Products Archive - TCS Cameras and Lenses

0.75-60fps — LF Open Gate 4.5K ARRIRAW (4448 x 3096)
0.75-40fps — LF Open Gate 4.5K ProRes 4444 XQ, 4444, 422HQ, 422 (4448 x 3096)
0.75-60fps — LF 16:9 UHD ARRIRAW (3840 x 2160)
0.75-60fps — LF 16:9 UHD ProRes 4444 XQ, 4444, 422HQ, 422 (3840 x 2160)
0.75-60fps — LF 2.39:1 ARRIRAW (4448 x 1856)
0.75-100fps — LF 2.39:1 ProRes 4444, 422HQ, 422 (4448 x 1856)
0.75-60fps — LF 2.39:1 ProRes 4444 XQ (4448 x 1856)

0.75-90fps — LF 16:9 2K ProRes 4444 XQ, 4444, 422HQ, 422 (2048 x 1152)

0.75-90fps — LF 16:9 1080p ProRes 4444 XQ, 4444, 422HQ, 422 (1920 x 1080)

*** Framerates based on Codex Compact Drive media capabilities. Other media types may have lower framerate capabilities.

Record Codecs:

ARRIRAW
Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422

Color Depth:

12-bit or 10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

Log C
Rec 709
Rec 2020

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex Compact Drives

Native ISO:

800

Dynamic Range:

14+ stops

Internal ND Filtration:

Yes, Built-in motorized large-format FSND filters: ND 0.6, 1.2 and 1.8

Product Highlights
- Full Frame
- 14+ stops dynamic range
- Three internal, motorized large-format FSND filters: ND 0.6, 1.2 and 1.8
- 16-bit linear internal image processing in full ALEXA Wide Gamut / Log C color space
- New dedicated, regulated 12 V and 24 V accessory power outputs
- Lower noise with higher usable sensitivity
- Compatible with LPL and PL mount lenses, Super 35 and full frame
- 1-60fps
- Internal ARRIRAW 4.5K Open Gate Recording
- Internal ProRes 4.5K Open Gate / UHD / 2K / HD
- Built-in lens motor controller
- Highest dynamic range of any production camera
- Internal recording to new Codex Compact Drive
- New MVF-2 high-contrast HD viewfinder
- New SYNC IN and improved AUDIO connectors
- Two built-in microphones
Our Kit Includes
- Arri Alexa Mini LF Camera Body
- Turret Plug For Alexa Camera Body
- Dual Band Antenna
- LPL Mount
- PL to LPL Adapter
- USB Stick for camera settings
- MVF-2 Electronic Viewfinder incl. Magnetic Eyecup
- MVB-1 Viewfinder Bracket
- Arri MVF-2 Viewfinder Cable Medium, 0.5m / 1.5′
- Arri MVF-2 Viewfinder Cable Short, 0.35m / 1.15′
- AIR EVF Extension Arm
- Arri EL-3 Eyepiece Leveler
- Ethernet Cable
- Arri CCH-4 Camera Center Handle
- Arri Alexa A-EV Handle Extension Block
- (2) MAP-1 Adapter Plate
- (2) MAP-2A Adapter Plate
- MSB-2 Side Bracket for Arri Alexa Mini
- MSB-3 Side Bracket for Arri Alexa Mini LF
- SAB-1 Side Accessory Bracket
- RMB-3 Rod Mounting Bracket for Arri Alexa Mini
- CBP-1 Compact Bridge Plate is 19mm Studio with Shoulder Pad
- Arri 15mm LWS Adapter for CBP-1
- 12″ Bottom Dovetail Plate
- Arri D-BOX incl Anton Bauer Gold Mount
- WC Battery Swing (15mm LWS) (Swing-Away Batt Plate Mount)
- 15 mm Reduction Insert for cforce Mini Motor
- Wooden Camera A-BOX
- EXT-RS Adapter Cable 3.5″
- Timecode Cable: 1/8″ to BNC Male Timecode-In Cable
- Timecode Cable: 5p Lemo – Dual BNC-m Timecode In+Out Cable
- 24v Power Supply
- (2) 24V Power Cables
- 10′ 24v 3pXLRm-3pXLRf Extension Cable
- Case for Alexa Mini LF
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa LF

• 14+ stops dynamic range • Exposure Index 160-3200 • 36.70 x 25.54 mm, 44.71 Ø ALEV III sensor (A2X layout) • 4448x3096 maximum capture resolution • Up to 150 fps • New LPL Lens Mount (44 mm FFD, Ø 62 mm) (PL adapter available) • Lower noise at higher EI than previous cameras • Only 12mm wider and longer than standard Alexa • 16-bit linear internal image processing in full ALEXA Wide Gamut / Log C color space • LF Open Gate Recording Mode (4448x3096) up to 90fps in ARRIRAW • LF 16:9 Recording Mode (3840x2160 up to 90fps in ARRIRAW) • LF 2.39:1 Recording Mode (4448x1856) up to 150fps in ARRIRAW • ARRIRAW and ProRes, Same ARRI Workflow • Records to SXR Capture Drives and SxS PRO+ cards • Full Frame+

More Info

Arri Alexa LF

17.2

7.80

Arri LPL

Super 35mm

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 – 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

LF Open Gate, 16:9 or 2.39:1

Internal Record Media Options:

SxS PRO+ 256 GB (ProRes)
SXR Capture Drives 1 TB (ARRIRAW or ProRes)
SXR Capture Drives 2 TB (ARRIRAW or ProRes)

Frame Rate Options:

0.75-90fps — LF Open Gate ARRIRAW (4448 x 3096)
0.75-60fps — LF Open Gate ProRes 4444, 422HQ, 422 (4448 x 3096)
0.75-40fps — LF Open Gate ProRes 4444 XQ (4448 x 3096)
0.75-90fps — LF 16:9 UHD ARRIRAW (3840 x 2160)
0.75-60fps — LF 16:9 UHD ProRes 4444 XQ, 4444, 422HQ, 422 (3840 x 2160)
0.75-150fps — LF 2.39:1 ARRIRAW (4448 x 1856)
0.75-100fps — LF 2.39:1 ProRes 4444, 422HQ, 422 (4448 x 1856)
0.75-60fps — LF 2.39:1 ProRes 4444 XQ (4448 x 1856)

*** Framerates based on SXR Capture Drive media capabilities. Other media types may have lower framerate capabilities.

Record Codecs:

Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

Color Depth:

12-bit or 10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

Log C
Rec 709
Rec 2020

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex SXR Capture Drives

Native ISO:

800

Dynamic Range:

14+ stops

Internal ND Filtration:

Yes, w/ LF FSND set (available upon request)

Product Highlights
- Exposure Index 160-3200
- 36.70 x 25.54 mm, 44.71 Ø ALEV III sensor (A2X layout)
- 4448×3096 maximum capture resolution
- Up to 150 fps
- New LPL Lens Mount (44 mm FFD, Ø 62 mm) (PL adapter available)
- Lower noise at higher EI than previous cameras
- Only 12mm wider and longer than standard Alexa
- 16-bit linear internal image processing in full ALEXA Wide Gamut / Log C color space
- LF Open Gate Recording Mode (4448×3096) up to 90fps in ARRIRAW
- LF 16:9 Recording Mode (3840×2160 up to 90fps in ARRIRAW)
- LF 2.39:1 Recording Mode (4448×1856) up to 150fps in ARRIRAW
- ARRIRAW and ProRes, Same ARRI Workflow
- Records to SXR Capture Drives and SxS PRO+ cards
- Anamorphic desqueezing : 1.25x, 1.3x, 1.5x, 2x
- Integrated wireless video (compatible with Arri WVR-1 Receiver)
- Integrated WiFi
- Integrated ARRI ECS wireless camera/lens control
Our Kit Includes
- SXR Media Adapter
- ARRI LPL Mount PL Adapter (upon request)
- Turret Plug
- Hawk-Woods RP-CFA1 Battery Adapter
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa SXT Plus 4:3

• 14+ stops dynamic range • 1-120fps • Internal ARRIRAW and ProRes 4K Cine / 4K UHD / 3.2K / 2K / 1080p recording • Open Gate, 6:5, 4:3 and 16:9 sensor modes • Internal ND filtration • Three fully independent HD-SDI outputs • Integrated wireless receiver for camera and lens remote control • New ARRI Color Tool (ACT) and ARRI Look File (ALF-2) allow the creation of unique looks, which are compatible with ALEXA Mini and AMIRA

•Available as SXT W •Integrated wireless video (compatible with Arri WVR-1 Receiver) • Transmits uncompressed HD up to 600 m with no delay (< 1ms) • Integrated WiFi • Integrated ARRI ECS wireless camera/lens control

More Info

Arri Alexa SXT Plus 4:3

Weight (lbs):

14.3

Weight (kg):

6.49

Weight Including:

Body, Lens Mount, Record Module only

Mount Options:

Arri PL

Format Info:

Super 35mm

Shutter Type:

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 – 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

Open Gate, 6:5, 4:3, or 16:9

Internal Record Media Options:

Supports new high speed SXR Capture Drives (1 TB or 2 TB) via SXR Adapter

Supports current XR Capture Drive 512 GB via XR Adapter

Supports SxS PRO and SxS PRO+ cards via SxS Adapter 2

Supports CFast 2.0 cards via CFast 2.0 Adapter 2

Frame Rate Options:

0.75-50fps — 16:9 ProRes 4K UHD (3840 x 2160)
0.75-72fps — 16:9 ProRes 3.2K (3200 x 1800)
0.75 – 120fps — 16:9 ProRes HD (1920 x 1080)
0.75 – 120fps — 16:9 ProRes 2K (2048 x 1152)
0.75 – 120fps — 16:9 ARRIRAW 2.8K (2880 x 1612)
0.75 – 120fps — 16:9 ARRIRAW 3.2K (3168 x 1782)
0.75 – 60fps — 6:5 ProRes 4K Cine Anamorphic (4096 x 1716)
0.75 – 96fps — 6:5 ProRes 2K Anamorphic (2048 x 858)
0.75 – 96fps — 6:5 ARRIRAW 2.6K (2578 x 2160)
0.75 – 60fps — 4:3 ProRes 2.8K (2880 x 2160)
0.75 – 96fps — 4:3 ARRIRAW 2.8K (2880 x 2160)
0.75 – 48fps — Open Gate ProRes 4K Cine (4096 X 2636)
0.75 – 60fps — Open Gate ProRes 3.4K (3424 X 2202)
0.75 – 90fps — Open Gate ARRIRAW 3.4K (3424 X 2202)

*** Framerates based on SXR Capture Drive media capabilities. Other media types may have lower framerate capabilities.

Record Codecs:

Apple ProRes 4444 XQ (12-bit, 4:4:4)
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

Color Depth:

12-bit or 10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

Log C
Rec 709
Rec 2020

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex SXR Capture Drives(or XR Capture Drives, CFast 2.0, or SxS via adapters)

Native ISO:

800

Dynamic Range:

14+ stops

Internal ND Filtration:

