
Output Looping 3G-SDI
Resolution Up to 1080p60
Frequency 5.1 to 5.8 GHz
Wireless Range 3000′ (914.4 m)
Encryption AES128
2-channel Audio
Receiver output 2 x SD/HD/3G-SDI
Resolution Up to 1080p60

smallHD HD Wireless Onboard Monitors

smallHD 703 Bolt UltraBright 7" HD-SDI Wireless LCD Monitor

smallHD 703 Bolt UltraBright 7" HD-SDI Wireless LCD Monitor

Lightweight alternative to using 2nd Bolt Pro 3000 XT receiver when less range is required • Supports up to 1080p60 Resolution • Backwards Compatible with Bolt 500, 1000, 3000, XT, and LT systems • 3G-SDI & HDMI Output • Cross Conversion • Zero Delay • 2.4 & 5.8 GHz Noise Rejection • AES128 Encryption

0.91

Product Highlights

Built-in receiver compatible with Bolt 500, 1000 or 3000 transmitters.
300ft range
Daylight viewable 3000 nits brightness
7.02″ IPS LCD panel; contrast ratio 1,150:1
1920 x 1080 pixels
323 ppi
10-bit panel
Viewing Angle: 178 Degrees (CR<10) 85% NTSC (100% Rec 709) Color Gamut Waveform Vectorscope RGB Parade Histogram Focus Assist / Peaking Zebra False Color Pixel Zoom - 2x & 4x Zoom with smooth pan via joystick Preset Aspect Ratios & Customizable Frame Guides 1.33x, 1.5x, 1.66x, 2.0x Anamorphic Desqueeze Image Overlay Image Flip Audio Level meter Display 2 x 3G SDI(BNC) inputs 1 x 3G SDI(BNC) output

Teradek HD Wireless Video

Teradek Bolt Sidekick XT 3G-SDI & HDMI Receiver

Integrated Sidekick II Receiver • Compatible with Bolt 500, 1000 or 3000 transmitters • 500ft range • Daylight viewable 1800 nits brightness • 7.02" IPS LCD panel; contrast ratio 1,000:1 • 1920 x 1200 pixels • 322 ppi • 8-bit panel • Arri camera control via/ included Ethernet cable (except for Mini LF)

Teradek Bolt Sidekick XT 3G-SDI & HDMI Receiver

Product Highlights

Lightweight alternative to using 2nd Bolt Pro 3000 XT receiver when less range is required
Supports up to 1080p60 Resolution
Backwards Compatible with Bolt 500, 1000, 3000, XT, and LT systems
3G-SDI & HDMI Output
Cross Conversion
Zero Delay
2.4 & 5.8 GHz Noise Rejection
AES128 Encryption

smallHD HD Wireless Onboard Monitors

smallHD Cine 7 500 SK RX Bolt 7" HD-SDI Wireless LCD Monitor

smallHD Cine 7 500 SK RX Bolt 7" HD-SDI Wireless LCD Monitor

3.49

5GHz • Zero frame delay • transmits uncompressed video using WSDI Pro • Frequency 5.1 to 5.8 GHz • Wireless Range 3000' (914.4 m) • Encryption AES128 • 2-channel Audio • Resolution Up to 1080p60

1.59

Product Highlights

Built-in Sidekick II receiver compatible with Bolt 500, 1000 or 3000 transmitters.
500ft range
1800 nits brightness
7.02″ IPS LCD panel; contrast ratio 1,000:1
1920 x 1080 pixels
322 ppi
8-bit panel
Waveform
Vectorscope
RGB Parade
Histogram
Focus Assist / Peaking
Zebra
False Color
Pixel Zoom – 2x & 4x Zoom with smooth pan via joystick
Preset Aspect Ratios & Customizable Frame Guides
1.33x, 1.5x, 1.66x, 2.0x Anamorphic Desqueeze
Image Overlay
Image Flip
Audio Level meter Display
2 x 3G SDI(BNC) inputs
1 x 3G SDI(BNC) output

Teradek HD Wireless Video

Teradek Bolt Pro 3000 HDMI&SDI Transmitter and Receiver Set

Lightweight alternative to using 2nd Bolt Pro 3000 receiver when less range is required • SDI Ouput with 2 Pin Power Connector • 300 Ft Range • Compatible with Bolt 500, 1000, 3000 • Supports 20 MHz channels when paired with Bolt 3000 • Supports Timecode and Start/Stop Flags • Built-In Test Pattern Generator • Super Lightweight and Compact

Teradek Bolt Pro 3000 HDMI&SDI Transmitter and Receiver Set

Product Highlights

5GHz
Zero frame delay
Transmitter: uncompressed video using WSDI Pro
Input SD/HD/3G-SDI
Output Looping 3G-SDI
Resolution Up to 1080p60
Frequency 5.1 to 5.8 GHz
Wireless Range 3000′ (914.4 m)
Encryption AES128
2-channel Audio
Receiver output 2 x SD/HD/3G-SDI
Resolution Up to 1080p60

Teradek Bolt Sidekick II 3G-SDI Receiver

Teradek Bolt Sidekick II 3G-SDI Receiver

0.631

5GHz • Zero frame delay • transmits uncompressed video using WSDI Pro • Frequency 5.1 to 5.8 GHz • Wireless Range 2000' (609.6 m) • Encryption AES128 • 2-channel Audio • Resolution Up to 1080p60

