Electronic shutter, 5.0°- 356° or 1s – 1/8000s

• 17 stops dynamic range

• Higher sensitivity and lower noise than ever before

• Adjustable from EI 160 – 6400 in 1/3 stops

• Super 35mm 27.99 x 19.22mm, 33.96 Ø ARRI ALEV 4 CMOS sensor

• 4608 x 3164 maximum capture resolution • 1-120fps 4K recording

• PL/LPL Lens Mount

• Open Gate 3:2 (4608×3164) or 16:9 (4608 x 2592) up to 75fps in ARRIRAW

• Internal recording to Codex Compact Drive

• Built-in lens motor controller

• Three internal, motorized FSND filters: ND 0.6, 1.2 and 1.8

• REVEAL Color Science

• New Texture options to control grain/contrast/sharpness

• New debayering algorithm to create cleaner-edged images that are perfect for compositing work.

• New ACE4 color engine converts RGB image data into the ARRI Wide Gamut color space (AWG4), producing more accurate colors and improving color saturation and tracking, even with subtle tones and lower light levels.

• AWG4 camera color space is larger than Rec. 2020 but bypasses “virtual” colors that are outside the human visual spectrum, providing faster grading, easier color space conversion, and compatibility with the ACES system.

• New Log-C 4 tonal curve enables the ALEXA 35’s larger 17-stop dynamic range.

• New LUTs use the improved sensor, color space, and Log-C 4 to produce optimal shadow tonality, color fidelity, and color-grading base.

Electronic shutter, 5.0°- 356° or 1s – 1/8000s

• Arri Alexa 35 Camera (Arri PL, LPL)

• Cine License 

• Antennas

• Arri LPL Mount

• PL to LPL Adapter

• Turret Plug

• * Arri MVF-2 Electronic Viewfinder

• MVF-2 Viewfinder Cable, 0.5m / 18″ f/ Alexa 35 /  Mini LF (1928)

• Arri MVB-1 Viewfinder Bracket 

• Arri Square Accessory Sleeve f/ Alexa 35 (SAS-1)

• Arri CCH-4 Camera Center Handle 

• Alexa LMS-4 Low Mode Support f/ Alexa 35

• Arri Top Extension Bracket f/ Alexa 35 (TEB-1)

• Arri RMB-7 Rod Mounting Bracket f/ Alexa35

• Arri Camera Side Bracket LEFT f/ Alexa 35 (CSB-1L)

• Arri Camera Side Bracket RIGHT f/ Alexa 35 (CSB-1R)

• Arri Camera Side Bracket RIGHT Extension f/ Alexa 35

• Arri Articulated Mounting Plate f/ Alexa 35 (AMP-1)

• Balance Utility Dovetail Plate f/ Alexa 35 (BUD-1)

• BPA-6 Bridge Plate Adapter f/ use with BP-8

• BP-8 19mm Bridgeplate (Baseplate aka Bridge Plate)

• 12″ Dovetail Plate, Lightweight (Arri, Black w/ Rear Push-Tab)

• Helix 24V G-Mount Battery Plate f/ Alexa 35 (Core Direct Connect)

• Arri Power Distribution Module (24V DC In, 4x 3p 24V, 2x 2p 12V Outputs) f/ Alexa 35 (PDM-1)

• Camera Power Cable : 24V DC, 10′ length, 8pLemoF-3pXLRm w/ 3pRS pigtail (Alexa Mini/Amira)

• Power Cable: 24v 3pXLRm to 3pXLRf 10′

• Meanwell 280W 24vDC 3pXLR Power Supply w/ AC Cable

• Codex Compact Capture Drive Dock (TB3 Drive Reader) Power supply f/ Codex Compact Capture Drive Dock (TB3) (Alexa 35/Mini LF)

• Apple Thunderbolt 3 Cable (3′)

• Timecode Cable:  1/8″ to BNC Male Timecode-In Cable

• Timecode Cable:  5p Lemo – Dual BNC-m Timecode In+Out Cable

• Transcend USB-C to USB 3.1 Flash Drive f/ Alexa 35

• Custom A&J Shipping Case

• Viewfinder Extension Bracket VEB-3 (Alexa / Amira)

• EL-3 Eyepiece Leveler

• Iris Rods (per user’s intended configuration)

• Batteries, Media and Media Transfer Devices available à la carte.

Electronic shutter, 5 – 356 degrees

• Full Frame

• 14+ stops dynamic range

• Three internal, motorized large-format FSND filters: ND 0.6, 1.2 and 1.8

• 16-bit linear internal image processing in full ALEXA Wide Gamut / Log C color space

• New dedicated, regulated 12 V and 24 V accessory power outputs

• Lower noise with higher usable sensitivity

• Compatible with LPL and PL mount lenses, Super 35 and full frame

• 1-60fps

• Internal ARRIRAW 4.5K Open Gate Recording

• Internal ProRes 4.5K Open Gate / UHD / 2K / HD

• Built-in lens motor controller

• Highest dynamic range of any production camera

• Internal recording to new Codex Compact Drive

• New MVF-2 high-contrast HD viewfinder

• New SYNC IN and improved AUDIO connectors

• Two built-in microphones

Electronic shutter, 5 – 356 degrees

• Arri Alexa Mini LF Camera Body

• Turret Plug For Alexa Camera Body

• Dual Band Antenna

• LPL Mount

• PL to LPL Adapter

• USB Stick for camera settings

• MVF-2 Electronic Viewfinder incl. Magnetic Eyecup

• MVB-1 Viewfinder Bracket

• Arri MVF-2 Viewfinder Cable Medium, 0.5m / 1.5′

• Arri MVF-2 Viewfinder Cable Short, 0.35m / 1.15′

• AIR EVF Extension Arm

• Arri EL-3 Eyepiece Leveler

• Ethernet Cable

• Arri CCH-4 Camera Center Handle

• Arri Alexa A-EV Handle Extension Block

• (2) MAP-1 Adapter Plate

• (2) MAP-2A Adapter Plate

• MSB-2 Side Bracket for Arri Alexa Mini

• MSB-3 Side Bracket for Arri Alexa Mini LF

• SAB-1 Side Accessory Bracket

• RMB-3 Rod Mounting Bracket for Arri Alexa Mini

• CBP-1 Compact Bridge Plate is 19mm Studio with Shoulder Pad

• Arri 15mm LWS Adapter for CBP-1

• 12″ Bottom Dovetail Plate

• Arri D-BOX incl Anton Bauer Gold Mount

• WC Battery Swing (15mm LWS) (Swing-Away Batt Plate Mount)

• 15 mm Reduction Insert for cforce Mini Motor

• Wooden Camera A-BOX

• EXT-RS Adapter Cable 3.5″

• Timecode Cable:  1/8″ to BNC Male Timecode-In Cable

• Timecode Cable:  5p Lemo – Dual BNC-m Timecode In+Out Cable

• 24v Power Supply

• (2) 24V Power Cables

• 10′ 24v 3pXLRm-3pXLRf Extension Cable

• Case for Alexa Mini LF

• Iris Rods (per user’s intended configuration)
  
• Batteries, Media and Media Transfer Devices available à la carte.