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Exposure Index 160-3200
- Built-in Internal Filter Module (IFM-1) filter holder
- In-camera ARRIRAW recording up to 120 fps on SXR or XR Capture Drives via optional adapters
- Lens Data System
- Integrated wireless camera and lens control Tilt and roll sensors
- Electronic horizon
- Easy in-camera ProRes 4K recording
- ProRes 4K UHD (3840 x 2160) recording format for 4K UHD TV deliverables
- ProRes 4K Cine (4096 x 2636) recording format for 4C DCI cinema deliverables
- Improved image quality
- Completely overhauled image processing chain
- Advanced pixel correction
- Optional noise reduction
- New color management
- Matches current ALEXA images, but provides the basis for radically different looks
- 3D Look-up Tables, ASC Color Decision List
- Live in-camera grading on set
- Rec 2020 gamma
- Same tools for ALEXA SXT, ALEXA Mini & AMIRA
- Three fully independent HD-SDI outputs
- Powerful new media bay
- Supports new high speed SXR Capture Drives (1 TB or 2 TB) via SXR Adapter
- Supports current XR Capture Drive 512 GB via XR Adapter
- Supports SxS PRO and SxS PRO+ cards (64GB and above) via SxS Adapter 2
- Supports CFast 2.0 cards via CFast 2.0 Adapter 2
Our Kit Includes
- SXR Recorder Module
- Antenna for Plus Module
- SXR Media Adapter
- ProRes Codec Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- PL Turret Plug
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Mounting Bracket (VMB)
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Viewfinder Cable Short (.35m/1.2ft)
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- XLR Power Cable
- Power Supply
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa Mini

• 14+ stops dynamic range • 1-200fps • Internal ARRIRAW 16:9 2.8K and 3.4K Open Gate Recording • Internal ProRes 16:9 UHD / 3.2K / 2K / 1080p recording • 4:3 2.8K ProRes recording for use with anamorphic lenses • Internal ND filtration • Records to CFast 2.0 cards • Built-in lens motor controller

More Info

Arri Alexa Mini

Weight (lbs):

6.40

Weight (kg):

2.90

Weight Including:

Body, Lens Mount, Record Module only

Mount Options:

Arri PL

Format Info:

Super 35mm

Shutter Type:

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 – 356 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

4:3 or 16:9

Internal Record Media Options:

Cfast 2.0 Cards

Frame Rate Options:

0.75-30fps — 16:9 ProRes 4K UHD (3840 x 2160) 4444XQ
0.75-60fps — 16:9 ProRes 4K UHD (3840 x 2160) all other ProRes formats
0.75-30fps — 16:9 ProRes 3.2K (3164 x 1778) 4444XQ
0.75-60fps — 16:9 ProRes 3.2K (3164 x 1778) all other ProRes formats
0.75-120fps — 16:9 ProRes HD (1920 x 1080) 4444XQ
0.75-200fps — 16:9 ProRes HD (1920 x 1080) all other ProRes formats
0.75-120fps — 16:9 ProRes 2K (2048 x 1552) 4444XQ
0.75-200fps — 16:9 ProRes 2K (2048 x 1552) all other ProRes formats
0.75-200fps — S16 Mode ProRes HD (1920 x 1080) 4444XQ
0.75-120fps — S16 Mode ProRes HD (1920 x 1080) all other ProRes formats
0.75-50fps — 4:3 ProRes 2.8K (2880 x 1620) all ProRes formats
0.75-120fps — 6:5 ProRes 2.39:1 2K Anamorphic (2048 x 858) all ProRes formats
0.75-120fps — 8:9 ProRes HD Anamorphic (1920 x 1080) 4444 only
0.75-48fps — 16:9 2.8K ARRIRAW (2880 x 1620)
0.75-30fps — 16:9 3.4K Open Gate ARRIRAW (3424 x 2202)

Record Codecs:

ARRIRAW (MXF-wrapped)
Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT

Color Depth:

12-bit or 10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

Log C
REC 709

Native ISO:

800

Dynamic Range:

14+ stops

Internal ND Filtration:

Yes, Built-in motorized ND filters, 0.6, 1.2, 2.1

Product Highlights
- ARRIRAW 16:9 2.8K up to 48fps
- ARRIRAW 3.4K Open Gate up to 30fps
- 16:9 UHD ProRes up to 60fps
- 4:3 2.8K ProRes up to 50fps
- 1080p ProRes up to 200fps
- 4:3 sensor (switchable to 16:9 mode)
- Same 35 mm sensor as ALEXA
- Internal ND filters (0.6/1.2/2.1)
- Automatic de-squeeze mode for anamorphic productions
- Records to CFast 2.0 cards
- Built-in lens motor controller
Our Kit Includes
- 4:3 License
- PL Turret Plug
- 2.4 GHz Antenna
- PL LDS mount with L-Bus connector
- Arri MVF-1ML Amira / Alexa Mini Electronic Viewfinder incl. Magnetic Eyecup
- MVB-1 Viewfinder Bracket Viewfinder MVF-1ML
- (2) Arri MVF-1 to Alexa Mini Viewfinder Cable Short, 0.5m / 1.6′
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Alexa-M / Alexa Mini Handle, CCH-2 (K2.73002.0)
- Arri Alexa A-EV Handle Extension Block (HEB-1/ JC HEB-1)
- (2) MAP-1 Adapter Plate
- (2) MAP-2 Adapter Plate
- (2) MSB-1 Side Bracket
- RMB-3 Rod Mounting Bracket
- BPA-4 Bridgeplate Adapter
- CSP-1 Camera Shoulder Pad
- BAP-1 Battery Adapter Plate
- Anton Bauer Gold Mount Battery Plate w/ Custom Alexa Mini Connector
- Wooden Camera D-Box for Alexa Mini (incl. Anton Bauer Gold Mount)
- Wooden Camera A-BOX f/ Arri Alexa Mini Audio incl. 19mm Mounting Rod
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.
- ARRIRAW License available upon request.

Arri Amira w/ Premium License

• 14+ stops dynamic range • 1-200fps • Internal ProRes 4K / 3.2K / 2K / 1080p recording • ProRes 4444 XQ • Internal ND filtration • Records to CFast 2.0 cards • Single User Ergonomics

More Info

Arri Amira w/ Premium License

Weight (lbs):

9.2

Weight (kg):

4.17

Weight Including:

Body, Lens Mount, Record Module only

Mount Options:

Arri PL

Format Info:

Super 35mm

Shutter Type:

Progressive scan, rolling shutter with very fast 2ms read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 – 356 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

16:9

Internal Record Media Options:

Cfast 2.0 Cards

Frame Rate Options:

0.75-30fps — 16:9 ProRes 4K UHD (3840 x 2160) 4444XQ
0.75-60fps — 16:9 ProRes 4K UHD (3840 x 2160) all other ProRes formats
0.75-30fps — 16:9 ProRes 3.2K (3164 x 1778) 4444XQ
0.75-60fps — 16:9 ProRes 3.2K (3164 x 1778) all other ProRes formats
0.75-120ps — 16:9 ProRes 2K (2048 x 1552) 4444XQ
0.75-200fps — 16:9 ProRes 2K (2048 x 1552) all other ProRes formats
0.75-120fps — 16:9 ProRes HD (1920 x 1080) 4444XQ
0.75-200fps — 16:9 ProRes HD (1920 x 1080) all other ProRes formats

Record Codecs:

Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT

Color Depth:

12-bit or 10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

Log C
REC 709

Native ISO:

800

Dynamic Range:

14+ stops

Internal ND Filtration:

Yes, Built-in motorized ND filters, 0.6, 1.2, 2.1

Product Highlights
- Records 4K UHD ProRes up to 60fps
- Frame rates of 0.75-200 fps
- 4:3 sensor
- Same 35 mm sensor as ALEXA
- Internal ND filters (0.6/1.2/2.1)
- OLED eyepiece and fold-away LCD monitor
- Multi-channel audio – easy-access controls
Our Kit Includes
- PL Turret Plug
- (2) Arri Amira Antenna (blu-tooth & wi-fi)
- MHB-2 Mic Adapter Bracket For Amira (821100)
- PL LDS Lens Mount
- Arri MVF-1 Amira Electronic Viewfinder incl. Magnetic Eyecup
- Arri MVF-1 Bracket
- Arri VAB-1 Viewfinder Attachment Bracket (With [2] 4″ rods)
- Arri MVF-1 Amira Viewfinder Cable Short, 0.5m / 1.6′ (820204)
- Arri MVF-1 Amira Viewfinder Cable Medium, 1.5m / 3′
- 10′ Cat6A Black Ethernet Cable
- Arri Amira Gold Mount Adapter (821200)
- Arri CCH-1 (Center Camera Handle)
- Arri Alexa A-EV Handle Extension Block (HEB-1 or HEB-5)
- Arri Amira BPA-3 Bridge Plate Adapter (821104)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Arri Alexa M XR 4:3

• 14+ stops dynamic range • 1-120fps • Internal ARRIRAW & ProRes 3.2K / 2K / 1080p recording to recorder module • 4:3 sensor mode • ProRes 4444 XQ • Internal ND filtration • Separate camera body and light weight head for compact shooting scenarios • Up to 160 ft operating range with hybrid SMPTE cable

More Info

Arri Alexa M XR 4:3

Weight (lbs):

6.4

Weight (kg):

2.90

Weight Including:

Body, Lens Mount, Record Module only

Mount Options:

Arri PL

Format Info:

Super 35mm

Shutter Type:

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5 – 358 degrees

Sensor Description:

CMOS, ALEV III sensor

Sensor Ratio(s):

4:3 or 16:9

Internal Record Media Options:

XR Capture Drives (SxS PRO or SxS PRO+ or Cfast 2.0 with adapter)

Frame Rate Options:

0.75-30fps — 16:9 ProRes 3.2K (3164 x 1778)
0.75 – 120fps — 16:9 ProRes HD (1920 x 1080)
0.75 – 60fps — 16:9 ProRes 2K (2048 x 1152)
0.75 – 120fps — 16:9 ARRIRAW (2880 x 1612)
0.75 – 48fps — 4:3 ProRes 2K (2048 x 1536)
0.75 – 90fps — 4:3 ARRIRAW (2880 x 2160)
0.75 – 96fps — 4:3 ARRIRAW Cropped (2578 x 2160)

Record Codecs:

Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
ARRIRAW

Color Depth:

12-bit or 10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

Log C
REC 709

Raw Recording Possible?:

Yes

RAW Recording?:

uncompressed ARRIRAW internally to Codex XR Capture Drives

Native ISO:

800

Dynamic Range:

14+ stops

Internal ND Filtration:

Yes, 36.5mm rear filters with optional IFH module

Product Highlights
- Separate camera body (12.8 lbs w/ XR module) and light weight head (6.4 lbs) for compact shooting scenarios.
- up to 50 m/160 ft operating range with hybrid SMPTE cable.
- up to 1 km/0.6 miles operating range when head is powered separately.
- Controls and media can be kept in easy reach.
- Exposure Index 160-3200
- in-camera ARRIRAW recording up to 120 fps on 512 GB XR Capture Drives
- ProRes onto SxS PRO cards with SxS Adapter
- ProRes onto CFast 2.0 cards with CFast 2.0 Adapter
- ProRes 4444 up to 120 fps onto XR Capture Drives or CFast 2.0 cards
- ProRes 4:3 2K onto all three media types
- Lens Data System
Our Kit Includes
- Arri Alexa-M 4:3 Camera Head With XR Upgrade
- PL Turret Plug
- Arri Alexa-M Camera Body incl. High-Speed License with XR Module
- Codex SXS Adapter XR Recorder Module for Alexa 4:3XR CDX-3790
- ProRes Codec Option
- QuickTime File Format Option
- High-Speed License Key
- Anamorphic De-squeeze License Key
- Hybrid Fiber Cables (per user request)
- ALEXA-M Handle, CCH-2 (K2.73002.0)
- ALEXA-M Cage Plate ACP-2 (AMC-1, K2.73003.0)
- ALEXA-M Bridge Plate Adapter AMB-2 (AMC-1, K2.73005.0)
- Side Bracket ASB-1 (AMC-1, K2.72086.0)
- Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup
- Arri Alexa A-EV Viewfinder Cable Medium (.65m, 2.1 ft)
- Viewfinder Extenson Bracket VEB-3 (Alexa-M, K2.74000.0)
- Hill Arri Alexa EVF Adapter
- Arri Alexa A-EV Viewfinder Extension Bracket (VEB-1)
- Arri Alexa A-EV Bridge Plate Adapter (BPA-1)
- Arri Alexa A-EV Center Camera Handle (CCH-1)
- Arri Alexa A-EV Handle Extension Block (HEB-2)
- Arri Alexa A-EV Shoulder Pad
- Alexa Audio Cable: 5p XLRm-to-2x 3pXLRf
- Arri Alexa A-EV Ethernet Cable (3m, 9.8ft)
- Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G)
- QR-Quad-PT Sandwich Adapter Plate w/ (4) P-Tap Outputs
- 220w 24vDC Alexa Power Supply (GS220A24-R7B) w/ 6′ AC Power Cord
- Alexa Ethernet External Remote Cable
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red RANGER 8K/6K Monstro VV