0.29

Product Highlights

SDI Ouput with 2 Pin Power Connector
300 Ft Range
Compatible with Bolt 500, 1000, 3000
Supports 20 MHz channels when paired with Bolt 3000
Supports Timecode and Start/Stop Flags
Built-In Test Pattern Generator
Super Lightweight and Compact

Teradek Bolt Pro 2000 HDMI&SDI Transmitter and Receiver Set

Allows you to display two independent 33pt 3D LUTs or even the same LUT across two monitors • LUT Box (CDL 1D and 33-Point 3D LUTs) • HDMI/SDI Cross-Converter • Wireless Controller for Ethernet Cameras • Supports 10-Bit Color • Simultaneous HDMI and SDI Outputs • Integrates with Pomfort LiveGrade Pro • Supports Virtually Every Camera Signal • Compatible with Virtually All Monitors • Convert RAW & LOG Signals for Monitoring

Teradek Bolt Pro 2000 HDMI&SDI Transmitter and Receiver Set

Product Highlights

5GHz
Zero frame delay
Transmitter: uncompressed video using WSDI Pro
Input SD/HD/3G-SDI
Output Looping 3G-SDI
Resolution Up to 1080p60
Frequency 5.1 to 5.8 GHz
Wireless Range 2000′ (609.6 m)
Encryption AES128
2-channel Audio
Receiver output 2 x SD/HD/3G-SDI
Resolution Up to 1080p60

Teradek COLR Duo Lut Box

LUT Box (CDL 1D and 33-Point 3D LUTs) • HDMI/SDI Cross-Converter • Wireless Controller for Ethernet Cameras • Supports 10-Bit Color • Simultaneous HDMI and SDI Outputs • Integrates with Pomfort LiveGrade Pro • Supports Virtually Every Camera Signal • Compatible with Virtually All Monitors • Convert RAW & LOG Signals for Monitoring

Teradek COLR Duo Lut Box

Product Highlights

Allows you to display two independent 33pt 3D LUTs or even the same LUT across two monitors.
LUT Box (CDL 1D and 33-Point 3D LUTs)
HDMI/SDI Cross-Converter
Wireless Controller for Ethernet Cameras
Supports 10-Bit Color
Simultaneous HDMI and SDI Outputs
Integrates with Pomfort LiveGrade Pro
Supports Virtually Every Camera Signal
Compatible with Virtually All Monitors
Convert RAW & LOG Signals for Monitoring
Part of Teradek Connected Set Workflow

Teradek COLR Lut Box

Streams proxy files in H.264 to a decoder or website • Streams by WiFi, by Ethernet, or by optional 3G/4G modem • Bit Rate: 250 Kbps to 10 Mbps • Built in video scaler and deinterlacer

Teradek COLR Lut Box

Product Highlights

LUT Box (CDL 1D and 33-Point 3D LUTs)
HDMI/SDI Cross-Converter
Wireless Controller for Ethernet Cameras
Supports 10-Bit Color
Simultaneous HDMI and SDI Outputs
Integrates with Pomfort LiveGrade Pro
Supports Virtually Every Camera Signal
Compatible with Virtually All Monitors
Convert RAW & LOG Signals for Monitoring
Part of Teradek Connected Set Workflow

Teradek Cube 155 HD-SDI Encoder

Ultra long-range transmission - Up to 2,000 feet (600 meters) • Less than 1 millisecond latency • Uncompressed full-HD video signal • Multicast capable (up to 4 receivers per transmitter) • 128 bit AES Encryption - Secure transmission • Operates on 5gHz frequency band

Teradek Cube 155 HD-SDI Encoder

Product Highlights

Streams proxy files in H.264 to a decoder or website
Streams by WiFi, by Ethernet, or by optional 3G/4G modem
Stores files to an optional MicroSD card of up to 32GB in capacity
Attaches to a camera’s hot-shoe or onto a cage/rig by a 1/4″-20 screw
Powered by a two hour internal battery or by an included AC power adapter
An OLED screen indicates battery life, online status, and the URL being streamed to
Compression algorithm: Baseline, Main and High Profile H.264
Main and Baseline profiles
Bit Rate: 250 Kbps to 10 Mbps
Built in video scaler and deinterlacer
1080i 50/59.94/60
1080p 23.98/24/25/30
720p 23.98/24/50/59.94/60 , 576i , 480i
1x HD/SD-SDI input
1x RJ45 port
1x 1/8″ line/mic input with adjustable gain
1x headphone jack with adjustable volume
1x micro USB slot
1x 2-pin Lemo power input

Paralinx HD Wireless Video

Paralinx Tomahawk SDI Transmitter and 2x Receiver Set w/ antenna array

Extremely high quality uncompressed video • Zero frame latency (

Paralinx Tomahawk SDI Transmitter and 2x Receiver Set w/ antenna array

Product Highlights

Ultra long-range transmission – Up to 2,000 feet (600 meters)
Less than 1 millisecond latency
Uncompressed full-HD video signal
Multicast capable (up to 4 receivers per transmitter)
128 bit AES Encryption – Secure transmission
Operates on 5gHz frequency band
Transmitter features 3G-SDI input and loop-out.
Receiver features dual 3G-SDI outputs.