Electronic shutter, 1.0°- 356° or 1s – 1/8000s

• 17 stops dynamic range

• Super 35 mm 27.99 × 19.22 mm, 33.96 Ø ARRI ALEV 4 CMOS sensor

• Exposure Index 160–6400

• Adjustable in 1/3 stops

• Enhanced sensitivity and lower noise modes 2560-6400 ISO

• 4608 × 3164 maximum capture resolution

• REVEAL Color Science

• New ARRI Textures to control grain/contrast/sharpness

• ARRICORE next-generation RGB codec

• 1–660 fps recording (330 fps at full dynamic range, 660 fps in Sensor Overdrive mode)

• PL/LPL Lens Mount

• Open Gate 3:2 (4608 × 3164) or 16:9 (4608 × 2592) up to 120 fps ARRIRAW / ProRes / ARRICORE

• Internal recording to Codex Compact or Compact Express Drive

• Built-in lens motor controller

• Three internal motorized FSND filters: ND 0.6, 1.2 and 1.8

• Extended pre-record buffer (up to 5 min)

• Reduced power consumption and improved wireless connectivity

• Stray-light suppression technology.

Electronic shutter, 1.0°- 356° or 1s – 1/8000s

• Arri Alexa 35 Xtreme Camera (Arri PL, LPL)

• Cine License 

• Antennas

• Arri LPL Mount

• PL to LPL Adapter

• Turret Plug

• * Arri MVF-2 Electronic Viewfinder

• MVF-2 Viewfinder Cable, 0.5m / 18″ f/ Alexa 35 /  Mini LF (1928)

• Arri MVB-1 Viewfinder Bracket 

• Arri Square Accessory Sleeve f/ Alexa 35 (SAS-1)

• Arri CCH-4 Camera Center Handle 

• Alexa LMS-4 Low Mode Support f/ Alexa 35

• Arri Top Extension Bracket f/ Alexa 35 (TEB-1)

• Arri RMB-7 Rod Mounting Bracket f/ Alexa35

• Arri Camera Side Bracket LEFT f/ Alexa 35 (CSB-1L)

• Arri Camera Side Bracket RIGHT f/ Alexa 35 (CSB-1R)

• Arri Camera Side Bracket RIGHT Extension f/ Alexa 35

• Arri Articulated Mounting Plate f/ Alexa 35 (AMP-1)

• Balance Utility Dovetail Plate f/ Alexa 35 (BUD-1)

• BPA-6 Bridge Plate Adapter f/ use with BP-8

• BP-8 19mm Bridgeplate (Baseplate aka Bridge Plate)

• 12″ Dovetail Plate, Lightweight (Arri, Black w/ Rear Push-Tab)

• Helix 24V G-Mount Battery Plate f/ Alexa 35 (Core Direct Connect)

• Arri Power Distribution Module (24V DC In, 4x 3p 24V, 2x 2p 12V Outputs) f/ Alexa 35 (PDM-1)

• Camera Power Cable : 24V DC, 10′ length, 8pLemoF-3pXLRm w/ 3pRS pigtail (Alexa Mini/Amira)

• Power Cable: 24v 3pXLRm to 3pXLRf 10′

• Meanwell 280W 24vDC 3pXLR Power Supply w/ AC Cable

• Codex Compact Capture Drive Dock (TB3 Drive Reader) Power supply f/ Codex Compact Capture Drive Dock (TB3) (Alexa 35/Mini LF)

• Apple Thunderbolt 3 Cable (3′)

• Timecode Cable:  1/8″ to BNC Male Timecode-In Cable

• Timecode Cable:  5p Lemo – Dual BNC-m Timecode In+Out Cable

• Transcend USB-C to USB 3.1 Flash Drive f/ Alexa 35

• Custom A&J Shipping Case

• Viewfinder Extension Bracket VEB-3 (Alexa / Amira)

• EL-3 Eyepiece Leveler

• Iris Rods (per user’s intended configuration)

• Batteries, Media and Media Transfer Devices available à la carte.

Electronic shutter, 5 – 358 degrees

• Exposure Index 160-3200
  
• 36.70 x 25.54 mm, 44.71 Ø ALEV III sensor (A2X layout)
  
• 4448×3096 maximum capture resolution
  
• Up to 150 fps
  
• New LPL Lens Mount (44 mm FFD, Ø 62 mm) (PL adapter available)
  
• Lower noise at higher EI than previous cameras
  
• Only 12mm wider and longer than standard Alexa
  
• 16-bit linear internal image processing in full ALEXA Wide Gamut / Log C color space
  
• LF Open Gate Recording Mode (4448×3096) up to 90fps in ARRIRAW
  
• LF 16:9 Recording Mode (3840×2160 up to 90fps in ARRIRAW)
  
• LF 2.39:1 Recording Mode (4448×1856) up to 150fps in ARRIRAW
  
• ARRIRAW and ProRes, Same ARRI Workflow
  
• Records to SXR Capture Drives and SxS PRO+ cards
  
• Anamorphic desqueezing : 1.25x, 1.3x, 1.5x, 2x
  
• Integrated wireless video (compatible with Arri WVR-1 Receiver)
  
• Integrated WiFi
  
• Integrated ARRI ECS wireless camera/lens control

Electronic shutter, 5 – 358 degrees

• SXR Media Adapter
  
• ARRI LPL Mount PL Adapter (upon request)
  
• Turret Plug
  
• Hawk-Woods RP-CFA1 Battery Adapter
  
• Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
  
• Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
  
• Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
  
• Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
  
• Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
  
• Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
  
• Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
  
• Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
  
• Arri Alexa A-EV Center Camera Handle (CCH-1)
  
• Arri Alexa A-EV Handle Extension Block (HEB-2)
  
• Arri Alexa A-EV Shoulder Pad
  
• 19mm Studio Bridgeplate
  
• 12″ Camera Dovetail
  
• XLR Power Cable
  
• Power Supply
  
• Iris Rods (per user’s intended configuration)
  
• Batteries, Media and Media Transfer Devices available à la carte.

Electronic shutter, 5 – 358 degrees

• Exposure Index 160-3200
  
• Built-in Internal Filter Module (IFM-1) filter holder
  
• In-camera ARRIRAW recording up to 120 fps on SXR or XR Capture Drives via optional adapters
  
• Lens Data System
  
• Integrated wireless camera and lens control Tilt and roll sensors
  
• Electronic horizon
  
• Easy in-camera ProRes 4K recording
  
• ProRes 4K UHD (3840 x 2160) recording format for 4K UHD TV deliverables
  
• ProRes 4K Cine (4096 x 2636) recording format for 4C DCI cinema deliverables
  
• Improved image quality
  
• Completely overhauled image processing chain
  
• Advanced pixel correction
  
• Optional noise reduction
  
• New color management
  
• Matches current ALEXA images, but provides the basis for radically different looks
  
• 3D Look-up Tables, ASC Color Decision List
  
• Live in-camera grading on set
  
• Rec 2020 gamma
  
• Same tools for ALEXA SXT, ALEXA Mini & AMIRA
  
• Three fully independent HD-SDI outputs
  
• Powerful new media bay
  
• Supports new high speed SXR Capture Drives (1 TB or 2 TB) via SXR Adapter
  
• Supports current XR Capture Drive 512 GB via XR Adapter
  
• Supports SxS PRO and SxS PRO+ cards (64GB and above) via SxS Adapter 2
  
• Supports CFast 2.0 cards via CFast 2.0 Adapter 2

Electronic shutter, 5 – 358 degrees

• SXR Recorder Module
  
• Antenna for Plus Module
  
• SXR Media Adapter
  
• ProRes Codec Option
  
• QuickTime File Format Option
  
• High-Speed License Key
  
• Anamorphic De-squeeze License Key
  
• PL Turret Plug
  
• Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
  
• Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
  
• Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
  
• Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
  
• Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
  
• Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
  
• Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
  
• Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
  
• QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
  
• Arri Alexa A-EV Center Camera Handle (CCH-1)
  
• Arri Alexa A-EV Handle Extension Block (HEB-2)
  
• Arri Alexa A-EV Shoulder Pad
  
• 19mm Studio Bridgeplate
  
• 12″ Camera Dovetail
  
• XLR Power Cable
  
• Power Supply
  
• Iris Rods (per user’s intended configuration)
  
• Batteries, Media and Media Transfer Devices available à la carte.