Full Frame • 17+ stops dynamic range • 1-300fps • Interchangeable OLPF System and Standard OLPF installed (shadow/low-light and skintone/highlight options available) • Internal ProRes 4K / 2K / HD to Mini-Mags • Internal REDCODE RAW up to 8K to Mini-Mags • Ideal for gimbal/drone usage • VistaVision size MONSTRO 35.4 Megapixel CMOS • IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues • Integrated I/O's • Three SDI outputs (two mirrored and one independent) • Support for wider input voltage (11.5-32V) • 24V & 12V power outs (two of each) • 12V P-Tap port • Integrated 5-pin XLR stereo audio input (line/mic/+48V selectable) • Genlock, timecode, USB, and control • Shimmed PL mount • Large diameter fan provides improved thermal performance and quieter operation

More Info

Red RANGER 8K/6K Monstro VV

3.3

1.50

Arri PL

VistaVision, Full Frame, Super 35mm

Shutter Type:

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 1 to 1/8000 sec

Sensor Description:

MONSTRO 35.4 Megapixel CMOS

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

RED MINI-MAG

Frame Rate Options:

1-29.97fps –ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps –ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps — ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps — ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-60fps — 8K FF REDCODE RAW (8192 x 4320)
1-75fps — 8K 2.4:1 REDCODE RAW (8192 x 3456)
1-60fps — 7K FF REDCODE RAW (7168 x 3780)
1-75fps — 7K 2.4:1 REDCODE RAW (7168 x 3024)
1-75fps — 6K FF REDCODE RAW (6144 x 3240)
1-100fps — 6K 2.4:1 REDCODE RAW (6144 x 2592)
1-96fps — 5K FF REDCODE RAW (5120 x 2700)
1-120fps — 5K 2.4:1 REDCODE RAW (5120 x 2160)
1-120fps — 4K FF REDCODE RAW (4096 x 2160)
1-150fps — 4K 2.4:1 REDCODE RAW (4096 x 1728)
1-150fps — 3K FF REDCODE RAW (3072 x 1620)
1-200fps — 3K 2.4:1 REDCODE RAW (3072 x 1296)
1-240fps — 3K FF REDCODE RAW (2048 x 1080)
1-300fps — 3K 2.4:1 REDCODE RAW (2048 x 864)

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

Record Codecs:

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

Color Depth:

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

Chroma Subsampling:

4:4:4

Color / Gamma Options:

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm
REDWideGamutRGB and Log3G10

Raw Recording Possible?:

Yes

RAW Recording?:

REDCODE RAW

Native ISO:

800

Dynamic Range:

17+ stops

Internal ND Filtration:

No

Product Highlights
- IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.
- REDCODE RAW formats:
- 8K Full Format (8192 x 4320), 1-60fps
- 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 7K Full Format (7168 x 3780), 1-60fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 6K Full Format (6144 x 3240), 1-75fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 5K Full Format (5120 x 2700), 1-96fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 4K Full Format (4096 x 2160), 1-120fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
- 3K Full Format (3072 x 1620), 1-150fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 2K Full Format (2048 x 1080), 1-240fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)
- ProRes Record Formats:
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- 2K Apple ProRes 4444 XQ up to 120 fps
- 2K Apple ProRes 4444 up to 120 fps
- 2K Apple ProRes 422 HQ up to 120 fps
- 2K Apple ProRes 422 up to 120 fps
- 2K Apple ProRes 422 LT up to 120 fps
- Avid Record Formats:
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
Our Kit Includes
- Red RANGER MONSTRO VV 8K CF Camera
- Standard OLPF
- Antenna
- Shimmable Titanium PL mount
- Turret Plug for PL Mount
- Red Production Top Handle
- (2) Red DSMC² Top Mount 15mm LWS Adapter
- RED MINI-MAG Side SSD Module
- USB Memory Stick for Camera Builds
- Red DSMC² 7.0″ PRO Touch LCD
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount Adaptor
- Red LCD Arm
- DSMC² Lemo Adapter A for Brain
- Red DSMC² Flush Mount Side Adapter
- RED DSMC Lemo B Adapter
- (3) EVF/LCD Cables
- Full Metal Jacket Bottom Plate w/ 15mm LWS
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- (2) Red RANGER Power Cable: 3pXLRm-4pLemo2B 10′, 24v
- 10′ 24V 3p XLR Extension
- AC Power Adapter
- Shipping Case
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Weapon 8K/6K Monstro VV Carbon Fiber

Full Frame • 17+ stops dynamic range • 1-300fps • Interchangeable OLPF System and Standard OLPF installed (shadow/low-light and skintone/highlight options available) • Internal ProRes 4K / 2K / HD to Mini-Mags • Internal REDCODE RAW up to 8K to Mini-Mags • Ideal for gimbal/drone usage • VistaVision size MONSTRO 35.4 Megapixel CMOS • IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues

More Info

Red Weapon 8K/6K Monstro VV Carbon Fiber

Weight (lbs):

3.3

Weight (kg):

1.50

Mount Options:

Arri PL, Canon EF, Leica M

Format Info:

VistaVision, Full Frame, Super 35mm

Shutter Type:

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 1 to 1/8000 sec

Sensor Description:

MONSTRO 35.4 Megapixel CMOS

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

RED MINI-MAG

Frame Rate Options:

1-29.97fps –ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps –ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps — ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps — ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-60fps — 8K FF REDCODE RAW (8192 x 4320)
1-75fps — 8K 2.4:1 REDCODE RAW (8192 x 3456)
1-60fps — 7K FF REDCODE RAW (7168 x 3780)
1-75fps — 7K 2.4:1 REDCODE RAW (7168 x 3024)
1-75fps — 6K FF REDCODE RAW (6144 x 3240)
1-100fps — 6K 2.4:1 REDCODE RAW (6144 x 2592)
1-96fps — 5K FF REDCODE RAW (5120 x 2700)
1-120fps — 5K 2.4:1 REDCODE RAW (5120 x 2160)
1-120fps — 4K FF REDCODE RAW (4096 x 2160)
1-150fps — 4K 2.4:1 REDCODE RAW (4096 x 1728)
1-150fps — 3K FF REDCODE RAW (3072 x 1620)
1-200fps — 3K 2.4:1 REDCODE RAW (3072 x 1296)
1-240fps — 3K FF REDCODE RAW (2048 x 1080)
1-300fps — 3K 2.4:1 REDCODE RAW (2048 x 864)

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

Record Codecs:

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

Color Depth:

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

Chroma Subsampling:

4:4:4

Color / Gamma Options:

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Raw Recording Possible?:

Yes

RAW Recording?:

REDCODE RAW

Native ISO:

800

Dynamic Range:

17+ stops

Internal ND Filtration:

No

Product Highlights
- IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.
- REDCODE RAW formats:
- 8K Full Format (8192 x 4320), 1-60fps
- 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 7K Full Format (7168 x 3780), 1-60fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 6K Full Format (6144 x 3240), 1-75fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 5K Full Format (5120 x 2700), 1-96fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 4K Full Format (4096 x 2160), 1-120fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
- 3K Full Format (3072 x 1620), 1-150fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 2K Full Format (2048 x 1080), 1-240fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)
- ProRes Record Formats:
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- 2K Apple ProRes 4444 XQ up to 120 fps
- 2K Apple ProRes 4444 up to 120 fps
- 2K Apple ProRes 422 HQ up to 120 fps
- 2K Apple ProRes 422 up to 120 fps
- 2K Apple ProRes 422 LT up to 120 fps
- Avid Record Formats:
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
Our Kit Includes
- DSMC Interchangeable OLPF System
- Interchangeable Standard OLPF for Red Weapon (other options available per request)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Element Technica W – Gold Mount Battery Module
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Weapon 8K Helium S35 Carbon Fiber

• 16.5+ stops dynamic range • 1-300fps • Interchangeable OLPF System and Standard OLPF installed (shadow/low-light and skintone/highlight options available) • Internal ProRes 4K / 2K / HD to Mini-Mags • Internal REDCODE RAW up to 8K to Mini-Mags • Ideal for gimbal/drone usage • S35mm size Red HELIUM 35.4 Megapixel CMOS sensor • IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues

More Info

Red Weapon 8K Helium S35 Carbon Fiber

Weight (lbs):

3.3

Weight (kg):

1.50

Mount Options:

Arri PL, Canon EF, Leica M

Format Info:

Super 35mm

Shutter Type:

Progressive scan, rolling shutter

Shutter Info:

Electronic shutter, 1 to 1/8000 sec

Sensor Description:

HELIUM 35.4 Megapixel CMOS

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

RED MINI-MAG

Frame Rate Options:

1-29.97fps –ProRes 4K Cine (4096 x 2160) 422 HQ, 422, 422 LT
1-29.97fps –ProRes UHD (3840 x 2160) 422 HQ, 422, 422 LT
1-120fps — ProRes 2K (2048 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-120fps — ProRes HD (1920 x 1080) 4444XQ, 4444, 422 HQ, 422, 422 LT
1-60fps — 8K FF REDCODE RAW (8192 x 4320)
1-75fps — 8K 2.4:1 REDCODE RAW (8192 x 3456)
1-60fps — 7K FF REDCODE RAW (7168 x 3780)
1-75fps — 7K 2.4:1 REDCODE RAW (7168 x 3024)
1-75fps — 6K FF REDCODE RAW (6144 x 3240)
1-100fps — 6K 2.4:1 REDCODE RAW (6144 x 2592)
1-96fps — 5K FF REDCODE RAW (5120 x 2700)
1-120fps — 5K 2.4:1 REDCODE RAW (5120 x 2160)
1-120fps — 4K FF REDCODE RAW (4096 x 2160)
1-150fps — 4K 2.4:1 REDCODE RAW (4096 x 1728)
1-150fps — 3K FF REDCODE RAW (3072 x 1620)
1-200fps — 3K 2.4:1 REDCODE RAW (3072 x 1296)
1-240fps — 3K FF REDCODE RAW (2048 x 1080)
1-300fps — 3K 2.4:1 REDCODE RAW (2048 x 864)

(Compression choices of 22:1 to 2:1)

*** List not comprehensive, intended to show main formats only.
*** Compression choices will affect exact fps possible at any resolution.