Boxx HD Wireless Video

Boxx Meridian HD/SD Transmitter and Receiver Set w/ 5 antenna array

Operation Distance Maximum 150' (50 m) • Through Wall: 100' (30 m) • Frequency Range 5.18-5.86GHz • Channels 4 Selectable Channel (with Auto-Select) • OFDM Modulation • Internal 2dBi Antenna • Transmitter Level: 50mW (Max)

Boxx Meridian HD/SD Transmitter and Receiver Set w/ 5 antenna array

Product Highlights

Extremely high quality uncompressed video
Zero frame latency (<1 millisecond) Use either an HD or SD monitor when shooting HD Secure encrypted transmission Up to 1900 feet range when used with High-gain 5-antenna array Transmitter: HD-SDI, SDI, composite video input, SDI Loop Through, 5.1 - 5.9GHz licenced, and licence-exempt band Extremely high quality 4:2:2 video transmission Receiver: 5.1-5.9GHz licence exempt band Dual SDI out Extremely high quality 4:2:2 video transmission Embedded time code transport Manual or automatic channel select Switch between multiple cameras Simultaneous HD downconverter/scaler

IDX HD Wireless Video

IDX Camwave Wevi CW-5HD 5Ghz Transmitter and Receiver Set

1x Auto-Sensing Input • 6x Separately Buffered Outputs • Re-Clocking & Equalization • Universal Power Supply Included

IDX Camwave Wevi CW-5HD 5Ghz Transmitter and Receiver Set

Product Highlights

Operation Distance Maximum 150′ (50 m)
Through Wall: 100′ (30 m)
Frequency Range 5.18-5.86GHz
Channels 4 Selectable Channel (with Auto-Select)
OFDM Modulation
Internal 2dBi Antenna
Transmitter Level: 50mW (Max)

Distro Amps

Aja 3GDA HD/SD 1x6 HD-SDI Distribution Amp

Supports 3G level A and B on inputs and output, allowing conversion between 3G level A and B • (3G/HD/SD)-SDI 1 to 4 Multi-Viewer or 4 to 1 input multiplexer • Horizontal and/or Vertical image flipping per window • Fast switching between inputs using Full-Screen scaling • Selectable output format in both Full-Screen Multi-Viewer mode • Low latency buffering for each input allowing non-synchronous inputs • Linked (3G/HD/SD)-SDI and HDMI outputs • 4 x (3G/HD/SD)-SDI inputs with auto detection (26 Formats supported in total) • Each window is independent of the others, allowing any 3G/HD/SD format of any frame rate to be displayed simultaneously

Aja 3GDA HD/SD 1x6 HD-SDI Distribution Amp

Product Highlights

Formats: 3Gb, 1.5Gb, 270Mb Auto Select
Inputs: HD-SDI, SDI (SMPTE 259/292/296/424), 1x BNC
Outputs: 3G HD-SDI, HD-SDI, SDI, 6x BNC

Multiviewers

Decimator DMON-QUAD 1x4 (3G/HD/SD)-SDI to HDMI Multiviewer

4x HD I • 1x HD O • Genlock

Decimator DMON-QUAD 1x4 (3G/HD/SD)-SDI to HDMI Multiviewer

Product Highlights

Supports 3G level A and B on inputs and output, allowing conversion between 3G level A and B
(3G/HD/SD)-SDI 1 to 4 Multi-Viewer or 4 to 1 input multiplexer • Custom Layouts with various standard layouts
16 Character UMD overlay per window with individual enables, custom positioning and size
8 Channel Audio Metering overlay per window with individual enables, custom positioning and size
Horizontal and/or Vertical image flipping per window
Audio ID overlay
Tallies can be applied to either Tally Boxes (Default) or Border
Tally boxes allows for up to 4 Tallies per window
Fast switching between inputs using Full-Screen scaling
Selectable output format in both Full-Screen Multi-Viewer mode
Low latency buffering for each input allowing non-synchronous inputs
Linked (3G/HD/SD)-SDI and HDMI outputs
4 x (3G/HD/SD)-SDI inputs with auto detection (26 Formats supported in total)
Each window is independent of the others, allowing any 3G/HD/SD format of any frame rate to be displayed simultaneously
Variable aspect ratios per window
In Pass-Through mode the selected input is passed through to both the (3G/HD/SD)-SDI and HDMI outputs
The DMON-QUAD is a truly portable converter, that incorporates our easy to use LCD and button control system. This gives you easy access to most of the amazing features without using complicated LED/button control, dip switches or having to carry around a computer to change a simple setting.

Product Highlights

1080i/1080p24sf/1080p25sf/720p 23.98/24/25/50/59.94/60 Hz Frame Rates
Input: HD-SDI/SDI dual-rate, SMPTE 292/296, BNC
Outputs: SDI, SMPTE, 259M, BNC YPbPr – SMPTE, EBU-N10, Betacam, RGB, NTSC, PAL, YC (S-Video), 3x BNC
Downconversion: Multi- Point Interpolation, 10-bit Processing 3:2 Conversion for 24p/psf Inputs
4:3 Safe-Zone Graticule Overlay dipswitch
Pedestal (Output) dipswitch
4:3/16:9 Monitor Select dipswitch