Electronic shutter, 5 – 356 degrees

• ARRIRAW 16:9 2.8K up to 48fps
  
• ARRIRAW 3.4K Open Gate up to 30fps
  
• 16:9 UHD ProRes up to 60fps
  
• 4:3 2.8K ProRes up to 50fps
  
• 1080p ProRes up to 200fps
  
• 4:3 sensor (switchable to 16:9 mode)
  
• Same 35 mm sensor as ALEXA
  
• Internal ND filters (0.6/1.2/2.1)
  
• Automatic de-squeeze mode for anamorphic productions
  
• Records to CFast 2.0 cards
  
• Built-in lens motor controller

Electronic shutter, 5 – 356 degrees

• 4:3 License
  
• PL Turret Plug
  
• 2.4 GHz Antenna
  
• PL LDS mount with L-Bus connector
  
• Arri MVF-1ML Amira / Alexa Mini Electronic Viewfinder incl. Magnetic Eyecup
  
• MVB-1 Viewfinder Bracket Viewfinder MVF-1ML
  
• (2) Arri MVF-1 to Alexa Mini Viewfinder Cable Short, 0.5m / 1.6′
  
• Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
  
• Alexa-M / Alexa Mini Handle, CCH-2 (K2.73002.0)
  
• Arri Alexa A-EV Handle Extension Block (HEB-1/ JC HEB-1)
  
• (2) MAP-1 Adapter Plate
  
• (2) MAP-2 Adapter Plate
  
• (2) MSB-1 Side Bracket
  
• RMB-3 Rod Mounting Bracket
  
• BPA-4 Bridgeplate Adapter
  
• CSP-1 Camera Shoulder Pad
  
• BAP-1 Battery Adapter Plate
  
• Anton Bauer Gold Mount Battery Plate w/ Custom Alexa Mini Connector
  
• Wooden Camera D-Box for Alexa Mini (incl. Anton Bauer Gold Mount)
  
• Wooden Camera A-BOX f/ Arri Alexa Mini Audio incl. 19mm Mounting Rod
  
• 19mm Studio Bridgeplate
  
• 12″ Camera Dovetail
  
• Power Supply
  
• XLR Power Cable
  
• Iris Rods (per user’s intended configuration)
  
• Batteries, Media and Media Transfer Devices available à la carte.
  
• ARRIRAW License available upon request.

Electronic shutter, 1 to 1/8000 sec

• IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.

• REDCODE RAW formats:

• 8K Full Format (8192 x 4320), 1-60fps
  
• 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

• 7K Full Format (7168 x 3780), 1-60fps
  
• 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

• 6K Full Format (6144 x 3240), 1-75fps
  
• 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

• 5K Full Format (5120 x 2700), 1-96fps
  
• 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

• 4K Full Format (4096 x 2160), 1-120fps
  
• 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

• 3K Full Format (3072 x 1620), 1-150fps
  
• 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

• 2K Full Format (2048 x 1080), 1-240fps
  
• 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)

• ProRes Record Formats:
  
• UHD Apple ProRes 422 HQ up to 29.97 fps
  
• UHD Apple ProRes 422 up to 29.97 fps
  
• UHD Apple ProRes 422 LT up to 29.97 fps
  
• 2K Apple ProRes 4444 XQ up to 120 fps
  
• 2K Apple ProRes 4444 up to 120 fps
  
• 2K Apple ProRes 422 HQ up to 120 fps
  
• 2K Apple ProRes 422 up to 120 fps
  
• 2K Apple ProRes 422 LT up to 120 fps

• Avid Record Formats:
  
• DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
  
• DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
  
• DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
  
• DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
  
• DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

Electronic shutter, 1 to 1/8000 sec

• Red RANGER MONSTRO VV 8K CF Camera 

• Standard OLPF

• Antenna

• Shimmable Titanium PL mount

• Turret Plug for PL Mount

• Red Production Top Handle

• (2) Red DSMC² Top Mount 15mm LWS Adapter

• RED MINI-MAG Side SSD Module

• USB Memory Stick for Camera Builds

• Red DSMC² 7.0″ PRO Touch LCD

• DSMC² RED EVF (OLED)

• DSMC² RED EVF Mount Adaptor 

• Red LCD Arm

• DSMC² Lemo Adapter A for Brain

• Red DSMC² Flush Mount Side Adapter

• RED DSMC Lemo B Adapter

• (3) EVF/LCD Cables

• Full Metal Jacket Bottom Plate w/ 15mm LWS

• 19mm Studio Bridgeplate

• 12″ Camera Dovetail

• (2) Red RANGER Power Cable: 3pXLRm-4pLemo2B 10′, 24v

• 10′ 24V 3p XLR Extension

• AC Power Adapter

• Shipping Case

• Iris Rods (per user’s intended configuration)
  
• Batteries, Media and Media Transfer Devices available à la carte.

Electronic shutter, 1 to 1/8000 sec

• IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.

• REDCODE RAW formats:

• 8K Full Format (8192 x 4320), 1-60fps
  
• 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

• 7K Full Format (7168 x 3780), 1-60fps
  
• 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

• 6K Full Format (6144 x 3240), 1-75fps
  
• 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

• 5K Full Format (5120 x 2700), 1-96fps
  
• 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

• 4K Full Format (4096 x 2160), 1-120fps
  
• 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

• 3K Full Format (3072 x 1620), 1-150fps
  
• 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

• 2K Full Format (2048 x 1080), 1-240fps
  
• 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)

• ProRes Record Formats:
  
• UHD Apple ProRes 422 HQ up to 29.97 fps
  
• UHD Apple ProRes 422 up to 29.97 fps
  
• UHD Apple ProRes 422 LT up to 29.97 fps
  
• 2K Apple ProRes 4444 XQ up to 120 fps
  
• 2K Apple ProRes 4444 up to 120 fps
  
• 2K Apple ProRes 422 HQ up to 120 fps
  
• 2K Apple ProRes 422 up to 120 fps
  
• 2K Apple ProRes 422 LT up to 120 fps

• Avid Record Formats:
  
• DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
  
• DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
  
• DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
  
• DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
  
• DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

Electronic shutter, 1 to 1/8000 sec

• DSMC Interchangeable OLPF System
  
• Interchangeable Standard OLPF for Red Weapon (other options available per request)
  
• Red Epic Magnesium PL Mount 2.0
  
• PL Turret Plug
  
• Mini-Mag Side Module for Red Weapon
  
• Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
  
• RED DSMC² Touch 7.0″ LCD
  
• Manfrotto 814-1 Hydrostatic Monitor Arm
  
• RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
  
• RED DSMC² Lemo Adapter B for DSMC² Generation Displays
  
• DSMC² RED EVF (OLED)
  
• DSMC² RED EVF Mount
  
• 7″ EVF/LCD Cable
  
• 18″ EVF/LCD Cable
  
• Red WEAPON Sidekick (Forged CF) (720-0041)
  
• Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
  
• Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
  
• Camera Cage w/ Top/Bottom Plates and LWS option
  
• DSMC² Top Handle for Red Weapon / Raven (720-0035)
  
• Element Technica W – Gold Mount Battery Module
  
• 19mm Studio Bridgeplate
  
• 12″ Camera Dovetail
  
• Power Supply
  
• XLR Power Cable
  
• Iris Rods (per user’s intended configuration)
  
• Batteries, Media and Media Transfer Devices available à la carte.