Record Codecs:

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

Color Depth:

16-bit REDCODE RAW
12-bit or 10-bit ProRes
8-bit, 10-bit or 12-bit Avid

Chroma Subsampling:

4:4:4

Color / Gamma Options:

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

Raw Recording Possible?:

Yes

RAW Recording?:

REDCODE RAW

Native ISO:

800

Dynamic Range:

16.5+ stops

Internal ND Filtration:

No

Product Highlights
- IPP2 compatible for smoother highlight roll-off, better shadow detail, more accurate mid-tone hues and more.
- REDCODE RAW formats:
- 8K Full Format (8192 x 4320), 1-60fps
- 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 7K Full Format (7168 x 3780), 1-60fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 6K Full Format (6144 x 3240), 1-75fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
- 5K Full Format (5120 x 2700), 1-96fps
- 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 4K Full Format (4096 x 2160), 1-120fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
- 3K Full Format (3072 x 1620), 1-150fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- 2K Full Format (2048 x 1080), 1-240fps
- 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x6K RAW (2:1, 2.4:1)
- ProRes Record Formats:
- UHD Apple ProRes 422 HQ up to 29.97 fps
- UHD Apple ProRes 422 up to 29.97 fps
- UHD Apple ProRes 422 LT up to 29.97 fps
- 2K Apple ProRes 4444 XQ up to 120 fps
- 2K Apple ProRes 4444 up to 120 fps
- 2K Apple ProRes 422 HQ up to 120 fps
- 2K Apple ProRes 422 up to 120 fps
- 2K Apple ProRes 422 LT up to 120 fps
- Avid Record Formats:
- DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
- DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
- DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
- DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
- DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
Our Kit Includes
- DSMC Interchangeable OLPF System
- Interchangeable Standard OLPF for Red Weapon (other options available per request)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Wooden Camera A-BOX f/ Red Epic Audio incl. 19mm Mounting Rod
- Wooden Camera B-BOX f/ Red Epic incl. 19mm Mounting Rod (144600)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Element Technica W – Gold Mount Battery Module
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Red Weapon 5K Gemini S35 Carbon Fiber

• Dual Sensitivity modes (ISO 800/3200) • 16.5+ stops dynamic range • 1-75fps up to 5K • 1-150fps up to 4K • Interchangeable OLPF System and Standard OLPF installed (shadow/low-light and skintone/highlight options available) • Internal ProRes 4K / 2K / HD to Mini-Mags • Internal REDCODE RAW up to 5K to Mini-Mags • Ideal for gimbal/drone usage • S35mm size Red GEMINI 15.4 Megapixel CMOS sensor

More Info

Red Weapon 5K Gemini S35 Carbon Fiber

Weight (lbs):

3.3

Weight (kg):

1.50

Mount Options:

Arri PL, Canon EF, Leica M

Format Info:

Super 35mm

Shutter Type:

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 1 to 1/8000 sec

Sensor Description:

GEMINI 15.4 Megapixel Dual Sensitivity CMOS

Sensor Ratio(s):

1.70:1

Internal Record Media Options:

RED MINI-MAG

Frame Rate Options:

1-75 fps at 5K Full Height 1.7:1 REDCODE RAW (5120 × 3000)
1-96 fps at 5K Full Format REDCODE RAW (5120 × 2700)
1-120 fps at 5K 2.4:1 REDCODE RAW (5120 × 2160)
1-120 fps at 4K Full Format REDCODE RAW (4096 × 2160)
1-150 fps at 4K 2.4:1 REDCODE RAW (4096 × 1728)
1-150 fps at 3K Full Format REDCODE RAW (3072 × 1620)
1-200 fps at 3K 2.4:1 REDCODE RAW (3072 × 1296)
1-240 fps at 2K Full Format REDCODE RAW (2048 × 1080)
1-300 fps at 2K 2.4:1 REDCODE RAW (2048 × 864)
1-29.97 fps at 4K ProRes 422 HQ, ProRes 422 and ProRes 422 LT (4096 × 2160)
1-120 fps at 2K ProRes 4444 XQ and ProRes 4444 (2048 × 1080)
1-120 fps at 2K ProRes 422 HQ, ProRes 422 and ProRes 422 LT (2048 × 1080)
1-29.97 fps at 4K DNxHR HQX (4096 × 2160) 12-bit
1-29.97 fps at 4K DNxHR HQ, SQ and LB (4096 × 2160) 8-bit
1-120 fps at 2K DNxHR 444 (2048 × 1080) 12-bit
1-120 fps at DNxHD 444 and HQX (1920 × 1080) 10-bit
1-120 fps at DNxHD HQ, SQ and LB (1920 × 1080) 8-bit

*** List not comprehensive, intended to show main formats only.

*** Compression choices will affect exact fps possible at any resolution.

Record Codecs:

REDCODE RAW 2:1 to 22:1
ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
ProRes 422 LT
DNxHR HQX
DNxHR HQ
DNxHR SQ
DNxHR LB

Color Depth:

16-bit REDCODE RAW
12-bit or 10-bit
ProRes 8-bit, 10-bit
12-bit Avid

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

RedColor
RedColor2
RedColor3
RedColor4
DRAGONcolor2
REDGamma2
RedGamma3
RedGamma4
REDLogFilm

RAW Recording?:

REDCODE RAW

Native ISO:

Dual-ISO 800 / 3200

Dynamic Range:

16.5+ stops

Internal ND Filtration:

No

Product Highlights
- RED’s highest sensitivity sensor to date.
- Significantly increased performance in low-light situations and improved performance in shadows.
Our Kit Includes
- DSMC2 Interchangeable OLPF System
- Interchangeable DSMC2 Standard OLPF for Red Weapon (other options available per request)
- Red Epic Magnesium PL Mount 2.0
- PL Turret Plug
- Mini-Mag Side Module for Red Weapon
- Red DSMC² Base Expander (f/ Weapon or Raven) (720-0033)
- RED DSMC² Touch 7.0″ LCD
- Manfrotto 814-1 Hydrostatic Monitor Arm
- RED DSMC² Lemo Adapter A for Dragon/Scarlet Generation Displays
- RED DSMC² Lemo Adapter B for DSMC² Generation Displays
- DSMC² RED EVF (OLED)
- DSMC² RED EVF Mount
- 7″ EVF/LCD Cable
- 18″ EVF/LCD Cable
- Red WEAPON Sidekick (Forged CF) (720-0041)
- Camera Cage w/ Top/Bottom Plates and LWS option
- DSMC² Top Handle for Red Weapon / Raven (720-0035)
- Wooden Camera DSMC2 D-Box
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Batteries, Media and Media Transfer Devices available à la carte.

Phantom Flex 4K

• 12 stops dynamic range • 1-1950fps • Internal ProRes or RAW .Cine recording up to 4K resolution • Phantom CineMag IV recording media • 64GB of internal memory • Both Mac and Windows based software for Cine download and file conversion. • Also supports standard, sync sound frame rates

More Info

Phantom Flex 4K

Weight (lbs):

13

Weight (kg):

5.90

Weight Including:

Body and Lens Mount only

Mount Options:

Arri PL

Format Info:

Super 35mm

Shutter Type:

Progressive scan shutter (less than 1ms scan time)

Shutter Info:

Electronic shutter, 5μs to 1/frame rate
Can be set in degrees or microseconds (μs)

Sensor Description:

13.1 megapixel Super 35mm equivalent CMOS sensor

Sensor Ratio(s):

1.78.1 or 1.90:1

Internal Record Media Options:

Internal 64GB RAM
Cinemag IV

Frame Rate Options:

up to 940 fps @ Cine Raw 4K (4096 x 2304) (to internal RAM only)
up to 1000fps @ Cine Raw 4K (4096 x 2160)
up to 1950fps @ Cine Raw 2K (2048×1080)(windowed, Super-16mm mode)

Record Codecs:

RAW .Cine

Color Depth:

12-bit

Chroma Subsampling:

4:4:4

Color / Gamma Options:

Rec709
Log

Raw Recording Possible?:

Yes

RAW Recording?:

Internal to 64Gb RAM or to attached Cinemag IV

Native ISO:

250

Dynamic Range:

12 stops

Internal ND Filtration:

No

Product Highlights
- 4K resolution at up to 1,000 fps
- Also supports standard, sync sound frame rates
- Low noise, high dynamic range
- Full-featured on-camera control interface
- Multi-Channel 3G HG-SDI outputs
- CineMag IV support for raw recording
- Now Available: Audio and Apple ProRes recording options
Our Kit Includes
- 64GB Internal RAM
- PL Mount
- PL Turret Plug
- Gold-Mount Battery Plate
- Mini-BOB Breakout Box for Phantom Flex 4K
- Astro DF-3512-A OLED Viewfinder
- Viewfinder Mounting Bracket
- Top Handle
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Cine-style LWS Riser Plate
- Detachable Shoulder Pad
- Trigger Cable
- Pickle Switch (for Loop RAM Recording)
- Phantom Flex4K I/O Squid (Trigger, F-Sync, TC Out, TC In, Ready, Aux)
- (2) Capture Cables
- Cinestation IV (10GE) for Phantom Flex4K
- 24V Power Supply for CInestation IV (10GE) incl. AC Cable
- ATTO Thunderlink NT 1102 (10GBASE-T)
- Ethernet and Thunderbolt Cables for Data Transfer (per user request)
- Lenovo W520 Thinkpad 15.6″ Laptop with 2.50GHz Intel Core i7-2860QM CPU / 8GB RAM / 64-bit Windows
- Batteries, Cinemags and Additional Cinestations / Laptops for download available à la carte

11.02

Weight (kg):

5.00

Weight Including:

Body, Lens Mount, Record Module only

Mount Options:

Arri PL

Format Info:

Super 35mm

Shutter Type:

Progressive scan shutter

Shutter Info:

Electronic shutter, 1 – 358 degrees

Sensor Description:

8.9 megapixel Super 35mm equivalent MOS sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

expressP2 card
(for 4K and HFR recording)

microP2 card
(HD or 2K recording)

Frame Rate Options:

23.98, 24, 25, 29.97fps — 4K AVC-Intra4K444 (4096 × 2160)
23.98, 24, 25, 29.97fps — UHD AVC-Intra4K444 (3840 × 2160)
1-60fps — 4K AVC-Intra4K422 (4096 × 2160)
1-60fps — UHD AVC-Intra4K422 (3840 × 2160)
1-120fps — 4K AVC-Intra4K-LT (4096 × 2160)
1-120fps — UHD AVC-Intra4K-LT (3840 × 2160)
23.98, 25, 29.97fps — 2K AVC-Intra444 (2048×1080)
23.98, 25, 29.97fps — HD AVC-Intra444 (1920 X 1080)
23.98, 25, 29.97fps — 2K AVC-Intra200 (2048×1080)
23.98, 25, 29.97fps — HD AVC-Intra200 (1920 X 1080)
1-120fps — 2K AVC-Intra100 (2048×1080)
1-120fps — HD AVC-Intra100 (1920 X 1080)
1-60fps — HD ProRes 4444 (1920 X 1080)
1-120fps — HD ProRes 422HQ (1920 X 1080)

1-120fps External 4K V-RAW (4096 × 2160)
1-120fps External UHD V-RAW (3840 × 2160)
(V-RAW is 12-bit up to 30fps, 10-bit beyond 30fps)

Record Codecs:

Main Recorder: AVC-Intra4K444/AVC-Intra4K422/AVC-Intra4K-LT/AVC-Intra2K444/
AVC-Intra2K422/AVC-Intra444/AVC-Intra200/AVC-Intra100/ProRes422HQ/ProRes4444

Sub Recorder: AVC-Intra 2K422, AVC Intra 100, AVC LongG 50,
AVC LongG 25
Compression Format: H.264/AVC High Profile

Color Depth:

12-bit — internal AVC-Intra 4K444
12-bit — external V-RAW (up to 60 fps)
10-bit — internal all other AVC-Intra formats

10-bit — external V-RAW (above 30 fps)

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

V-Log
V-709

Raw Recording Possible?:

Yes

RAW Recording?:

Yes, with Codex V-RAW Recorder module add-on (additional cost)
Cinema 4K or UHD Uncompressed up to 120 fps
Record to Codex Capture Drive 2.0
12-bit up to 30 fps, 10-bit beyond 30 fps

Native ISO:

5000 (or 800)

Dynamic Range:

14+ stops

Internal ND Filtration:

Yes, Built-in ND6, ND1.2, ND1.8

Product Highlights
- AVC-Intra Codecs — Class 100 / Class 200 / Class 4:4:4
- Dual Codec Recording — Simultaneously records in two different formats, codecs and selectable from V-log/V-709/Grading
- Encodes high-resolution proxy files in parallel with 4K and 2K production formats, enabling fast, efficient offline editing, at bit rates from 6 Mbps down to 1.5Mbps.
- Variable speed 4K recording up to 120fps.
- 3G-HD-SDI x4 for 4K QUAD output
- 3G-HD-SDI x2 for RAW output
- HD-SDI out for monitoring (down-converting from 4K)
- Dockable recording module unit (AU-VREC1) (also interchangeable with Panasonic’s new 2/3” camera module unit (AU-V23HS1))
- Camera head can be operated seperately from recorder via external umbilical cable, similar to Alexa-M for crane / jib needs.
- Support for an Academy Color Encoding System (ACES) workflow.
- Newly-developed OLED electronic viewfinder (EVF) with optical zoom functionality.
Our Kit Includes
- 4K camera module (AU-V35C1)
- Recording module unit (AU-VREC1)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Panasonic Varicam LT

• 14+ stops dynamic range • 1-60fps 4K • Internal AVC-Intra recording up to 4K • Arri PL or Canon EF mount options avail. • Internal HD ProRes Recording • External RAW over SDI coming summer 2016 via firmware upgrade • Dual native ISOs of 800 and 5000 • Internal ND filtration

More Info

Panasonic Varicam LT

Weight (lbs):

5.95

Weight (kg):

2.70

Weight Including:

Body, Lens Mount, Record Module only

Mount Options:

Arri PL, Canon EF

Format Info:

Super 35mm

Shutter Type:

Progressive scan shutter

Shutter Info:

Electronic shutter, 1 – 358 degrees

Sensor Description:

8.9 megapixel Super 35mm equivalent MOS sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

expressP2 card

Frame Rate Options:

1-30fps — 4K AVC-Intra4K422 (4096 × 2160)
1-30fps — UHD AVC-Intra4K422 (3840 × 2160)
1-60fps — 4K AVC-Intra4K-LT (4096 × 2160)
1-60fps — UHD AVC-Intra4K-LT (3840 × 2160)
23.98, 25, 29.97fps — 2K AVC-Intra444 (2048×1080)
23.98, 25, 29.97fps — HD AVC-Intra444 (1920 X 1080)
1-60fps — 2K AVC-Intra422 (2048×1080)
1-120fps (cropped) — 2K AVC-Intra422 (2048×1080)
1-60fps — HD AVC-Intra422 (1920 X 1080)
1-120fps (cropped) — HD AVC-Intra422 (1920 X 1080)
50i/59.94i — HD AVC-Intra100 (1920 X 1080)
1-120fps — AVC-Intra 2K-LT (2048×1080)
1-240fps (cropped) — AVC-Intra 2K-LT (2048×1080)
1-120fps — HD AVC-IntraLT (1920×1080 )
1-240fps (cropped) — HD AVC-IntraLT (1920×1080 )
2-30fps — HD ProRes 4444 (1920 X 1080)
2-60fps — HD ProRes 422HQ (1920 X 1080)
Up to 60p AVC-Proxy G6

Record Codecs:

AVC-Intra4K422
AVC-Intra4K-LT
AVC-Intra2K444
AVC-Intra2K422
AVC-Intra444
AVC-Intra422
AVC-Intra100
ProRes422HQ
ProRes4444
AVC-Proxy G6

Color Depth:

12-bit — internal AVC-Intra 4K444
10-bit — internal all other AVC-Intra formats

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

V-Log
V-LOOK
V-709

Raw Recording Possible?:

Yes, via planned firmware upgrade summer 2016

RAW Recording?:

Via SDI out, Convergent Design Odyssey 7Q recorders will support new Varicam LT RAW format

Native ISO:

5000 (or 800)

Dynamic Range:

14+ stops

Internal ND Filtration:

Yes, Built-in ND6, ND1.2, ND1.8

Product Highlights
- Same 4K Sensor as the VariCam 35
- 14+ Stops of Dynamic Range
- Dual ISO: 800 and 5000
- Removable Canon EF or PL Mount Option ($1,300)
- 4K-UHD — AVC-Intra 4K422: up to 30p
- 4K-UHD — AVC-Intra 4K-LT: 30p to 60p
- 2K — AVC-Intra 2K444: up to 30p, AVC-Intra 2K422: up to 60p, up to 120p (cropped), AVC-Intra 2K-LT: 120p to 240p (cropped)
- HD — AVC-Intra444: up to 30p, AVC-Intra422: up to 60p, up to 120p (cropped), AVC-Intra100: 50i/59.94i, AVC-IntraLT: 120p to 240p (cropped)
- HD ProRes: 4444 up to 30p, ProRes 422HQ up to 60p
- One expressP2 card Slot
- SD Slot for Proxies — AVC-Proxy G6 (6Mbps): up to 60p
- RAW Output from SDI Coming in Summer 2016
- ND filters (CLEAR, 0.6, 1.2, 1.8)
- 256GB expressP2 card — 90 minutes of 4K/4:2:2/23.98p content
- Power Consumption: 47 W (body only), 77 W with all ports maxed out
Our Kit Includes
- AU-VCVF10 Viewfinder for VariCam LT
- AU-VGRP1 Grip Module for VariCam LT
- AU-VMPL1 PL Mount Adapter for VariCam LT
- (2) AU-XP0256AG 256GB expressP2 Memory Cards
- AU-XPD1 AU-XPD1 P2 Memory Card Drive
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Panasonic AJ-HPX3700

• 11+ stops dynamic range • 1-30fps • Internal Full HD 1080p DVCPRO HD or AVC-Intra recording • 2/3" CCD image sensor • Internal ND filtration

More Info

Digital Bolex D16 Cinema Camera

• 12 stops dynamic range • 1-25fps • Internal 2K or Full HD 1080p CinemaDNG RAW recording • Interchangeable lens mounts (C-Mount / Canon EF / Arri PL) • Super 16mm size CCD global shutter image sensor • Flat "Film" gamma option • Records to Dual CF card slots or Internal (Non-Removable) Enterprise SSD

More Info

Sony VENICE

36.2 x 24.1mm Full Frame Sensor • 6K X-OCN 16-bit ST/LT RAW up to 60 fps in 3:2 mode (to AXS-R7 recorder) • 4K uncompressed linear 16-bit RAW up to 110fps in Cinema 4K (to AXS-R7 recorder) • Internal XAVC up to 4K (to SxS Pro +) • 4K S35 Window modes for 17:9 (up to 110fps) and 4:3 (up to 75fps) • HFR Mode: 120fps at 4K 2.39:1, 60fps at 6K 3:2, 110fps at 4K 17:9, 75fps at 4K 4:3 anamorphic • 2.0x squeeze Anamorphic in Super 35mm 4:3 mode • 1.25x, 1.3x, 1.5x, 1.8x, 2.0x Anamorphic Desqueeze in Full Frame Anamorphic 6K 3:2 mode • 8-Step, 8-Stop Internal NDs (.3 - 2.4) • 15+ Stops of Exposure Latitude • native ISO 500 • S-Log3 gamma option

More Info

Sony VENICE

Weight (lbs):

8.625

Weight (kg):

3.91

Weight Including:

Body, R7 recorder and Lens Mount only

Mount Options:

Arri PL, Sony E

Format Info:

Full Frame, Super 35mm

Shutter Type:

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5.6° to 360°

Sensor Description:

24.8 megapixel Full Frame single-chip CMOS sensor

Sensor Ratio(s):

3:2
4:3
6:5
16:9
17:9
1.85:1
2.39:1

Internal Record Media Options:

SxS Pro
(for 4K XAVC or HD ProRes recording)

or

AXSM A Series 4.8 Gb/s Memory Card to attached R7 recorder
(for RAW and X-OCN recording)

Frame Rate Options:

X-OCN XT (to AXS-R7)

1-30FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-60FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

X-OCN ST/LT (to AXS-R7)

1-60FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-75FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

RAW SQ (to AXS-R7)

1-110FPS /// 4K 17:9 (4096 x 2160)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

XAVC (to SxS Pro +)

1-30FPS /// XAVC 4K Class480

1-60FPS /// XAVC 4K Class300

1-30FPS /// XAVC QFHD Class480

1-60FPS /// XAVC QFHD Class300

ProRes (to SxS Pro +)

1-60FPS /// HD ProRes 422HQ

1-60FPS /// HD ProRes 422

1-60FPS /// HD ProRes 422 Proxy

MPEG HD422 (to SxS Pro +)

1-60FPS /// MPEG HD422(1920×1080)

Record Codecs:

6K / 4K X-OCN XT compressed RAW
6K / 4K X-OCN ST compressed RAW
6K / 4K X-OCN LT compressed RAW
4K Uncompressed RAW
4K XAVC Class480
4K XAVC Class300
HD ProRes 422HQ
HD ProRes 422
HD ProRes 422 Proxy
MPEG HD422

Color Depth:

16-bit
10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

S-Gamut3.Cine / Slog3

Raw Recording Possible?:

Yes

RAW Recording?:

6K X-OCN XT 16-bit linear RAW to Sony AXS A series memory cards (using attached R7 recorder)

Native ISO:

500

Dynamic Range:

15+ stops

Internal ND Filtration:

Yes, built-in 8-position optical ND: 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4

Product Highlights
- 36.2 x 24.1mm Full Frame Sensor
- 6K X-OCN 16-bit ST/LT RAW up to 60 fps in 3:2 mode (to AXS-R7 recorder)
- 4K uncompressed linear 16-bit RAW up to 110fps in Cinema 4K (to AXS-R7 recorder)
- Internal XAVC up to 4K (to SxS Pro +)
- 4K S35 Window modes for 17:9 (up to 110fps) and 4:3 (up to 75fps)
- HFR Mode: 120fps at 4K 2.39:1, 60fps at 6K 3:2, 110fps at 4K 17:9, 75fps at 4K 4:3 anamorphic
- 2.0x squeeze Anamorphic in Super 35mm 4:3 mode
- 1.25x, 1.3x, 1.5x, 1.8x, 2.0x Anamorphic Desqueeze in Full Frame Anamorphic 6K 3:2 mode
- 8-Step, 8-Stop Internal NDs (.3 – 2.4)
- 15+ Stops of Exposure Latitude
- native ISO 500 • S-Log3 gamma option
Our Kit Includes
- Anamorphic, Full Frame Licenses, High Frame Rate License
- Sony Full Frame Sensor Assembly
- Sony Mount Option: Arri PL (Venice)
- Turret Plug for Sony Venice PL Mount
- Sony AXS-R7 Onboard Recorder (Sony Venice/F55/F5)
- SD Card for Camera Settings
- Wooden Camera Gold Mount D-Box for Sony Venice
- Sony DVF-EL200 0.7″ OLED HD EVF for Sony Venice or F55/F5
- Viewfinder Mounting Bracket for Sony Venice (incl. 2x 15mm 4″ rods)
- Sony Venice Viewfinder Cable: 22″ Right 26pLEMOm to 26pLEMOm
- Sony Venice Viewfinder Cable: 48″ Right 26pLEMOm to 26pLEMOm
- Standard Top Handle for Sony Venice
- Viewfinder Extension Bracket
- EL-3 Eyepiece Leveler
- Wooden Camera A-Box (Sony Venice)
- Arri BPA-5 Bridgeplate Adapter
- Arri Sliding LWS Dovetail Plate For Sony Venice
- BP-8 Baseplate 19mm
- 12″ Camera Dovetail
- (2) Power Adapter Cables: 12v 4pXLRf to 4pXLRm
- 12v Power Supply for Sony Venice
- A&J Hard Case
- Additional Accessories, Media and Card Readers available à la carte.