Product Highlights

3G:SMPTE [email protected] and 2.967Gb/s – 1080p@60/59.94/50Hz
HD:SMPTE 292M/274M/[email protected] and 1.435Gb/s – 1080i@60/59.94/50Hz, 1080p/psf@30/29.97/25/24/23.98Hz, 720p@60/59.94/50/30/29.97/25/24/23.98Hz
SD:SMPTE 259M@270Mb/s
625i50
525i59.94
Aspect conversion type for HD to HD, HD to SD, SD to HD and SD to SD conversions.
Basic Audio Meter control
Basic Graticule Enables
Inputs: (3G/HD/SD)-SDI 10-bit
Conditional Maximum Equalization cable length of 400M for
SDI, 200M for HD-SDI and 100M 3G-SDI using Belden 1694A
Outputs: HDMI, 1 x (3G/HD/SD)-SDI Active Loop-Through, 2 x (3G/HD/SD)-SDI 10-bit Outputs, (3 x CVBS) / (Y, Pb, Pr) / (G, B, R) / (CVBS, Y & C)

HD Routers

Evertz 4x1 XHD504 HD-SDI Router

SDI Video Input: 20 x 10-bit SD/HD/6G-SDI • SDI Video Output: 20 x 10-bit SD/HD/6G-SDI • Supports SD, HD, Ultra HD 4K, DCI 4K • 4:2:2 and 4:4:4 Sampling • 10-Bit Processing • Reclocking On all SDI outputs, auto switching between SD, HD, or 6G-SDI video

Evertz 4x1 XHD504 HD-SDI Router

Product Highlights

4 HD I
1 HD O
Genlock

Blackmagic Design Smart Videohub 20 x 20

SD Composite only • Allows dispalying of Anamorphic or 16:9 image on a 4:3 screen • Automatically generates Black letter-boxes to fill-in the rest of the 4:3 screen.

Blackmagic Design Smart Videohub 20 x 20

Product Highlights

SDI Video Input: 20 x 10-bit SD/HD/6G-SDI
SDI Video Output: 20 x 10-bit SD/HD/6G-SDI
Supports SD, HD, Ultra HD 4K, DCI 4K
4:2:2 and 4:4:4 Sampling
10-Bit Processing
Reclocking On all SDI outputs, auto switching between SD, HD, or 6G-SDI video

Product Highlights

Built-In UHF Reveiver
Input & Output: 2 x CVBS + 1 x Automatic loop through (BNC), 1 x CVBS + 1 Processed Video out (Hirose6)
Contrast ratio: 700:1
Viewing angle: ±65° H, +50°/-65° V
Brightness max: 420Nits

Product Highlights

Portable MiniDV digital video walkman with 4-inch LCD screen
Records, views, and edits digital video footage and still images in 640 x 480 resolution resolution to MiniDV tape
S-video and composite video input/outputs, mini jack audio output, iLink DV input/output, USB terminal, and stereo mini headphone jack
TGV-100 UHF Tuner allows unit to work with Canatrans or Modulus for streamlined MiniDV wireless recording and on-set playback.

SD Signal Converters

Transvideo Format Converter (Anamorphic DeSqueeze)

SD Composite only • 1x Composite input • 4x Composite Outputs

Transvideo Format Converter (Anamorphic DeSqueeze)

Product Highlights

SD Composite only
Allows dispalying of Anamorphic or 16:9 image on a 4:3 screen.
Automatically generates Black letter-boxes to fill-in the rest of the 4:3 screen.

VAC 1x4 Standard Definition Distribution Amp

VAC 1x4 Standard Definition Distribution Amp

Product Highlights

SD Composite only
1x Composite input
4x Composite Outputs

Monitor and Video Village Aks.

Avenger 5017 7.5' Rolling Baby Stand 17

Avenger 5017 7.5' Rolling Baby Stand 17

Avenger A1020B 6.5' Rolling Combo Stand 20 (Baby+Junior)

Avenger A1020B 6.5' Rolling Combo Stand 20 (Baby+Junior)

Avenger 5.75' C-Stand 18

Lithium-Ion Trimix HL • Output Voltage 2x 12 V DC (unreg.) 10 A 4-Pin XLR /2x 24 V DC, 10 A 3-Pin XLR / 1x 48 V 10A 10-Pin XLR • Capacity: 1176Wh • Built-in charger

Avenger 5.75' C-Stand 18

Product Highlights

Lithium-Magnesium, Sanyo cells
135WH Capacity
Sustains 12 Amp Draw
Output Voltage – 14.4 VDC (12 – 16.8V (operating))
Can survive a fall up to 5′ (1.5 m)

Block Batteries

Bebob CUBE 1200 12/24v/48v Block Battery

Bebob CUBE 1200 12/24v/48v Block Battery

19.73

Extremely fast 4-position simultaneous charging • Automatic Charge Termination • Interactive Charge Program

8.95

Product Highlights

Lithium-Ion Trimix HL
Output Voltage 2x 12 V DC (unreg.) 10 A 4-Pin XLR /2x 24 V DC, 10 A 3-Pin XLR / 1x 48 V 10A 10-Pin XLR
Capacity: 1176Wh
Built-in charger

Gold Mount Onboard

Anton Bauer TM4 Quad Gold Mount Battery Charger

Extremely fast 4-position simultaneous expedited Charging (~1.5 Hours to Charge 26V 98Wh to 100%) • Automatic Charge Termination/Discharge • Multi-Chemistry Fast Charging

Anton Bauer TM4 Quad Gold Mount Battery Charger

Product Highlights

Extremely fast 4-position simultaneous charging
Automatic Charge Termination
Interactive Charge Program