Electronic shutter, 1 to 1/8000 sec

• RED’s highest sensitivity sensor to date.
  
• Significantly increased performance in low-light situations and improved performance in shadows.

Electronic shutter, 1 to 1/8000 sec

• DSMC2 Interchangeable OLPF System
  
• Interchangeable DSMC2 Standard OLPF for Red Weapon (other options available per request)
  
• Red Epic Magnesium PL Mount 2.0
  
• PL Turret Plug
  
• Mini-Mag Side Module for Red Weapon
  
• Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
  
• RED DSMC² Touch 7.0″ LCD
  
• Manfrotto 814-1 Hydrostatic Monitor Arm
  
• RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
  
• RED DSMC² Lemo Adapter B for DSMC² Generation Displays
  
• DSMC² RED EVF (OLED)
  
• DSMC² RED EVF Mount
  
• 7″ EVF/LCD Cable
  
• 18″ EVF/LCD Cable
  
• Red WEAPON Sidekick (Forged CF) (720-0041)
  
• Camera Cage w/ Top/Bottom Plates and LWS option
  
• DSMC² Top Handle for Red Weapon / Raven (720-0035)
  
• Wooden Camera DSMC2 D-Box
  
• 19mm Studio Bridgeplate
  
• 12″ Camera Dovetail
  
• Power Supply
  
• XLR Power Cable
  
• Iris Rods (per user’s intended configuration)
  
• Batteries, Media and Media Transfer Devices available à la carte.

Electronic shutter, 1 to 1/8000 sec

• IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.

• REDCODE RAW formats:

• 8K Full Format (8192 x 4320), 1-60fps
  
• 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

• 7K Full Format (7168 x 3780), 1-60fps
  
• 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

• 6K Full Format (6144 x 3240), 1-75fps
  
• 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

• 5K Full Format (5120 x 2700), 1-96fps
  
• 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

• 4K Full Format (4096 x 2160), 1-120fps
  
• 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

• 3K Full Format (3072 x 1620), 1-150fps
  
• 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

• 2K Full Format (2048 x 1080), 1-240fps
  
• 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)

• ProRes Record Formats:
  
• UHD Apple ProRes 422 HQ up to 29.97 fps
  
• UHD Apple ProRes 422 up to 29.97 fps
  
• UHD Apple ProRes 422 LT up to 29.97 fps
  
• 2K Apple ProRes 4444 XQ up to 120 fps
  
• 2K Apple ProRes 4444 up to 120 fps
  
• 2K Apple ProRes 422 HQ up to 120 fps
  
• 2K Apple ProRes 422 up to 120 fps
  
• 2K Apple ProRes 422 LT up to 120 fps

• Avid Record Formats:
  
• DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
  
• DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
  
• DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
  
• DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
  
• DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

Electronic shutter, 1 to 1/8000 sec

• DSMC Interchangeable OLPF System
  
• Interchangeable Standard OLPF for Red Weapon (other options available per request)
  
• Red Epic Magnesium PL Mount 2.0
  
• PL Turret Plug
  
• Mini-Mag Side Module for Red Weapon
  
• Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
  
• RED DSMC² Touch 7.0″ LCD
  
• Manfrotto 814-1 Hydrostatic Monitor Arm
  
• RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
  
• RED DSMC² Lemo Adapter B for DSMC² Generation Displays
  
• DSMC² RED EVF (OLED)
  
• DSMC² RED EVF Mount
  
• 7″ EVF/LCD Cable
  
• 18″ EVF/LCD Cable
  
• Red WEAPON Sidekick (Forged CF) (720-0041)
  
• Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
  
• Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
  
• Camera Cage w/ Top/Bottom Plates and LWS option
  
• DSMC² Top Handle for Red Weapon / Raven (720-0035)
  
• Element Technica W – Gold Mount Battery Module
  
• 19mm Studio Bridgeplate
  
• 12″ Camera Dovetail
  
• Power Supply
  
• XLR Power Cable
  
• Iris Rods (per user’s intended configuration)
  
• Batteries, Media and Media Transfer Devices available à la carte.

• • 19.9MP Super35 Global Shutter CMOS
  • Compact, 2.1 lb All-in-One Design
  • Canon RF Lens & ARRI CFast 2.0 Support
  • 16+ Stops Dynamic Range
  • Up to 6K40, 5K48, 4K60 & 2K120 Recording
  • REDCODE RAW HQ/MQ/LQ & Apple ProRes
  • Integrated 2.9″ 1440 x 1440 Touchscreen
  • Wireless Control & Preview via Wi-Fi
  • CFast 2.0 Card Slot; RED IPP2 Support
  • EF-to-RF Mechanical Adapter Included

• * Red Komodo Mount Option: Canon RF-Arri LPL (C7)
  
• * Red Komodo Mount Option: Canon RF-Canon EF, Smart Adapter
  
• * Red Komodo Mount Option: Canon RF-PL (0.71x Speed Booster Ultra T Cine, MB)(Komodo only)
  
• * Red Komodo Mount Option: Canon RF-PL (Kippertie Adapta, KOMODO only)
  
• * Red Raptor Mount Option: Canon RF-LPL (Kippertie Strata)
  
• * Red Raptor Mount Option: Canon RF-PL (Kippertie Strata)

Electronic shutter, 1 to 1/8000 sec

• 17+ stops
  
• Global Shutter
  
• V-RAPTOR™ 8K VV 35.4 Megapixel CMOS
  
• 40.96 mm x 21.60 mm (Diagonal: 46.31 mm)
  
• 8192 x 4320px
  
• Optimized for either 8K Large Format or 6K S35
  
• Integrated V-Lock battery interface optimized for Micro V-Lock Batteries[1]
  
• Image Processing Pipeline 2 (IPP2)
  
• Lightweight & Compact DSMC3 Design
  
• Canon RF Lens & CFexpress Type-B Support
  
• Up to 8K120 17:9, 6K198 S35 & 4K240 17:9
  
• Right-Side Assistant’s User Interface
  
• REDCODE Raw HQ, MQ & LQ Options
  
• USB Type-C & Dual 12G-SDI Ports
  
• Extended Highlights
  
• Phantom Track
  
• Improved Audio preamps over V-Raptor

Electronic shutter, 1 to 1/8000 sec

• 17+ stops
  
• V-RAPTOR™ 8K VV 35.4 Megapixel CMOS
  
• 40.96 mm x 21.60 mm (Diagonal: 46.31 mm)
  