Sony VENICE w/ Rialto Extension System

Extend camera sensor up to 18' Away using Rialto extension • 36.2 x 24.1mm Full Frame Sensor • 6K X-OCN 16-bit ST/LT RAW up to 60 fps in 3:2 mode (to AXS-R7 recorder) • 4K uncompressed linear 16-bit RAW up to 110fps in Cinema 4K (to AXS-R7 recorder) • Internal XAVC up to 4K (to SxS Pro +) • 4K S35 Window modes for 17:9 (up to 110fps) and 4:3 (up to 75fps) • HFR Mode: 120fps at 4K 2.39:1, 60fps at 6K 3:2, 110fps at 4K 17:9, 75fps at 4K 4:3 anamorphic • 2.0x squeeze Anamorphic in Super 35mm 4:3 mode • 1.25x, 1.3x, 1.5x, 1.8x, 2.0x Anamorphic Desqueeze in Full Frame Anamorphic 6K 3:2 mode • 8-Step, 8-Stop Internal NDs (.3 - 2.4) • 15+ Stops of Exposure Latitude • native ISO 500 • S-Log3 gamma option

More Info

Sony VENICE w/ Rialto Extension System

Weight (lbs):

4.19

Weight (kg):

1.90

Weight Including:

Rialto Sensor Block and PL mount only

Mount Options:

Arri PL, Sony E

Format Info:

Full Frame, Super 35mm

Shutter Type:

Progressive scan, rolling shutter with very fast read-out (minimal artifacts)

Shutter Info:

Electronic shutter, 5.6° to 360°

Sensor Description:

24.8 megapixel Full Frame single-chip CMOS sensor

Sensor Ratio(s):

3:2
4:3
6:5
16:9
17:9
1.85:1
2.39:1

Internal Record Media Options:

SxS Pro
(for 4K XAVC or HD ProRes recording)

or

AXSM A Series 4.8 Gb/s Memory Card to attached R7 recorder
(for RAW and X-OCN recording)

Frame Rate Options:

X-OCN XT (to AXS-R7)

1-30FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-60FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

X-OCN ST/LT (to AXS-R7)

1-60FPS /// 6K 3:2(6048 x 4032)

1-30FPS /// 6K 1.85:1 (6048 x 3270)

1-30FPS /// 6K 17:9 (6048 x 3190)

1-30FPS /// 6K 2.39:1 (6048 x 2530)

1-30FPS /// 5.7K 16:9 (5672 x 3190)

1-30FPS /// 4K 6:5(4096×3432)

1-75FPS /// 4K 4:3(4096×3024)

1-110FPS /// 4K 17:9 (4096 x 2160)

120FPS only /// 4K 2.39:1 (4096 x 1716)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

RAW SQ (to AXS-R7)

1-110FPS /// 4K 17:9 (4096 x 2160)

1-60FPS /// 3.8K 16:9 (3840 x 2160)

XAVC (to SxS Pro +)

1-30FPS /// XAVC 4K Class480

1-60FPS /// XAVC 4K Class300

1-30FPS /// XAVC QFHD Class480

1-60FPS /// XAVC QFHD Class300

ProRes (to SxS Pro +)

1-60FPS /// HD ProRes 422HQ

1-60FPS /// HD ProRes 422

1-60FPS /// HD ProRes 422 Proxy

MPEG HD422 (to SxS Pro +)

1-60FPS /// MPEG HD422(1920×1080)

Record Codecs:

6K / 4K X-OCN XT compressed RAW
6K / 4K X-OCN ST compressed RAW
6K / 4K X-OCN LT compressed RAW
4K Uncompressed RAW
4K XAVC Class 480
4K XAVC Class 300
HD ProRes 422HQ
HD ProRes 422
HD ProRes 422 Proxy
MPEG HD422

Color Depth:

16-bit
10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

S-Gamut3.Cine / Slog3

Raw Recording Possible?:

Yes

RAW Recording?:

6K X-OCN XT 16-bit linear RAW to Sony AXS A series memory cards (using attached R7 recorder)

Native ISO:

500

Dynamic Range:

15+ stops

Internal ND Filtration:

Yes, built-in 8-position optical ND: 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4

Product Highlights
- Extend camera sensor up to 18′ Away using Rialto extension
- 36.2 x 24.1mm Full Frame Sensor
- 6K X-OCN 16-bit ST/LT RAW up to 60 fps in 3:2 mode (to AXS-R7 recorder)
- 4K uncompressed linear 16-bit RAW up to 110fps in Cinema 4K (to AXS-R7 recorder)
- Internal XAVC up to 4K (to SxS Pro +)
- 4K S35 Window modes for 17:9 (up to 110fps) and 4:3 (up to 75fps)
- HFR Mode: 120fps at 4K 2.39:1, 60fps at 6K 3:2, 110fps at 4K 17:9, 75fps at 4K 4:3 anamorphic
- 2.0x squeeze Anamorphic in Super 35mm 4:3 mode
- 1.25x, 1.3x, 1.5x, 1.8x, 2.0x Anamorphic Desqueeze in Full Frame Anamorphic 6K 3:2 mode
- 8-Step, 8-Stop Internal NDs (.3 – 2.4)
- 15+ Stops of Exposure Latitude
- native ISO 500 • S-Log3 gamma option
Our Kit Includes
- Sony Venice RIALTO Extension System incl. 9′ Cable
- Sony Venice RIALTO 9′ Extension Cable (m to f)
- Anamorphic, Full Frame Licenses
- Sony Full Frame Sensor Assembly
- Sony Mount Option: Arri PL (Venice)
- Turret Plug for Sony Venice PL Mount
- Sony AXS-R7 Onboard Recorder (Sony Venice/F55/F5)
- SD Card for Camera Settings
- Wooden Camera Gold Mount D-Box for Sony Venice
- Sony DVF-EL200 0.7″ OLED HD EVF for Sony Venice or F55/F5
- Viewfinder Mounting Bracket for Sony Venice (incl. 2x 15mm 4″ rods)
- Sony Venice Viewfinder Cable: 22″ Right 26pLEMOm to 26pLEMOm
- Sony Venice Viewfinder Cable: 48″ Right 26pLEMOm to 26pLEMOm
- Standard Top Handle for Sony Venice
- Viewfinder Extension Bracket
- EL-3 Eyepiece Leveler
- Wooden Camera A-Box (Sony Venice)
- Arri BPA-5 Bridgeplate Adapter
- Arri Sliding LWS Dovetail Plate For Sony Venice
- BP-8 Baseplate 19mm
- 12″ Camera Dovetail
- (2) Power Adapter Cables: 12v 4pXLRf to 4pXLRm
- 12v Power Supply for Sony Venice
- A&J Hard Case
- Additional Accessories, Media and Card Readers available à la carte.

Sony BVM-HX310 31.1" 4K HDR Color Grading Master Monitor

31.1" Diagonal Alpha-Si TFT Active Matrix LCD panel • 4096 x 2160 pixels (4K) • 4K TRIMASTER HX Professional Master Reference Monitor • RGB 10-bit • Viewing Angle: 89°/89°/89°/89° (up/down/left/right contrast > 10:1) • True HDR capable: 1,000 nits of full-screen brightness with 1,000,000:1 contrast ratio • Support for VPID • True Interlace Mode • Two shooting area markers • EOTF: 2.2, 2.4, 2.6, CRT, 2.4 (HDR), S-Log3 (HDR), S-Log3 (Live HDR), S-Log2 (HDR), SMPTE ST 2084 (HDR), ITU-BT.2100 (HLG) • Transmission Matrix: ITU-R BT.2020 (non-constant luminance is supported), ITU-R BT.709 • Color Space: ITU-R BT.2020, ITU-R BT.709, EBU, SMPTE-C, DCI-P3, Native, S-GAMUT3, S-GAMUT3.cine

More Info

Sony F55

PMW-F55 • 14 stops dynamic range • 1-240fps • 16-bit linear 4K RAW up to 120fps using incl. R7 recorder (available upon request) • new X-OCN compressed RAW format for smaller file sizes available • Internal XAVC Class480 up to 4K • Internal ProRes HD (with optional license) • 16-bit linear 2K RAW up to 240fps • Internal ND filtration • Global shutter • High native ISO of 1250 • S-Log3 gamma option • S-Gamut3Cine color

More Info

Sony F55

Weight (lbs):

7.28

Weight (kg):

3.30

Weight Including:

Body, R7 recorder and Lens Mount only

Mount Options:

Arri PL, Sony FZ, Nikon G, Leica M, Leica R

Format Info:

Super 35mm

Shutter Type:

Global shutter

Shutter Info:

Electronic shutter, 4.2° to 359.7°

Sensor Description:

11.6 megapixel S35mm equivalent single-chip, Bayer pattern CMOS sensor

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

SxS Pro +

AXSM A Series 4.8 Gb/s Memory Card (for use w/ R7 recorder up to 120fps)

Frame Rate Options:

RAW RECORD MODES:
Cinema 4K RAW (4096 X 2160) — 1-120fps
Cinema 4K X-OCN (4096 X 2160) — 1-120fps
2K RAW (2048×1080) — 1-240fps
2K X-OCN (2048×1080) — 1-240fps

SXS PRO+ STANDARD RECORD MODES:
XAVC 4K Class480 (4096 X 2160) — 23.98p, 25p, 29.97p
XAVC 4K Class300 (4096 X 2160) — 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC UHD Class480 (3840 X 2160) — 23.98p, 25p, 29.97p
XAVC UHD Class300 (3840 X 2160) — 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC 2K (2048×1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
XAVC HD (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
ProRes 444 1080p (1920 X 1080) — 23.98p, 25p, 29.97p
ProRes 422 HQ 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
ProRes 422 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
DNxHD 220x 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p
DNxHD 145 1080p (1920 X 1080) — 23.98p, 25p, 29.97p, 50p, 59.94p

SXS PRO+ S&Q RECORD MODES:
XAVC 4K Class300 (4096 X 2160) — 1-60fps (NTSC)
XAVC UHD Class300 (3840 X 2160) — 1-60fps (NTSC)
XAVC 2K (2048×1080) — 1-180fps (NTSC)
XAVC HD (1920 X 1080) — 1-60fps (NTSC)

Record Codecs:

Cinema 4K X-OCN compressed RAW 16-bit
Cinema 4K RAW 16-bit
Cinema 2K X-OCN compressed RAW 16-bit
Cinema 2K RAW 16-bit
XAVC HD 422 10-bit 10-bit
XAVC 2K 422 10-bit 10-bit
XAVC QFHD Class480 10-bit
XAVC QFHD Class300 10-bit
XAVC 4K Class480 10-bit
XAVC 4K Class300 10-bit
SR 422 10-bit
SR 444 10-bit
ProRes 444 12-bit
ProRes 422 HQ 10-bit
ProRes 422 10-bit
Avid DNxHD 220x 10-bit
Avid DNxHD 145 8-bit
MPEG2 422 HD 1080p 8-bit