Anton Bauer LP4 PLUS Quad Charger

Extremely fast 4-position simultaneous charging • Automatic Charge Termination/Discharge • Multi-Chemistry Fast Charging

Anton Bauer LP4 PLUS Quad Charger

4.69

2.13

9.05

230 mm

9.05

310 mm

3.58

91 mm

Product Highlights

Extremely fast 4-position simultaneous expedited Charging (~1.5 Hours to Charge 26V 98Wh to 100%)
Automatic Charge Termination/Discharge
Multi-Chemistry Fast Charging

Anton Bauer LP4 Quad Charger w/ AC Cable

Simultaneous 4-position charging • Automatic Charge Termination • Interactive Charge Program

Anton Bauer LP4 Quad Charger w/ AC Cable

2.62

1.91 kg

9.01575

229 mm

12.20

310 mm

3.58

91 mm

Product Highlights

Low profile design enables stackability for strategic storage
4-position simultaneous charging
Multi-chemistry charging of the fast chargers reduces costs while maintaining performance
Automatically detects which battery has the strongest charge and prioritizes it, ensuring that a fully charged battery is always available in the shortest amount of time possible

Anton Bauer TWQ Quad Gold Mount Battery Charger

Sequential charging (1 position at a time) • Multi-function LCD Readout • Diagnostic/Discharge Module

Anton Bauer TWQ Quad Gold Mount Battery Charger

Product Highlights

Simultaneous 4-position charging
Automatic Charge Termination
Interactive Charge Program
Three Stage Charging
Delivers a high rate charge matched to the batteries capabilities.
Balances or “equalizes” any imbalance of the batteries cells, created by unequal self discharge.
Charging is Anton Bauers exclusive LifeSaver maintenance mode. This patented pulse routine keeps the battery fully charged, free from self-discharge indefinitely without damaging heat associated with a “trickle-charge”.

Anton Bauer Q2702 Quad Gold Mount Battery Charger

Simultaneous 2-position charging • Automatic Charge Termination • Interactive Charge Program

Anton Bauer Q2702 Quad Gold Mount Battery Charger

Product Highlights

Sequential charging (1 position at a time)
Multi-function LCD Readout
Diagnostic/Discharge Module
Six simultaneous charge termination systems are built-in to protect the batteries from damage:
SSP (Selective Sequence Programming)
Automatic Balance/Rejuvenation Mode:
Lifesaver Maintenance Mode:
Cold Battery Safety Sensor:
PLM (Power Loss Memory) Mode:

Anton Bauer Titan T2 Dual Gold Mount Battery Charger

Snap-on Li-Ion charger • 2 channel simultaneous • Built-in AC Adapter 15V 5A

Anton Bauer Titan T2 Dual Gold Mount Battery Charger

Product Highlights

Simultaneous 2-position charging
Automatic Charge Termination
Interactive Charge Program
Three Stage Charging
Delivers a high rate charge matched to the batteries capabilities.
Balances or “equalizes” any imbalance of the batteries cells, created by unequal self discharge.
Charging is Anton Bauers exclusive LifeSaver maintenance mode.

Bebob AS2-RL Dual Gold Mount Battery Charger

Lithium-Ion • 87WH Capacity • Sustains 10 Amp Draw • Output Voltage - 14.4 VDC (12 - 16.8V (operating)) • Over charge protection (reset) • Over discharge protection (reset) • Over current protection (reset) • Temperature protection (non reset)

Bebob AS2-RL Dual Gold Mount Battery Charger

Product Highlights

Snap-on Li-Ion charger
2 channel simultaneous
Built-in AC Adapter 15V 5A

V-Mount Onboard

IDX Endura HL9 V-Mount Onboard Battery, 87Wh

IDX Endura HL9 V-Mount Onboard Battery, 87Wh

1.63

Lithium-Magnesium, Sanyo cells • 135WH Capacity • Sustains 12 Amp Draw • Output Voltage - 14.4 VDC (12 - 16.8V (operating)) • Can survive a fall up to 5' (1.5 m)

0.74

Product Highlights

Lithium-Ion
87WH Capacity
Sustains 10 Amp Draw
Output Voltage – 14.4 VDC (12 – 16.8V (operating))
Over charge protection (reset)
Over discharge protection (reset)
Over current protection (reset)
Temperature protection (non reset)

Gold Mount Onboard

Bebob Rouge A140RM Gold Mount Onboard Battery, 135Wh

Bebob Rouge A140RM Gold Mount Onboard Battery, 135Wh

3.6

Sequential 2-channel charging in either position • Internal safety features protect both the battery and charger from serious damage should faulty or misused batteries be placed on charge • Input Voltage: AC 100~240V 50/60Hz • Power Consumption: 140VA max. • Quick Charge Current: 2.3A (Li-ion) / 1.9A (Ni-CD)

1.63

Product Highlights

Lithium-Magnesium, Sanyo cells
135WH Capacity
Sustains 12 Amp Draw
Output Voltage – 14.4 VDC (12 – 16.8V (operating))
Can survive a fall up to 5′ (1.5 m)

V-Mount Onboard

IDX VL-2 Plus Dual V-Mount Battery Charger

Nickel Metal Hydride • Low Voltage Cut-Off • Output Voltage: 14.4 VDC on a 4-Pin XLR / 28 VDC on a 3-Pin XLR • Connection: 14.4 VDC on a 4-Pin XLR / 28 VDC on a 3-Pin XLR • Capacity: For 14.4 V output: 560 Wh, 38 Ah / For 28 V output: 336 Wh, 19 Ah