• 8192 x 4320px
  
• Optimized for either 8K Large Format or 6K S35
  
• Integrated V-Lock battery interface optimized for Micro V-Lock Batteries[1]
  
• Image Processing Pipeline 2 (IPP2)
  
• Lightweight & Compact DSMC3 Design
  
• Canon RF Lens & CFexpress Type-B Support
  
• Up to 8K120 17:9, 6K198 S35 & 4K240 17:9
  
• Right-Side Assistant’s User Interface
  
• REDCODE Raw HQ, MQ & LQ Options
  
• USB Type-C & Dual 12G-SDI Ports

• REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps
  
• REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps
  
• REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps
  
• REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps
  
• REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps
  
• REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps

• 120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)
  
• 140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)
  
• 160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)
  
• 192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)
  
• 240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)
  
• 320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)
  
• 480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)

• 8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
  
• 7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x
  
• 6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x
  
• 5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1
  
• 4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1
  
• 3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1
  
• 2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1

• • Electronic shutter, 1 to 1/8000 sec
  • 16.5+ stops
  • V-RAPTOR™ 8K S35 35.4 Megapixel CMOS
  • 26.21 mm x 13.82 mm (Diagonal: 29.63 mm)
  • 8192 x 4320px
  • Optimized for Super 35mm lenses
  • Integrated V-Lock battery interface optimized for Micro V-Lock Batteries[1]
  • Image Processing Pipeline 2 (IPP2)
  • Lightweight & Compact DSMC3 Design
  • Canon RF Lens & CFexpress Type-B Support
  • Up to 8K120 17:9 & 4K240 17:9
  • Right-Side Assistant’s User Interface

Electronic shutter, 5μs to 1/frame rateCan be set in degrees or microseconds (μs)

• 4K resolution at up to 1,000 fps
  
• Also supports standard fps and sync sound frame rates
  
• Low noise, high dynamic range
  
• Robust on-camera control interface
  
• Multi-Channel 3G HG-SDI outputs
  
• CineMag IV support for raw recording
  
• Now Available: Audio and Apple ProRes recording options

Electronic shutter, 5μs to 1/frame rateCan be set in degrees or microseconds (μs)

• 64GB Internal RAM
  
• PL Mount
  
• PL Turret Plug
  
• Gold-Mount Battery Plate
  
• Mini-BOB Breakout Box for Phantom Flex 4K
  
• Astro DF-3512-A OLED Viewfinder
  
• Viewfinder Mounting Bracket
  
• Top Handle
  
• 19mm Studio Bridgeplate
  
• 12″ Camera Dovetail
  
• Power Supply
  
• XLR Power Cable
  
• Cine-style LWS Riser Plate
  
• Detachable Shoulder Pad
  
• Trigger Cable
  
• Pickle Switch (for Loop RAM Recording)
  
• Phantom Flex4K I/O Squid (Trigger, F-Sync, TC Out, TC In, Ready, Aux)
  
• (2) Capture Cables
  
• Cinestation IV (10GE) for Phantom Flex4K
  
• 24V Power Supply for CInestation IV (10GE) incl. AC Cable
  
• ATTO Thunderlink NT 1102 (10GBASE-T)
  
• Ethernet and Thunderbolt Cables for Data Transfer (per user request)
  
• Lenovo W520 Thinkpad 15.6″ Laptop with 2.50GHz Intel Core i7-2860QM CPU / 8GB RAM / 64-bit Windows
  
• Batteries, Cinemags and Additional Cinestations / Laptops for download available à la carte

Electronic shutter, 1 – 358 degrees

• Video captured in 4K by the VariCam 35 camera module AU-V35C1G is recorded as uncompressed V-RAW data to Codex’s Capture Drive 2.0 at up to 120 fps.

• The recorder proper is 157 mm shorter than earlier systems, making it excellent for mobile use and easier to mount on gimbals and cranes than earlier systems.

• Using Codex’s Production Suite, recorded data can be converted to a wide range of file formats including Panasonic V-RAW, Apple ProRes and Avid DNxHR. This ensures wide-ranging support for existing workflows.

Electronic shutter, 1 – 358 degrees

• 4K camera module (AU-V35C1)
  
• V-RAW 2.0 Recording module unit (AU-VCXRAW2)
  
• 19mm Studio Bridgeplate
  
• 12″ Camera Dovetail
  
• Iris Rods (per user’s intended configuration)
  
• Additional Batteries, Media and Media Transfer Devices available à la carte.

Electronic shutter, 1 – 358 degrees

• AVC-Intra Codecs — Class 100 / Class 200 / Class 4:4:4
  
• Dual Codec Recording — Simultaneously records in two different formats, codecs and selectable from V-log/V-709/Grading
  
• Encodes high-resolution proxy files in parallel with 4K and 2K production formats, enabling fast, efficient offline editing, at bit rates from 6 Mbps down to 1.5Mbps.
  
• Variable speed 4K recording up to 120fps.
  
• 3G-HD-SDI x4 for 4K QUAD output
  
• 3G-HD-SDI x2 for RAW output
  
• HD-SDI out for monitoring (down-converting from 4K)
  
• Dockable recording module unit (AU-VREC1) (also interchangeable with Panasonic’s new 2/3” camera module unit (AU-V23HS1))
  
• Camera head can be operated seperately from recorder via external umbilical cable, similar to Alexa-M for crane / jib needs.
  
• Support for an Academy Color Encoding System (ACES) workflow.
  
• Newly-developed OLED electronic viewfinder (EVF) with optical zoom functionality.

Electronic shutter, 1 – 358 degrees

• 4K camera module (AU-V35C1)
  
• Recording module unit (AU-VREC1)
  
• 19mm Studio Bridgeplate
  
• 12″ Camera Dovetail
  
• Iris Rods (per user’s intended configuration)
  
• Additional Batteries, Media and Media Transfer Devices available à la carte.

Electronic Shutter, 7 speeds up to a maximum of 1/2000.

• AJ-HVF21G B/W Viewfinder
  
• B4 Turret Plug
  
• Onboard Microphone
  
• Microphone Jumper Cable
  
• LWS Triangle Plate
  
• ENG Quick Release Plate
  
• 15mm Prime Rods
  
• Raincover
  
• Thermodyne Shipping Case
  
• Additional Batteries, Media and Media Transfer Devices available à la carte.

Electronic Shutter, 1/25 – 1/500

• Super16mm Truesense CCD (Color or Monochrome)
  
• Dual 24-bit 96kHz audio recording capability
  
• Records 12-bit Adobe Cinema DNG (RAW)
  
• Ports: HDMI, USB 3.0, Dual Audio XLR, 4-PIN XLR, ⅛ video, headphone
  
• Dual CF card slots
  
• Internal (Non-Removable) Enterprise SSD

Electronic Shutter, 1/25 – 1/500

• C-Mount Interchangeable Lens Mount
  
• C-Mount Turret Plug
  
• Power Supply
  
• User Manual
  
• Pistol Grip
  
• Arri PL to C-Mount Adapter + additional Accessories and Media available à la carte.