Color Depth:

16-bit
12-bit
10-bit

Chroma Subsampling:

4:4:4 or 4:2:2

Color / Gamma Options:

S-Log 3
S-Log 2
STD1 DVW
STD2 ×4.5
STD3 ×3.5
STD4 240M
STD5 R709
STD6 ×5.0
HG1 3250G36
HG2 4600G30
HG3 3259G40
HG4 4609G33
HG7 8009G40
HG8 8009G33

Raw Recording Possible?:

Yes

RAW Recording?:

4K or 2K 16-bit linear RAW to Sony AXS memory cards

Native ISO:

1250

Dynamic Range:

14 stops

Internal ND Filtration:

Yes, built-in 0.9 or 1.8

Product Highlights
- 1-240fps
- 16-bit linear 2K RAW up to 240fps
- 16-bit linear 4K RAW up to 120fps
- Internal XAVC up to 4K
- Internal ProRes up to 4K (with optional license)
- Internal ND filtration
- Global shutter
- High native ISO of 1250
- S-Log3 gamma option
Our Kit Includes
- F55 Pro Adapter Module
- Audio Adapter for Sony F55 Camera Body
- Sony DVF-EL100 0.7″ OLED HD EVF
- Viewfinder Adapter Bracket for Sony F55 (Arri, K2.66248.0)
- 1′ EVF Cable for Sony DVF-EL100
- 3′ EVF Cable for Sony DVF-EL100
- Arri Viewfinder Plug Protector for Sony F55 (K2.66251.0)
- Arri PL to Sony FZ Mount Adapter for Sony F55/F5
- PL Turret Plug
- LWS Riser Plate for Sony F55 (Arri, K2.66246.0)
- Top Cheeseplate for Sony F55 (Arri, K2.66247.0)
- AMH-1 Top Camera Handle for Sony F55 (Arri, K2.73002.0)
- Shoulder Pad for Sony F55 (Arri, K2.66249.0)
- Anton Bauer QRC-4K-S Battery Plate for Sony F5/F55
- USB WiFi Adapter for Sony F55 Camera Body (IFU-WLM3)
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- AXS-R7 Recording Module available à la carte.
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Sony FS7

• 14 stops dynamic range • 1-180fps • Internal XAVC-I or XAVC-L up to 4K • ProRes HD (with optional XDCA-FS7 extension) • 12-bit 2K/4K RAW to optional XDCA-FS7 extension • Internal ND filtration • High native ISO of 2000 • S-Log3 gamma option • S-Gamut3Cine color

More Info

Sony FS7

Weight (lbs):

4.4

Weight (kg):

2.00

Weight Including:

Body and Lens Mount only

Mount Options:

Sony E-Mount, Arri PL, Canon EF

Format Info:

Super 35mm

Shutter Type:

Progressive shutter, 15ms response time

Shutter Info:

Electronic shutter, 1/3 sec to 1/9,000 sec

Sensor Description:

11.6 Megapixel Super35 type Single-chip Exmor CMOS

Sensor Ratio(s):

1.90:1

Internal Record Media Options:

XQD Card ( 2 slots )

Frame Rate Options:

1-60fps — XAVC-I Cinema 4K (4096×2160)
1-60fps — XAVC-I Ultra HD (3840×2160)
1-180fps — XAVC-I HD (1920 X 1080)
1-60fps — XAVC-L Ultra HD (3840×2160)
1-120fps — XAVC-L HD (1920 X 1080)
23.98p/25p/29.97p/50i/59.94i — MPEG HD422, HD (1920 X 1080)
23.98p/25p/29.97p/50i/59.94i — MPEG HD422, 720p (1280 X 720)
1-240fps — external ProRes HD 422HQ (1920 X 1080) (w/ XDCA-FS7 extension)
1-240fps — external ProRes HD 422 (1920 X 1080) (w/ XDCA-FS7 extension)
1-60fps — external Cinema 4K 12-bit RAW (4096×2160) (w/ XDCA-FS7 extension)
1-60fps — external 2K 12-bit RAW (2048×1080) (w/ XDCA-FS7 extension)

Record Codecs:

XAVC-I
XAVC-L
MPEG HD422
ProRes 422 HQ (external w/ XDCA-FS7 extension)
Pro Res 422 (external w/ XDCA-FS7 extension)
12-bit Cinema 4K RAW (external w/ XDCA-FS7 extension)
12-bit 2K RAW (external w/ XDCA-FS7 extension)

Color Depth:

10-bit or 8-bit (Internal)
12-bit (w/ XDCA-FS7 extension)

Chroma Subsampling:

4:2:2 (internal)
4:4:4 (external, RAW)

Color / Gamma Options:

S-Log 3
STD1 DVW
STD2 x 4.5
STD3 x 3.5
STD4 240M
STD5 R709
STD6 x 5.0
HG1 3250G36
HG2 4600G30
HG3 3259G40
HG4 4609G33
HG7 8009G40
HG8 8009G33

Raw Recording Possible?:

Yes

RAW Recording?:

4K or 2K 12-bit RAW to Sony AXS memory cards

Native ISO:

2000

Dynamic Range:

14 stops

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Built-in Neutral Density filters, 1/4, 1/16, 1/64
- Two XQD media slots support simultaneous and relay recording
- RAW output for external 4K/2K RAW recording
Our Kit Includes
- XDCA-FS7 Extension Unit (enables 12-bit RAW output)
- Metabones Canon EF Lens to Sony E-Mount Speed Booster ULTRA
- EF Turret Plug
- USB WiFi Adapter (IFU-WLM3)
- Viewfinder (includes eyepiece, eyecup)
- Monitor (includes rod and clamp)
- Grip Remote Control
- Arri Alexa-M / Alexa Mini / Sony FS7 Handle, CCH-2 (K2.73002.0)
- Handle Extension Block (HEB-3)
- Arri Top Plate for Sony FS7
- Arri Viewfinder Bracket for Sony FS7
- Arri Adapter Plate for Sony FS7
- Arri 15 mm LWS Rod Console for Sony FS7
- Arri Lens Adapter Support LAS-1 for Sony FS7
- USB 3.0 Adapter for Sony G Series XQD Cards
- Sony MPA-AC1 AC Adapter for Sony FS7 Camera Body
- Anton Bauer Gold Mount Battery Plate for Sony FS7 Camera Body (Custom, 1x P-Tap)
- (3) BP-U or equivalent Onboard Batteries
- Charger for BP-U Series Onboard Batteries
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Power Supply
- XLR Power Cable
- Iris Rods (per user’s intended configuration)
- Additional Batteries, Media and Media Transfer Devices available à la carte.

Sony Alpha a7S II Mirrorless Digital Camera

• 1-120fps Full HD 1080p • Native ISO 1600 in S-Log 3 • Full Frame image sensor • Internal XAVC S recording in 4K or Full HD 1080p • External 4K or 1080p 8-bit 4:2:0 recording possible via HDMI • S-Log3 gamma option • S-Gamut3Cine color • APS-C crop mode available for using S35mm lenses in 1080p • 1080p 120fps recording possible with 2.2x crop of sensor • No pixel binning in Full Frame 4K UHD recording

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Canon C700 GS PL (Arri PL Mount)

Global Shutter • 14 stops dynamic range • 1-120fps 4K RAW to Codex CDX-36150 Recorder • 1-60fps internal 4K ProRes or XF AVC recording in 4K • up to 180fps in ProRes 422 or 240fps XF-AVC in 2K/FHD Crop Mode • Dual CFast 2.0 Card Slots • Proxy Recording to SD Cards • Selectable Gamma and Log Curves

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Canon C700 GS PL (Arri PL Mount)

7.6

3.45

Body only

Arri PL

Super 35mm

Global shutter

Modes: Speed, Angle, Clear Scan, Slow, Off

Adjustable with either 1/3 or 1/4 steps selected as speed increment

Sensor Description:

11.54 megapixel Super 35mm Canon CMOS Sensor with DAF Technology

Sensor Ratio(s):

1.9:1

Internal Record Media Options:

Cfast 2.0 Cards

Frame Rate Options:

1 – 30fps — ProRes 422 HQ 4K/QFHD (to CFast 2.0)
1 – 60fps — ProRes 422 HQ 2K/FHD (to CFast 2.0)
1 – 60fps — ProRes 4444 2K/FHD (to CFast 2.0)
1 – 180fps — ProRes 422 Crop 2K/FHD (to CFast 2.0)
1 – 60fps — XF-AVC 4K YCC422 Intra 4K/QFHD (to CFast 2.0)
1 – 120fps — XF-AVC 4K YCC422 Intra 2K/FHD (to CFast 2.0)
1 – 60fps — XF-AVC 4K YCC422 LGOP 2K/FHD (to CFast 2.0)
1 – 60fps — XF-AVC 4K RGB444 Intra 2K/FHD (to CFast 2.0)
1 – 240fps — YCC422 Intra Crop 2K/FHD (to CFast 2.0)
1-120fps — Uncompressed RAW 4K (to Codex CDX-36150)
1-100fps — Uncompressed RAW 4.5K (to Codex CDX-36150)
1-120fps — Uncompressed RAW 4.5K (to Codex CDX-36150)
1-120fps — Uncompressed RAW Crop 2K (to Codex CDX-36150)
1 – 60fps — ProRes 422 HQ 4K/QFHD (to Codex CDX-36150)
1 – 120fps — ProRes 422 HQ 2K/FHD (to Codex CDX-36150)
1 – 60fps — ProRes 4444 2K/FHD (to Codex CDX-36150)
1 – 60fps — ProRes 4444 XQ 2K/FHD (to Codex CDX-36150)
1 – 240fps — ProRes 422 HQ Crop 2K/FHD (to Codex CDX-36150)
1-60fps — XF-AVC (Proxy) YCC420 LGOP 2K/FHD (internal SD card)

Record Codecs:

ProRes 4444XQ
ProRes 4444
ProRes 422 HQ
ProRes 422
XF-AVC YCC422 Intra (10 bit)
XF-AVC YCC422 LGOP (10 bit)
XF-AVC RGB444 Intra (12/10 bit)
RAW (Uncompressed)

Color Depth:

10-bit
12-bit

Chroma Subsampling:

4:2:2
4:4:4

Color / Gamma Options:

Gamma: Canon Log 3, Canon Log 2, Canon Log, Wide DR

Color Space: Cinema Gamut, BT.2020 Gamut, DCI-P3 Gamut, BT.709 Gamut

LUT: BT.709, BT.2020, DCI, ACESproxy, HDR-ST2084

Raw Recording Possible?:

Yes

RAW Recording?:

Externally, via Codex CDX-36150 attachment

Dynamic Range:

14 stops

Internal ND Filtration:

Yes, built-in 5 density settings (2, 4, 6, 8*, 10* stops)

*when expansion is selected

Product Highlights
- Super 35mm Global Shutter CMOS Sensor
- PL Mount
- Up to 14 Stops of Dynamic Range
- 4K up to 60 fps, 2K/HD up to 240 fps
- Proxy Recording to SD Cards
- Selectable Gamma and Log Curves
- XF-AVC and ProRes Recording to CFast 2.0
- Intuitive User Interface
- Raw Recording Option
Our Kit Includes
- PL Turret Plug
- Canon EVF-V70 OLED Viewfinder for C700
- UN-5 Monitor Cable
- UN-10 Monitor Cable
- MVB-1 Viewfinder Bracket
- Arri CCH-2 Top Handle
- Arri Viewfinder Bracket
- Arri Top Plate
- Arri LWS Adapter Plate
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- BP-8 Baseplate 19mm
- 10′ 4p XLR 12v Power Cables
- 6pLemo1Bm-to-4pXLRm Power Cable (for block batteries)
- Wooden Camera D-BOX incl. Anton Bauer Gold Mount (Canon C700)
- USB 3.0 CFast 2.0 Card Reader w/ Corresponding Cable
- Additional Batteries and Media available à la carte.