IDX VL-2 Plus Dual V-Mount Battery Charger

Product Highlights

Sequential 2-channel charging in either position
Internal safety features protect both the battery and charger from serious damage should faulty or misused batteries be placed on charge.
Input Voltage: AC 100~240V 50/60Hz
Power Consumption: 140VA max.
Quick Charge Current:
2.3A (Li-ion)
1.9A (Ni-CD)

Block Batteries

Anton Bauer Cine VCLX 12/24v Block Battery incl. Charger

Anton Bauer Cine VCLX 12/24v Block Battery incl. Charger

Nickel Metal Hydride • Output Voltage 14.4 VDC on a 4-Pin XLR / 28 VDC on a 3-Pin XLR • Connection: 2x 4-pin XLR for 14.4v /
1x 3-pin XLR for 28v • Capacity: 280Wh

11.34

Product Highlights

Nickel Metal Hydride
Low Voltage Cut-Off
Output Voltage: 14.4 VDC on a 4-Pin XLR, 28 VDC on a 3-Pin XLR
Connection: 14.4 VDC on a 4-Pin XLR, 28 VDC on a 3-Pin XLR
Capacity: for 14.4 V output: 560 Wh, 38 Ah, for 28 V output: 336 Wh, 19 Ah

Anton Bauer Cine VCLX/2 12/24v Block Battery incl. Charger

Anton Bauer Cine VCLX/2 12/24v Block Battery incl. Charger

14.8

Battery and Power: 3 Stud Anton Bauer / 2 Pin Amphenol Connection / 4-Pin XLR x4 • Mount Type: Mounts 4 Anton Bauer Bricks Simultaneously • Voltage: 14.4 VDC / 28.8 VDC

6.71

Product Highlights

Nickel Metal Hydride
Output Voltage
14.4 VDC on a 4-Pin XLR
28 VDC on a 3-Pin XLR
Connection: 2x 4-pin XLR for 14.4v, 1x 3-pin XLR for 28v
Capacity: 280Wh

Anton Bauer Quad Battery Holder / Power Supply (QBH-HD)

500W power supply for the Sony F23 and F35 • 8-Pin LEMO connection • Option to power devices through two 4-Pin XLR connections • Distributes both 14.4VDC and regulated 28VDC • Power Requirements 100-240VAC, 50/60Hz • Power Consumption 14.4VDC: 300W / 28VDC: 200W

Anton Bauer Quad Battery Holder / Power Supply (QBH-HD)

Product Highlights

3 Stud Anton Bauer
2 Pin Amphenol Connection
4-Pin XLR x4
Mount Type: Mounts 4 Anton Bauer Bricks Simultaneously
Voltage:
14.4 VDC
28.8 VDC

Product Highlights

13 or 30 VDC Output
Battery Bays: Anton Bauer x2
Connections/Interface: Gold Mount x2
4-Pin XLR Connector
2-Pin Amphenol Connector
Power Requirements: Matched Anton Bauer Batteries x2

AC +DC Power Aks.

TCS DT-500 400W Power Supply 28v

TCS DT-500 400W Power Supply 28v

Product Highlights

500W power supply for the Sony F23 and F35
8-Pin LEMO connection
Option to power devices through two 4-Pin XLR connections
Distributes both 14.4VDC and regulated 28VDC
Power Requirements 100-240VAC, 50/60Hz
Power Consumption
14.4VDC: 300W
28VDC: 200W

Anton Bauer Tandem 150 / Tandem 70

Anton Bauer Tandem 150 / Tandem 70

Product Highlights

QR-TM Mount:
Battery Bays: 1
Type of Charging: Single Battery
Gold Mount Type Female (x 1)
Gold Mount Type: Male (x 1)
Power Requirements 90-240VAC, 50 or 60Hz
D-Tap Connector
Power Requirements: 100-240 VAC
Power Consumption: 150W

LibertyPak 600w DC to AC Inverter (XP6-1-2-6-1-85)

LibertyPak 600w DC to AC Inverter (XP6-1-2-6-1-85)

Xantrex Prowatt 300w DC to AC Power Inverter

Xantrex Prowatt 300w DC to AC Power Inverter

LibertyPak LGC400 Little Genny DC to AC Generator

LibertyPak LGC400 Little Genny DC to AC Generator

Apple Macbook Pro Laptops

MacBook Pro 15" w/ Retina Display 2.8GHz Quad-Core Intel Core i7

16GB RAM / 512GB SSD

4GB DDR3 RAM / 500GB 7200RPM Internal HDD

MacBook Pro 15" w/ Retina Display 2.8GHz Quad-Core Intel Core i7

Product Highlights

16GB RAM / 512GB SSD
Software and various Thunderbolt aks. available upon request. Please inquire with rental agent for any special needs.
Our Kit Includes

Pelican Case
AC Supply

MacBook Pro 17" 2.3GHz Quad Core intelCore i7

Internal processing faster than real-time REDCODE decoding, debayering and scaling up to 6K. Up to 5x faster than previous generation • Full length PCIe card (approx 12" length), single slot • Compatible with Mac OS X 10.7 or later, Windows 7 or later, Linux (Red Hat)