Electronic shutter, 5.6° to 360°

• 36.2 x 24.1mm Full Frame Sensor

• 6K X-OCN 16-bit ST/LT RAW up to 60 fps in 3:2 mode (to AXS-R7 recorder)

• 4K uncompressed linear 16-bit RAW up to 110fps in Cinema 4K (to AXS-R7 recorder)

• Internal XAVC up to 4K (to SxS Pro +)

• 4K S35 Window modes for 17:9 (up to 110fps) and 4:3 (up to 75fps)

• HFR Mode: 120fps at 4K 2.39:1, 60fps at 6K 3:2, 110fps at 4K 17:9, 75fps at 4K 4:3 anamorphic

• 2.0x squeeze Anamorphic in Super 35mm 4:3 mode

• 1.25x, 1.3x, 1.5x, 1.8x, 2.0x Anamorphic Desqueeze in Full Frame Anamorphic 6K 3:2 mode

• 8-Step, 8-Stop Internal NDs (.3 – 2.4)

• 15+ Stops of Exposure Latitude

• native ISO 500 • S-Log3 gamma option

Electronic shutter, 5.6° to 360°

• Anamorphic, Full Frame Licenses, High Frame Rate License
  
• Sony Full Frame Sensor Assembly
  
• Sony Mount Option: Arri PL (Venice)
  
• Turret Plug for Sony Venice PL Mount
  
• Sony AXS-R7 Onboard Recorder (Sony Venice/F55/F5)
  
• SD Card for Camera Settings
  
• Wooden Camera Gold Mount D-Box for Sony Venice
  
• Sony DVF-EL200 0.7″ OLED HD EVF for Sony Venice or F55/F5
  
• Viewfinder Mounting Bracket for Sony Venice (incl. 2x 15mm 4″ rods)
  
• Sony Venice Viewfinder Cable: 22″ Right 26pLEMOm to 26pLEMOm
  
• Sony Venice Viewfinder Cable: 48″ Right 26pLEMOm to 26pLEMOm
  
• Standard Top Handle for Sony Venice
  
• Viewfinder Extension Bracket
  
• EL-3 Eyepiece Leveler
  
• Wooden Camera A-Box (Sony Venice)
  
• Arri BPA-5 Bridgeplate Adapter
  
• Arri Sliding LWS Dovetail Plate For Sony Venice
  
• BP-8 Baseplate 19mm
  
• 12″ Camera Dovetail
  
• (2) Power Adapter Cables: 12v 4pXLRf to 4pXLRm
  
• 12v Power Supply for Sony Venice
  
• A&J Hard Case
  
• Additional Accessories, Media and Card Readers available à la carte.

Electronic shutter, 5.6° to 360°

• Extend camera sensor up to 18′ Away using Rialto extension

• 36.2 x 24.1mm Full Frame Sensor

• 6K X-OCN 16-bit ST/LT RAW up to 60 fps in 3:2 mode (to AXS-R7 recorder)

• 4K uncompressed linear 16-bit RAW up to 110fps in Cinema 4K (to AXS-R7 recorder)

• Internal XAVC up to 4K (to SxS Pro +)

• 4K S35 Window modes for 17:9 (up to 110fps) and 4:3 (up to 75fps)

• HFR Mode: 120fps at 4K 2.39:1, 60fps at 6K 3:2, 110fps at 4K 17:9, 75fps at 4K 4:3 anamorphic

• 2.0x squeeze Anamorphic in Super 35mm 4:3 mode

• 1.25x, 1.3x, 1.5x, 1.8x, 2.0x Anamorphic Desqueeze in Full Frame Anamorphic 6K 3:2 mode

• 8-Step, 8-Stop Internal NDs (.3 – 2.4)

• 15+ Stops of Exposure Latitude

• native ISO 500 • S-Log3 gamma option

Electronic shutter, 5.6° to 360°

• Sony Venice RIALTO Extension System incl. 9′ Cable

• Sony Venice RIALTO 9′ Extension Cable (m to f)

• Anamorphic, Full Frame Licenses
  
• Sony Full Frame Sensor Assembly
  
• Sony Mount Option: Arri PL (Venice)
  
• Turret Plug for Sony Venice PL Mount
  
• Sony AXS-R7 Onboard Recorder (Sony Venice/F55/F5)
  
• SD Card for Camera Settings
  
• Wooden Camera Gold Mount D-Box for Sony Venice
  
• Sony DVF-EL200 0.7″ OLED HD EVF for Sony Venice or F55/F5
  
• Viewfinder Mounting Bracket for Sony Venice (incl. 2x 15mm 4″ rods)
  
• Sony Venice Viewfinder Cable: 22″ Right 26pLEMOm to 26pLEMOm
  
• Sony Venice Viewfinder Cable: 48″ Right 26pLEMOm to 26pLEMOm
  
• Standard Top Handle for Sony Venice
  
• Viewfinder Extension Bracket
  
• EL-3 Eyepiece Leveler
  
• Wooden Camera A-Box (Sony Venice)
  
• Arri BPA-5 Bridgeplate Adapter
  
• Arri Sliding LWS Dovetail Plate For Sony Venice
  
• BP-8 Baseplate 19mm
  
• 12″ Camera Dovetail
  
• (2) Power Adapter Cables: 12v 4pXLRf to 4pXLRm
  
• 12v Power Supply for Sony Venice
  
• A&J Hard Case
  
• Additional Accessories, Media and Card Readers available à la carte.

Electronic shutter, 5.6° to 360°

• 16 Stops of dynamic range

• Dual base ISO of 800/3200

• 8-Step, 8-Stop Internal NDs

• Full Frame Sensor

• 8.6K Full Frame 8640 x 5760 maximum resolution

• Compact Body Design

• Spherical FF & S35

• Anamorphic FF & S35

• Removable PL Mount, Cooke /i Protocol

• 36.2 x 24.1mm Full Frame Sensor

• 8K X-OCN 16-bit XT RAW up to 29.97 fps in 3:2 mode

• Internal 4k ProRes 422 HQ/ProRes 4444 up to 4K (up to 59.94p)

• New high-speed 6.6 Gbps AXS card AXS-A1TS66 for 8K 60p recording

• Easy color control by established workflow of Sony S-Log3 gamma encoding, and S-Gamut3 Ultra-wide color space

Electronic shutter, 5.6° to 360°

• Sony Venice 8K Camera

• Anamorphic, Full Frame Licenses (Arri PL)

• Full Frame 8K Sensor Assembly

• Venice 1/2 Sony E-Mount Adapter: Arri PL

• Turret Plug for Sony Venice 1/2 PL Mount

• Sony DVF-EL200 0.7″ OLED Electronic Viewfinder (Venice 1/2 EVF)

• Viewfinder Bracket Tube Clamp for Sony Venice 1/2

• Viewfinder Bracket Rod for Sony Venice 1/2

• Sony Venice 1/2 Viewfinder Cable: 20″ Right 26pLEMOm to 26pLEMOm

• Sony Venice 1/2 Viewfinder Cable: 48″ Right 26pLEMOm to 26pLEMOm

• Viewfinder Mounting Bracket for Sony Venice 1/2 (incl. 2x 15mm 4″ rods)

• EL-3 Eyepiece Leveler

• AIR EVF Viewfinder Extension Bracket (Venice 1/2, DVF-EL200EVF)(WC)