Canon C300 Mark II (EF Mount)

• 15 stops dynamic range • 1-120fps • Internal XF AVC recording in 4K / 2K / HD • External 4K RAW recording • Dual CFast 2.0 Card Slots • Internal ND up to 10 stops in expansion mode • Flatter Canon Log Gamma 2 • Dual Pixel CMOS AF

More Info

Canon C300 Mark II (EF Mount)

Weight (lbs):

7.42

Weight (kg):

3.37

Weight Including:

Body, Grip, Monitor and 2x CF cards

Mount Options:

Arri PL, Canon EF

Format Info:

Super 35mm

Shutter Type:

Progressive scan, rolling shutter

2x faster readout than C300 Mk. I

Shutter Info:

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

Sensor Description:

9.84 megapixel Super 35mm Canon CMOS sensor w/ Dual Digic DV5 Image Processors

Sensor Ratio(s):

1.9:1

Internal Record Media Options:

Cfast 2.0 Cards

Frame Rate Options:

1 – 30fps — XF AVC Cinema 4K (4096×2160)
1 – 30fps — XF AVC UHD (3840×2160)
1 – 30fps — XF AVC 2K 4:4:4 (2048×1080)
1 – 120fps — XF AVC 2K 4:2:2 (2048×1152)
1 – 30fps — XF AVC HD 4:4:4 (1920 X 1080)
1 – 120fps — XF AVC HD 4:2:2 (1920 X 1080)

Record Codecs:

.MXF (OP-1a) file format
XF AVC codec
(MPEG-4 AVC/H.264)
Choice of Intraframe or LongGOP compression
Infraframe: 410Mbps in 4K
LongGOP 50Mbps in 2K

Color Depth:

10-bit (4K)
12-bit (2K)

Chroma Subsampling:

4:2:2 (in 4K)
4:4:4 (in 2K or HD only)

Color / Gamma Options:

Canon Log 2
Canon Log

Raw Recording Possible?:

Yes

RAW Recording?:

Externally, via HD-SDI outputs

Native ISO:

800

Dynamic Range:

15 stops

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Can record 4K internally and 4K RAW externally at the same time
- While shooting 4K, can record proxies in 8-bit 4:2:0 at 35mbps or 24mbps in 2K/HD
- Flatter Canon Log Gamma 2 (and Canon Wide DR)
- Baked in Looks Option Allows Matching the Image of Other Cameras Internally
- ISO Up to 102,400
- Dual CFast 2.0 Card Slots
- Dual 3G-SDI & HDMI (Unclear if the HDMI can output 4K)
- Internally ND up to 10 stops in expansion mode
- Internally ND up to 10 stops in expansion mode
- Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally)
- Uses new batteries different from the Original C300
- Color Matrixes to match various other cameras.
Our Kit Includes
- EF Turret Plug
- Side Handle Grip
- 4″ Rotatable LCD Viewfinder incl. Microphone Mount
- (4) Canon BP-A30 Intelligent Li-Ion Battery 7.4V 3100mAh 47Wh
- Canon Battery Charger for EOS C300 Mark II Camcorder Batteries
- Wooden Camera D-Box for Canon C300 Mk. II (incl. Anton Bauer Gold Mount)
- Arri CCH-2 Camera Handle (K2.73002.0)
- Arri Top Plate for C300 Mk. II (K2.0006859)
- Cine Plate C300 Mk II, K2.0006864
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries and Media available à la carte.

Canon C300 Mark II (PL Mount)

• 15 stops dynamic range • 1-120fps • Internal XF AVC recording in 4K / 2K / HD • External 4K RAW recording • Dual CFast 2.0 Card Slots • Internal ND up to 10 stops in expansion mode • Flatter Canon Log Gamma 2 • Dual Pixel CMOS AF

More Info

Canon C300 Mark II (PL Mount)

Weight (lbs):

7.42

Weight (kg):

3.37

Weight Including:

Body, Grip, Monitor and 2x CF cards

Mount Options:

Arri PL, Canon EF

Format Info:

Super 35mm

Shutter Type:

Progressive scan, rolling shutter

2x faster readout than C300 Mk. I

Shutter Info:

Electronic shutter, 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 degree settings

Sensor Description:

9.84 megapixel Super 35mm Canon CMOS sensor w/ Dual Digic DV5 Image Processors

Sensor Ratio(s):

1.9:1

Internal Record Media Options:

Cfast 2.0 Cards

Frame Rate Options:

1 – 30fps — XF AVC Cinema 4K (4096×2160)
1 – 30fps — XF AVC UHD (3840×2160)
1 – 30fps — XF AVC 2K 4:4:4 (2048×1080)
1 – 120fps — XF AVC 2K 4:2:2 (2048×1152)
1 – 30fps — XF AVC HD 4:4:4 (1920 X 1080)
1 – 120fps — XF AVC HD 4:2:2 (1920 X 1080)

Record Codecs:

.MXF (OP-1a) file format
XF AVC codec
(MPEG-4 AVC/H.264)
Choice of Intraframe or LongGOP compression
Infraframe: 410Mbps in 4K
LongGOP 50Mbps in 2K

Color Depth:

10-bit (4K)
12-bit (2K)

Chroma Subsampling:

4:2:2 (in 4K)
4:4:4 (in 2K or HD only)

Color / Gamma Options:

Canon Log 2
Canon Log

Raw Recording Possible?:

Yes

RAW Recording?:

Externally, via HD-SDI outputs

Native ISO:

800

Dynamic Range:

15 stops

Internal ND Filtration:

Yes, built-in 0.6, 1.2, 1.8

Product Highlights
- Can record 4K internally and 4K RAW externally at the same time
- While shooting 4K, can record proxies in 8-bit 4:2:0 at 35mbps or 24mbps in 2K/HD
- Flatter Canon Log Gamma 2 (and Canon Wide DR)
- Baked in Looks Option Allows Matching the Image of Other Cameras Internally
- ISO Up to 102,400
- Dual CFast 2.0 Card Slots
- Dual 3G-SDI & HDMI (Unclear if the HDMI can output 4K)
- Supports BT.2020, Canon Cinema Gamut, and DCI-P3 Color Spaces
- Internally ND up to 10 stops in expansion mode
- Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally)
- Uses new batteries different from the Original C300
- Color Matrixes to match various other cameras.
Our Kit Includes
- PL Turret Plug
- Side Handle Grip
- 4″ Rotatable LCD Viewfinder incl. Microphone Mount
- (4) Canon BP-A30 Intelligent Li-Ion Battery 7.4V 3100mAh 47Wh
- Canon Battery Charger for EOS C300 Mark II Camcorder Batteries
- Wooden Camera D-Box for Canon C300 Mk. II (incl. Anton Bauer Gold Mount)
- Arri CCH-2 Camera Handle (K2.73002.0)
- Arri Top Plate for C300 Mk. II (K2.0006859)
- Cine Plate C300 Mk II, K2.0006864
- 19mm Studio Bridgeplate
- 12″ Camera Dovetail
- Iris Rods (per user’s intended configuration)
- Additional Batteries and Media available à la carte.

Canon 7D-PL

• 9 stops dynamic range • 1-30fps Full HD • Internal H.264 recording • Robust PL mount • APS-C size sensor for S35mm approximate field of view

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Canon 7D-PL Infrared

• 9 stops dynamic range • 1-30fps Full HD • Internal H.264 recording • Robust PL mount • APS-C size sensor for S35mm approximate field of view • custom modified with 715nm Infrared pass filter for interesting visual effects • Useful for high-contrast black and white infrared as well as some color infrared applications

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Arricam Studio (ST)

• 1-60fps Forward • 1-32fps Reverse • 3-perf or 4-perf pulldown options • Ground glasses for common formats such as 1.85:1, 1.78:1, 2.40 Spherical and 2x Anamorphic available upon request

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Arricam Lite (LT)

• 1-48fps Forward • 1-32fps Reverse • 3-perf or 4-perf pulldown options • Ground glasses for common formats such as 1.85:1, 1.78:1, 2.40 Spherical and 2x Anamorphic available upon request • Arricam LT HD-IVS Video Tap or indieASSIST HD Video Assist

More Info

Arricam Lite (LT)

11.56

5.24

Body w/ Finder

Arri PL

Super 35mm

4:3 (4-perf), 1.78:1 (3-perf), 2.39:1 (2-perf)

Pulldown Options:

4-perf, 3-perf or 2-perf movement

Shutter Info:

Mirror reflex shutter adjustable from 0° and 180° while in standbyRampable between 11.2° and 180° while running

Sensor Ratio(s):

1.37:1 or 1.85:1

Frame Rate Options:

1-48fps Forward Run
1-32fps Reverse Run

Product Highlights
- Ground Glass formats available: 2-perf 2.40 Spherical (S35), 3-perf 1.78:1 (S35), 3/4-perf 1.85:1 (S35), 3/4-perf 2.40 Spherical (S35), 4-perf 2x Anamorphic (2.35:1)(N35)
- Crystal accurate to 0.001 frames
- Below 24 db(A) sound level
- Five link movement with dual registration pins and pulldown claws, 3 or 4-perf pulldown, pitch adjustment
- Power Input 24V to 32V DC
- 11.46 lbs w/ 1000′ Studio Mag
- 7.26 lbs w/ 400′ Studio Mag
- 5.95 lbs w/ 400′ LT Shoulder Mag
- 5.95 lbs w/ 400′ LT Steadicam Mag
Our Kit Includes
- Turret Plug
- Arricam Ground Glass 1.78 S35 4-perf (unless otherwise specified)
- Arricam Glow Module 1.78 S35 4-perf (unless otherwise specified)
- 4-perf Movement for Arricam LT (3-perf available upon request)
- Arricam LT HD-IVS Video Tap or
- indieASSIST HD Video Assist
- Accessory Power Box for Arricam
- Lite Mask Frameglow
- Speed Control Box for Arricam
- Speed Control Cable for Arricam
- Mag Port Cover for Arricam LT
- Rear Protection Cover for Arricam
- LT-ST Studio Magazine Adapter
- Tools LT GG Tool
- Arricam LT Camera Handle
- HE-4 Heated Eyecup Arricam / 416
- (2) Eyepiece Heater Cable: 4p Fischer Female to 1p Male
- Arricam LT Regular Eyepiece
- Arricam ST Zoom Extension Finder
- Arri EL-3 Eyepiece Leveler
- Arricam LT Viewfinder
- Arricam LT Finder Block Arm Spherical
- 3pFischer Distro Box
- 19mm Prime Rods
- 19mm Power Bridgeplate for Arricam w/ 3p RS
- 12″ Dovetail Plate (Arri, Black w/ Rear Push-Tab)
- Arricam LT Worklight
- (2) 24v Power Cable – 2p Fischer – 3p XLR (6′)
- Power Extension Cable: 24v, 30′, 3pXLRm-to-3pXLRf
- Case for Arricam LT (Z17-255)
- Additional Accessories and Magazines available à la carte.