MacBook Pro 17" 2.3GHz Quad Core intelCore i7

Product Highlights

4GB DDR3 RAM / 500GB 7200RPM Internal HDD
Software and various PCIe cards available upon request. Please inquire with rental agent for any special needs.
Our Kit Includes

Pelican Case
AC Supply

PCIe Expansion Cards and Accessories

RED Rocket-X (PCIe card) including Mac Pro Tower

RED Rocket-X (PCIe card) including Mac Pro Tower

Product Highlights

Internal processing faster than real-time REDCODE decoding, debayering and scaling up to 6K. Up to 5x faster than previous generation
Full length PCIe card (approx 12″ length), single slot
2x DisplayPort outputs (HDMI through adaptor cable)
2x BNC SDI outputs 4:2:2 8/10/12 bit (dual link)
Embedded audio – 1BNC (via video out)
Timecode: Vertical (VITC) – 1BNC (via video out)
YCbCr 4:2:2 RGB 4:4:4 Color
48 kHz, 24 bit audio
Compatible with Mac OS X 10.7 or later, Windows 7 or later, Linux (Red Hat)
System Requirements: Windows 7 or later, Linux (Red Hat) , 2048 MB RAM Minimum, Thunderbolt Compliant
PCI Bus Requirements: PCIe x 16 physical slot + one 6-pin PCI-e power cable
Our Kit Includes

Red Rocket-X PCIe Card
Apple Mac Pro Tower
Apple Magic Mouse
Apple Keyboard with Numeric Keypad
Tenba Transport Air Case for Mac Pro Tower (w/ wheels)
23″ Samsung LCD Monitor
DVI Cable

Sonnet Echo Express III-D Enclosure, 3-slot Expansion Chassis (for PCIe cards) (Thunderbolt 2)

Features two SDI inputs supporting 6G and 3G capability, assignable in the Blackmagic Control Panel. Can ingest DCI 4K, 4:2:2, or UHD 4K, YUV, 4:2:2 by single-link 6G-SDI. The second input shuts off in this setup. DCI 4K, 4:2:2 can also be ingested via the HDMI input with the latest firmware installed.

Sonnet Echo Express III-D Enclosure, 3-slot Expansion Chassis (for PCIe cards) (Thunderbolt 2)

Product Highlights

External Connectors: Two Thunderbolt
Internal Connector: 6-pin Mini-Fit Jr (same type as on legacy Mac Pro motherboard; provides up to 75W of power for PCIe cards that require supplemental power)
Expansion Slots: One x8 mechanical (x8 electrical) PCIe 2.0, One x16 mechanical (x8 electrical) PCIe 2.0, One x8 mechanical (x4 electrical) PCIe 2.0
PCIe Cards Supported(1): One full length, full-height, double-width PCIe card, plus one single-width card or three full length, full-height, single-width PCIe cards

Blackmagic Decklink 4K Extreme (PCIe card) including Mac Pro Tower

8 External Ports • SAS, SATA, SATA II Connectivity • Connects Up to 256 End-Point Devices • 600 Mbps per Port • 9.6 Gbps Throughput in Full Duplex Mode

Blackmagic Decklink 4K Extreme (PCIe card) including Mac Pro Tower

Product Highlights

The Blackmagic Design DeckLink 4K Extreme Capture & Playback Card features two SDI inputs supporting 6G and 3G capability, assignable in the Blackmagic Control Panel. With all the latest firmware updates installed, you can ingest DCI 4K, 4:2:2, or UHD 4K, YUV, 4:2:2 by single-link 6G-SDI. The second input shuts off in this setup. DCI 4K, 4:2:2 can also be ingested via the HDMI input with the latest firmware installed.
With 3G-SDI assigned, you can ingest single-link, 1080p, RGB, 4:4:4; and with HD-SDI assigned, you can ingest single-link 1080p, 4:2:2, or dual-link, 1080p, 4:4:4. You can also use the SDI inputs for dual-channel 2D/3D stereoscopic workflows.
PCIe I/O card compatible with Mac, Windows, and Linux based workstations and servers
DCI 4K, 4:2:2, or UHD 4K, YUV, 4:2:2 by single-link 6G-SDI
DCI 4K, 4:2:2 by HDMI
1080p, RGB, 4:4:4 by single-link 3G-SDI
1080p, 4:2:2 by single-link HD-SDI
1080p, 4:4:4 by dual-link HD-SDI
Dual-channel 2D/3D stereoscopic by SDI
Component, Composite, S-Video, XLR, RS-422, and genlock on an included breakout cable
Internal SD/HD keyer
Broadcast-quality up/down/cross conversion
Our Kit Includes

Blackmagic Decklink 4K Extreme PCIe card
Apple Mac Pro Tower
24″ LCD Monitor
Temba Transport Cases for Monitor and Tower

Atto 6GB/S SAS Card (ATESASH680) (PCIe card)

Bus Interface: PCI Express 2.0 x4 • External Connectors: Four locking eSATA • Drives Supported: Up to 16(1) • Data Transfer Rate: Up to 1,300MB/sec(2) • Drive Types Supported: SATA 6 Gb/s, SATA 3 Gb/s, and SATA 1.5 Gb/s

Atto 6GB/S SAS Card (ATESASH680) (PCIe card)

Product Highlights

8 External Ports
SAS, SATA, SATA II Connectivity
Connects Up to 256 End-Point Devices
600 Mbps per Port
9.6 Gbps Throughput in Full Duplex Mode