• 19mm Prime Rods

• Meanwell GST280A24-C6P External Power Adaptor – 280W 24V 11.67A

• Power Cable: 24v 3pXLRm to 3pXLRf 10′

• Core 24V D-Box Gold Mount  f/ Sony Venice 1/2 (24V DC In + Hotswap)

• CORE Venice D-Box Trigger Cable (3pFisM – 3pFisM)

• Gold Mount Batteries and Charger

• A-Box (Sony Venice 1/2)

• Top Plate for Sony Venice 1/2

• Arri CCH-4 Camera Center Handle (Alexa Mini/ Sony Venice 1/2)

• Side Bracket Right for Sony Venice 1/2

• Side Bracket Left for Sony Venice 1/2

• Plate for Sony Venice 1/2

• Arri BPA-5 Bridgeplate Adapter for Sony Venice 1/2

• BP-8 Baseplate 19mm

• 12″ Camera Dovetail

• Shoulder Pad for Sony Venice

• Arri HEX-1 Handle Extension 

• Case for Sony Venice 2 Camera (TT97-141)

• SD Card for Camera Settings

Electronic shutter, 5.6° to 360°

• 16 Stops of dynamic range

• Dual base ISO of 800/3200

• 8-Step, 8-Stop Internal NDs

• Full Frame Sensor

• 8.6K Full Frame 8640 x 5760 maximum resolution

• Compact Body Design

• Spherical FF & S35

• Anamorphic FF & S35

• Removable PL Mount, Cooke /i Protocol

• 36.2 x 24.1mm Full Frame Sensor

• 8K X-OCN 16-bit XT RAW up to 29.97 fps in 3:2 mode

• Internal 4k ProRes 422 HQ/ProRes 4444 up to 4K (up to 59.94p)

• New high-speed 6.6 Gbps AXS card AXS-A1TS66 for 8K 60p recording

• Easy color control by established workflow of Sony S-Log3 gamma encoding, and S-Gamut3 Ultra-wide color space

Electronic shutter, 5.6° to 360°

• Sony Venice 8K Camera

• Anamorphic, Full Frame Licenses (Arri PL)

• Full Frame 8K Sensor Assembly

• Venice 1/2 Sony E-Mount Adapter: Arri PL

• Turret Plug for Sony Venice 1/2 PL Mount

• Sony DVF-EL200 0.7″ OLED Electronic Viewfinder (Venice 1/2 EVF)

• Viewfinder Bracket Tube Clamp for Sony Venice 1/2

• Viewfinder Bracket Rod for Sony Venice 1/2

• Sony Venice 1/2 Viewfinder Cable: 20″ Right 26pLEMOm to 26pLEMOm

• Sony Venice 1/2 Viewfinder Cable: 48″ Right 26pLEMOm to 26pLEMOm

• Viewfinder Mounting Bracket for Sony Venice 1/2 (incl. 2x 15mm 4″ rods)

• EL-3 Eyepiece Leveler

• AIR EVF Viewfinder Extension Bracket (Venice 1/2, DVF-EL200EVF)(WC)

• 19mm Prime Rods

• Meanwell GST280A24-C6P External Power Adaptor – 280W 24V 11.67A

• Power Cable: 24v 3pXLRm to 3pXLRf 10′

• Core 24V D-Box Gold Mount  f/ Sony Venice 1/2 (24V DC In + Hotswap)

• CORE Venice D-Box Trigger Cable (3pFisM – 3pFisM)

• Gold Mount Batteries and Charger

• A-Box (Sony Venice 1/2)

• Top Plate for Sony Venice 1/2

• Arri CCH-4 Camera Center Handle (Alexa Mini/ Sony Venice 1/2)

• Side Bracket Right for Sony Venice 1/2

• Side Bracket Left for Sony Venice 1/2

• Plate for Sony Venice 1/2

• Arri BPA-5 Bridgeplate Adapter for Sony Venice 1/2

• BP-8 Baseplate 19mm

• 12″ Camera Dovetail

• Shoulder Pad for Sony Venice

• Arri HEX-1 Handle Extension 

• Case for Sony Venice 2 Camera (TT97-141)

• SD Card for Camera Settings

Electronic shutter, 5.6° to 360°

• 16 Stops of dynamic range

• Full Frame

• dual base ISO of 800/3200

• 0.6-2.1 internal electronic variable ND Filter system

• In-Body Image Stabilization

• Phase Detection AF | Face/Eye Tracking

• Dual CFExpress Type B Card Slots

• 8.6K Full Frame 8640 x 5760 maximum resolution

• Compact Body Design

• Spherical FF & S35

• Anamorphic FF & S35

• Removable PL Mount

• Cooke /i, Zeiss eXtended Data Protocol

• 35.9 x 24mm Full Frame Sensor

• 8.6K X-OCN LT 16-bit XT RAW up to 29.97 fps in 16:9 mode

• Internal 8K XAVC H-I HQ recording at 1200 Mbps (up to 29.97p)

Electronic shutter, 5.6° to 360°

• Sony Burano Camera Body

• Sony E-Mount Adapter: Arri PL

• Turret Plug

• LCD w/ Cable

• Viewfinder Loupe f/ LCD

• Viewfinder Bracket Rod

• Viewfinder Mount Adapter

• Power Supply

• (2) 10’ Power Cables

• CoreSWX PMC Plate

• Top Plate

• Arri 15mm LWS Rod Console

• Arri CCH-4 Camera Center Handle

• Arri HEX-1 Handle Extension

• Side Bracket Right

• Side Bracket Left

• Rear Side Bracket Right

• Venice BPA-5 Bridge Plate Adapter

• Arri Plate For Sony Venice 1/2, Burano (Bottom Plate)

• BP-8 Baseplate 19mm

• NATO Rail Clamp NRC-1

• NATO Rail Adapter NRC-2

• Arri RMB-3 Rod Mounting Bracket

• 15 mm Reduction Insert for cforce Mini Motor

• 12″ Camera Dovetail

• Support Rods 240mm/9.4in, Ø15mm

• Media, Readers and Batteries available a la carte upon request

Mechanical or Electronic shutter, 1/8000 to 1/4 sec in Movie Mode

• Compact Form for Cage-Free Operation

• Cooling fans for longer record times

• Detachable 2 x XLR/TRS Adapter Handle

• Tally lamp

• Zoom lever built-in to control FE PZ 28-135mm f/4 or FE C 16-35mm T3.1 lenses

• Dual CFexpress Type A/SDXC Card Slots

• 15+ Stops DR

• 1-120fps UHD 4K

• Native ISO 640 in S-Log 3

• Full Frame image sensor

• Internal H.265/XAVC HS 4:2:2 10-Bit UHD 4K 24p,60p,120p Video, 10-Bit 4:2:2

• 16-Bit 4.2K Raw ProRes RAW Output

• new S-Cinetone color profile

• 5-Axis SteadyShot Image Stabilization

• 759-Point Fast Hybrid AF

• 9.44m-Dot QXGA OLED EVF

• Records to CFexpress Type A or SDXC V90 or higher

Mechanical or Electronic shutter, 1/8000 to 1/4 sec in Movie Mode

• Sony Alpha FX3 Mirrorless Digital Camera (Full Frame, 4K) (Sony E-Mount) (Other Mounts Avail.)