Sonnet Tempo 4-port eSATA 6GB (PCIe card)

2x eSATA 6G ports • 2x USB 3.0 SuperSpeed ports • Combo interface saves a PCIe slot • Supports Data Transfers up to 6Gbps • Supports port multiplier enclosures • PCIe version 1 & 2 compatible • Supports hot plugging • Backward compatible with older SATA & USB devices

Sonnet Tempo 4-port eSATA 6GB (PCIe card)

Product Highlights

Bus Interface: PCI Express 2.0 x4
External Connectors: Four locking eSATA
Drives Supported: Up to 16(1)
Data Transfer Rate: Up to 1,300MB/sec(2)
Drive Types Supported: SATA 6 Gb/s, SATA 3 Gb/s, and SATA 1.5 Gb/s

CalDigit 2-port eSATA 6G & 2 port USB 3.0 Combo Host Adapter (PCIe card)

CalDigit 2-port eSATA 6G & 2 port USB 3.0 Combo Host Adapter (PCIe card)

Product Highlights

2x eSATA 6G ports
2x USB 3.0 SuperSpeed ports
Combo interface saves a PCIe slot
Supports Data Transfers up to 6Gbps
Supports port multiplier enclosures
PCIe version 1 & 2 compatible
Supports hot plugging
Backward compatible with older SATA & USB devices

Product Highlights

2m/15m/30m cable lengths available.

400' Handheld Magazine for Moviecam Compact

400' Handheld Magazine for Moviecam Compact

400' Steadicam Magazine for Moviecam Compact

400' Steadicam Magazine for Moviecam Compact

400' Shoulder Magazine for Arriflex 416

400' Shoulder Magazine for Arriflex 416

400' Magazine for Bolex RX5/SBM

400' Magazine for Bolex RX5/SBM

2.5

XDCA-FS7 Extension Unit for Sony FS7

XDCA-FS7 Extension Unit for Sony FS7

Product Highlights

Enables 12-bit 4K/2K RAW Data Output
Built-In 1080p ProRes 422 Encoder
Timecode & Genlock I/O
Tally Indicator
V-Mount Battery Attachment
4-Pin XLR DC Power Input
4-Pin Hirose DC Power Output

CA-F101 Optical Fiber Adapter for Sony F35

CA-F101 Optical Fiber Adapter for Sony F35

CBK-55PD ProRes and DNxHD Codec Option for F55

CBK-55PD ProRes and DNxHD Codec Option for F55

Titanium Canon EF Mount

Titanium Canon EF Mount

Product Highlights

Smart mount allows for features such as autofocus and iris control
No backfocus adjustments necessary when switching mounts
Lightweight and durable
Machined titanium

Titanium PL Motion Mount

The cPRO hand unit is a 3-4 axis wireless hand-held control device for the cPRO lens control system. • The cPRO ONE is a 1-2 axis wireless hand-held control device. • Assign any axis to cPRO ONE or using the integrated thumbwheel, the cPRO ONE can be used as a versatile two-axis controller • split out iris control from an existing cPRO with cPRO ONE. • Capacitive touch display shows live lens and camera information. • Focus knob offers an ergonomic grip with a fingertip concave mold and mechanical hard stops. • Vibrating Markers

Titanium PL Motion Mount

Product Highlights

Finely tunable neutral density filter over a wide range of stops.
Global shutter that prevents partial illumination with strobes and shearing with fast subjects.
Renders sharper yet smoother pans, artifact-free cyclical motion, more natural motion blur, and reduced or eliminated flicker with lights and electronic displays.
Intelligent ND system integrated to finely adjust your ND opacity up to 2.4 ND.

Arri Wireless Focus, Iris, Zoom

Cmotion cPRO FIZ Wireless Focus Kit Incl. cPro FIZ and cPro ONE (Focus, Iris, Zoom)

Filter size 4" x 5.65" • Produces variable depth of field in one shot at constant exposure • Motorized, remotely controllable variable ND filter • Neutral Density range from ND.4 to ND1.9+ • Directly adjustable in 1/3 stop increments without hand unit. • Two high-quality ARRI polarising filters. • RotaPola Mode: Removable Static Polariser to separately control the Motorized Polariser. • Remotely and dynamically adjustable polarisation angle to control reflections etc. via cPRO hand unit • Directly adjustable in 5-degree increments without cPRO hand unit. • Works with any camera and cine-lens.

Cmotion cPRO FIZ Wireless Focus Kit Incl. cPro FIZ and cPro ONE (Focus, Iris, Zoom)

Product Highlights

Ergonomic and balanced design
Extensive software features for creative FIZ control
Supports lens data with cPRO motor / cPRO camin
Touch display for menu navigation and settings
Intuitive thumb wheel for menu navigation, settings and 4th axis control
Illuminated pre-marked focus rings and iris strips with LED status feedback
Illuminated, user assignable buttons
Vibrating function
USB for external power source, updates and transfer of lens files and user settings
Mounting options for accessories like cstrap, monitor bracket or v-lock plate
Adjustable mechanical hard stops
Panic button for mechanical hard stop override
Integrated cmotion red radio module
Daisy-chain compatible via LBUS for hard-wired operation
Lightweight (less than 900g (approx 31 oz) incl. battery and antenna)

Preston Wireless Focus, Iris, Zoom

Cmotion Cinefade VariND