• Sony MRW-G2 CFexpress Type A / SD Memory Card Reader (for a7S III)

• Cable: 12″ (Type C to Type C)

• USB 3.0 Cable: 12″ (Type A to Type C)

• Sony BC-QZ1 Battery Charger for NP-FZ100 Batteries (a7S III) (Z-Series)

• Sony NP-FZ100 Rechargeable Lithium-Ion Battery 2280mAH (for a7S III) (Z-Series)

• AC Power Supply for Sony a7S III with NP-FZ100 Dummy Battery (Indipro)

• 24-36″ Coiled P-Tap to Sony NP-FZ100 Dummy Battery (f/ Sony a7S III) (Indipro)

• SmallRig Cage for Sony FX3 Cinema Camera 3277

• SmallRig Universal 15mm LWS Support Baseplate with Quick Release Plate for A7S III

• Mini Quick Release NATO Rail (2″) for Sony a7s III Cage (Smallrig)

• Nato Top Handle for Sony a7S/FX3 Cage (Smallrig)

• Additional E-Mount adapters for PL/EF as well as media available à la carte.

Mechanical or Electronic shutter, 1/8000 to 1/4 sec in Movie Mode

• 1-120fps UHD 4K

• Native ISO 640 in S-Log 3

• Full Frame image sensor

• Internal H.265/XAVC HS 4:2:2 10-Bit UHD 4K 24p,60p,120p Video, 10-Bit 4:2:2

• 16-Bit 4.2K Raw ProRes RAW Output

• new S-Cinetone color profile

• 5-Axis SteadyShot Image Stabilization

• 759-Point Fast Hybrid AF

• 9.44m-Dot QXGA OLED EVF

• Records to CFexpress Type A or SDXC V90 or higher

Mechanical or Electronic shutter, 1/8000 to 1/4 sec in Movie Mode

• Sony Alpha a7S III Mirrorless Digital Camera (Full Frame, 4K) (Sony E-Mount) (Other Mounts Avail.)
  
• Sony MRW-G2 CFexpress Type A / SD Memory Card Reader (for a7S III)
  
• Cable: 12″ (Type C to Type C)
  
• USB 3.0 Cable: 12″ (Type A to Type C)
  
• Sony BC-QZ1 Battery Charger for NP-FZ100 Batteries (a7S III) (Z-Series)
  
• Sony NP-FZ100 Rechargeable Lithium-Ion Battery 2280mAH (for a7S III) (Z-Series)
  
• AC Power Supply for Sony a7S III with NP-FZ100 Dummy Battery (Indipro)
  
• 24-36″ Coiled P-Tap to Sony NP-FZ100 Dummy Battery (f/ Sony a7S III) (Indipro)
  
• Full Cage for Sony a7S III (Smallrig)
  
• SmallRig Universal 15mm LWS Support Baseplate with Quick Release Plate for A7S III
  
• Mini Quick Release NATO Rail (2″) for Sony a7s III Cage (Smallrig)
  
• Nato Top Handle for Sony a7S III Cage (Smallrig)
  
• Additional E-Mount adapters for PL/EF as well as media available à la carte.

Electronic shutter, 30 – 1/8,000sec., Bulb (5 minutes max)

• 12.5 stops of dynamic range

• New flatter “Color Profile Off” gamma option

• 1-30fps 4K

• 1-120fps in FHD

• Dual ISO of 100 and 3200

• Full Frame image sensor

• Internal  H264 or CinemaDNG 8-bit or 10-bit to SDXC

• External CinemaDNG 12-bit to SSD

• ProRes RAW or Blackmagic RAW recording possible w/ external recorder

• World’s smallest and lightest full-frame camera

• Takes can be recorded in Director’s Monitor mode.

• Director’s Viewfinder mode formats incl.

• ARRICAM / ARRIFLEX
• ANSI S35 4-perf
• ANSI S35 3-perf
• ALEXA LF / ALEXA Mini LF
• LF 16:9
• LF 2.39:1
• LF 16:9 (x1.25 anamorphic desqueeze)
• LF 16:9 (x1.3 anamorphic desqueeze)
• LF 16:9 (x1.5 anamorphic desqueeze)
• LF 16:9 (x1.65 anamorphic desqueeze)
• LF 16:9 (x1.8 anamorphic desqueeze)
• LF 16:9 (x1.2 anamorphic desqueeze)
• ALEXA SXT
• 16:9 ProRes HD / 2K
• 16:9 ProRes 3.2K / 4K UHD
• 16:9 ARRIRAW 2.8K
• 16:9 ARRIRAW 3.2K
• 4:3 2.8K (x2 anamorphic desqueeze)
• 6:5 ProRes (x2 anamorphic desqueeze)
• 6:5 ARRIRAW  (x2 anamorphic desqueeze)
• Open Gate 3.4K
• Open Gate 4K Cine
• ALEXA Mini
• ProRes S16 HD
• ProRes HD
• ProRes HD Ana. (x2 anamorphic desqueeze)
• ProRes 2K
• ProRes 2.39:1 2K Ana. (x2 anamorphic desqueeze)
• ProRes 4:3 2.8K
• ProRes 3.2K
• ProRes 4K UHD
• ARRIRAW 16:9 HD Ana. (x2 anamorphic desqueeze)
• ARRIRAW 2.8K
• ARRIRAW 4:3 2.8K (x2 anamorphic desqueeze)
• ARRIRAW Open Gate 3.4K
• AMIRA
• MPEG-2 HD
• ProRes S16 HD
• ProRes HD
• ProRes 2K
• ProRes 3.2K
• ProRes 4K UHD
• ARRIRAW 2.8K
• ALEXA 65
• 4K UHD
• ALEXA XT
• 16:9 DNxHD
• 16:9 ProRes HD
• 16:9 ProRes 2K
• 16:9 ProRes 3.2K
• 4:3 ProRes 2K (x2 anamorphic desqueeze)
• 4:3 ARRIRAW Cropped (x2 anamorphic desqueeze)
• 4:3 ARRIRAW Full (x2 anamorphic desqueeze)
• Open Gate ARRIRAW

• SONY VENICE

• 3.8K 16:9

• 4K 17:9

• 4K 4:3 (x2 anamorphic desqueeze)

• 4K 4:3 (x1.8 anamorphic desqueeze)

• 4K 4:3 (x1.65 anamorphic desqueeze)

• 4K 4:3 (x1.5 anamorphic desqueeze)

• 4K 4:3 (x1.3 anamorphic desqueeze)

• 4K 4:3 (x1.25 anamorphic desqueeze)

• 4K 6:5 (x2 anamorphic desqueeze)

• 4K 6:5 (x1.8 anamorphic desqueeze)

• 4K 6:5 (x1.65 anamorphic desqueeze)

• 4K 6:5 (x1.5 anamorphic desqueeze)

• 4K 6:5 (x1.3 anamorphic desqueeze)

• 4K 6:5 (x1.25 anamorphic desqueeze)

• 5.7K 16:9

• 6K 17:9

• 6K 1.85:1

• 6K 2.39:1

• RED MONSTRO

• 7K FF

• 6K FF

• 4K FF

• RED HELIUM 8K

• 8K FF

• 8K 6:5 (x1.25 anamorphic desqueeze)

• RED DRAGON 6K

• 6K FF

• RED GEMINI 5K

• 5K Full Height 1.7:1

• 5K Full Height 6:5

• 5K FF